,,,,,,«$&§                                          §&$«,,,,,,
,-«*$&§¶##                                          ##¶§&$*«-,
,---**&&§¶                                          ¶§&&**---,
,-«*$&§¶@#                                          #@¶§&$*«-,
,-«*$&§§¶@                                          @¶§§&$*«-,
,-«*$&§@##                    --                    ##@§&$*«-,
,-«*$&§¶##                   -&&-                   ##¶§&$*«-,
,,,,«$$§§@                  -&##&-                  @§§$$«,,,,
,-«*$&§¶@@                   -&&-                   @@¶§&$*«-,
,-«*$&§¶@#                    --                    #@¶§&$*«-,
,-«*$&§¶@@                                          @@¶§&$*«-,
,-«*$&§¶@#                                          #@¶§&$*«-,
,,,--«$§§@   *** teenage engineering presents ***   @§§$«--,,,
,-«**$&&¶@ #&««««««  the pocket operators  ««««««&# @¶&&$**«-,
,-«*$&§¶##           --- ------ ---------           ##¶§&$*«-,
,,,,,-*&§¶                                          ¶§&*-,,,,,
,,,-«««$$§             they break easily            §$$«««-,,,
,-«*$&§¶@# for  example if you would be to put them #@¶§&$*«-,
,,,«**&&&§              in your pocket              §&&&**«,,,
,-«*$&§¶@#                                          #@¶§&$*«-,
,-«*$&§¶@@                 ,$@#@$,                  @@¶§&$*«-,
,-«*$&§¶## here  presented in an ascending  fashion ##¶§&$*«-,
,,---««$$§                  ,$@#@$,                 §$$««---,,
,-«*$&§¶@#                                          #@¶§&$*«-,
,-«*$&§¶@#                                          #@¶§&$*«-,
,,,,,,«$&§             && po twelve &&              §&$«,,,,,,
,-«*$&§¶@#      (drum machine, see po twelve)       #@¶§&$*«-,
,-«$&§¶@##                                          ##@¶§&$«-,
,-«*$&§@##                                          ##@§&$*«-,
,-«*$&§¶@@            && po fourteen &&             @@¶§&$*«-,
,-«*$&§¶@# lame  base   synth   i   had  and   sold #@¶§&$*«-,
,-«*$&§¶@#                                          #@¶§&$*«-,
,-«*$&§§§§                                          §§§§&$*«-,
,-«*$§¶@##             && po sixteen &&             ##@¶§$*«-,
,-«*$&§¶@#    (melody and stuff, see po sixteen)    #@¶§&$*«-,
,,,,,«$$&§                                          §&$$«,,,,,
,-«*$&§¶¶@                                          @¶¶§&$*«-,
,,,,-«$&§§              && po twenty &&             §§&$«-,,,,
,-«*$&§¶@#   a chiptune-sounding blip blop machine  #@¶§&$*«-,
,,,---*&&¶ good for chords and stuff. never used it ¶&&*---,,,
,,,,-**$§@                                          @§$**-,,,,
,,,-*$&&¶¶                                          ¶¶&&$*-,,,
,-«*$&¶@##           && po twentyfour &&            ##@¶&$*«-,
,-«*$&§¶@@     office rompler? for what reason?     @@¶§&$*«-,
,,,-**$$§§                                          §§$$**-,,,
,-«*$&§¶##                                          ##¶§&$*«-,
,-«*$&§¶@#           && po twentyeight &&           #@¶§&$*«-,
,,,,«$&§§¶        melody and stuff mark two         ¶§§&$«,,,,
,-«****&§¶         (only melodies this time)        ¶§&****«-,
,,,,«*&&§¶                                          ¶§&&*«,,,,
,-«*$&¶@##                                          ##@¶&$*«-,
,-«*$&§¶@#            && po thirtytwo &&            #@¶§&$*«-,
,-«*$&§§§¶           drum machine mark two          ¶§§§&$*«-,
,-«*$&§¶@# runs  on some computer software to  make #@¶§&$*«-,
,-«*$§¶@## your  own drums and  whatnot. but it  is ##@¶§$*«-,
,,,,,««*$§            expensive this one            §$*««,,,,,
,-«***$$&§                                          §&$$***«-,
,-«*$&§¶@#                                          #@¶§&$*«-,
,-«*$&§¶¶@                                          @¶¶§&$*«-,
,-«*$&§¶@#                                          #@¶§&$*«-,
,,,,--«$&¶                                          ¶&$«--,,,,