#.#.#.#.#.                                          #.##..#..#
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#.#.#.#.#.                                          #.##..#.#.
#.#.#.#.#.               TRAIN DREAM                #..#.##.#.
#.#.#.#.#.   ######....~»~~..#####################  #.##..#.#.
#.#.#.#.#.                    ;;;                   #..#.##.#.
#.#.#.#.#.                     »                    #.##..#.#.
#.#.#.#.#.                     »                    #..#.##.#.
#.#.#.#.#.                                          #.##..#.#.
#.#.#.#.#.               (SITUATION)                #..#.##.#.
#.#.#.#.#.                                          #.##..#.#.
#.#.#.#.#. YOU   FIND  YOURSELF  IN  A  RIFT   -  A #..#.##.#.
#.#.#.#.#.  CLEARING, NARROW BUT IMMEASURABLY LONG. #.##..#.#.
#.#.#.#.#. TO  YOUR  SIDES ARE WALLS MADE OF TREES, #..#.##.#.
#.#.#.#.#. THICK AND READY TO  SWALLOW YOU. THE SUN #.##..#.#.
#.#.#.#.#. IS NOWHERE  TO  BE SEEN,  BUT NONTHELESS #..#.##.#.
#.#.#.#.#. IT IS VERY BRIGHT -  THE AIR FEELS LIGHT #.##..#.#.
#.#.#.#.#.           BLUE, ALMOST WHITE.            #..#.##.#.
#.#.#.#.#.                                          #.##..#.#.
#.#.#.#.#. ALONG THE SPAN  OF THE CLEARING LAY  TWO #..#.##.#.
#.#.#.#.#.    PARALLEL SILVERY LINES, DARK HARD     #.##..#.#.
#.#.#.#.#. METAL. SOMEHOW  YOU  CAN SEE  HOW  HEAVY #..#.##.#.
#.#.#.#.#.                 THEY ARE.                #.##..#.#.
#.#.#.#.#.                                          #..#.##.#.
#.#.#.#.#. THEY   EMIT  A   HIGH  PITCHED  WHINE... #.##..#.#.
#.#.#.#.#.                                          #..#.##.#.
#.#.#.#.#.                    »                     #.##..#.#.
#.#.#.#.#.                   ..†..                  #..#.##.#.
#.#.#.#.#.                     »                    #.##..#.#.
#.#.#.#.#.                                          #..#.##.#.
#.#.#.#.#.               (SITUATION)                #.##..#.#.
#.#.#.#.#.                                          #..#.##.#.
#.#.#.#.#. YOURE   AT   THE   TRAIN STATION,  ON  A #.##..#.#.
#.#.#.#.#. CATWALK ABOVE THE  RAILS.  YOUR TRAIN IS #..#.##.#.
#.#.#.#.#. LATE,  OR  YOU  ARE  LATE  TO THE TRAIN. #.##..#.#.
#.#.#.#.#. IT'S A  SUMMER AFTERNOON AND THE STATION #..#.##.#.
#.#.#.#.#. IS  BUSY,  FULL  OF RELAXED  CONFIDENCE. #.##..#.#.
#.#.#.#.#.                                          #..#.##.#.
#.#.#.#.#. YOU'RE IN  HIGH SPIRITS, ALTHOUGH A  BIT #.##..#.#.
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#.#.#.#.#. UP  THE  STAIRS  TO  YOUR  PLATFORM. THE #.##..#.#.
#.#.#.#.#. STATION   IS  IN   SEVERAL  LEVELS,  ALL #..#.##.#.
#.#.#.#.#.      PLACED WITHIN EACHOTHER BY SOME     #.##..#.#.
#.#.#.#.#.    INTELLIGENT DESIGNER, AND FULL OF     #..#.##.#.
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#.#.#.#.#. SOME  GLASS  WINDOWS. IT'S...  NOT WHERE #.##..#.#.
#.#.#.#.#.           IT'S SUPPOSED TO BE?           #..#.##.#.
#.#.#.#.#.                                          #.##..#.#.
#.#.#.#.#.                     »                    #..#.##.#.
#.#.#.#.#.                  ~~$~~                   #.##..#.#.
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#.#.#.#.#.                                          #.##..#.#.
#.#.#.#.#.               (SITUATION)                #..#.##.#.
#.#.#.#.#.                                          #.##..#.#.
#.#.#.#.#. YOU'RE FINALLY  ENTERING THE CITY. WHILE #..#.##.#.
#.#.#.#.#. IT  IS INDEED  A  VERY  HIGH SPEED TRAIN #.##..#.#.
#.#.#.#.#. YOU'RE  TRAVELING  IN,  THE  JOURNEY HAS #..#.##.#.
#.#.#.#.#. BEEN   LONG.  BUT  IT'S  ABOUT  TO  END! #.##..#.#.
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#.#.#.#.#. SOCIETY  IS  GROWING DENSER AROUND  YOU, #.##..#.#.
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#.#.#.#.#.    THE INDUSTRIAL BUILDINGS, THE URBAN   #..#.##.#.
#.#.#.#.#.      MAZE, PROTECTIVE WALLS, JUNGLE      #.##..#.#.
#.#.#.#.#.                NETWORK...                #..#.##.#.
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#.#.#.#.#. THE  TRACKS  LEAVE THE GROUND, WHICH  IS #..#.##.#.
#.#.#.#.#. NEEDED   FOR  OTHER  PURPOSES.  YOU  ARE #.##..#.#.
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#.#.#.#.#.           PITCH BLACK INSIDE.            #.##..#.#.
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