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@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, train dream ,,@,@,@,@,
@,@,@,@,@, ######,,,,,=,,,,##################### ,@@,@,@,@,
@,@,@,@,@, ^^^ ,,@,@,@,@,
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@,@,@,@,@, = ,,@,@,@,@,
@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, (situation) ,,@,@,@,@,
@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, you find yourself in a rift - a ,,@,@,@,@,
@,@,@,@,@, clearing, narrow but immeasurably long. ,@@,@,@,@,
@,@,@,@,@, to your sides are walls made of trees, ,,@,@,@,@,
@,@,@,@,@, thick and ready to swallow you. the sun ,@@,@,@,@,
@,@,@,@,@, is nowhere to be seen, but nontheless ,,@,@,@,@,
@,@,@,@,@, it is very bright - the air feels light ,@@,@,@,@,
@,@,@,@,@, blue, almost white. ,,@,@,@,@,
@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, along the span of the clearing lay two ,,@,@,@,@,
@,@,@,@,@, parallel silvery lines, dark hard ,@@,@,@,@,
@,@,@,@,@, metal. somehow you can see how heavy ,,@,@,@,@,
@,@,@,@,@, they are. ,@@,@,@,@,
@,@,@,@,@, ,,@,@,@,@,
@,@,@,@,@, they emit a high pitched whine... ,@@,@,@,@,
@,@,@,@,@, ,,@,@,@,@,
@,@,@,@,@, = ,@@,@,@,@,
@,@,@,@,@, ,,^,, ,,@,@,@,@,
@,@,@,@,@, = ,@@,@,@,@,
@,@,@,@,@, ,,@,@,@,@,
@,@,@,@,@, (situation) ,@@,@,@,@,
@,@,@,@,@, ,,@,@,@,@,
@,@,@,@,@, youre at the train station, on a ,@@,@,@,@,
@,@,@,@,@, catwalk above the rails. your train is ,,@,@,@,@,
@,@,@,@,@, late, or you are late to the train. ,@@,@,@,@,
@,@,@,@,@, it's a summer afternoon and the station ,,@,@,@,@,
@,@,@,@,@, is busy, full of relaxed confidence. ,@@,@,@,@,
@,@,@,@,@, ,,@,@,@,@,
@,@,@,@,@, you're in high spirits, although a bit ,@@,@,@,@,
@,@,@,@,@, stressed about the time, while moving ,,@,@,@,@,
@,@,@,@,@, up the stairs to your platform. the ,@@,@,@,@,
@,@,@,@,@, station is in several levels, all ,,@,@,@,@,
@,@,@,@,@, placed within eachother by some ,@@,@,@,@,
@,@,@,@,@, intelligent designer, and full of ,,@,@,@,@,
@,@,@,@,@, stairs, elevators, shortcuts, ,@@,@,@,@,
@,@,@,@,@, bazaars... you sight your train through ,,@,@,@,@,
@,@,@,@,@, some glass windows. it's... not where ,@@,@,@,@,
@,@,@,@,@, it's supposed to be? ,,@,@,@,@,
@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, = ,,@,@,@,@,
@,@,@,@,@, ,,%,, ,@@,@,@,@,
@,@,@,@,@, = ,,@,@,@,@,
@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, (situation) ,,@,@,@,@,
@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, you're finally entering the city. while ,,@,@,@,@,
@,@,@,@,@, it is indeed a very high speed train ,@@,@,@,@,
@,@,@,@,@, you're traveling in, the journey has ,,@,@,@,@,
@,@,@,@,@, been long. but it's about to end! ,@@,@,@,@,
@,@,@,@,@, ,,@,@,@,@,
@,@,@,@,@, society is growing denser around you, ,@@,@,@,@,
@,@,@,@,@, through the windows you see first small ,,@,@,@,@,
@,@,@,@,@, shacks, built of metal and stone, then ,@@,@,@,@,
@,@,@,@,@, proper houses with mortar to keep them ,,@,@,@,@,
@,@,@,@,@, together... who in turn make way for ,@@,@,@,@,
@,@,@,@,@, the industrial buildings, the urban ,,@,@,@,@,
@,@,@,@,@, maze, protective walls, jungle ,@@,@,@,@,
@,@,@,@,@, network... ,,@,@,@,@,
@,@,@,@,@, ,@@,@,@,@,
@,@,@,@,@, the tracks leave the ground, which is ,,@,@,@,@,
@,@,@,@,@, needed for other purposes. you are ,@@,@,@,@,
@,@,@,@,@, carried gently, curving upwards until ,,@,@,@,@,
@,@,@,@,@, you're moving upward along the wall of ,@@,@,@,@,
@,@,@,@,@, a building. it's made of slabby stone, ,,@,@,@,@,
@,@,@,@,@, with great glassless window holes ,@@,@,@,@,
@,@,@,@,@, looking out the way you came. it is ,,@,@,@,@,
@,@,@,@,@, pitch black inside. ,@@,@,@,@,
@,@,@,@,@, ,,@,@,@,@,
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@,@,@,@,@, ,,@,@,@,@,
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@,@,@,@,@, ,,@,@,@,@,