.,~=%*£#@@ @@#£*%=~,.
.,~=%*£#@# #@#£*%=~,.
.,~=%***#@ @#***%=~,.
...,~~%%£# #£%%~~,...
.,~=%*£#@# #@#£*%=~,.
.,~=%*£@## @@@@ ##### ##@£*%=~,.
.,~=%*£#@# TAPE DREAM #@#£*%=~,.
.,~=%*£#@# #### @@@@@ #@#£*%=~,.
....,,=%£@ @£%=,,....
.,~=%*£#@# FOR STORING MUSIC ON. ALSO DATA BUT #@#£*%=~,.
.,~=*£#@## AT THIS POINT IN TIME THAT'S NOT ##@#£*=~,.
.,~=%£#@## REALLY IMPORTANT I THINK. ##@#£%=~,.
.,~=%*£#@# #@#£*%=~,.
....~=%*££ ££*%=~....
.....~~%£# ======== TYPES OF TAPE ======== #£%~~.....
.,~=%*#@## ##@#*%=~,.
.,~=%*£#@# CLASS I - "BAD" IRON #@#£*%=~,.
.,~=%*£#@# CLASS II - GOOD CHROMIUM #@#£*%=~,.
,~=%*£#@## CLASS III - BAD IRON PART TWO ##@#£*%=~,
.....,~=*# CLASS IV - DANGEROUS METALS #*=~,.....
.....~=%£# #£%=~.....
.,~=%*£### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###£*%=~,.
.,~=%*£#@# THAT IS ACTUALLY USEFUL. #@#£*%=~,.
.,~=%*£#@# #@#£*%=~,.
....,=%££# == BIAS == #££%=,....
.,~=%*£#@# #@#£*%=~,.
.....~=%££ CLASS I USES ONE HUNDRED AND TWENTY ££%=~.....
.,~=%*£### MICRO-SOMETHING WHILE THE OTHERS ALL ###£*%=~,.
.,~=%*£### USE SEVENTY OF THE SAME UNIT. ###£*%=~,.
....,=**#@ @#**=,....
.,~=%*£#@# #@#£*%=~,.
..,,,~%££# %%%%%%%%% AHA AND %%%%%%%%% #££%~,,,..
.,~=%*£#@# #@#£*%=~,.
.,~=%*£££# CLASS IV IS APPARENTLY TOO STRONG TO #£££*%=~,.
.,~=%%*£#@ BE USED ON CLASS I PLAYERS. IT WILL @#£*%%=~,.
...,~=*£££ SOUND TOO LOUND AND IT CANNOT BE £££*=~,...
.,~=%*£#@# COMPLETELY ERASED. THIS IS VERY WELL. #@#£*%=~,.
...~~~=*£# MAYBE SOME WONDERFUL BLENDING EFFECTS #£*=~~~...
...,~===%£ COULD BE ACHIEVED? £%===~,...
...,,==**£ £**==,,...
......,~%£ THEY ALSO GNAW AT THE TAPE HEADS A BIT £%~,......
.,~=%*£#@# BETTER THAN EARLIER TAPE TYPES. #@#£*%=~,.
....,,=%£# #£%=,,....
....,,~%%£ £%%~,,....
...,==*£££ ======== ARTIFACTS ======== £££*==,...
....~~%£#@ @#£%~~....
......,=%£ GOOD TAPES ARE DECENT AND HAVE A GOOD £%=,......
.,~=%***£@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @£***%=~,.
.,~=%*£### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###£*%=~,.
.,~=%*£#@# LIKE IT. #@#£*%=~,.
.,~=%*£### ###£*%=~,.
.,~=%*£#@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@#£*%=~,.
.,~=%*£#@# KNOWS WHATS EVEN ON THERE ANYMORE #@#£*%=~,.
.,~=%*£#@# #@#£*%=~,.
......~%*£ FLUTTER: KINDA QUICK PITCH VARIATIONS. £*%~......
.,~=%*£#@@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @@#£*%=~,.
.,~=%*£#@# #@#£*%=~,.
...,,=***# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #***=,,...
.,~=%*£@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@£*%=~,.
....,,~=*# INCREASE WHEN TAPE SPEED DECREASES. #*=~,,....
.,~=%*£#@# #@#£*%=~,.
.,=%*£#@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@#£*%=,.
.,~=%*£#@# OTHER IF THEYRE ALONE FOR TOO LONG #@#£*%=~,.
.,~=%*£@## ##@£*%=~,.
.,~=%*£### ###£*%=~,.
.,~=%*£#@# #@#£*%=~,.
......~%%£ £%%~......
.,~=%*£#@# #@#£*%=~,.
.,~=%*£#@@ @@#£*%=~,.