@.@@@..@.. .@@.....@@
.@@..@.@@. @@.@....@.
.@.@.@@@.@ @.@@@...@@
@@@@@@..@@ @@@..@..@.
@.....@.@. @..@.@@.@@
.@....@@@@ TRAIN DREAM @@.@@@.@@.
.@@...@... ######....-~--..##################### @.@@..@@.@
@@.@..@@.. *** .@@.@.@.@@
..@@@.@.@. ~ .@.@@@@@@.
..@..@@@@@ ~ @@@@.....@
@.@@.@.... ....@....@
.@@.@@@... (SITUATION) @...@@...@
@@.@@..@.. .@..@.@..@
..@@.@.@@. YOU FIND YOURSELF IN A RIFT - A @@@.@@@@.@
@.@.@@@@.@ CLEARING, NARROW BUT IMMEASURABLY LONG. @..@@...@@
.@@@@...@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @@.@.@..@.
.@...@..@. THICK AND READY TO SWALLOW YOU. THE SUN ..@@@@@.@@
@@@..@@.@@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ..@....@@.
@..@.@.@@. IT IS VERY BRIGHT - THE AIR FEELS LIGHT @.@@...@.@
.@.@@@@@.@ BLUE, ALMOST WHITE. .@@.@..@@@
@@@@....@@ .@.@@@.@..
@...@...@. ALONG THE SPAN OF THE CLEARING LAY TWO @@@@..@@@.
@@..@@..@@ PARALLEL SILVERY LINES, DARK HARD @...@.@..@
..@.@.@.@. METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@..@@@@.@
@.@@@@@@@@ THEY ARE. @.@.@...@@
.@@....... .@@@@@..@.
.@.@...... THEY EMIT A HIGH PITCHED WHINE... @@....@.@@
@@@@@..... ..@...@@@.
@....@.... ~ @.@@..@..@
.@...@@... ..$.. .@@.@.@@.@
@@@..@.@.. ~ @@.@@@@.@@
...@.@@@@. ..@@...@@.
...@@@...@ (SITUATION) @.@.@..@.@
@..@..@..@ .@@@@@.@@@
.@.@@.@@.@ YOURE AT THE TRAIN STATION, ON A @@....@@..
.@@@.@@.@@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @.@...@.@.
.@..@@.@@. LATE, OR YOU ARE LATE TO THE TRAIN. @@@@..@@@@
@@@.@.@@.@ IT'S A SUMMER AFTERNOON AND THE STATION ....@.@...
@..@@@@.@@ IS BUSY, FULL OF RELAXED CONFIDENCE. ....@@@@..
@@.@...@@. ....@...@.
@.@@@..@.@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @...@@..@@
.@@..@.@@@ STRESSED ABOUT THE TIME, WHILE MOVING @@..@.@.@.
.@.@.@@@.. UP THE STAIRS TO YOUR PLATFORM. THE ..@.@@@@@@
@@@@@@..@. STATION IS IN SEVERAL LEVELS, ALL ..@@@.....
@.....@.@@ PLACED WITHIN EACHOTHER BY SOME ..@..@....
@@....@@@. INTELLIGENT DESIGNER, AND FULL OF ..@@.@@...
@.@...@..@ STAIRS, ELEVATORS, SHORTCUTS, ..@.@@.@..
@@@@..@@.@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @.@@@.@@@.
@...@.@.@@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@@..@@..@
.@..@@@@@. IT'S SUPPOSED TO BE? @@.@.@.@.@
@@@.@....@ @.@@@@@@@@
...@@@...@ ~ @@@.......
...@..@..@ --%-- ...@......
...@@.@@.@ ~ ...@@.....
...@.@@.@@ ...@.@....
...@@@.@@. (SITUATION) @..@@@@...
...@..@@.@ @@.@...@..
...@@.@.@@ YOU'RE FINALLY ENTERING THE CITY. WHILE ..@@@..@@.
...@.@@@@. IT IS INDEED A VERY HIGH SPEED TRAIN @.@..@.@.@
@..@@@...@ YOU'RE TRAVELING IN, THE JOURNEY HAS .@@@.@@@@@
.@.@..@..@ BEEN LONG. BUT IT'S ABOUT TO END! .@..@@....
.@@@@.@@.@ @@@.@.@...
.@...@@.@@ SOCIETY IS GROWING DENSER AROUND YOU, @..@@@@@..
.@@..@.@@. THROUGH THE WINDOWS YOU SEE FIRST SMALL @@.@....@.
.@.@.@@@.@ SHACKS, BUILT OF METAL AND STONE, THEN @.@@@...@@
@@@@@@..@@ PROPER HOUSES WITH MORTAR TO KEEP THEM @@@..@..@.
@.....@.@. TOGETHER... WHO IN TURN MAKE WAY FOR @..@.@@.@@
.@....@@@@ THE INDUSTRIAL BUILDINGS, THE URBAN @@.@@@.@@.
.@@...@... MAZE, PROTECTIVE WALLS, JUNGLE @.@@..@@.@
@@.@..@@.. NETWORK... .@@.@.@.@@
..@@@.@.@. .@.@@@@@@.
..@..@@@@@ THE TRACKS LEAVE THE GROUND, WHICH IS @@@@.....@
@.@@.@.... NEEDED FOR OTHER PURPOSES. YOU ARE ....@....@
.@@.@@@... CARRIED GENTLY, CURVING UPWARDS UNTIL @...@@...@
@@.@@..@.. YOU'RE MOVING UPWARD ALONG THE WALL OF .@..@.@..@
..@@.@.@@. A BUILDING. IT'S MADE OF SLABBY STONE, @@@.@@@@.@
@.@.@@@@.@ WITH GREAT GLASSLESS WINDOW HOLES @..@@...@@
.@@@@...@@ LOOKING OUT THE WAY YOU CAME. IT IS @@.@.@..@.
.@...@..@. PITCH BLACK INSIDE. ..@@@@@.@@
@@@..@@.@@ ..@....@@.
@..@.@.@@. @.@@...@.@
.@.@@@@@.@ .@@.@..@@@
@@@@....@@ .@.@@@.@..
@...@...@. @@@@..@@@.