.....=*££# #££*=.....
....-=*£££ £££*=-....
.-=†*££@@@ @@@££*†=-.
....-†**£@ @£**†-....
......-†££ ££†-......
.-=†*£@### #### ##### ###@£*†=-.
......=*£@ tape dream @£*=......
.-=†*£@### #### ##### ###@£*†=-.
.-=†*££@## ##@££*†=-.
.-=†**£££@ for storing music on. also data but @£££**†=-.
......=*££ at this point in time that's not ££*=......
.-=†*££@## really important i think. ##@££*†=-.
...-==*£@# #@£*==-...
.-=†*££@## ##@££*†=-.
.-=†*££@@# †††††††† types of tape †††††††† #@@££*†=-.
.-=†*££@## ##@££*†=-.
.-=†*££### class i - "bad" iron ###££*†=-.
.-=†*££@## class ii - good chromium ##@££*†=-.
......=*£@ class iii - bad iron part two @£*=......
.---==†**£ class iv - dangerous metals £**†==---.
....-†**££ ££**†-....
.-=†*££@## rumors exist about a secret class v tape ##@££*†=-.
.-=†*££### that is actually useful. ###££*†=-.
.-=†*££@## ##@££*†=-.
.-=†*££### †† bias †† ###££*†=-.
.....-†£@# #@£†-.....
......=**£ class i uses one hundred and twenty £**=......
......=†£@ micro-something while the others all @£†=......
.-=†*££@## use seventy of the same unit. ##@££*†=-.
..--=†££££ ££££†=--..
...-=*£££@ @£££*=-...
.....-††£@ ********* aha and ********* @£††-.....
.-=†*££@## ##@££*†=-.
.-=†*££@## class iv is apparently too strong to ##@££*†=-.
.....=†*££ be used on class i players. it will ££*†=.....
...-†*£££# sound too lound and it cannot be #£££*†-...
.-=†*££@## completely erased. this is very well. ##@££*†=-.
.-=†*££@@# maybe some wonderful blending effects #@@££*†=-.
.....-†£££ could be achieved? £££†-.....
.-=†*£@### ###@£*†=-.
.--==*£££@ they also gnaw at the tape heads a bit @£££*==--.
..----†**£ better than earlier tape types. £**†----..
.-=†*££@## ##@££*†=-.
....==†£@@ @@£†==....
....-=†*£@ †††††††† artifacts †††††††† @£*†=-....
.......=*£ £*=.......
.-=†*££@## good tapes are decent and have a good ##@££*†=-.
...---=†£@ high frequency presence, bad tapes are @£†=---...
.----††*££ lofi if not outright bad. idk, i kinda ££*††----.
....=***£@ like it. @£***=....
.-=†*££@## ##@££*†=-.
.-=†*££@## bias loss: if you forget the bias who ##@££*†=-.
.-=†*££@## knows whats even on there anymore ##@££*†=-.
....--†*£@ @£*†--....
.-=†*££@## flutter: kinda quick pitch variations. ##@££*†=-.
.-=†*££@## beautiful, wonderful, extraordinary. ##@££*†=-.
.-=†*££### ###££*†=-.
.-=†*££### wow: a slower flutter, usually several ###££*†=-.
.-=†*££@@@ seconds long. what up. both of these @@@££*†=-.
.-=††*££££ increase when tape speed decreases. ££££*††=-.
.-=†*££@## ##@££*†=-.
...==*££££ print through: tapes rub sound on each ££££*==...
.-=†*££@## other if theyre alone for too long ##@££*†=-.
.-=†*££@## ##@££*†=-.
.....=†££@ @££†=.....
....-=**££ ££**=-....
.-=†*££@## ##@££*†=-.
...--==*£@ @£*==--...
...--††£@# #@£††--...