@..@.@.... @@.@@@..@.
.@....@... @@.@.@@...
..@....@.. @@...@@@..
...@....@. @@@..@.@@.
....@....@ @.@@...@@@
@....@.... TRAIN DREAM ..@@@..@.@
@@....@... ######....-«--..##################### ..@.@@...@
.@@....@.. === ....@@@..@
.@@@....@. « ....@.@@..
.@.@@....@ « ......@@@.
...@@@.... ......@.@@
@..@.@@... (SITUATION) ........@@
@@...@@@.. @.......@.
@@@..@.@@. YOU FIND YOURSELF IN A RIFT - A @@........
@.@@...@@@ CLEARING, NARROW BUT IMMEASURABLY LONG. .@@.......
..@@@..@.@ TO YOUR SIDES ARE WALLS MADE OF TREES, .@@@......
..@.@@...@ THICK AND READY TO SWALLOW YOU. THE SUN .@.@@.....
....@@@..@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ...@@@....
....@.@@.. IT IS VERY BRIGHT - THE AIR FEELS LIGHT @..@.@@...
......@@@. BLUE, ALMOST WHITE. @@...@@@..
......@.@@ @@@..@.@@.
........@@ ALONG THE SPAN OF THE CLEARING LAY TWO @.@@...@@@
@.......@. PARALLEL SILVERY LINES, DARK HARD ..@@@..@.@
@@........ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..@.@@...@
.@@....... THEY ARE. ....@@@..@
.@@@...... @...@.@@..
.@.@@..... THEY EMIT A HIGH PITCHED WHINE... .@....@@@.
...@@@.... ..@...@.@@
@..@.@@... « ...@....@@
@@...@@@.. ..$.. ....@...@.
@@@..@.@@. « .....@....
@.@@...@@@ ......@...
..@@@..@.@ (SITUATION) @......@..
..@.@@...@ .@......@.
....@@@..@ YOURE AT THE TRAIN STATION, ON A ..@......@
@...@.@@.. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ...@......
.@....@@@. LATE, OR YOU ARE LATE TO THE TRAIN. @...@.....
..@...@.@@ IT'S A SUMMER AFTERNOON AND THE STATION @@...@....
...@....@@ IS BUSY, FULL OF RELAXED CONFIDENCE. .@@...@...
....@...@. .@@@...@..
.....@.... YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@.@@...@.
......@... STRESSED ABOUT THE TIME, WHILE MOVING ...@@@...@
@......@.. UP THE STAIRS TO YOUR PLATFORM. THE ...@.@@...
.@......@. STATION IS IN SEVERAL LEVELS, ALL .....@@@..
..@......@ PLACED WITHIN EACHOTHER BY SOME .....@.@@.
...@...... INTELLIGENT DESIGNER, AND FULL OF .......@@@
@...@..... STAIRS, ELEVATORS, SHORTCUTS, .......@.@
@@...@.... BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @........@
.@@...@... SOME GLASS WINDOWS. IT'S... NOT WHERE .@.......@
.@@@...@.. IT'S SUPPOSED TO BE? ..@.......
.@.@@...@. ...@......
...@@@...@ « ....@.....
...@.@@... --£-- @....@....
.....@@@.. « .@....@...
.....@.@@. ..@....@..
.......@@@ (SITUATION) ...@....@.
.......@.@ ....@....@
@........@ YOU'RE FINALLY ENTERING THE CITY. WHILE @....@....
.@.......@ IT IS INDEED A VERY HIGH SPEED TRAIN @@....@...
..@....... YOU'RE TRAVELING IN, THE JOURNEY HAS .@@....@..
...@...... BEEN LONG. BUT IT'S ABOUT TO END! .@@@....@.
....@..... .@.@@....@
@....@.... SOCIETY IS GROWING DENSER AROUND YOU, ...@@@....
.@....@... THROUGH THE WINDOWS YOU SEE FIRST SMALL @..@.@@...
..@....@.. SHACKS, BUILT OF METAL AND STONE, THEN @@...@@@..
...@....@. PROPER HOUSES WITH MORTAR TO KEEP THEM @@@..@.@@.
....@....@ TOGETHER... WHO IN TURN MAKE WAY FOR @.@@...@@@
@....@.... THE INDUSTRIAL BUILDINGS, THE URBAN ..@@@..@.@
@@....@... MAZE, PROTECTIVE WALLS, JUNGLE ..@.@@...@
.@@....@.. NETWORK... ....@@@..@
.@@@....@. ....@.@@..
.@.@@....@ THE TRACKS LEAVE THE GROUND, WHICH IS ......@@@.
...@@@.... NEEDED FOR OTHER PURPOSES. YOU ARE ......@.@@
@..@.@@... CARRIED GENTLY, CURVING UPWARDS UNTIL ........@@
@@...@@@.. YOU'RE MOVING UPWARD ALONG THE WALL OF @.......@.
@@@..@.@@. A BUILDING. IT'S MADE OF SLABBY STONE, @@........
@.@@...@@@ WITH GREAT GLASSLESS WINDOW HOLES .@@.......
..@@@..@.@ LOOKING OUT THE WAY YOU CAME. IT IS .@@@......
..@.@@...@ PITCH BLACK INSIDE. .@.@@.....
....@@@..@ ...@@@....
....@.@@.. @..@.@@...
......@@@. @@...@@@..
......@.@@ @@@..@.@@.
........@@ @.@@...@@@