#@@&%*\~:, ,:~\*%&@@#
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@&**~,,,,, ,,,,,~**&@
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###@&*\~:, #### ##### ,:~\*&@###
##@&%*\~:, TAPE DREAM ,:~\*%&@##
@&%\:,,,,, #### ##### ,,,,,:\%&@
##@&%*\~:, ,:~\*%&@##
##@&%*\~:, FOR STORING MUSIC ON. ALSO DATA BUT ,:~\*%&@##
#&&%\\:::, AT THIS POINT IN TIME THAT'S NOT ,:::\\%&
@&&**\::,, REALLY IMPORTANT I THINK. ,,::\**&&@
##@&%*\~:, ,:~\*%&@##
###&%*\~:, ,:~\*%##
@%%\:,,,,, \\\\\\\\ TYPES OF TAPE \\\\\\\\ ,,,,,:\%%@
##@&%*\~:, ,:~\*%&@##
@&%\:,,,,, CLASS I - "BAD" IRON ,,,,,:\%&@
@&**~,,,,, CLASS II - GOOD CHROMIUM ,,,,,~**&@
##@&%*\~:, CLASS III - BAD IRON PART TWO ,:~\*%&@##
@@&&%*\~:, CLASS IV - DANGEROUS METALS ,:~\*%&&@@
#@@&%*\~:, ,:~\*%&@@#
@@@&%*\~:, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,:~\*%&@@@
##@&%*\~:, THAT IS ACTUALLY USEFUL. ,:~\*%&@##
##@&%*\~:, ,:~\*%&@##
@@&&%*\~:, \\ BIAS \\ ,:~\*%&&@@
##@&%*\~:, ,:~\*%&@##
##@&%*\~:, CLASS I USES ONE HUNDRED AND TWENTY ,:~\*%&@##
###@&*\~:, MICRO-SOMETHING WHILE THE OTHERS ALL ,:~\*&@###
@@@&%*\~:, USE SEVENTY OF THE SAME UNIT. ,:~\*%&@@@
&%\:,,,,,, ,,,,,,:\%&
##@&%*\~:, ,:~\*%&@##
@@@&%*\~:, ********* AHA AND ********* ,:~\*%&@@@
@&%%*\:,,, ,,,:\*%%&@
###&%*\~:, CLASS IV IS APPARENTLY TOO STRONG TO ,:~\*%##
##@&%*\~:, BE USED ON CLASS I PLAYERS. IT WILL ,:~\*%&@##
##@&%*\~:, SOUND TOO LOUND AND IT CANNOT BE ,:~\*%&@##
&&***~,,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,,~***&&
&*\~:,,,,, MAYBE SOME WONDERFUL BLENDING EFFECTS ,,,,,:~\*&
##@&%*\~:, COULD BE ACHIEVED? ,:~\*%&@##
#@@&%*\~:, ,:~\*%&@@#
&&**\\~~:, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,:~~\\**&&
##@&%*\~:, BETTER THAN EARLIER TAPE TYPES. ,:~\*%&@##
##@&%*\~:, ,:~\*%&@##
###@&%\~:, ,:~\%&@###
#&&**\:,,, \\\\\\\\ ARTIFACTS \\\\\\\\ ,,,:\**&
###&%*\~:, ,:~\*%##
&&&&%*\~:, GOOD TAPES ARE DECENT AND HAVE A GOOD ,:~\*%&&&&
#@@&%*\~:, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,:~\*%&@@#
###@%*\~:, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,:~\*%@###
#&%\::,,,, LIKE IT. ,,,,::\%
&*\:,,,,,, ,,,,,,:\*&
##@&%*\~:, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,:~\*%&@##
##@&%*\~:, KNOWS WHATS EVEN ON THERE ANYMORE ,:~\*%&@##
&*~::,,,,, ,,,,,::~*&
&&&%\:,,,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,,,:\%&&&
##@&%*\~:, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,:~\*%&@##
@@@&%*\~:, ,:~\*%&@@@
##@&%*\~:, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,:~\*%&@##
#@%*~,,,,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,,,,~*%@#
##@&%*\~:, INCREASE WHEN TAPE SPEED DECREASES. ,:~\*%&@##
###&%*\~:, ,:~\*%##
&%\\~,,,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,,,~\\%&
&&%**\\~:, OTHER IF THEYRE ALONE FOR TOO LONG ,:~\\**%&&
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&%**~,,,,, ,,,,,~**%&