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.:=\%*#### TRAIN DREAM ####*%\=:.
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.::=\\**## YOU FIND YOURSELF IN A RIFT - A ##**\\=::.
.:=\%*#### CLEARING, NARROW BUT IMMEASURABLY LONG. ####*%\=:.
......:=%# TO YOUR SIDES ARE WALLS MADE OF TREES, #%=:......
.:=\%*#### THICK AND READY TO SWALLOW YOU. THE SUN ####*%\=:.
.:=%*##### IS NOWHERE TO BE SEEN, BUT NONTHELESS #####*%=:.
.:=\\\\\%# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #%\\\\\=:.
.:==\\\\*# BLUE, ALMOST WHITE. #*\\\\==:.
.:=\%*#### ####*%\=:.
.......=%# ALONG THE SPAN OF THE CLEARING LAY TWO #%=.......
.:=\%*#### PARALLEL SILVERY LINES, DARK HARD ####*%\=:.
.:=\%*#### METAL. SOMEHOW YOU CAN SEE HOW HEAVY ####*%\=:.
.:=\\%%*## THEY ARE. ##*%%\\=:.
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...==%**## THEY EMIT A HIGH PITCHED WHINE... ##**%==...
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.:=\\\%*## YOURE AT THE TRAIN STATION, ON A ##*%\\\=:.
.:=\%*#### CATWALK ABOVE THE RAILS. YOUR TRAIN IS ####*%\=:.
.:=\%*#### LATE, OR YOU ARE LATE TO THE TRAIN. ####*%\=:.
..::==%**# IT'S A SUMMER AFTERNOON AND THE STATION #**%==::..
.....:\*## IS BUSY, FULL OF RELAXED CONFIDENCE. ##*\:.....
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.:=\%*#### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ####*%\=:.
.:=\%*#### STRESSED ABOUT THE TIME, WHILE MOVING ####*%\=:.
....::=\*# UP THE STAIRS TO YOUR PLATFORM. THE #*\=::....
..:=\\\%## STATION IS IN SEVERAL LEVELS, ALL ##%\\\=:..
....=%*### PLACED WITHIN EACHOTHER BY SOME ###*%=....
.:=\%*#### INTELLIGENT DESIGNER, AND FULL OF ####*%\=:.
.:=\\\%%*# STAIRS, ELEVATORS, SHORTCUTS, #*%%\\\=:.
.:=\%*#### BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ####*%\=:.
...:=%%%## SOME GLASS WINDOWS. IT'S... NOT WHERE ##%%%=:...
.:=\%*#### IT'S SUPPOSED TO BE? ####*%\=:.
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.:=\%*#### YOU'RE FINALLY ENTERING THE CITY. WHILE ####*%\=:.
.....:\%## IT IS INDEED A VERY HIGH SPEED TRAIN ##%\:.....
...:=%%### YOU'RE TRAVELING IN, THE JOURNEY HAS ###%%=:...
...:=\*### BEEN LONG. BUT IT'S ABOUT TO END! ###*\=:...
.:=\%**### ###**%\=:.
.:=\%*#### SOCIETY IS GROWING DENSER AROUND YOU, ####*%\=:.
.:=\%*#### THROUGH THE WINDOWS YOU SEE FIRST SMALL ####*%\=:.
.....:\*## SHACKS, BUILT OF METAL AND STONE, THEN ##*\:.....
.:=\%*#### PROPER HOUSES WITH MORTAR TO KEEP THEM ####*%\=:.
..:=\%%%## TOGETHER... WHO IN TURN MAKE WAY FOR ##%%%\=:..
.....==\%# THE INDUSTRIAL BUILDINGS, THE URBAN #%\==.....
.:=\%*#### MAZE, PROTECTIVE WALLS, JUNGLE ####*%\=:.
.:=\%*#### NETWORK... ####*%\=:.
.:=\%%**## ##**%%\=:.
...:=\**## THE TRACKS LEAVE THE GROUND, WHICH IS ##**\=:...
.:=\\%**## NEEDED FOR OTHER PURPOSES. YOU ARE ##**%\\=:.
.:=\%*#### CARRIED GENTLY, CURVING UPWARDS UNTIL ####*%\=:.
.:=\%*#### YOU'RE MOVING UPWARD ALONG THE WALL OF ####*%\=:.
.:=\%*#### A BUILDING. IT'S MADE OF SLABBY STONE, ####*%\=:.
....:==\*# WITH GREAT GLASSLESS WINDOW HOLES #*\==:....
.:=\%*#### LOOKING OUT THE WAY YOU CAME. IT IS ####*%\=:.
.:=\\%%%*# PITCH BLACK INSIDE. #*%%%\\=:.
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