,,~=*%§@## ##@§%*=~,,
,~=*%§@### ###@§%*=~,
,,~=*%§@## ##@§%*=~,,
,,,~=*%§@# #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### #### ##### ###@§%*=~,
,,~=*%§@## tape dream ##@§%*=~,,
,,,~=*%§@# #### ##### #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### for storing music on. also data but ###@§%*=~,
,,~=*%§@## at this point in time that's not ##@§%*=~,,
,,,~=*%§@# really important i think. #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### ###@§%*=~,
,,~=*%§@## ******** types of tape ******** ##@§%*=~,,
,,,~=*%§@# #@§%*=~,,,
,,~=*%§@## class i - "bad" iron ##@§%*=~,,
,~=*%§@### class ii - good chromium ###@§%*=~,
,,~=*%§@## class iii - bad iron part two ##@§%*=~,,
,,,~=*%§@# class iv - dangerous metals #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### rumors exist about a secret class v tape ###@§%*=~,
,,~=*%§@## that is actually useful. ##@§%*=~,,
,,,~=*%§@# #@§%*=~,,,
,,~=*%§@## ** bias ** ##@§%*=~,,
,~=*%§@### ###@§%*=~,
,,~=*%§@## class i uses one hundred and twenty ##@§%*=~,,
,,,~=*%§@# micro-something while the others all #@§%*=~,,,
,,~=*%§@## use seventy of the same unit. ##@§%*=~,,
,~=*%§@### ###@§%*=~,
,,~=*%§@## ##@§%*=~,,
,,,~=*%§@# %%%%%%%%% aha and %%%%%%%%% #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### class iv is apparently too strong to ###@§%*=~,
,,~=*%§@## be used on class i players. it will ##@§%*=~,,
,,,~=*%§@# sound too lound and it cannot be #@§%*=~,,,
,,~=*%§@## completely erased. this is very well. ##@§%*=~,,
,~=*%§@### maybe some wonderful blending effects ###@§%*=~,
,,~=*%§@## could be achieved? ##@§%*=~,,
,,,~=*%§@# #@§%*=~,,,
,,~=*%§@## they also gnaw at the tape heads a bit ##@§%*=~,,
,~=*%§@### better than earlier tape types. ###@§%*=~,
,,~=*%§@## ##@§%*=~,,
,,,~=*%§@# #@§%*=~,,,
,,~=*%§@## ******** artifacts ******** ##@§%*=~,,
,~=*%§@### ###@§%*=~,
,,~=*%§@## good tapes are decent and have a good ##@§%*=~,,
,,,~=*%§@# high frequency presence, bad tapes are #@§%*=~,,,
,,~=*%§@## lofi if not outright bad. idk, i kinda ##@§%*=~,,
,~=*%§@### like it. ###@§%*=~,
,,~=*%§@## ##@§%*=~,,
,,,~=*%§@# bias loss: if you forget the bias who #@§%*=~,,,
,,~=*%§@## knows whats even on there anymore ##@§%*=~,,
,~=*%§@### ###@§%*=~,
,,~=*%§@## flutter: kinda quick pitch variations. ##@§%*=~,,
,,,~=*%§@# beautiful, wonderful, extraordinary. #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### wow: a slower flutter, usually several ###@§%*=~,
,,~=*%§@## seconds long. what up. both of these ##@§%*=~,,
,,,~=*%§@# increase when tape speed decreases. #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### print through: tapes rub sound on each ###@§%*=~,
,,~=*%§@## other if theyre alone for too long ##@§%*=~,,
,,,~=*%§@# #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,
,~=*%§@### ###@§%*=~,
,,~=*%§@## ##@§%*=~,,
,,,~=*%§@# #@§%*=~,,,
,,~=*%§@## ##@§%*=~,,