,-«\**#@## ##@#**\«-,
,,,,,,,«*# #*«,,,,,,,
,-«\**#@## ##@#**\«-,
,-«\**#@## ##@#**\«-,
,,,,,«\*## ##*\«,,,,,
-«\**#@### TRAIN DREAM ###@#**\«-
,-«\**#@## ######,,,,-«--,,##################### ##@#**\«-,
,,,--«\*#@ \\\ @#*\«--,,,
,,-««\**## « ##**\««-,,
,,-««****# « #****««-,,
,,,,-«***# #***«-,,,,
,-««\\\\*@ (SITUATION) @*\\\\««-,
,,,,«**#@@ @@#**«,,,,
,-«\**#@@@ YOU FIND YOURSELF IN A RIFT - A @@@#**\«-,
,,-««\**## CLEARING, NARROW BUT IMMEASURABLY LONG. ##**\««-,,
,-«\**#@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@#**\«-,
,-«\**#@## THICK AND READY TO SWALLOW YOU. THE SUN ##@#**\«-,
,,,,«***## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##***«,,,,
,-«\**#@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@#**\«-,
,-«\**##@# BLUE, ALMOST WHITE. #@##**\«-,
,-«\**@### ###@**\«-,
,-«\****## ALONG THE SPAN OF THE CLEARING LAY TWO ##****\«-,
,-«\**#@## PARALLEL SILVERY LINES, DARK HARD ##@#**\«-,
,,,-«****@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @****«-,,,
,-«\****@# THEY ARE. #@****\«-,
,-«\**#### ####**\«-,
,-«\**#@## THEY EMIT A HIGH PITCHED WHINE... ##@#**\«-,
,,,««****@ @****««,,,
,-«\**#@## « ##@#**\«-,
,,--\****# ,,*,, #****\--,,
,-«\**#### « ####**\«-,
,-«\**#@## ##@#**\«-,
,-«\**@### (SITUATION) ###@**\«-,
,,,,-\**@@ @@**\-,,,,
,-«\**#### YOURE AT THE TRAIN STATION, ON A ####**\«-,
,-«\**#@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@#**\«-,
,,,,,,-«*# LATE, OR YOU ARE LATE TO THE TRAIN. #*«-,,,,,,
,-«\**#@## IT'S A SUMMER AFTERNOON AND THE STATION ##@#**\«-,
,-«\**#@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@#**\«-,
,-«\**#@## ##@#**\«-,
,,,-««\*## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##*\««-,,,
,,,,-\*### STRESSED ABOUT THE TIME, WHILE MOVING ###*\-,,,,
,-«\**#@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@#**\«-,
,,--\**#@# STATION IS IN SEVERAL LEVELS, ALL #@#**\--,,
,-«\*****# PLACED WITHIN EACHOTHER BY SOME #*****\«-,
,,,,-\**## INTELLIGENT DESIGNER, AND FULL OF ##**\-,,,,
,,,,-«\**# STAIRS, ELEVATORS, SHORTCUTS, #**\«-,,,,
,-«\\***## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##***\\«-,
,-«\**#### SOME GLASS WINDOWS. IT'S... NOT WHERE ####**\«-,
,-«\**#@## IT'S SUPPOSED TO BE? ##@#**\«-,
,-«\**#@## ##@#**\«-,
,,,-\****# « #****\-,,,
,-«\**#@## --*-- ##@#**\«-,
,-«\**#@@@ « @@@#**\«-,
,-«\**#@@@ @@@#**\«-,
,-«\**#@## (SITUATION) ##@#**\«-,
,,,,«***## ##***«,,,,
,-«\**#@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@#**\«-,
,-«\**#@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@#**\«-,
,,,,,,«\*# YOU'RE TRAVELING IN, THE JOURNEY HAS #*\«,,,,,,
,-«\**#@## BEEN LONG. BUT IT'S ABOUT TO END! ##@#**\«-,
,-«\***#@@ @@#***\«-,
,,,,-«**@# SOCIETY IS GROWING DENSER AROUND YOU, #@**«-,,,,
,-«\**#@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@#**\«-,
,-«\**#@## SHACKS, BUILT OF METAL AND STONE, THEN ##@#**\«-,
,-«\**#### PROPER HOUSES WITH MORTAR TO KEEP THEM ####**\«-,
,-«\**#@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@#**\«-,
,-«\**#@@# THE INDUSTRIAL BUILDINGS, THE URBAN #@@#**\«-,
,,,,-««*#@ MAZE, PROTECTIVE WALLS, JUNGLE @#*««-,,,,
,-«\\**##@ NETWORK... @##**\\«-,
,-«\**#@@# #@@#**\«-,
,-«\**#@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@#**\«-,
,-«\****## NEEDED FOR OTHER PURPOSES. YOU ARE ##****\«-,
,-«\**#@@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@@#**\«-,
,-«\**#@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@#**\«-,
,,-«\***## A BUILDING. IT'S MADE OF SLABBY STONE, ##***\«-,,
,,,,,,««*# WITH GREAT GLASSLESS WINDOW HOLES #*««,,,,,,
,-«\**#### LOOKING OUT THE WAY YOU CAME. IT IS ####**\«-,
,,,«\\**## PITCH BLACK INSIDE. ##**\\«,,,
,,,««\**## ##**\««,,,
,-«\**#@## ##@#**\«-,
,,,,,«**## ##**«,,,,,
,,,,,,«\*@ @*\«,,,,,,
,,,-«**#@# #@#**«-,,,