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£*†*-,.... TRAIN DREAM ....,-*†*£
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£*†*-,.... (SITUATION) ....,-*†*£
*†*-,..... .....,-*†*
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*†*-,..... CLEARING, NARROW BUT IMMEASURABLY LONG. .....,-*†*
£*†*-,.... TO YOUR SIDES ARE WALLS MADE OF TREES, ....,-*†*£
@£*†*-,... THICK AND READY TO SWALLOW YOU. THE SUN ...,-*†*£@
#@£*†*-,.. IS NOWHERE TO BE SEEN, BUT NONTHELESS ..,-*†*£@#
##@£*†*-,. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .,-*†*£@##
#@£*†*-,.. BLUE, ALMOST WHITE. ..,-*†*£@#
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£*†*-,.... ALONG THE SPAN OF THE CLEARING LAY TWO ....,-*†*£
*†*-,..... PARALLEL SILVERY LINES, DARK HARD .....,-*†*
†*-,...... METAL. SOMEHOW YOU CAN SEE HOW HEAVY ......,-*†
*†*-,..... THEY ARE. .....,-*†*
£*†*-,.... ....,-*†*£
@£*†*-,... THEY EMIT A HIGH PITCHED WHINE... ...,-*†*£@
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*†*-,..... YOURE AT THE TRAIN STATION, ON A .....,-*†*
£*†*-,.... CATWALK ABOVE THE RAILS. YOUR TRAIN IS ....,-*†*£
@£*†*-,... LATE, OR YOU ARE LATE TO THE TRAIN. ...,-*†*£@
#@£*†*-,.. IT'S A SUMMER AFTERNOON AND THE STATION ..,-*†*£@#
##@£*†*-,. IS BUSY, FULL OF RELAXED CONFIDENCE. .,-*†*£@##
#@£*†*-,.. ..,-*†*£@#
@£*†*-,... YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ...,-*†*£@
£*†*-,.... STRESSED ABOUT THE TIME, WHILE MOVING ....,-*†*£
*†*-,..... UP THE STAIRS TO YOUR PLATFORM. THE .....,-*†*
†*-,...... STATION IS IN SEVERAL LEVELS, ALL ......,-*†
*†*-,..... PLACED WITHIN EACHOTHER BY SOME .....,-*†*
£*†*-,.... INTELLIGENT DESIGNER, AND FULL OF ....,-*†*£
@£*†*-,... STAIRS, ELEVATORS, SHORTCUTS, ...,-*†*£@
#@£*†*-,.. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..,-*†*£@#
##@£*†*-,. SOME GLASS WINDOWS. IT'S... NOT WHERE .,-*†*£@##
#@£*†*-,.. IT'S SUPPOSED TO BE? ..,-*†*£@#
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£*†*-,.... (SITUATION) ....,-*†*£
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#@£*†*-,.. YOU'RE FINALLY ENTERING THE CITY. WHILE ..,-*†*£@#
##@£*†*-,. IT IS INDEED A VERY HIGH SPEED TRAIN .,-*†*£@##
#@£*†*-,.. YOU'RE TRAVELING IN, THE JOURNEY HAS ..,-*†*£@#
@£*†*-,... BEEN LONG. BUT IT'S ABOUT TO END! ...,-*†*£@
£*†*-,.... ....,-*†*£
*†*-,..... SOCIETY IS GROWING DENSER AROUND YOU, .....,-*†*
†*-,...... THROUGH THE WINDOWS YOU SEE FIRST SMALL ......,-*†
*†*-,..... SHACKS, BUILT OF METAL AND STONE, THEN .....,-*†*
£*†*-,.... PROPER HOUSES WITH MORTAR TO KEEP THEM ....,-*†*£
@£*†*-,... TOGETHER... WHO IN TURN MAKE WAY FOR ...,-*†*£@
#@£*†*-,.. THE INDUSTRIAL BUILDINGS, THE URBAN ..,-*†*£@#
##@£*†*-,. MAZE, PROTECTIVE WALLS, JUNGLE .,-*†*£@##
#@£*†*-,.. NETWORK... ..,-*†*£@#
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£*†*-,.... THE TRACKS LEAVE THE GROUND, WHICH IS ....,-*†*£
*†*-,..... NEEDED FOR OTHER PURPOSES. YOU ARE .....,-*†*
†*-,...... CARRIED GENTLY, CURVING UPWARDS UNTIL ......,-*†
*†*-,..... YOU'RE MOVING UPWARD ALONG THE WALL OF .....,-*†*
£*†*-,.... A BUILDING. IT'S MADE OF SLABBY STONE, ....,-*†*£
@£*†*-,... WITH GREAT GLASSLESS WINDOW HOLES ...,-*†*£@
#@£*†*-,.. LOOKING OUT THE WAY YOU CAME. IT IS ..,-*†*£@#
##@£*†*-,. PITCH BLACK INSIDE. .,-*†*£@##
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