.~-/*&§£## ##£§&*/-~.
....-/&&§# #§&&/-....
.~-/*&§£## ##£§&*/-~.
....--/&§# #§&/--....
.~-/*&§£## ##£§&*/-~.
.~-/*&§£## opposer.dream ##£§&*/-~.
..~~~/*&&£ ---------------------------------------- £&&*/~~~..
.....-/&&£ £&&/-.....
.~-/*&§§£# intrinsically weaved within the space #£§§&*/-~.
.~-/*&§£## between what the brain constructs and ##£§&*/-~.
.~-/*&§£## the real, the space which we usually ##£§&*/-~.
.~-/*&§£## call the aether, distortions, ##£§&*/-~.
.~-/*&§£## anomalies, can appear under ##£§&*/-~.
....-***§# circumstances, peculiar ones, folded in #§***-....
.~-/*&§£## like liquid crystals, appearing as if ##£§&*/-~.
.....~/&&§ you suddenly rotate your head in some §&&/~.....
~-/*&§£### fourth dimension (usually more or less ###£§&*/-~
.~-/*&§£## uncomfortable) ##£§&*/-~.
......-**§ §**-......
.~-/*&§£## the opposer looks like a concave square ##£§&*/-~.
.~-//**&§£ balancing on a corner, with round £§&**//-~.
...--//&§# cutouts along its edges making it look #§&//--...
....~-*&££ like a pointy cross, or something from ££&*-~....
....~/&&§£ twewy £§&&/~....
.~-/*&§£## ##£§&*/-~.
.....-/&&§ it's hostile, maybe not conscious but §&&/-.....
.~-/*&§£## active, perceiving, alive in some ##£§&*/-~.
.~-/*&§£## sense. but i feel as if that might be a ##£§&*/-~.
.~-/*&§£## reduction, that i'm interpreting the ##£§&*/-~.
...~~-//*§ tip of something much larger and alien §*//-~~...
....~//&§# to me. maybe not alive, then, but #§&//~....
.~-/*&&§£# something worse. #£§&&*/-~.
.~-/*&&&&§ §&&&&*/-~.
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.....~~-*§ ~ §*-~~.....
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.~-/*&§£## ---.. -&&& .....-- ##£§&*/-~.
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.....--/&§ £££/ / §&/--.....
.~-/*&§£## // # ##£§&*/-~.
.~-/*&§£## ---§§§////*###* /§/-----~ ##£§&*/-~.
.....-/*&§ ~~~-&&&§§// *####/////§§&&&***/~~~ §&*/-.....
.~-////&&§ - /#/ §&---~ §&&////-~.
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.~-/*&§£## ----.... **- ..------ ##£§&*/-~.
...~~/&&§# // ..... #§&&/~~...
.....~//*§ / §*//~.....
.~-/*&§### ~ ###§&*/-~.
.~-/*&§£## ##£§&*/-~.
.~-/*&§££# various forms like these #££§&*/-~.
....~/*§§§ §§§*/~....
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...~-***&£ .§##§/ £&***-~...
.~-/*&§£## ~&&~ ##£§&*/-~.
.~-/*&§£## ~~ ##£§&*/-~.
.~-/*&§£## ~. ##£§&*/-~.
.~-/*&§£## .~ ##£§&*/-~.
.~-/*&&&£# ~~ #£&&&*/-~.
.~-/*&§££# ~&&~ #££§&*/-~.
.~-/*&§£## . ./§##§/. . ##£§&*/-~.
.~-/*&§£## *#£*-~.. ~..~-*£######£*-~.. ~..~-*£#* ##£§&*/-~.
....~-/&§£ *##£*-~..~ ..~-*£######£*-~..~ ..~-*£##* £§&/-~....
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...~~--*§£ /§##§. £§*--~~...
...-////*§ *#* §*////-...
..~~-**&££ ££&**-~~..
.~-/*&§### it morphs ###§&*/-~.
.~-/*&§£## ##£§&*/-~.
.~-/*&§### # ###§&*/-~.
.~-/*&§££# # #££§&*/-~.
......-*§§ ##/ §§*-......
.~-/*&§£## /£££/ ##£§&*/-~.
.~-/*&§£## -§&-&&--§- ##£§&*/-~.
.~-/*&§£## -- ** --- ##£§&*/-~.
.~-/*&§£## ~// ##£§&*/-~.
.~-/*&§£## --- ##£§&*/-~.
.~-/*&§£## /- .~~~~~. &-- ##£§&*/-~.
.~-/*&§### *//£/- -~//-~~.....~~--~~ -§§// ###§&*/-~.
.~-/*&§£## **##££§&&-~~~-~~.. ..~~-~~~*&&§§££####** ##£§&*/-~.
.~~--***&£ //£/ .~~~~~. --§£//** £&***--~~.
....-**&&£ / .---- &- £&&**-....
...~--/&§§ // §§&/--~...
.....-**§£ &&- * -&&- £§**-.....
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.~~-//*&§£ /§§§§/ £§&*//-~~.
.~-/*&§§§£ /£££ £§§§&*/-~.
...~//&§§§ ## §§§&//~...
.~-/*&§£## # ##£§&*/-~.
.~-/*&§£## ##£§&*/-~.
.~---//&&£ it appears in it's truest false form £&&//---~.
....~-*&§§ inscribed all over your vision, in the §§&*-~....
.~-/*&§### case of nightmares, evil meditation, or ###§&*/-~.
.~-/&§£### drug-induced transcendental states. ###£§&/-~.
.~-/*&§£## living behind the curtain, so to speak, ##£§&*/-~.
.~-/*§£### in the liquid between you and the world ###£§*/-~.
.~-/*&§££# you're in. #££§&*/-~.
......~/&£ £&/~......
.~-/*&§£## but even in calmer times, it's never ##£§&*/-~.
....~~/&£# too far away, and you can find yourself #£&/~~....
...-/*&&§§ transfixed by floor tiles, jewelry §§&&*/-...
......~/*§ (totems? charms?), trees, and other §*/~......
....--*§§§ such things... §§§*--....
.~-/*&§£## ##£§&*/-~.
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.~-/*&§### ###§&*/-~.
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