,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# TRAIN DREAM #@§@†=-~,,
,~-=†@§@## ######,,,,~-~~,,##################### ##@§@†=-~,
,,~-=†@§@# === #@§@†=-~,,
,~-=†@§@## - ##@§@†=-~,
,,~-=†@§@# - #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# (SITUATION) #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# YOU FIND YOURSELF IN A RIFT - A #@§@†=-~,,
,~-=†@§@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@§@†=-~,
,,~-=†@§@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@§@†=-~,,
,~-=†@§@## THICK AND READY TO SWALLOW YOU. THE SUN ##@§@†=-~,
,,~-=†@§@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@§@†=-~,,
,~-=†@§@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@§@†=-~,
,,~-=†@§@# BLUE, ALMOST WHITE. #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# ALONG THE SPAN OF THE CLEARING LAY TWO #@§@†=-~,,
,~-=†@§@## PARALLEL SILVERY LINES, DARK HARD ##@§@†=-~,
,,~-=†@§@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@§@†=-~,,
,~-=†@§@## THEY ARE. ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## THEY EMIT A HIGH PITCHED WHINE... ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## - ##@§@†=-~,
,,~-=†@§@# ,,†,, #@§@†=-~,,
,~-=†@§@## - ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## (SITUATION) ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## YOURE AT THE TRAIN STATION, ON A ##@§@†=-~,
,,~-=†@§@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@§@†=-~,,
,~-=†@§@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@§@†=-~,
,,~-=†@§@# IT'S A SUMMER AFTERNOON AND THE STATION #@§@†=-~,,
,~-=†@§@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@§@†=-~,
,,~-=†@§@# STRESSED ABOUT THE TIME, WHILE MOVING #@§@†=-~,,
,~-=†@§@## UP THE STAIRS TO YOUR PLATFORM. THE ##@§@†=-~,
,,~-=†@§@# STATION IS IN SEVERAL LEVELS, ALL #@§@†=-~,,
,~-=†@§@## PLACED WITHIN EACHOTHER BY SOME ##@§@†=-~,
,,~-=†@§@# INTELLIGENT DESIGNER, AND FULL OF #@§@†=-~,,
,~-=†@§@## STAIRS, ELEVATORS, SHORTCUTS, ##@§@†=-~,
,,~-=†@§@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@§@†=-~,,
,~-=†@§@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@§@†=-~,
,,~-=†@§@# IT'S SUPPOSED TO BE? #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# - #@§@†=-~,,
,~-=†@§@## ~~@~~ ##@§@†=-~,
,,~-=†@§@# - #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# (SITUATION) #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@§@†=-~,,
,~-=†@§@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@§@†=-~,
,,~-=†@§@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@§@†=-~,,
,~-=†@§@## BEEN LONG. BUT IT'S ABOUT TO END! ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## SOCIETY IS GROWING DENSER AROUND YOU, ##@§@†=-~,
,,~-=†@§@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@§@†=-~,,
,~-=†@§@## SHACKS, BUILT OF METAL AND STONE, THEN ##@§@†=-~,
,,~-=†@§@# PROPER HOUSES WITH MORTAR TO KEEP THEM #@§@†=-~,,
,~-=†@§@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@§@†=-~,
,,~-=†@§@# THE INDUSTRIAL BUILDINGS, THE URBAN #@§@†=-~,,
,~-=†@§@## MAZE, PROTECTIVE WALLS, JUNGLE ##@§@†=-~,
,,~-=†@§@# NETWORK... #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# THE TRACKS LEAVE THE GROUND, WHICH IS #@§@†=-~,,
,~-=†@§@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@§@†=-~,
,,~-=†@§@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@§@†=-~,,
,~-=†@§@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@§@†=-~,
,,~-=†@§@# A BUILDING. IT'S MADE OF SLABBY STONE, #@§@†=-~,,
,~-=†@§@## WITH GREAT GLASSLESS WINDOW HOLES ##@§@†=-~,
,,~-=†@§@# LOOKING OUT THE WAY YOU CAME. IT IS #@§@†=-~,,
,~-=†@§@## PITCH BLACK INSIDE. ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,
,~-=†@§@## ##@§@†=-~,
,,~-=†@§@# #@§@†=-~,,