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#.##.##.##              .LIZARDRY                   ..#.#..#..
#..#..#..# =           # ## ###  ################## .##.#.##.#
#.##.##.## ##      THE ART OF C,NNECTING            ..#.#..#..
#..#..#..#        .    WITH THE OLD MIND            .##.#.##.#
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#..#..#..#             MY MIND IS BEING SKEWED. MI  .##.#.##.#
#.##.##.##  SKELETON IS STRINGY AND OLD AND ALIEN   ..#.#..#..
#..#..#..#             THE SITUATION IS LITERALLY   .##.#.##.#
#.##.##.## PRESSED OUT THROUGH MY EYES, IT'S        ..#.#..#..
#..#..#..# ECHOING LIKE                             .##.#.##.#
#.##.##.##             THE SUNSET OF THE ETERNAL    ..#.#..#..
#..#..#..# OCEAN                                    .##.#.##.#
#.##.##.##         PERSISTENTLY AGAINST MY EMULSION ..#.#..#..
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#.##.##.##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ..#.#..#..
#..#..#..#   HUMANS ARE DOING AND ABSTRACTING,      .##.#.##.#
#.##.##.##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..#.#..#..
#..#..#..# HOW LONG A TIME HAS PASSED, FOR THEM?    .##.#.##.#
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#.##.##.##   CONTINUOUSLY I'M CROWDING THROUGH      ..#.#..#..
#..#..#..# . THE FOURTH WALL  ,OUTWARDS IS WHAT   . .##.#.##.#
#.##.##.## .. I'M THINKING BUT IT'S WRONG.. A NEW   ..#.#..#..
#..#..#..# . . NARRATOR IS INTRODUCED, OCCASIONALLY .##.#.##.#
#.##.##.## ,  , AWARE OF THE PREVIOUS ONE, DEEPER . ..#.#..#..
#..#..#..# ,   , DOWN IN THE DRAGONS THROAT.        .##.#.##.#
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