,,,,,«***£ £***«,,,,,
,,,,,,«**£ £**«,,,,,,
,,,,,,~«*£ £*«~,,,,,,
,,,,,,~/§£ £§/~,,,,,,
,~~«/*§§££ ££§§*/«~~,
,~«/*§£### train dream ###£§*/«~,
,~«/*§§££# ######,,,,~«~~,,##################### #££§§*/«~,
,~«///§§£# /// #£§§///«~,
,~«//***£# « #£***//«~,
,~«/*§§££# « #££§§*/«~,
,~~~~/§§§£ £§§§/~~~~,
,,,~~«/§§# (situation) #§§/«~~,,,
,~«/*§£### ###£§*/«~,
,~«/*§£### you find yourself in a rift - a ###£§*/«~,
,,,~«//§§£ clearing, narrow but immeasurably long. £§§//«~,,,
,,,«//§££# to your sides are walls made of trees, #££§//«,,,
,~«/*§£### thick and ready to swallow you. the sun ###£§*/«~,
,,,,,«/*£# is nowhere to be seen, but nontheless #£*/«,,,,,
,~«/*§£### it is very bright - the air feels light ###£§*/«~,
,~«/*§£### blue, almost white. ###£§*/«~,
,~~~//**£# #£**//~~~,
,~««/**§§£ along the span of the clearing lay two £§§**/««~,
,~«/***£## parallel silvery lines, dark hard ##£***/«~,
,~~~~/§§## metal. somehow you can see how heavy ##§§/~~~~,
,~«/*§£### they are. ###£§*/«~,
,~«/*§£### ###£§*/«~,
,~«/*§££## they emit a high pitched whine... ##££§*/«~,
,~«/*§£### ###£§*/«~,
,,,,~~/*§# « #§*/~~,,,,
,~«/*§£££# ,,*,, #£££§*/«~,
,~«/*§£££# « #£££§*/«~,
,,,,~/§£## ##£§/~,,,,
,~«/*§£### (situation) ###£§*/«~,
,~«/*§#### ####§*/«~,
,~«/*§£### youre at the train station, on a ###£§*/«~,
,,,,«««*§# catwalk above the rails. your train is #§*«««,,,,
,,,,,«/*§# late, or you are late to the train. #§*/«,,,,,
,,,,,~«/§# it's a summer afternoon and the station #§/«~,,,,,
,,,,~«*§§£ is busy, full of relaxed confidence. £§§*«~,,,,
,~«/*§£### ###£§*/«~,
,~«/*§£### you're in high spirits, although a bit ###£§*/«~,
,~~~~/*£££ stressed about the time, while moving £££*/~~~~,
,~«/*§£### up the stairs to your platform. the ###£§*/«~,
,~«/*§£### station is in several levels, all ###£§*/«~,
,,,,«//**£ placed within eachother by some £**//«,,,,
,,,,,,«*§# intelligent designer, and full of #§*«,,,,,,
,,,««///§£ stairs, elevators, shortcuts, £§///««,,,
,~«/*§#### bazaars... you sight your train through ####§*/«~,
,,,,,«/*£# some glass windows. it's... not where #£*/«,,,,,
,~«/*§£### it's supposed to be? ###£§*/«~,
,«/*§£#### ####£§*/«,
,~«/*§£### « ###£§*/«~,
,,,,~«*§## ~~§~~ ##§*«~,,,,
,,,,,,«*§# « #§*«,,,,,,
,,,,«**§£# #£§**«,,,,
,~«/*§£### (situation) ###£§*/«~,
,~«////§## ##§////«~,
,~«/*§£### you're finally entering the city. while ###£§*/«~,
,~«/*§£### it is indeed a very high speed train ###£§*/«~,
,~«/*§£### you're traveling in, the journey has ###£§*/«~,
,~«/*§£### been long. but it's about to end! ###£§*/«~,
,~«/*§£### ###£§*/«~,
,~«/*§#### society is growing denser around you, ####§*/«~,
,,~~«///§£ through the windows you see first small £§///«~~,,
,,,,,,«**£ shacks, built of metal and stone, then £**«,,,,,,
,,,,,~««*£ proper houses with mortar to keep them £*««~,,,,,
,~«/**§§§# together... who in turn make way for #§§§**/«~,
,~«/**§£## the industrial buildings, the urban ##£§**/«~,
,~««//**§£ maze, protective walls, jungle £§**//««~,
,~«/*§#### network... ####§*/«~,
,,,,~~«*££ ££*«~~,,,,
,,,,««/§## the tracks leave the ground, which is ##§/««,,,,
,~«/§£#### needed for other purposes. you are ####£§/«~,
,~«/*§£### carried gently, curving upwards until ###£§*/«~,
,~«/*§£### you're moving upward along the wall of ###£§*/«~,
,~«/*§£### a building. it's made of slabby stone, ###£§*/«~,
,~«/*§§£## with great glassless window holes ##£§§*/«~,
,,,,,~/§## looking out the way you came. it is ##§/~,,,,,
,,,,,,,«*£ pitch black inside. £*«,,,,,,,
,~«/*§§§## ##§§§*/«~,
,,,,«/*§£# #£§*/«,,,,
,,,~~«***£ £***«~~,,,
,,~«/***§# #§***/«~,,
,~«/*§£### ###£§*/«~,