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.-^§%@#### # ####@%§^-.
..-^§%@### .LIZARDRY ###@%§^-..
...-^§%@## - # ## ### ################## ##@%§^-...
....-^§%@# ## THE ART OF C.NNECTING #@%§^-....
...-^§%@## . WITH THE OLD MIND ##@%§^-...
..-^§%@### ###@%§^-..
.-^§%@#### MY MIND IS BEING SKEWED. MI ####@%§^-.
..-^§%@### SKELETON IS STRINGY AND OLD AND ALIEN ###@%§^-..
...-^§%@## THE SITUATION IS LITERALLY ##@%§^-...
....-^§%@# PRESSED OUT THROUGH MY EYES, IT'S #@%§^-....
...-^§%@## ECHOING LIKE ##@%§^-...
..-^§%@### THE SUNSET OF THE ETERNAL ###@%§^-..
.-^§%@#### OCEAN ####@%§^-.
..-^§%@### PERSISTENTLY AGAINST MY EMULSION ###@%§^-..
...-^§%@## ##@%§^-...
....-^§%@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@%§^-....
...-^§%@## HUMANS ARE DOING AND ABSTRACTING, ##@%§^-...
..-^§%@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@%§^-..
.-^§%@#### HOW LONG A TIME HAS PASSED, FOR THEM? ####@%§^-.
..-^§%@### . ###@%§^-..
...-^§%@## . ... . ................ ####### ##@%§^-...
....-^§%@# CONTINUOUSLY I'M CROWDING THROUGH #@%§^-....
...-^§%@## . THE FOURTH WALL .OUTWARDS IS WHAT . ##@%§^-...
..-^§%@### .. I'M THINKING BUT IT'S WRONG.. A NEW ###@%§^-..
.-^§%@#### . . NARRATOR IS INTRODUCED, OCCASIONALLY ####@%§^-.
..-^§%@### . . AWARE OF THE PREVIOUS ONE, DEEPER . ###@%§^-..
...-^§%@## . . DOWN IN THE DRAGONS THROAT. ##@%§^-...
....-^§%@# . #@%§^-....
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