&&$***†~-, ,-~†***$&&
&$*~~~,,,, ,,,,~~~*$&
&$$$$*†~-, ,-~†*$$$$&
##@#&*†~-, ,-~†*@##
&&$$**†~-, ,-~†**$$&&
###&$*†~-, TRAIN DREAM ,-~†*$##
&*~-,,,,,, ######,,,,-~--,,##################### ,,,,,,-~*&
#@#&$*†~-, ††† ,-~†*$@#
#@#&$*†~-, ~ ,-~†*$@#
#@#&$*†~-, ~ ,-~†*$@#
#@#&$*†~-, ,-~†*$@#
###&$*†~-, (SITUATION) ,-~†*$##
#@#&$*†~-, ,-~†*$@#
&$*~,,,,,, YOU FIND YOURSELF IN A RIFT - A ,,,,,,~*$&
&**~,,,,,, CLEARING, NARROW BUT IMMEASURABLY LONG. ,,,,,,~**&
@&&&$*†~-, TO YOUR SIDES ARE WALLS MADE OF TREES, ,-~†*$&&&@
##&***†~-, THICK AND READY TO SWALLOW YOU. THE SUN ,-~†***#
&&&&$*†~-, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,-~†*$&&&&
##@&$*†~-, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,-~†*$&@##
#@#&$*†~-, BLUE, ALMOST WHITE. ,-~†*$@#
##$†~-,,,, ,,,,-~†$##
#@#&$*†~-, ALONG THE SPAN OF THE CLEARING LAY TWO ,-~†*$@#
&&&$††--,, PARALLEL SILVERY LINES, DARK HARD ,,--††$&&&
##&$**†~-, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,-~†**$#
#@#&$*†~-, THEY ARE. ,-~†*$@#
@@#&$*†~-, ,-~†*$@@
@#$$*~~~-, THEY EMIT A HIGH PITCHED WHINE... ,-~~~*$$#@
#@#&$*†~-, ,-~†*$@#
@@#&$*†~-, ~ ,-~†*$@@
@@#&$*†~-, ,,*,, ,-~†*$@@
#@#&$*†~-, ~ ,-~†*$@#
##&$††~~-, ,-~~††$#
#$*††-,,,, (SITUATION) ,,,,-††*$#
#@#&$*†~-, ,-~†*$@#
##@&$*†~-, YOURE AT THE TRAIN STATION, ON A ,-~†*$&@##
##&&$*†~-, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,-~†*$&#
@&&&$*†~-, LATE, OR YOU ARE LATE TO THE TRAIN. ,-~†*$&&&@
@@#&$*†~-, IT'S A SUMMER AFTERNOON AND THE STATION ,-~†*$@@
@#&&$*†~-, IS BUSY, FULL OF RELAXED CONFIDENCE. ,-~†*$&@
@&*†††--,, ,,--†††*&@
&$$**†-,,, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,,,-†**$$&
#@#&$*†~-, STRESSED ABOUT THE TIME, WHILE MOVING ,-~†*$@#
@#&*~-,,,, UP THE STAIRS TO YOUR PLATFORM. THE ,,,,-~*@
&&&$†-,,,, STATION IS IN SEVERAL LEVELS, ALL ,,,,-†$&&&
&$†-,,,,,, PLACED WITHIN EACHOTHER BY SOME ,,,,,,-†$&
&$†~-,,,,, INTELLIGENT DESIGNER, AND FULL OF ,,,,,-~†$&
#@#&$*†~-, STAIRS, ELEVATORS, SHORTCUTS, ,-~†*$@#
###&$*†~-, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,-~†*$##
#@#&$*†~-, SOME GLASS WINDOWS. IT'S... NOT WHERE ,-~†*$@#
@@#&$*†~-, IT'S SUPPOSED TO BE? ,-~†*$@@
@@#&$*†~-, ,-~†*$@@
&&**†-,,,, ~ ,,,,-†**&&
#@#&$*†~-, --$-- ,-~†*$@#
&*~~~,,,,, ~ ,,,,,~~~*&
###&$*†~-, ,-~†*$##
#@#&$*†~-, (SITUATION) ,-~†*$@#
#@#&$*†~-, ,-~†*$@#
&*~,,,,,,, YOU'RE FINALLY ENTERING THE CITY. WHILE ,,,,,,,~*&
##$$$*†~-, IT IS INDEED A VERY HIGH SPEED TRAIN ,-~†*$$$##
#@#&$*†~-, YOU'RE TRAVELING IN, THE JOURNEY HAS ,-~†*$@#
##@#&$†~-, BEEN LONG. BUT IT'S ABOUT TO END! ,-~†$@##
#@#&$*†~-, ,-~†*$@#
###&$*†~-, SOCIETY IS GROWING DENSER AROUND YOU, ,-~†*$##
&*~~~~~-,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,-~~~~~*&
##@&$*†~-, SHACKS, BUILT OF METAL AND STONE, THEN ,-~†*$&@##
###&$*†~-, PROPER HOUSES WITH MORTAR TO KEEP THEM ,-~†*$##
&$†~~,,,,, TOGETHER... WHO IN TURN MAKE WAY FOR ,,,,,~~†$&
##@&$*†~-, THE INDUSTRIAL BUILDINGS, THE URBAN ,-~†*$&@##
###&$*†~-, MAZE, PROTECTIVE WALLS, JUNGLE ,-~†*$##
##&&$*†~-, NETWORK... ,-~†*$&#
#&$$*~,,,, ,,,,~*$$
@@#&$*†~-, THE TRACKS LEAVE THE GROUND, WHICH IS ,-~†*$@@
&&$$$*†~-, NEEDED FOR OTHER PURPOSES. YOU ARE ,-~†*$$$&&
&**~~~,,,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,,,~~~**&
#@#&$*†~-, YOU'RE MOVING UPWARD ALONG THE WALL OF ,-~†*$@#
@@#&$*†~-, A BUILDING. IT'S MADE OF SLABBY STONE, ,-~†*$@@
##@#$*†~-, WITH GREAT GLASSLESS WINDOW HOLES ,-~†*$#@##
#@#&$*†~-, LOOKING OUT THE WAY YOU CAME. IT IS ,-~†*$@#
#&*†~~,,,, PITCH BLACK INSIDE. ,,,,~~†*
#&&*~-,,,, ,,,,-~*&
&**†~----, ,----~†**&
#$†~-,,,,, ,,,,,-~†$#
@#&&$*†~-, ,-~†*$&@
&&***†--,, ,,--†***&&