,,»†%@§@##                                          ##@§@%†»,,
,,»†%@§@@@                                          @@@§@%†»,,
,,»†%@§§@@                                          @@§§@%†»,,
,,»†%@@§§#                                          #§§@@%†»,,
,,,,,»%%§#                                          #§%%»,,,,,
,,,,,,»%§§                                          §§%»,,,,,,
,,»†%@§@##                 ,,@###@,,                ##@§@%†»,,
,,»†%@§@##       ,, PITTSBURGH ELECTRONICS ,,       ##@§@%†»,,
,,»†%@§@##              »» LIFEFORMS »»             ##@§@%†»,,
,,»†%@§@##               †† SV ONE ††               ##@§@%†»,,
,,,,,,,†@§                                          §@†,,,,,,,
,,»†%@§### THIS  IS A EURORACK MODULE  BUT I BOUGHT ###§@%†»,,
,,,,,»%%§# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #§%%»,,,,,
,,»†%@§§@@                                          @@§§@%†»,,
,,,,††%%@§ IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. §@%%††,,,,
,,†%@§@###                                          ###@§@%†,,
,,,,»»%§§@             ,%@ CONTAINS @%,             @§§%»»,,,,
,,,,,»%§§@           MIDI TO CV CONVERTER           @§§%»,,,,,
,,,,,»»%%§                TWO VCO'S                 §%%»»,,,,,
,,»†%@§@## FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ##@§@%†»,,
,,,,,»%§@@        TWO SUB OSCILLATORS I THINK       @@§%»,,,,,
,,,,,,,†@@         TWO ONE TO TWO SPLITTERS         @@†,,,,,,,
,,»†%@§@##           WHITE NOISE GENERATOR          ##@§@%†»,,
,,»†%@§@##              SAMPLE AND HOLD             ##@§@%†»,,
,,»†††%§§§          LFO PLUS A DIGITAL LFO          §§§%†††»,,
,,,,,,»†@§   FILTER (LOWPASS, BANDPASS, HIGHPASS)   §@†»,,,,,,
,,»»»††@@@               ADSR ENVELOPE              @@@††»»»,,
,,»†%@@###                  ONE VCA                 ###@@%†»,,
,,»»††%@§#               HEADPHONE AMP              #§@%††»»,,
,,»†%@§@##         FOURTY NINE PATCHPOINTS!         ##@§@%†»,,
,,»†%@§§@#                                          #@§§@%†»,,
,,»†%@§@##                  ,,###,,                 ##@§@%†»,,
,,»†%@§@##            »%% SO WHAT NOW %%»           ##@§@%†»,,
,,,,»»%%@§                 ,,###,,                  §@%%»»,,,,
,,»%@§@###                                          ###@§@%»,,
,,»††%@§§§ CLOCK IO GOES  TO ASDR  IN  I  THINK AND §§§@%††»,,
,,,,,††%§# MAYBE ALSO TO  THE SAMPLE  AND HOLD. PUT #§%††,,,,,
,,»†%%@@@@ SUBBASE  AND NOISE  IN CHANNEL THREE AND @@@@%%†»,,
,,»»»»%§@# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #@§%»»»»,,
,,»†%§@### TWO, AND OSCILLATOR TWO  SAW TO  CHANNEL ###@§%†»,,
,,»†%@§@## ONE.  SAMPLE   AND  HOLD   OUT  TO   THE ##@§@%†»,,
,,»†%@§@##   FILTER... MAYBE... RESONANCE AT HALF.  ##@§@%†»,,
,,»†%@§@## SOME  FREQUENCY  IN THE FIRST OSCILLATOR ##@§@%†»,,
,,,,»†%%%§ AND THEN THE  SECOND OSC FOUR  SEMITONES §%%%†»,,,,
,,»†%@§@##                  HIGHER.                 ##@§@%†»,,
,,,,,,»%@@                                          @@%»,,,,,,
,,,,,»»%§#                 ,»§@§»,                  #§%»»,,,,,
,,,,,,†@@@           †@@ DESKTOP SYNTH @@†          @@@†,,,,,,
,,»†%@§§@#                  ,»§@§»,                 #@§§@%†»,,
,,»†%@§###                                          ###§@%†»,,
,,»††%@§§§                                          §§§@%††»,,
,,,,,,,»%§                                          §%»,,,,,,,
,,,,,,»†@§                                          §@†»,,,,,,
,,,,††@@§#                                          #§@@††,,,,
,,,,»†%@@#                                          #@@%†»,,,,