,,,»:*¤£@# #@£¤*:»,,,
,,,,»:*¤£@ @£¤*:»,,,,
,,,,,»:*¤£ £¤*:»,,,,,
,,,,,,»:*¤ ¤*:»,,,,,,
,,,,,,,»:* *:»,,,,,,,
,,,,,,»:*¤ delay delay d,la# £ *a, , ,@ » , ¤*:»,,,,,,
,,,,,»:*¤£ £¤*:»,,,,,
,,,,»:*¤£@ @£¤*:»,,,,
,,,»:*¤£@# #@£¤*:»,,,
,,»:*¤£@## ##@£¤*:»,,
,,,»:*¤£@# "delay" means repetiton or likewise, #@£¤*:»,,,
,,,,»:*¤£@ but it's mainly useless without @£¤*:»,,,,
,,,,,»:*¤£ feedback, £¤*:»,,,,,
,,,,,,»:*¤ to allow the delay to eat of it's own ¤*:»,,,,,,
,,,,,,,»:* tail, like one of those eaty serpents. *:»,,,,,,,
,,,,,,»:*¤ thus: it's the serpent effect! ¤*:»,,,,,,
,,,,,»:*¤£ £¤*:»,,,,,
,,,,»:*¤£@ it's to be revered as a creator of @£¤*:»,,,,
,,,»:*¤£@# ambience and of space, if you treat it #@£¤*:»,,,
,,»:*¤£@## right. a somewhat more solid and ##@£¤*:»,,
,,,»:*¤£@# slippery sibling of reverb. #@£¤*:»,,,
,,,,»:*¤£@ @£¤*:»,,,,
,,,,,»:*¤£ £¤*:»,,,,,
,,,,,,»:*¤ ¤*:»,,,,,,
,,,,,,,»:* *:»,,,,,,,
,,,,,,»:*¤ ¤*:»,,,,,,