@@@@@@,@@,                                          ,,@@,,@,@@
@@@@@@,,@,                                          ,@,@,@@,,@
@@@@@@,@@,                                          ,@,@,,@,@,
,@@@@@,,@,                                          ,@,@,@@,@,
@,@@@@,@@,                                          ,@,@,,@,@,
@,,@@@,,@,                                          ,@,@,@@,@,
@,@,@@,@@,                 ,,%###%,,                ,@,@,,@,@,
@,@,,@,,@,       ,, PITTSBURGH ELECTRONICS ,,       ,@,@,@@,@,
@,@,@@,@@,             == LIFEFORMS ==              ,@,@,,@,@,
@,@,,@,,@,               ;; SV ONE ;;               ,@,@,@@,@,
@,@,@@,@@,                                          ,@,@,,@,@,
@,@,,@,,@, THIS IS  A EURORACK MODULE BUT I  BOUGHT ,@,@,@@,@,
@,@,@@,@@, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,@,@,,@,@,
@,@,,@,,@,                                          ,@,@,@@,@,
@,@,@@,@@, IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ,@,@,,@,@,
@,@,,@,,@,                                          ,@,@,@@,@,
@,@,@@,@@,             ,*# CONTAINS #*,             ,@,@,,@,@,
@,@,,@,,@,           MIDI TO CV CONVERTER           ,@,@,@@,@,
@,@,@@,@@,                TWO VCO'S                 ,@,@,,@,@,
@,@,,@,,@, FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ,@,@,@@,@,
@,@,@@,@@,        TWO SUB OSCILLATORS I THINK       ,@,@,,@,@,
@,@,,@,,@,         TWO ONE TO TWO SPLITTERS         ,@,@,@@,@,
@,@,@@,@@,           WHITE NOISE GENERATOR          ,@,@,,@,@,
@,@,,@,,@,              SAMPLE AND HOLD             ,@,@,@@,@,
@,@,@@,@@,          LFO PLUS A DIGITAL LFO          ,@,@,,@,@,
@,@,,@,,@,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,@,@,@@,@,
@,@,@@,@@,              ADSR ENVELOPE               ,@,@,,@,@,
@,@,,@,,@,                  ONE VCA                 ,@,@,@@,@,
@,@,@@,@@,               HEADPHONE AMP              ,@,@,,@,@,
@,@,,@,,@,         FOURTY NINE PATCHPOINTS!         ,@,@,@@,@,
@,@,@@,@@,                                          ,@,@,,@,@,
@,@,,@,,@,                 ,,###,,                  ,@,@,@@,@,
@,@,@@,@@,           =** SO WHAT NOW **=            ,@,@,,@,@,
@,@,,@,,@,                 ,,###,,                  ,@,@,@@,@,
@,@,@@,@@,                                          ,@,@,,@,@,
@,@,,@,,@, CLOCK IO  GOES  TO  ASDR IN  I THINK AND ,@,@,@@,@,
@,@,@@,@@, MAYBE ALSO  TO THE SAMPLE AND HOLD.  PUT ,@,@,,@,@,
@,@,,@,,@, SUBBASE  AND NOISE IN CHANNEL  THREE AND ,@,@,@@,@,
@,@,@@,@@, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,@,@,,@,@,
@,@,,@,,@, TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL ,@,@,@@,@,
@,@,@@,@@, ONE.   SAMPLE  AND   HOLD  OUT  TO   THE ,@,@,,@,@,
@,@,,@,,@,   FILTER... MAYBE... RESONANCE AT HALF.  ,@,@,@@,@,
@,@,@@,@@, SOME FREQUENCY  IN THE  FIRST OSCILLATOR ,@,@,,@,@,
@,@,,@,,@, AND THEN THE  SECOND OSC FOUR  SEMITONES ,@,@,@@,@,
@,@,@@,@@,                  HIGHER.                 ,@,@,,@,@,
@,@,,@,,@,                                          ,@,@,@@,@,
@,@,@@,@@,                 ,=@#@=,                  ,@,@,,@,@,
@,@,,@,,@,          ;%% DESKTOP SYNTH %%;           ,@,@,@@,@,
@,@,@@,@@,                  ,=@#@=,                 ,@,@,,@,@,
@,@,,@,,@,                                          ,@,@,@@,@,
@,@,@@,@@,                                          ,@,@,,@,@,
@,@,,@,,@,                                          ,@,@,@@,@,
@,@,@@,@@,                                          ,@,@,,@,@,
@,@,,@,,@,                                          ,@,@,@@,@,
@,@,@@,@@,                                          ,@,@,,@,@,