#§=^=.¨¨¨¨ ¨¨¨¨.=^=§#
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#§=^=.¨¨¨¨ ¨LIZARDRY ¨¨¨¨.=^=§#
§=^=.¨¨¨¨¨ = ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ ¨¨¨¨¨.=^=§
=^=.¨¨¨¨¨¨ @@ THE ART OF C.NNECTING ¨¨¨¨¨¨.=^=
^=.¨¨¨¨¨¨¨ ¨ WITH THE OLD MIND ¨¨¨¨¨¨¨.=^
=.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.=
.¨¨¨¨¨¨¨¨¨ MY MIND IS BEING SKEWED. MI ¨¨¨¨¨¨¨¨¨.
=.¨¨¨¨¨¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨¨¨¨¨¨.=
^=.¨¨¨¨¨¨¨ THE SITUATION IS LITERALLY ¨¨¨¨¨¨¨.=^
=^=.¨¨¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨¨¨.=^=
§=^=.¨¨¨¨¨ ECHOING LIKE ¨¨¨¨¨.=^=§
#§=^=.¨¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨¨.=^=§#
¶#§=^=.¨¨¨ OCEAN ¨¨¨.=^=§#¶
@¶#§=^=.¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨.=^=§#¶@
#@¶#§=^=.¨ ¨.=^=§#¶@#
@¶#§=^=.¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨.=^=§#¶@
¶#§=^=.¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨.=^=§#¶
#§=^=.¨¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨¨.=^=§#
§=^=.¨¨¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨¨¨.=^=§
=^=.¨¨¨¨¨¨ ¨ ¨¨¨¨¨¨.=^=
^=.¨¨¨¨¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ¶¶¶¶¶¶¶ ¨¨¨¨¨¨¨.=^
=.¨¨¨¨¨¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨¨¨¨¨¨.=
.¨¨¨¨¨¨¨¨¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨¨¨¨¨¨¨¨¨.
=.¨¨¨¨¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨¨¨¨¨.=
^=.¨¨¨¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨¨¨¨.=^
=^=.¨¨¨¨¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨¨¨¨.=^=
§=^=.¨¨¨¨¨ . . DOWN IN THE DRAGONS THROAT. ¨¨¨¨¨.=^=§
#§=^=.¨¨¨¨ . ¨¨¨¨.=^=§#
¶#§=^=.¨¨¨ . ¨¨¨.=^=§#¶
@¶#§=^=.¨¨ ¨¨.=^=§#¶@
#@¶#§=^=.¨ ¨.=^=§#¶@#
@¶#§=^=.¨¨ ¨¨.=^=§#¶@
¶#§=^=.¨¨¨ ¨¨¨.=^=§#¶
#§=^=.¨¨¨¨ ¨¨¨¨.=^=§#
§=^=.¨¨¨¨¨ ¨¨¨¨¨.=^=§