###&*†/=^. .^=/†*##
##&*†/=^.. ..^=/†*#
#&*†/=^... ...^=/†*
&*†/=^.... ....^=/†*&
#&*†/=^... ...^=/†*
##&*†/=^.. ..^=/†*#
###&*†/=^. ..*###*.. .^=/†*##
##&*†/=^.. ^^ PITTSBURGH ELECTRONICS ^^ ..^=/†*#
#&*†/=^... == LIFEFORMS == ...^=/†*
&*†/=^.... // SV ONE // ....^=/†*&
#&*†/=^... ...^=/†*
##&*†/=^.. THIS IS A EURORACK MODULE BUT I BOUGHT ..^=/†*#
###&*†/=^. THE BLACKBOX ONE SO IT'S ALSO NOT. .^=/†*##
##&*†/=^.. ..^=/†*#
#&*†/=^... IT SHIPS WITH TOO FEW PATCH CABLES. ...^=/†*
&*†/=^.... ....^=/†*&
#&*†/=^... .†# CONTAINS #†. ...^=/†*
##&*†/=^.. MIDI TO CV CONVERTER ..^=/†*#
###&*†/=^. TWO VCO'S .^=/†*##
##&*†/=^.. FOUR CHANNEL OR TWO X TWO CHANNEL MIXER ..^=/†*#
#&*†/=^... TWO SUB OSCILLATORS I THINK ...^=/†*
&*†/=^.... TWO ONE TO TWO SPLITTERS ....^=/†*&
#&*†/=^... WHITE NOISE GENERATOR ...^=/†*
##&*†/=^.. SAMPLE AND HOLD ..^=/†*#
###&*†/=^. LFO PLUS A DIGITAL LFO .^=/†*##
##&*†/=^.. FILTER (LOWPASS, BANDPASS, HIGHPASS) ..^=/†*#
#&*†/=^... ADSR ENVELOPE ...^=/†*
&*†/=^.... ONE VCA ....^=/†*&
#&*†/=^... HEADPHONE AMP ...^=/†*
##&*†/=^.. FOURTY NINE PATCHPOINTS! ..^=/†*#
###&*†/=^. .^=/†*##
##&*†/=^.. .^###^. ..^=/†*#
#&*†/=^... =†† SO WHAT NOW ††= ...^=/†*
&*†/=^.... .^###^. ....^=/†*&
#&*†/=^... ...^=/†*
##&*†/=^.. CLOCK IO GOES TO ASDR IN I THINK AND ..^=/†*#
###&*†/=^. MAYBE ALSO TO THE SAMPLE AND HOLD. PUT .^=/†*##
##&*†/=^.. SUBBASE AND NOISE IN CHANNEL THREE AND ..^=/†*#
#&*†/=^... FOUR. OSCILLATOR ONE SAW TO CHANNEL ...^=/†*
&*†/=^.... TWO, AND OSCILLATOR TWO SAW TO CHANNEL ....^=/†*&
#&*†/=^... ONE. SAMPLE AND HOLD OUT TO THE ...^=/†*
##&*†/=^.. FILTER... MAYBE... RESONANCE AT HALF. ..^=/†*#
###&*†/=^. SOME FREQUENCY IN THE FIRST OSCILLATOR .^=/†*##
##&*†/=^.. AND THEN THE SECOND OSC FOUR SEMITONES ..^=/†*#
#&*†/=^... HIGHER. ...^=/†*
&*†/=^.... ....^=/†*&
#&*†/=^... ^=&=^ ...^=/†*
##&*†/=^.. /** DESKTOP SYNTH **/ ..^=/†*#
###&*†/=^. ^=&=^ .^=/†*##
##&*†/=^.. ..^=/†*#
#&*†/=^... ...^=/†*
&*†/=^.... ....^=/†*&
#&*†/=^... ...^=/†*
##&*†/=^.. ..^=/†*#
###&*†/=^. .^=/†*##