......-;*¤ ¤*;-......
.-=;=**¤¤¤ ¤¤¤**=;=-.
.....=;;=¤ ¤=;;=.....
.-=;=****@ @****=;=-.
.-=;=*¤@## ##@¤*=;=-.
.-=;=*¤@## TRAIN DREAM ##@¤*=;=-.
.-=;=*¤@## ######....-=--..##################### ##@¤*=;=-.
...-;;;*@# ;;; #@*;;;-...
.-=;=*¤@## = ##@¤*=;=-.
.-=;=*¤@## = ##@¤*=;=-.
.-=;=*¤@## ##@¤*=;=-.
.-=;=*¤@## (SITUATION) ##@¤*=;=-.
....-==¤¤¤ ¤¤¤==-....
...--=;*¤@ YOU FIND YOURSELF IN A RIFT - A @¤*;=--...
.....==**¤ CLEARING, NARROW BUT IMMEASURABLY LONG. ¤**==.....
....--;*¤@ TO YOUR SIDES ARE WALLS MADE OF TREES, @¤*;--....
.-==*¤@### THICK AND READY TO SWALLOW YOU. THE SUN ###@¤*==-.
.-=;=*¤@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@¤*=;=-.
.-=;=*¤@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@¤*=;=-.
.-=;=*¤@## BLUE, ALMOST WHITE. ##@¤*=;=-.
.......==¤ ¤==.......
.-=;=*¤@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@¤*=;=-.
.-;=*¤@### PARALLEL SILVERY LINES, DARK HARD ###@¤*=;-.
.-=;=*¤@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@¤*=;=-.
.....--==¤ THEY ARE. ¤==--.....
.....==¤¤¤ ¤¤¤==.....
.-=;=**¤@@ THEY EMIT A HIGH PITCHED WHINE... @@¤**=;=-.
.-=;=*¤@## ##@¤*=;=-.
.-=;=*¤@## = ##@¤*=;=-.
.-=;=*¤@## ..=.. ##@¤*=;=-.
.-=;=*¤@@@ = @@@¤*=;=-.
.-=;=*¤¤@@ @@¤¤*=;=-.
....-==¤@@ (SITUATION) @@¤==-....
.-=;=*¤¤¤@ @¤¤¤*=;=-.
.-=;*¤@### YOURE AT THE TRAIN STATION, ON A ###@¤*;=-.
.-=;=¤@### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ###@¤=;=-.
.....==¤@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@¤==.....
.-=;=*¤@## IT'S A SUMMER AFTERNOON AND THE STATION ##@¤*=;=-.
...---=;*¤ IS BUSY, FULL OF RELAXED CONFIDENCE. ¤*;=---...
..----==*¤ ¤*==----..
.-=;=*¤@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@¤*=;=-.
.-=;=*¤@## STRESSED ABOUT THE TIME, WHILE MOVING ##@¤*=;=-.
...--;;=¤@ UP THE STAIRS TO YOUR PLATFORM. THE @¤=;;--...
.-=;=*¤@## STATION IS IN SEVERAL LEVELS, ALL ##@¤*=;=-.
.-=;=*¤@## PLACED WITHIN EACHOTHER BY SOME ##@¤*=;=-.
-=;=*¤@### INTELLIGENT DESIGNER, AND FULL OF ###@¤*=;=-
.-=;=*¤@## STAIRS, ELEVATORS, SHORTCUTS, ##@¤*=;=-.
.-=;=*¤¤¤@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @¤¤¤*=;=-.
.-=;=*¤@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@¤*=;=-.
......===¤ IT'S SUPPOSED TO BE? ¤===......
.-=;=*¤@## ##@¤*=;=-.
.....==*¤¤ = ¤¤*==.....
.-=;=*¤### --*-- ###¤*=;=-.
.-=;=*¤@## = ##@¤*=;=-.
.-=;=*¤@## ##@¤*=;=-.
.-=;=*¤@## (SITUATION) ##@¤*=;=-.
......-;*¤ ¤*;-......
....-===*¤ YOU'RE FINALLY ENTERING THE CITY. WHILE ¤*===-....
...=;;;==¤ IT IS INDEED A VERY HIGH SPEED TRAIN ¤==;;;=...
.-=;=*@### YOU'RE TRAVELING IN, THE JOURNEY HAS ###@*=;=-.
......-==¤ BEEN LONG. BUT IT'S ABOUT TO END! ¤==-......
....-==¤@# #@¤==-....
.-=;=*¤@## SOCIETY IS GROWING DENSER AROUND YOU, ##@¤*=;=-.
....--;;=¤ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¤=;;--....
.-=;=*¤@## SHACKS, BUILT OF METAL AND STONE, THEN ##@¤*=;=-.
.-=;=*¤@@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@@¤*=;=-.
.-=;=*¤¤@# TOGETHER... WHO IN TURN MAKE WAY FOR #@¤¤*=;=-.
.-=;==**¤# THE INDUSTRIAL BUILDINGS, THE URBAN #¤**==;=-.
.---;==¤¤# MAZE, PROTECTIVE WALLS, JUNGLE #¤¤==;---.
.-=;=*¤@## NETWORK... ##@¤*=;=-.
.....===*¤ ¤*===.....
.-=;=*¤@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@¤*=;=-.
.-=;=*¤@@# NEEDED FOR OTHER PURPOSES. YOU ARE #@@¤*=;=-.
.-=;=*¤@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@¤*=;=-.
...--==¤¤¤ YOU'RE MOVING UPWARD ALONG THE WALL OF ¤¤¤==--...
.-=;=*¤@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@¤*=;=-.
.-=;=*¤@## WITH GREAT GLASSLESS WINDOW HOLES ##@¤*=;=-.
.-=;=*¤@## LOOKING OUT THE WAY YOU CAME. IT IS ##@¤*=;=-.
.-=;=*¤@## PITCH BLACK INSIDE. ##@¤*=;=-.
.-=;=*¤@## ##@¤*=;=-.
.-=;=*¤@## ##@¤*=;=-.
.-=;=*¤@## ##@¤*=;=-.
.....-==¤¤ ¤¤==-.....
.....-;;*@ @*;;-.....