¨@¨¨@@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                ¨¨@###@¨¨                 @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨       ,, pittsburgh electronics ,,       @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨              »» lifeforms »»             @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨               ** sv one **               @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨ this  is a eurorack module but i  bought @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨ the  blackbox  one  so  it's  also  not. @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨ it  ships  with  too  few  patch cables. @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨             ¨=# contains #=¨             @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨           midi to cv converter           @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                 two vco's                @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨ four channel or  two x two channel mixer @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨       two sub oscillators i think        @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨         two one to two splitters         @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨          white noise generator           @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨              sample and hold             @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨          lfo plus a digital lfo          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨   filter (lowpass, bandpass, highpass)   @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨              adsr envelope               @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                  one vca                 @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨              headphone amp               @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨         fourty nine patchpoints!         @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                 ¨,###,¨                  @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨            »== so what now ==»           @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                  ¨,###,¨                 @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨ clock  io goes to asdr  in i  think  and @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨ maybe  also to the sample  and hold. put @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨ subbase and noise in  channel  three and @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨ four.  oscillator  one  saw  to  channel @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨ two,  and oscillator two saw to  channel @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨ one.   sample  and  hold  out   to   the @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨  filter... maybe... resonance at half.   @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨ some frequency in  the first  oscillator @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨ and then the second  osc  four semitones @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                 higher.                  @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                  ,»@#@»,                 @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨          *@@ desktop synth @@*           @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                 ,»@#@»,                  @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨
@@¨@¨@¨@@¨                                          @¨@¨@@¨@@¨
¨@¨@¨@¨¨@¨                                          @¨@¨¨@¨¨@¨