,^«†^&¤@##                                          ##@¤&^†«^,
,^«†^&¤@##                                          ##@¤&^†«^,
,^«†^&¤###                                          ###¤&^†«^,
,,^^††^&@@                                          @@&^††^^,,
,,,,,^†&¤@                                          @¤&†^,,,,,
,^«†^&¤@##                                          ##@¤&^†«^,
,^«†^&&&@@                 ,,&###&,,                @@&&&^†«^,
,,,,,,^«^¤       ^^ Pittsburgh Electronics ^^       ¤^«^,,,,,,
,^«†^&¤@##             «« Lifeforms ««              ##@¤&^†«^,
,^«†^&¤¤¤@               †† Sv One ††               @¤¤¤&^†«^,
,,,,,,«†&¤                                          ¤&†«,,,,,,
,^«†^&¤### This Is  A  Eurorack Module But I Bought ###¤&^†«^,
,,,,««^^¤¤ The  Blackbox  One  So  It'S  Also  Not. ¤¤^^««,,,,
,^«†^&¤@##                                          ##@¤&^†«^,
,,,,,,^†^¤ It  Ships  With  Too Few  Patch  Cables. ¤^†^,,,,,,
,,,,^^†&&¤                                          ¤&&†^^,,,,
,^«†^&¤@##             ,^@ Contains @^,             ##@¤&^†«^,
,^«†^&¤@##           Midi To Cv Converter           ##@¤&^†«^,
,^«†^&&&¤¤                 Two Vco'S                ¤¤&&&^†«^,
,,,,,,^†^¤ Four  Channel Or Two X Two Channel Mixer ¤^†^,,,,,,
,^«†^&¤¤¤@       Two Sub Oscillators I Think        @¤¤¤&^†«^,
,,,,,^††^¤         Two One To Two Splitters         ¤^††^,,,,,
,^«†^^^^¤¤           White Noise Generator          ¤¤^^^^†«^,
,^«†^&¤@##              Sample And Hold             ##@¤&^†«^,
,,,,,,«^¤#          Lfo Plus A Digital Lfo          #¤^«,,,,,,
,^«†^&¤@##   Filter (Lowpass, Bandpass, Highpass)   ##@¤&^†«^,
,^«†^&¤@##              Adsr Envelope               ##@¤&^†«^,
,,,,,,«^¤¤                 One Vca                  ¤¤^«,,,,,,
,^«††^^&¤¤              Headphone Amp               ¤¤&^^††«^,
,^«†^&¤@@#         Fourty Nine Patchpoints!         #@@¤&^†«^,
,^«†^&¤@##                                          ##@¤&^†«^,
,^«†^&¤@##                  ,^###^,                 ##@¤&^†«^,
,^«†^&@###           «^^ So What Now ^^«            ###@&^†«^,
,,,,,«^&&¤                 ,^###^,                  ¤&&^«,,,,,
,,,,,«^¤@@                                          @@¤^«,,,,,
,^«†^&¤@## Clock  Io Goes  To Asdr In I  Think  And ##@¤&^†«^,
,^«†^&¤@## Maybe Also To The  Sample And  Hold. Put ##@¤&^†«^,
,,,,,,«^¤@ Subbase And Noise In Channel  Three  And @¤^«,,,,,,
,,,,«††&@@ Four.  Oscillator  One  Saw  To  Channel @@&††«,,,,
,,,,,«^^¤¤ Two, And  Oscillator Two Saw To  Channel ¤¤^^«,,,,,
,,^«††&¤@@ One.   Sample  And   Hold  Out   To  The @@¤&††«^,,
,,,,«†&¤¤@  Filter... Maybe... Resonance At Half.   @¤¤&†«,,,,
,^«†^&¤@## Some  Frequency In The  First Oscillator ##@¤&^†«^,
,^«†^&@### And  Then The Second Osc  Four Semitones ###@&^†«^,
,,,,,«^¤¤¤                 Higher.                  ¤¤¤^«,,,,,
,,,,^††^^¤                                          ¤^^††^,,,,
,,,,,^^†&@                  ^«¤@¤«^                 @&†^^,,,,,
,^«†^&¤@##          †&& Desktop Synth &&†           ##@¤&^†«^,
,^«†^&¤@##                  ^«¤@¤«^                 ##@¤&^†«^,
,^«†^&¤@##                                          ##@¤&^†«^,
,^«†^&¤@##                                          ##@¤&^†«^,
,,,^^^††&@                                          @&††^^^,,,
,^«†^&&¤@#                                          #@¤&&^†«^,
,^«††^^^&¤                                          ¤&^^^††«^,
,^«†^&¤@##                                          ##@¤&^†«^,