,:-;§@&¶¶¶ ¶¶¶&@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,,,:-;§@@& &@@§;-:,,,
,,,,,,:;§& &§;:,,,,,,
,:-;§@@@¶# #### ##### #¶@@@§;-:,
,,,,,-§§§& TAPE DREAM &§§§-,,,,,
,:-;§@&&¶¶ #### ##### ¶¶&&@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,:-;§@&¶## FOR STORING MUSIC ON. ALSO DATA BUT ##¶&@§;-:,
,,,,:;§@&# AT THIS POINT IN TIME THAT'S NOT #&@§;:,,,,
,:-;§@&¶## REALLY IMPORTANT I THINK. ##¶&@§;-:,
,:----§&&¶ ¶&&§----:,
,,,,,,:-§& &§-:,,,,,,
,,,,,:;;@& ;;;;;;;; TYPES OF TAPE ;;;;;;;; &@;;:,,,,,
,:-;§@&¶## ##¶&@§;-:,
,:-;§@&¶## CLASS I - "BAD" IRON ##¶&@§;-:,
,,,,-;;§&& CLASS II - GOOD CHROMIUM &&§;;-,,,,
,,,,,--;§& CLASS III - BAD IRON PART TWO &§;--,,,,,
,:-;§@&¶## CLASS IV - DANGEROUS METALS ##¶&@§;-:,
,,,,,,-§&& &&§-,,,,,,
,:-;§@&¶## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##¶&@§;-:,
,:-;§@&¶¶# THAT IS ACTUALLY USEFUL. #¶¶&@§;-:,
,:-;§@&### ###&@§;-:,
,:-;§@&¶## ;; BIAS ;; ##¶&@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,:-;§@&¶## CLASS I USES ONE HUNDRED AND TWENTY ##¶&@§;-:,
,:-;§@&&&¶ MICRO-SOMETHING WHILE THE OTHERS ALL ¶&&&@§;-:,
,:-;§@&¶## USE SEVENTY OF THE SAME UNIT. ##¶&@§;-:,
,,,,,:;§&# #&§;:,,,,,
,:-;;;@&&¶ ¶&&@;;;-:,
,:-;§@&¶## §§§§§§§§§ AHA AND §§§§§§§§§ ##¶&@§;-:,
,,,,,:;@&¶ ¶&@;:,,,,,
,:--;§§&¶¶ CLASS IV IS APPARENTLY TOO STRONG TO ¶¶&§§;--:,
,:-;§@&¶## BE USED ON CLASS I PLAYERS. IT WILL ##¶&@§;-:,
,,,,:::;§& SOUND TOO LOUND AND IT CANNOT BE &§;:::,,,,
,:-;§@&¶## COMPLETELY ERASED. THIS IS VERY WELL. ##¶&@§;-:,
,:-;§@&¶## MAYBE SOME WONDERFUL BLENDING EFFECTS ##¶&@§;-:,
,:-;§@&¶## COULD BE ACHIEVED? ##¶&@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,,,,:;§§@¶ THEY ALSO GNAW AT THE TAPE HEADS A BIT ¶@§§;:,,,,
:-;§@&¶### BETTER THAN EARLIER TAPE TYPES. ###¶&@§;-:
,:-;§@@@@¶ ¶@@@@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,,,,:;§§&¶ ;;;;;;;; ARTIFACTS ;;;;;;;; ¶&§§;:,,,,
,:-;§@@&¶¶ ¶¶&@@§;-:,
,:-;§&¶### GOOD TAPES ARE DECENT AND HAVE A GOOD ###¶&§;-:,
,:-;§@&¶## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ##¶&@§;-:,
,:-;§@&¶¶# LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA #¶¶&@§;-:,
,:::;;;;@¶ LIKE IT. ¶@;;;;:::,
,::--;§§&& &&§§;--::,
,:-;§@&¶## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##¶&@§;-:,
,:-;§@&¶## KNOWS WHATS EVEN ON THERE ANYMORE ##¶&@§;-:,
,:-;§&¶### ###¶&§;-:,
,:-;§@&¶## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##¶&@§;-:,
,:-;§@&&¶# BEAUTIFUL, WONDERFUL, EXTRAORDINARY. #¶&&@§;-:,
,,,,:-§§&& &&§§-:,,,,
,:-;§@&¶## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##¶&@§;-:,
,:-;§@&¶## SECONDS LONG. WHAT UP. BOTH OF THESE ##¶&@§;-:,
,:-;§@&¶¶# INCREASE WHEN TAPE SPEED DECREASES. #¶¶&@§;-:,
,:-;§@@&&¶ ¶&&@@§;-:,
,,,::;§@¶# PRINT THROUGH: TAPES RUB SOUND ON EACH #¶@§;::,,,
,:-;§@&¶## OTHER IF THEYRE ALONE FOR TOO LONG ##¶&@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,:-;§@&¶## ##¶&@§;-:,
,:-;§@@&¶¶ ¶¶&@@§;-:,
,,,,,,,-§& &§-,,,,,,,
,:-;@&¶### ###¶&@;-:,
,,,,:-§@&& &&@§-:,,,,