..&....... &&&&......
&...&&&&&& &&&..&&&&&
..&..&&&&& &&....&&&&
......&&&& &..&&..&&.
&&&&&..&&& ..........
.&&&....&& delay delay d.la# & †a. . .£ ~ . &&&&&&&&&.
..&..&&... &&&&&&&&..
&.......&& &&&&&&&..&
..&&&&&... .&&&&&....
&..&&&..&& ..&&&..&&&
....&..... "delay" means repetiton or likewise, &..&....&&
.&&...&&&& but it's mainly useless without .....&&...
....&..&&& feedback, .&&&....&&
.&&.....&& to allow the delay to eat of it's own ..&..&&...
....&&&..& tail, like one of those eaty serpents. ........&&
.&&..&.... thus: it's the serpent effect! &&&&&&&...
.......&&. &&&&&&..&&
.&&&&&.... it's to be revered as a creator of &&&&&.....
..&&&..&&& ambience and of space, if you treat it &&&&..&&&&
...&....&& right. a somewhat more solid and &&&....&&.
&&...&&... slippery sibling of reverb. .&..&&....
...&....&& .......&&.
&&...&&... &&&&&&....
...&....&& &&&&&..&&.
&&...&&..& .&&&......
...&...... ..&..&&&&.