...¤¤¤..¤¤ ..¤.......
¤¤..¤..... ¤...¤¤¤¤¤¤
¤.....¤¤¤¤ ..¤..¤¤¤¤¤
..¤¤¤..¤¤¤ ¤.....¤¤¤¤
...¤....¤¤ ..¤¤¤..¤¤.
¤¤...¤¤... #### ##### ¤..¤......
...¤....¤¤ TAPE DREAM .....¤¤¤¤.
¤¤...¤¤... #### ##### ¤¤¤¤..¤¤..
...¤....¤¤ ¤¤¤.......
¤¤...¤¤..¤ FOR STORING MUSIC ON. ALSO DATA BUT ¤¤..¤¤¤¤¤¤
¤..¤...... AT THIS POINT IN TIME THAT'S NOT ¤....¤¤¤¤¤
.....¤¤¤¤. REALLY IMPORTANT I THINK. ..¤¤..¤¤¤¤
.¤¤¤..¤¤.. .......¤¤.
..¤....... ¤¤¤¤¤¤....
¤...¤¤¤¤¤¤ :::::::: TYPES OF TAPE :::::::: .¤¤¤¤..¤¤¤
..¤..¤¤¤¤¤ ..¤¤....¤¤
......¤¤¤¤ CLASS I - "BAD" IRON .....¤¤...
¤¤¤¤¤..¤¤¤ CLASS II - GOOD CHROMIUM ¤¤¤¤....¤¤
¤¤¤¤....¤. CLASS III - BAD IRON PART TWO ¤¤¤..¤¤..¤
¤¤¤..¤¤... CLASS IV - DANGEROUS METALS ¤¤........
.¤......¤. ¤..¤¤¤¤¤¤.
...¤¤¤¤... RUMORS EXIST ABOUT A SECRET CLASS V TAPE ....¤¤¤¤..
¤¤..¤¤..¤¤ THAT IS ACTUALLY USEFUL. ¤¤¤..¤¤..¤
¤........¤ ¤¤........
..¤¤¤¤¤¤.. :: BIAS :: ...¤¤¤¤¤¤.
¤..¤¤¤¤..¤ ¤¤..¤¤¤¤..
....¤¤.... CLASS I USES ONE HUNDRED AND TWENTY .....¤¤...
¤¤¤....¤¤¤ MICRO-SOMETHING WHILE THE OTHERS ALL ¤¤¤¤....¤¤
¤¤..¤¤..¤¤ USE SEVENTY OF THE SAME UNIT. ¤¤¤..¤¤..¤
¤........¤ ¤¤........
..¤¤¤¤¤¤.. ¤..¤¤¤¤¤¤.
¤..¤¤¤¤... %%%%%%%%% AHA AND %%%%%%%%% ....¤¤¤¤..
....¤¤..¤¤ ¤¤¤..¤¤...
¤¤¤....... CLASS IV IS APPARENTLY TOO STRONG TO ¤¤......¤¤
¤¤..¤¤¤¤¤¤ BE USED ON CLASS I PLAYERS. IT WILL ¤..¤¤¤¤..¤
¤....¤¤¤¤. SOUND TOO LOUND AND IT CANNOT BE ....¤¤....
..¤¤..¤¤.. COMPLETELY ERASED. THIS IS VERY WELL. ¤¤¤....¤¤.
¤......... MAYBE SOME WONDERFUL BLENDING EFFECTS ¤¤..¤¤....
..¤¤¤¤¤¤¤¤ COULD BE ACHIEVED? .......¤¤.
¤..¤¤¤¤¤¤¤ ¤¤¤¤¤¤....
....¤¤¤¤¤¤ THEY ALSO GNAW AT THE TAPE HEADS A BIT ¤¤¤¤¤..¤¤.
¤¤¤..¤¤¤¤¤ BETTER THAN EARLIER TAPE TYPES. ¤¤¤¤......
.¤....¤¤¤¤ ¤¤¤..¤¤¤¤.
...¤¤..¤¤¤ ¤¤....¤¤..
¤¤......¤¤ :::::::: ARTIFACTS :::::::: ...¤¤....¤
¤..¤¤¤¤..¤ ¤¤....¤¤..
....¤¤.... GOOD TAPES ARE DECENT AND HAVE A GOOD ...¤¤.....
¤¤¤....¤¤. HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤¤....¤¤¤¤
¤¤..¤¤.... LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ...¤¤..¤¤¤
¤......¤¤¤ LIKE IT. ¤¤......¤¤
..¤¤¤¤..¤¤ ¤..¤¤¤¤..¤
...¤¤..... BIAS LOSS: IF YOU FORGET THE BIAS WHO ....¤¤....
¤¤....¤¤¤¤ KNOWS WHATS EVEN ON THERE ANYMORE ¤¤¤....¤¤¤
¤..¤¤..¤¤. ¤¤..¤¤..¤¤
.......... FLUTTER: KINDA QUICK PITCH VARIATIONS. ¤........¤
.¤¤¤¤¤¤¤¤. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ..¤¤¤¤¤¤..
..¤¤¤¤¤¤.. ¤..¤¤¤¤..¤
...¤¤¤¤..¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ....¤¤....
¤¤..¤¤.... SECONDS LONG. WHAT UP. BOTH OF THESE .¤¤....¤¤¤
¤......¤¤¤ INCREASE WHEN TAPE SPEED DECREASES. ....¤¤..¤¤
..¤¤¤¤..¤¤ ¤¤¤......¤
...¤¤..... PRINT THROUGH: TAPES RUB SOUND ON EACH ¤¤..¤¤¤¤..
¤¤....¤¤¤¤ OTHER IF THEYRE ALONE FOR TOO LONG ¤....¤¤..¤
¤..¤¤..¤¤¤ ..¤¤......
........¤¤ .....¤¤¤¤.
¤¤¤¤¤¤¤..¤ ¤¤¤¤..¤¤..
.¤¤¤¤¤.... ¤¤¤.......
..¤¤¤..¤¤¤ ¤¤..¤¤¤¤¤¤
...¤....¤. .....¤¤¤¤.