@@@..@@... ...@..@@..
@..@.@.@.. @..@@.@.@.
@@.@@@@@@. @@.@.@@@@@
..@@.....@ @.@@@@....
..@.@....@ .@@...@...
..@@@@...@ TRAIN DREAM .@.@..@@..
..@...@..@ ######....,-,,..##################### .@@@@.@.@.
..@@..@@.@ \\\ @@...@@@@@
@.@.@.@.@@ - @.@..@....
@@@@@@@@@. - .@@@.@@...
@........@ @@..@@.@..
@@.......@ (SITUATION) @.@.@.@@@.
@.@......@ .@@@@@@..@
.@@@.....@ YOU FIND YOURSELF IN A RIFT - A .@.....@.@
@@..@....@ CLEARING, NARROW BUT IMMEASURABLY LONG. @@@....@@@
..@.@@...@ TO YOUR SIDES ARE WALLS MADE OF TREES, @..@...@..
..@@@.@..@ THICK AND READY TO SWALLOW YOU. THE SUN .@.@@..@@.
..@..@@@.@ IS NOWHERE TO BE SEEN, BUT NONTHELESS .@@@.@.@.@
@.@@.@..@@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT .@..@@@@@@
.@@.@@@.@. BLUE, ALMOST WHITE. .@@.@.....
.@.@@..@@@ @@.@@@....
.@@@.@.@.. ALONG THE SPAN OF THE CLEARING LAY TWO ..@@..@...
.@..@@@@@. PARALLEL SILVERY LINES, DARK HARD ..@.@.@@..
.@@.@....@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..@@@@@.@.
.@.@@@...@ THEY ARE. @.@....@@@
@@@@..@..@ @@@@...@..
@...@.@@.@ THEY EMIT A HIGH PITCHED WHINE... @...@..@@.
@@..@@@.@@ @@..@@.@.@
..@.@..@@. - ..@.@.@@@@
@.@@@@.@.@ ..*.. @.@@@@@...
@@@...@@@@ - .@@....@..
@..@..@... .@.@...@@.
@@.@@.@@.. (SITUATION) .@@@@..@.@
..@@.@@.@. .@...@.@@@
@.@.@@.@@@ YOURE AT THE TRAIN STATION, ON A @@@..@@@..
@@@@@.@@.. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ...@.@..@.
@....@@.@. LATE, OR YOU ARE LATE TO THE TRAIN. @..@@@@.@@
.@...@.@@@ IT'S A SUMMER AFTERNOON AND THE STATION @@.@...@@.
.@@..@@@.. IS BUSY, FULL OF RELAXED CONFIDENCE. @.@@@..@.@
@@.@.@..@. .@@..@.@@@
..@@@@@.@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@.@.@@@..
..@....@@. STRESSED ABOUT THE TIME, WHILE MOVING .@@@@@..@.
..@@...@.@ UP THE STAIRS TO YOUR PLATFORM. THE .@....@.@@
@.@.@..@@@ STATION IS IN SEVERAL LEVELS, ALL @@@...@@@.
@@@@@@.@.. PLACED WITHIN EACHOTHER BY SOME ...@..@..@
......@@@. INTELLIGENT DESIGNER, AND FULL OF ...@@.@@.@
@.....@..@ STAIRS, ELEVATORS, SHORTCUTS, ...@.@@.@@
.@....@@.@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @..@@@.@@.
.@@...@.@@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@.@..@@.@
@@.@..@@@. IT'S SUPPOSED TO BE? @@@@@.@.@@
..@@@.@..@ @....@@@@.
..@..@@@.@ - @@...@...@
@.@@.@..@@ ,,%,, @.@..@@..@
.@@.@@@.@. - .@@@.@.@.@
@@.@@..@@@ @@..@@@@@@
..@@.@.@.. (SITUATION) @.@.@.....
..@.@@@@@. @@@@@@....
..@@@....@ YOU'RE FINALLY ENTERING THE CITY. WHILE ......@...
..@..@...@ IT IS INDEED A VERY HIGH SPEED TRAIN ......@@..
..@@.@@..@ YOU'RE TRAVELING IN, THE JOURNEY HAS @.....@.@.
..@.@@.@.@ BEEN LONG. BUT IT'S ABOUT TO END! .@....@@@@
@.@@@.@@@@ @@@...@...
@@@..@@... SOCIETY IS GROWING DENSER AROUND YOU, ...@..@@..
@..@.@.@.. THROUGH THE WINDOWS YOU SEE FIRST SMALL @..@@.@.@.
@@.@@@@@@. SHACKS, BUILT OF METAL AND STONE, THEN @@.@.@@@@@
..@@.....@ PROPER HOUSES WITH MORTAR TO KEEP THEM @.@@@@....
..@.@....@ TOGETHER... WHO IN TURN MAKE WAY FOR .@@...@...
..@@@@...@ THE INDUSTRIAL BUILDINGS, THE URBAN .@.@..@@..
..@...@..@ MAZE, PROTECTIVE WALLS, JUNGLE .@@@@.@.@.
..@@..@@.@ NETWORK... @@...@@@@@
@.@.@.@.@@ @.@..@....
@@@@@@@@@. THE TRACKS LEAVE THE GROUND, WHICH IS .@@@.@@...
@........@ NEEDED FOR OTHER PURPOSES. YOU ARE @@..@@.@..
@@.......@ CARRIED GENTLY, CURVING UPWARDS UNTIL @.@.@.@@@.
@.@......@ YOU'RE MOVING UPWARD ALONG THE WALL OF .@@@@@@..@
.@@@.....@ A BUILDING. IT'S MADE OF SLABBY STONE, .@.....@.@
@@..@....@ WITH GREAT GLASSLESS WINDOW HOLES @@@....@@@
..@.@@...@ LOOKING OUT THE WAY YOU CAME. IT IS @..@...@..
..@@@.@..@ PITCH BLACK INSIDE. .@.@@..@@.
..@..@@@.@ .@@@.@.@.@
@.@@.@..@@ .@..@@@@@@
.@@.@@@.@. .@@.@.....
.@.@@..@@@ @@.@@@....
.@@@.@.@.. ..@@..@...