....~=@£@# #@£@=~....
...~=@£@## ##@£@=~...
..~=@£@### ###@£@=~..
...~=@£@## ##@£@=~...
....~=@£@# #@£@=~....
.....~=@£@ #### ##### @£@=~.....
......~=@£ TAPE DREAM £@=~......
.......~=@ #### ##### @=~.......
........~= =~........
.........~ FOR STORING MUSIC ON. ALSO DATA BUT ~.........
.......... AT THIS POINT IN TIME THAT'S NOT ..........
.......... REALLY IMPORTANT I THINK. ..........
.......... ..........
.........~ ~.........
........~= ******** TYPES OF TAPE ******** =~........
.......~=@ @=~.......
......~=@£ CLASS I - "BAD" IRON £@=~......
.....~=@£@ CLASS II - GOOD CHROMIUM @£@=~.....
....~=@£@# CLASS III - BAD IRON PART TWO #@£@=~....
...~=@£@## CLASS IV - DANGEROUS METALS ##@£@=~...
..~=@£@### ###@£@=~..
...~=@£@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@£@=~...
....~=@£@# THAT IS ACTUALLY USEFUL. #@£@=~....
.....~=@£@ @£@=~.....
......~=@£ ** BIAS ** £@=~......
.......~=@ @=~.......
........~= CLASS I USES ONE HUNDRED AND TWENTY =~........
.........~ MICRO-SOMETHING WHILE THE OTHERS ALL ~.........
.......... USE SEVENTY OF THE SAME UNIT. ..........
.......... ..........
.......... ..........
.........~ ========= AHA AND ========= ~.........
........~= =~........
.......~=@ CLASS IV IS APPARENTLY TOO STRONG TO @=~.......
......~=@£ BE USED ON CLASS I PLAYERS. IT WILL £@=~......
.....~=@£@ SOUND TOO LOUND AND IT CANNOT BE @£@=~.....
....~=@£@# COMPLETELY ERASED. THIS IS VERY WELL. #@£@=~....
...~=@£@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@£@=~...
..~=@£@### COULD BE ACHIEVED? ###@£@=~..
...~=@£@## ##@£@=~...
....~=@£@# THEY ALSO GNAW AT THE TAPE HEADS A BIT #@£@=~....
.....~=@£@ BETTER THAN EARLIER TAPE TYPES. @£@=~.....
......~=@£ £@=~......
.......~=@ @=~.......
........~= ******** ARTIFACTS ******** =~........
.........~ ~.........
.......... GOOD TAPES ARE DECENT AND HAVE A GOOD ..........
.......... HIGH FREQUENCY PRESENCE, BAD TAPES ARE ..........
.......... LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ..........
.........~ LIKE IT. ~.........
........~= =~........
.......~=@ BIAS LOSS: IF YOU FORGET THE BIAS WHO @=~.......
......~=@£ KNOWS WHATS EVEN ON THERE ANYMORE £@=~......
.....~=@£@ @£@=~.....
....~=@£@# FLUTTER: KINDA QUICK PITCH VARIATIONS. #@£@=~....
...~=@£@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@£@=~...
..~=@£@### ###@£@=~..
...~=@£@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@£@=~...
....~=@£@# SECONDS LONG. WHAT UP. BOTH OF THESE #@£@=~....
.....~=@£@ INCREASE WHEN TAPE SPEED DECREASES. @£@=~.....
......~=@£ £@=~......
.......~=@ PRINT THROUGH: TAPES RUB SOUND ON EACH @=~.......
........~= OTHER IF THEYRE ALONE FOR TOO LONG =~........
.........~ ~.........
.......... ..........
.......... ..........
.......... ..........
.........~ ~.........
........~= =~........