,,-^$*¤@## ##@¤*$^-,,
,,,-^$*¤@# #@¤*$^-,,,
,,,,-^$*¤@ @¤*$^-,,,,
,,,-^$*¤@# #@¤*$^-,,,
,,-^$*¤@## ##@¤*$^-,,
,,,-^$*¤@# TRAIN DREAM #@¤*$^-,,,
,,,,-^$*¤@ ######,,,,,-,,,,##################### @¤*$^-,,,,
,,,-^$*¤@# ^^^ #@¤*$^-,,,
,,-^$*¤@## - ##@¤*$^-,,
,,,-^$*¤@# - #@¤*$^-,,,
,,,,-^$*¤@ @¤*$^-,,,,
,,,-^$*¤@# (SITUATION) #@¤*$^-,,,
,,-^$*¤@## ##@¤*$^-,,
,,,-^$*¤@# YOU FIND YOURSELF IN A RIFT - A #@¤*$^-,,,
,,,,-^$*¤@ CLEARING, NARROW BUT IMMEASURABLY LONG. @¤*$^-,,,,
,,,-^$*¤@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@¤*$^-,,,
,,-^$*¤@## THICK AND READY TO SWALLOW YOU. THE SUN ##@¤*$^-,,
,,,-^$*¤@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@¤*$^-,,,
,,,,-^$*¤@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT @¤*$^-,,,,
,,,-^$*¤@# BLUE, ALMOST WHITE. #@¤*$^-,,,
,,-^$*¤@## ##@¤*$^-,,
,,,-^$*¤@# ALONG THE SPAN OF THE CLEARING LAY TWO #@¤*$^-,,,
,,,,-^$*¤@ PARALLEL SILVERY LINES, DARK HARD @¤*$^-,,,,
,,,-^$*¤@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@¤*$^-,,,
,,-^$*¤@## THEY ARE. ##@¤*$^-,,
,,,-^$*¤@# #@¤*$^-,,,
,,,,-^$*¤@ THEY EMIT A HIGH PITCHED WHINE... @¤*$^-,,,,
,,,-^$*¤@# #@¤*$^-,,,
,,-^$*¤@## - ##@¤*$^-,,
,,,-^$*¤@# ,,$,, #@¤*$^-,,,
,,,,-^$*¤@ - @¤*$^-,,,,
,,,-^$*¤@# #@¤*$^-,,,
,,-^$*¤@## (SITUATION) ##@¤*$^-,,
,,,-^$*¤@# #@¤*$^-,,,
,,,,-^$*¤@ YOURE AT THE TRAIN STATION, ON A @¤*$^-,,,,
,,,-^$*¤@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@¤*$^-,,,
,,-^$*¤@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@¤*$^-,,
,,,-^$*¤@# IT'S A SUMMER AFTERNOON AND THE STATION #@¤*$^-,,,
,,,,-^$*¤@ IS BUSY, FULL OF RELAXED CONFIDENCE. @¤*$^-,,,,
,,,-^$*¤@# #@¤*$^-,,,
,,-^$*¤@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@¤*$^-,,
,,,-^$*¤@# STRESSED ABOUT THE TIME, WHILE MOVING #@¤*$^-,,,
,,,,-^$*¤@ UP THE STAIRS TO YOUR PLATFORM. THE @¤*$^-,,,,
,,,-^$*¤@# STATION IS IN SEVERAL LEVELS, ALL #@¤*$^-,,,
,,-^$*¤@## PLACED WITHIN EACHOTHER BY SOME ##@¤*$^-,,
,,,-^$*¤@# INTELLIGENT DESIGNER, AND FULL OF #@¤*$^-,,,
,,,,-^$*¤@ STAIRS, ELEVATORS, SHORTCUTS, @¤*$^-,,,,
,,,-^$*¤@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@¤*$^-,,,
,,-^$*¤@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@¤*$^-,,
,,,-^$*¤@# IT'S SUPPOSED TO BE? #@¤*$^-,,,
,,,,-^$*¤@ @¤*$^-,,,,
,,,-^$*¤@# - #@¤*$^-,,,
,,-^$*¤@## ,,*,, ##@¤*$^-,,
,,,-^$*¤@# - #@¤*$^-,,,
,,,,-^$*¤@ @¤*$^-,,,,
,,,-^$*¤@# (SITUATION) #@¤*$^-,,,
,,-^$*¤@## ##@¤*$^-,,
,,,-^$*¤@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@¤*$^-,,,
,,,,-^$*¤@ IT IS INDEED A VERY HIGH SPEED TRAIN @¤*$^-,,,,
,,,-^$*¤@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@¤*$^-,,,
,,-^$*¤@## BEEN LONG. BUT IT'S ABOUT TO END! ##@¤*$^-,,
,,,-^$*¤@# #@¤*$^-,,,
,,,,-^$*¤@ SOCIETY IS GROWING DENSER AROUND YOU, @¤*$^-,,,,
,,,-^$*¤@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@¤*$^-,,,
,,-^$*¤@## SHACKS, BUILT OF METAL AND STONE, THEN ##@¤*$^-,,
,,,-^$*¤@# PROPER HOUSES WITH MORTAR TO KEEP THEM #@¤*$^-,,,
,,,,-^$*¤@ TOGETHER... WHO IN TURN MAKE WAY FOR @¤*$^-,,,,
,,,-^$*¤@# THE INDUSTRIAL BUILDINGS, THE URBAN #@¤*$^-,,,
,,-^$*¤@## MAZE, PROTECTIVE WALLS, JUNGLE ##@¤*$^-,,
,,,-^$*¤@# NETWORK... #@¤*$^-,,,
,,,,-^$*¤@ @¤*$^-,,,,
,,,-^$*¤@# THE TRACKS LEAVE THE GROUND, WHICH IS #@¤*$^-,,,
,,-^$*¤@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@¤*$^-,,
,,,-^$*¤@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@¤*$^-,,,
,,,,-^$*¤@ YOU'RE MOVING UPWARD ALONG THE WALL OF @¤*$^-,,,,
,,,-^$*¤@# A BUILDING. IT'S MADE OF SLABBY STONE, #@¤*$^-,,,
,,-^$*¤@## WITH GREAT GLASSLESS WINDOW HOLES ##@¤*$^-,,
,,,-^$*¤@# LOOKING OUT THE WAY YOU CAME. IT IS #@¤*$^-,,,
,,,,-^$*¤@ PITCH BLACK INSIDE. @¤*$^-,,,,
,,,-^$*¤@# #@¤*$^-,,,
,,-^$*¤@## ##@¤*$^-,,
,,,-^$*¤@# #@¤*$^-,,,
,,,,-^$*¤@ @¤*$^-,,,,
,,,-^$*¤@# #@¤*$^-,,,