¤¤¤.¤¤.¤.¤ ¤¤....¤¤..
¤..¤¤.¤¤¤¤ ..¤...¤.¤.
¤¤.¤.¤¤... ..¤¤..¤¤¤¤
..¤¤¤¤.¤.. ¤.¤.¤.¤...
..¤...¤¤¤. .¤¤¤¤¤¤¤..
..¤¤..¤..¤ delay delay d.la# ¤ %a. : .@ ~ : ¤¤......¤.
..¤.¤.¤¤.¤ ..¤.....¤¤
¤.¤¤¤¤¤.¤¤ ¤.¤¤....¤.
¤¤¤....¤¤. .¤¤.¤...¤¤
...¤...¤.¤ .¤.¤¤¤..¤.
...¤¤..¤¤¤ "delay" means repetiton or likewise, ¤¤¤¤..¤.¤¤
¤..¤.¤.¤.. but it's mainly useless without ¤...¤.¤¤¤.
¤¤.¤¤¤¤¤¤. feedback, .¤..¤¤¤..¤
..¤¤.....¤ to allow the delay to eat of it's own ¤¤¤.¤..¤.¤
¤.¤.¤....¤ tail, like one of those eaty serpents. ...¤¤¤.¤¤¤
.¤¤¤¤¤...¤ thus: it's the serpent effect! ¤..¤..¤¤..
.¤....¤..¤ ¤¤.¤¤.¤.¤.
.¤¤...¤¤.¤ it's to be revered as a creator of ..¤¤.¤¤¤¤¤
¤¤.¤..¤.¤¤ ambience and of space, if you treat it ¤.¤.¤¤....
¤.¤¤¤.¤¤¤. right. a somewhat more solid and .¤¤¤¤.¤...
¤¤¤..¤¤..¤ slippery sibling of reverb. ¤¤...¤¤¤..
¤..¤.¤.¤.¤ ..¤..¤..¤.
¤¤.¤¤¤¤¤¤¤ ..¤¤.¤¤.¤¤
..¤¤...... ¤.¤.¤¤.¤¤.
..¤.¤..... .¤¤¤¤.¤¤.¤
¤.¤¤¤¤.... ¤¤...¤¤.¤¤