##@¤%%*«,. .,«*%%¤@##
#@¤%%*«,.. ..,«*%%¤@#
@¤%%*«,... ...,«*%%¤@
¤%%*«,.... ....,«*%%¤
%%*«,..... .....,«*%%
%*«,...... A COOL ENOUGH SONY WALKMAN CALLED ......,«*%
*«,....... .......,«*
«,........ # # # ........,«
,......... ### TCM ONEFIFTY ### .........,
.......... # # # ..........
.......... ..........
.......... IT'S BATTERY POWERED (TWO AA BATTERIES) ..........
.......... AND HAS A MICROPHONE. IT DOES FEATURE A ..........
.......... SPEED HOLE BUT IT'S HIDDEN BENEATH ITS ..........
,......... SHELL. .........,
«,........ ........,«
*«,....... A COOL THING IS THE SPEAKER ON THE .......,«*
%*«,...... FRONT. BUT ISN'T THAT A MAGNET CLOSE TO ......,«*%
%%*«,..... THE TAPE? YES .....,«*%%
¤%%*«,.... ....,«*%%¤
@¤%%*«,... ## IS IT GOOD ## ...,«*%%¤@
#@¤%%*«,.. ..,«*%%¤@#
##@¤%%*«,. WELL. IT HAS SOME VERY REAL COMPRESSION .,«*%%¤@##
#@¤%%*«,.. GOING ON SO CLOSE VOX AND OTHER HIGH ..,«*%%¤@#
@¤%%*«,... VOLUME THINGS ARE VERY CRISP AND WITH ...,«*%%¤@
¤%%*«,.... KIND OF LOW NOISE. BUT WHEN THERE'S ....,«*%%¤
%%*«,..... MORE OF AN AMBIENCE, ALL YOU HEAR IS .....,«*%%
%*«,...... HISS AND MOTOR NOISE. ......,«*%
*«,....... .......,«*
«,........ DENOISING TECHNIQUES ARE SIMPLE. ACTUAL ........,«
,......... DENOISING FOR THE NOISE, AND MAYBE AN .........,
.......... EQ FOR THE MOTOR. ..........
.......... ..........
.......... ## WHAT IS IT FOR ## ..........
.......... ..........
.......... I USE IT FOR TALKING TO WHEN I'M DRUNK. ..........
,......... IT DOES THIS VERY GOOD. THE PAUSE .........,
«,........ BUTTON IS A SMALL STOP, THE STOP BUTTON ........,«
*«,....... IS A MAJOR STOP. .......,«*
%*«,...... ......,«*%
%%*«,..... ## SOME QUIRKS ## .....,«*%%
¤%%*«,.... ....,«*%%¤
@¤%%*«,... WHEN UNPAUSING, RECORDING BEGINS BEFORE ...,«*%%¤@
#@¤%%*«,.. THE ENGINE IS FULLY SPUN UP, RESULTING ..,«*%%¤@#
##@¤%%*«,. IN A NICE SWOOP BEING RECORDED. .,«*%%¤@##
#@¤%%*«,.. ..,«*%%¤@#
@¤%%*«,... IT MADE ME BUY A VHS CAM ...,«*%%¤@
¤%%*«,.... ....,«*%%¤
%%*«,..... .....,«*%%
%*«,...... # # # ......,«*%
*«,....... .......,«*
«,........ REST IN PIECES, LITERALLY ........,«
,......... .........,
.......... , MAY TWENTY FIFTEEN , ..........
.......... . TO . ..........
.......... « JULY TWENTY EIGHTEEN « ..........
.......... ..........
.......... SUPERSEDED BY THE TCM TWENTY ..........
,......... .........,
«,........ ........,«
*«,....... .......,«*
%*«,...... ......,«*%
%%*«,..... .....,«*%%