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##########                                          ,######,,,
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,##,,,,,,,                 ,,$@#@$,,                ####,,,,#,
,,,,######       ,, PITTSBURGH ELECTRONICS ,,       ,##,,##,,,
###,,#####              == LIFEFORMS ==             ,,,,,,,,##
##,,,,####               †† SV ONE ††               ,######,,#
#,,##,,###                                          ,,####,,,,
,,,,,,,,## THIS IS A EURORACK  MODULE BUT I  BOUGHT #,,##,,##,
#######,,# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,,,,,,,,,
,#####,,,,                                          #########,
,,###,,##, IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. ########,,
#,,#,,,,,,                                          #######,,#
,,,,,#####             ,%@ CONTAINS @%,             ######,,,,
####,,####           MIDI TO CV CONVERTER           #####,,###
###,,,,###                 TWO VCO'S                ####,,,,##
##,,##,,#, FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ###,,##,,#
#,,,,,,,,,        TWO SUB OSCILLATORS I THINK       ##,,,,,,,,
,,#######,         TWO ONE TO TWO SPLITTERS         #,,######,
#,,#####,,          WHITE NOISE GENERATOR           ,,,,####,,
,,,,###,,,              SAMPLE AND HOLD             ,##,,##,,,
###,,#,,##          LFO PLUS A DIGITAL LFO          ,,,,,,,,##
##,,,,,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #######,,#
#,,#######              ADSR ENVELOPE               ######,,,,
,,,,######                  ONE VCA                 ,####,,##,
###,,#####              HEADPHONE AMP               ,,##,,,,,,
,#,,,,###,         FOURTY NINE PATCHPOINTS!         #,,,,####,
,,,##,,#,,                                          ,,##,,##,,
##,,,,,,,,                 ,,@#@,,                  #,,,,,,,,#
#,,#######            =%% SO WHAT NOW %%=           ,,######,,
,,,,######                  ,,@#@,,                 ,,,####,,,
###,,#####                                          ##,,##,,##
##,,,,#### CLOCK  IO GOES  TO ASDR IN  I  THINK AND ,,,,,,,,,#
#,,##,,### MAYBE ALSO TO  THE SAMPLE AND  HOLD. PUT ########,,
,,,,,,,,#, SUBBASE  AND NOISE  IN CHANNEL THREE AND ,######,,,
#######,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,####,,##
######,,## TWO, AND OSCILLATOR  TWO SAW  TO CHANNEL ,,,##,,,,#
#####,,,,# ONE.  SAMPLE   AND  HOLD   OUT   TO  THE ##,,,,##,,
,###,,##,,   FILTER... MAYBE... RESONANCE AT HALF.  #,,##,,,,,
,,#,,,,,,, SOME  FREQUENCY IN THE FIRST  OSCILLATOR ,,,,,,####
,,,,###### AND  THEN THE SECOND OSC FOUR  SEMITONES #####,,##,
###,,#####                 HIGHER.                  ####,,,,,,
,#,,,,####                                          ,##,,####,
,,,##,,###                 ,=#@#=,                  ,,,,,,##,,
##,,,,,,##          †$$ DESKTOP SYNTH $$†           #####,,,,#
#,,####,,#                  ,=#@#=,                 ####,,##,,
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