.,-;§&&@##                                          ##@&&§;-,.
.....-;§&&                                          &&§;-.....
.,-;§&@###                                          ###@&§;-,.
.,-;§&&@##                                          ##@&&§;-,.
.,-;§&&&@#                                          #@&&&§;-,.
....,;&&&&                    ,,                    &&&&;,....
....,;&&&&                   ,&&,                   &&&&;,....
..,-;§§&&@                  ,&##&,                  @&&§§;-,..
....-;§§§&                   ,&&,                   &§§§;-....
.,-;§&&@##                    ,,                    ##@&&§;-,.
...--;&&@#                                          #@&&;--...
.,-;§&&@##                                          ##@&&§;-,.
.,-;§&&@##   ;;; TEENAGE ENGINEERING PRESENTS ;;;   ##@&&§;-,.
.,-;§&&@## #&------  THE POCKET OPERATORS  ------&# ##@&&§;-,.
..,---§&&@           ,,, ,,,,,, ,,,,,,,,,           @&&§---,..
.,-;§&&@##                                          ##@&&§;-,.
.,--;§§&@#            THEY BREAK EASILY             #@&§§;--,.
.,-;§&&@## FOR EXAMPLE IF YOU WOULD BE  TO PUT THEM ##@&&§;-,.
.,-;§&&@##              IN YOUR POCKET              ##@&&§;-,.
.,----;&&&                                          &&&;----,.
.,-;§&&@##                 .§###§.                  ##@&&§;-,.
.,,-;;§&&@ HERE PRESENTED  IN AN ASCENDING  FASHION @&&§;;-,,.
.,-;§&&@##                  .§###§.                 ##@&&§;-,.
...,-;§§&@                                          @&§§;-,...
.,-;§&&@@@                                          @@@&&§;-,.
.,-;§&@###             && PO TWELVE &&              ###@&§;-,.
...,---§&&      (DRUM MACHINE, SEE PO TWELVE)       &&§---,...
....,;§&@#                                          #@&§;,....
.,;§&&@###                                          ###@&&§;,.
.,-;§&&&&@             && PO FOURTEEN &&            @&&&&§;-,.
.,-;§&&@## LAME  BASE   SYNTH   I   HAD   AND  SOLD ##@&&§;-,.
....-;§§&@                                          @&§§;-....
..,--;;&&#                                          #&&;;--,..
.,-;§&&@##             && PO SIXTEEN &&             ##@&&§;-,.
.,-;§&&@##    (MELODY AND STUFF, SEE PO SIXTEEN)    ##@&&§;-,.
.,-;§&&@##                                          ##@&&§;-,.
.,-;§&&@##                                          ##@&&§;-,.
.....,;&@#             && PO TWENTY &&              #@&;,.....
.,-;;;&&&@  A CHIPTUNE-SOUNDING BLIP BLOP MACHINE   @&&&;;;-,.
.,-;§&&&&# GOOD FOR CHORDS AND STUFF. NEVER USED IT #&&&&§;-,.
....--§&@@                                          @@&§--....
.,-;§&&&&#                                          #&&&&§;-,.
.,-;§&&@@@           && PO TWENTYFOUR &&            @@@&&§;-,.
.,-;§&&@##     OFFICE ROMPLER? FOR WHAT REASON?     ##@&&§;-,.
.....,;&&#                                          #&&;,.....
.,-;§&&@##                                          ##@&&§;-,.
.....,-§&&           && PO TWENTYEIGHT &&           &&§-,.....
......,-§&        MELODY AND STUFF MARK TWO         &§-,......
.,-;§&&@##        (ONLY MELODIES THIS TIME)         ##@&&§;-,.
.,,--;§§§&                                          &§§§;--,,.
.,-;§&&@##                                          ##@&&§;-,.
.,-;§&&@##            && PO THIRTYTWO &&            ##@&&§;-,.
.......-§&           DRUM MACHINE MARK TWO          &§-.......
.,-;§&&### RUNS ON  SOME COMPUTER SOFTWARE  TO MAKE ###&&§;-,.
.,-;§&&### YOUR OWN DRUMS AND  WHATNOT.  BUT  IT IS ###&&§;-,.
.,-;§&&@##            EXPENSIVE THIS ONE            ##@&&§;-,.
.,-;§&&@##                                          ##@&&§;-,.
.....,;§&@                                          @&§;,.....
,-;§&&@###                                          ###@&&§;-,
.,-;§&&@##                                          ##@&&§;-,.
.,-;§&@###                                          ###@&§;-,.