,,,,«\*£@#                                          #@£*\«,,,,
,,,,,«\*£@                                          @£*\«,,,,,
,,,,,,«\*£                                          £*\«,,,,,,
,,,,,,,«\*                                          *\«,,,,,,,
,,,,,,,,«\                                          \«,,,,,,,,
,,,,,,,,,«                                          «,,,,,,,,,
,,,,,,,,«\                 ,,£###£,,                \«,,,,,,,,
,,,,,,,«\*       ,, Pittsburgh Electronics ,,       *\«,,,,,,,
,,,,,,«\*£              «« Lifeforms ««             £*\«,,,,,,
,,,,,«\*£@               \\ Sv One \\               @£*\«,,,,,
,,,,«\*£@#                                          #@£*\«,,,,
,,,«\*£@## This  Is A  Eurorack Module But I Bought ##@£*\«,,,
,,«\*£@### The  Blackbox  One  So  It'S  Also  Not. ###@£*\«,,
,,,«\*£@##                                          ##@£*\«,,,
,,,,«\*£@# It  Ships  With  Too Few  Patch  Cables. #@£*\«,,,,
,,,,,«\*£@                                          @£*\«,,,,,
,,,,,,«\*£             ,*@ Contains @*,             £*\«,,,,,,
,,,,,,,«\*           Midi To Cv Converter           *\«,,,,,,,
,,,,,,,,«\                 Two Vco'S                \«,,,,,,,,
,,,,,,,,,« Four Channel Or  Two X Two Channel Mixer «,,,,,,,,,
,,,,,,,,«\        Two Sub Oscillators I Think       \«,,,,,,,,
,,,,,,,«\*         Two One To Two Splitters         *\«,,,,,,,
,,,,,,«\*£          White Noise Generator           £*\«,,,,,,
,,,,,«\*£@              Sample And Hold             @£*\«,,,,,
,,,,«\*£@#          Lfo Plus A Digital Lfo          #@£*\«,,,,
,,,«\*£@##   Filter (Lowpass, Bandpass, Highpass)   ##@£*\«,,,
,,«\*£@###              Adsr Envelope               ###@£*\«,,
,,,«\*£@##                 One Vca                  ##@£*\«,,,
,,,,«\*£@#               Headphone Amp              #@£*\«,,,,
,,,,,«\*£@         Fourty Nine Patchpoints!         @£*\«,,,,,
,,,,,,«\*£                                          £*\«,,,,,,
,,,,,,,«\*                 ,,###,,                  *\«,,,,,,,
,,,,,,,,«\            «** So What Now **«           \«,,,,,,,,
,,,,,,,,,«                  ,,###,,                 «,,,,,,,,,
,,,,,,,,«\                                          \«,,,,,,,,
,,,,,,,«\* Clock  Io  Goes To Asdr  In  I Think And *\«,,,,,,,
,,,,,,«\*£ Maybe Also  To  The Sample And Hold. Put £*\«,,,,,,
,,,,,«\*£@ Subbase  And Noise In  Channel Three And @£*\«,,,,,
,,,,«\*£@# Four.  Oscillator  One  Saw  To  Channel #@£*\«,,,,
,,,«\*£@## Two, And Oscillator  Two Saw To  Channel ##@£*\«,,,
,,«\*£@### One.   Sample   And  Hold  Out  To   The ###@£*\«,,
,,,«\*£@##  Filter... Maybe... Resonance At Half.   ##@£*\«,,,
,,,,«\*£@# Some  Frequency In The First  Oscillator #@£*\«,,,,
,,,,,«\*£@ And Then The  Second Osc Four  Semitones @£*\«,,,,,
,,,,,,«\*£                  Higher.                 £*\«,,,,,,
,,,,,,,«\*                                          *\«,,,,,,,
,,,,,,,,«\                 ,«£@£«,                  \«,,,,,,,,
,,,,,,,,,«           \££ Desktop Synth ££\          «,,,,,,,,,
,,,,,,,,«\                 ,«£@£«,                  \«,,,,,,,,
,,,,,,,«\*                                          *\«,,,,,,,
,,,,,,«\*£                                          £*\«,,,,,,
,,,,,«\*£@                                          @£*\«,,,,,
,,,,«\*£@#                                          #@£*\«,,,,
,,,«\*£@##                                          ##@£*\«,,,
,,«\*£@###                                          ###@£*\«,,