..^-*†§@@# #@@§†*-^..
...^-*†§@@ @@§†*-^...
..^-*†§@@# #@@§†*-^..
.^-*†§@@## ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ @@@@ ##### @@§†*-^...
..^-*†§@@# TAPE DREAM #@@§†*-^..
.^-*†§@@## #### @@@@@ ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ FOR STORING MUSIC ON. ALSO DATA BUT @@§†*-^...
..^-*†§@@# AT THIS POINT IN TIME THAT'S NOT #@@§†*-^..
.^-*†§@@## REALLY IMPORTANT I THINK. ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ @@§†*-^...
..^-*†§@@# ******** TYPES OF TAPE ******** #@@§†*-^..
.^-*†§@@## ##@@§†*-^.
..^-*†§@@# CLASS I - "BAD" IRON #@@§†*-^..
...^-*†§@@ CLASS II - GOOD CHROMIUM @@§†*-^...
..^-*†§@@# CLASS III - BAD IRON PART TWO #@@§†*-^..
.^-*†§@@## CLASS IV - DANGEROUS METALS ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@§†*-^...
..^-*†§@@# THAT IS ACTUALLY USEFUL. #@@§†*-^..
.^-*†§@@## ##@@§†*-^.
..^-*†§@@# ** BIAS ** #@@§†*-^..
...^-*†§@@ @@§†*-^...
..^-*†§@@# CLASS I USES ONE HUNDRED AND TWENTY #@@§†*-^..
.^-*†§@@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@@§†*-^.
..^-*†§@@# USE SEVENTY OF THE SAME UNIT. #@@§†*-^..
...^-*†§@@ @@§†*-^...
..^-*†§@@# #@@§†*-^..
.^-*†§@@## ††††††††† AHA AND ††††††††† ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ CLASS IV IS APPARENTLY TOO STRONG TO @@§†*-^...
..^-*†§@@# BE USED ON CLASS I PLAYERS. IT WILL #@@§†*-^..
.^-*†§@@## SOUND TOO LOUND AND IT CANNOT BE ##@@§†*-^.
..^-*†§@@# COMPLETELY ERASED. THIS IS VERY WELL. #@@§†*-^..
...^-*†§@@ MAYBE SOME WONDERFUL BLENDING EFFECTS @@§†*-^...
..^-*†§@@# COULD BE ACHIEVED? #@@§†*-^..
.^-*†§@@## ##@@§†*-^.
..^-*†§@@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@@§†*-^..
...^-*†§@@ BETTER THAN EARLIER TAPE TYPES. @@§†*-^...
..^-*†§@@# #@@§†*-^..
.^-*†§@@## ##@@§†*-^.
..^-*†§@@# ******** ARTIFACTS ******** #@@§†*-^..
...^-*†§@@ @@§†*-^...
..^-*†§@@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@@§†*-^..
.^-*†§@@## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##@@§†*-^.
..^-*†§@@# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #@@§†*-^..
...^-*†§@@ LIKE IT. @@§†*-^...
..^-*†§@@# #@@§†*-^..
.^-*†§@@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@@§†*-^.
..^-*†§@@# KNOWS WHATS EVEN ON THERE ANYMORE #@@§†*-^..
...^-*†§@@ @@§†*-^...
..^-*†§@@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@@§†*-^..
.^-*†§@@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@§†*-^...
..^-*†§@@# SECONDS LONG. WHAT UP. BOTH OF THESE #@@§†*-^..
.^-*†§@@## INCREASE WHEN TAPE SPEED DECREASES. ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ PRINT THROUGH: TAPES RUB SOUND ON EACH @@§†*-^...
..^-*†§@@# OTHER IF THEYRE ALONE FOR TOO LONG #@@§†*-^..
.^-*†§@@## ##@@§†*-^.
..^-*†§@@# #@@§†*-^..
...^-*†§@@ @@§†*-^...
..^-*†§@@# #@@§†*-^..
.^-*†§@@## ##@@§†*-^.
..^-*†§@@# #@@§†*-^..