#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, ,:-^*§&@##
#@&§*^-:,, ,,:-^*§&@#
@&§*^-:,,, ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, #### ##### ,:-^*§&@##
#@&§*^-:,, TAPE DREAM ,,:-^*§&@#
@&§*^-:,,, #### ##### ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, FOR STORING MUSIC ON. ALSO DATA BUT ,:-^*§&@##
#@&§*^-:,, AT THIS POINT IN TIME THAT'S NOT ,,:-^*§&@#
@&§*^-:,,, REALLY IMPORTANT I THINK. ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, ,:-^*§&@##
#@&§*^-:,, ^^^^^^^^ TYPES OF TAPE ^^^^^^^^ ,,:-^*§&@#
@&§*^-:,,, ,,,:-^*§&@
#@&§*^-:,, CLASS I - "BAD" IRON ,,:-^*§&@#
##@&§*^-:, CLASS II - GOOD CHROMIUM ,:-^*§&@##
#@&§*^-:,, CLASS III - BAD IRON PART TWO ,,:-^*§&@#
@&§*^-:,,, CLASS IV - DANGEROUS METALS ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,:-^*§&@##
#@&§*^-:,, THAT IS ACTUALLY USEFUL. ,,:-^*§&@#
@&§*^-:,,, ,,,:-^*§&@
#@&§*^-:,, ^^ BIAS ^^ ,,:-^*§&@#
##@&§*^-:, ,:-^*§&@##
#@&§*^-:,, CLASS I USES ONE HUNDRED AND TWENTY ,,:-^*§&@#
@&§*^-:,,, MICRO-SOMETHING WHILE THE OTHERS ALL ,,,:-^*§&@
#@&§*^-:,, USE SEVENTY OF THE SAME UNIT. ,,:-^*§&@#
##@&§*^-:, ,:-^*§&@##
#@&§*^-:,, ,,:-^*§&@#
@&§*^-:,,, ********* AHA AND ********* ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, CLASS IV IS APPARENTLY TOO STRONG TO ,:-^*§&@##
#@&§*^-:,, BE USED ON CLASS I PLAYERS. IT WILL ,,:-^*§&@#
@&§*^-:,,, SOUND TOO LOUND AND IT CANNOT BE ,,,:-^*§&@
#@&§*^-:,, COMPLETELY ERASED. THIS IS VERY WELL. ,,:-^*§&@#
##@&§*^-:, MAYBE SOME WONDERFUL BLENDING EFFECTS ,:-^*§&@##
#@&§*^-:,, COULD BE ACHIEVED? ,,:-^*§&@#
@&§*^-:,,, ,,,:-^*§&@
#@&§*^-:,, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,,:-^*§&@#
##@&§*^-:, BETTER THAN EARLIER TAPE TYPES. ,:-^*§&@##
#@&§*^-:,, ,,:-^*§&@#
@&§*^-:,,, ,,,:-^*§&@
#@&§*^-:,, ^^^^^^^^ ARTIFACTS ^^^^^^^^ ,,:-^*§&@#
##@&§*^-:, ,:-^*§&@##
#@&§*^-:,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,:-^*§&@#
@&§*^-:,,, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,,,:-^*§&@
#@&§*^-:,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,:-^*§&@#
##@&§*^-:, LIKE IT. ,:-^*§&@##
#@&§*^-:,, ,,:-^*§&@#
@&§*^-:,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,:-^*§&@
#@&§*^-:,, KNOWS WHATS EVEN ON THERE ANYMORE ,,:-^*§&@#
##@&§*^-:, ,:-^*§&@##
#@&§*^-:,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,:-^*§&@#
@&§*^-:,,, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,:-^*§&@##
#@&§*^-:,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,:-^*§&@#
@&§*^-:,,, INCREASE WHEN TAPE SPEED DECREASES. ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, PRINT THROUGH: TAPES RUB SOUND ON EACH ,:-^*§&@##
#@&§*^-:,, OTHER IF THEYRE ALONE FOR TOO LONG ,,:-^*§&@#
@&§*^-:,,, ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#
##@&§*^-:, ,:-^*§&@##
#@&§*^-:,, ,,:-^*§&@#
@&§*^-:,,, ,,,:-^*§&@
#@&§*^-:,, ,,:-^*§&@#