&£££;:,,,, ,,,,:;£££&
#&&**««:,, ,,:««**&
£&**;;««:, ,:««;;**&£
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, #### ##### ,:«;*£&£##
##£&£*;«:, tape dream ,:«;*£&£##
££***«:,,, #### ##### ,,,:«***££
#&**;«««:, ,:«««;**
##£&£*;«:, for storing music on. also data but ,:«;*£&£##
#£&&£*;«:, at this point in time that's not ,:«;*£&&£#
&£*«,,,,,, really important i think. ,,,,,,«*£&
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##
&***«,,,,, ;;;;;;;; types of tape ;;;;;;;; ,,,,,«***&
&£*«:::,,, ,,,:::«*£&
###£&£*;«: class i - "bad" iron :«;*£&£###
##£&£*;«:, class ii - good chromium ,:«;*£&£##
##£&£*;«:, class iii - bad iron part two ,:«;*£&£##
##£&£*;«:, class iv - dangerous metals ,:«;*£&£##
£££*;««::, ,::««;*£££
£££&£*;«:, rumors exist about a secret class v tape ,:«;*£&£££
&*««:::,,, that is actually useful. ,,,:::««*&
£££&£*;«:, ,:«;*£&£££
#££&£*;«:, ;; bias ;; ,:«;*£&££#
#£&&£*;«:, ,:«;*£&&£#
###&£*;«:, class i uses one hundred and twenty ,:«;*£##
##£&£*;«:, micro-something while the others all ,:«;*£&£##
##£&£*;«:, use seventy of the same unit. ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##
&£;«««:,,, ,,,:«««;£&
##£&£*;«:, ********* aha and ********* ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##
£££;;:,,,, class iv is apparently too strong to ,,,,:;;£££
##£&£*;«:, be used on class i players. it will ,:«;*£&£##
&**«:,,,,, sound too lound and it cannot be ,,,,,:«**&
#££**«««:, completely erased. this is very well. ,:«««**££#
##£&£*;«:, maybe some wonderful blending effects ,:«;*£&£##
&£;;«,,,,, could be achieved? ,,,,,«;;£&
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, they also gnaw at the tape heads a bit ,:«;*£&£##
#££&£*;«:, better than earlier tape types. ,:«;*£&££#
##£&£*;«:, ,:«;*£&£##
££;;««««:, ,:««««;;££
##£&£*;«:, ;;;;;;;; artifacts ;;;;;;;; ,:«;*£&£##
£££**;;«:, ,:«;;**£££
&*«:,,,,,, good tapes are decent and have a good ,,,,,,:«*&
£££&£*;«:, high frequency presence, bad tapes are ,:«;*£&£££
££*«,,,,,, lofi if not outright bad. idk, i kinda ,,,,,,«*££
&&**;;««:, like it. ,:««;;**&&
££££*;:,,, ,,,:;*££££
#&**;::::, bias loss: if you forget the bias who ,::::;**
##£&£*;«:, knows whats even on there anymore ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, flutter: kinda quick pitch variations. ,:«;*£&£##
££&*;:,,,, beautiful, wonderful, extraordinary. ,,,,:;*&££
###&£*;«:, ,:«;*£##
##£&£*;«:, wow: a slower flutter, usually several ,:«;*£&£##
##£&£*;«:, seconds long. what up. both of these ,:«;*£&£##
£££***;«:, increase when tape speed decreases. ,:«;***£££
&££***;«:, ,:«;***££&
&£;«,,,,,, print through: tapes rub sound on each ,,,,,,«;£&
#££*;:,,,, other if theyre alone for too long ,,,,:;*££#
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##
###££*;«:, ,:«;*££###
##£&£*;«:, ,:«;*£&£##
##£&£*;«:, ,:«;*£&£##