##@§£*/-,, ,,-/*£§@##
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#@§£*/-,,, TRAIN DREAM ,,,-/*£§@#
@§£*/-,,,, ######,,,,,-,,,,##################### ,,,,-/*£§@
#@§£*/-,,, /// ,,,-/*£§@#
##@§£*/-,, - ,,-/*£§@##
#@§£*/-,,, - ,,,-/*£§@#
@§£*/-,,,, ,,,,-/*£§@
#@§£*/-,,, (SITUATION) ,,,-/*£§@#
##@§£*/-,, ,,-/*£§@##
#@§£*/-,,, YOU FIND YOURSELF IN A RIFT - A ,,,-/*£§@#
@§£*/-,,,, CLEARING, NARROW BUT IMMEASURABLY LONG. ,,,,-/*£§@
#@§£*/-,,, TO YOUR SIDES ARE WALLS MADE OF TREES, ,,,-/*£§@#
##@§£*/-,, THICK AND READY TO SWALLOW YOU. THE SUN ,,-/*£§@##
#@§£*/-,,, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,,,-/*£§@#
@§£*/-,,,, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,,,,-/*£§@
#@§£*/-,,, BLUE, ALMOST WHITE. ,,,-/*£§@#
##@§£*/-,, ,,-/*£§@##
#@§£*/-,,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,,-/*£§@#
@§£*/-,,,, PARALLEL SILVERY LINES, DARK HARD ,,,,-/*£§@
#@§£*/-,,, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,,,-/*£§@#
##@§£*/-,, THEY ARE. ,,-/*£§@##
#@§£*/-,,, ,,,-/*£§@#
@§£*/-,,,, THEY EMIT A HIGH PITCHED WHINE... ,,,,-/*£§@
#@§£*/-,,, ,,,-/*£§@#
##@§£*/-,, - ,,-/*£§@##
#@§£*/-,,, ,,*,, ,,,-/*£§@#
@§£*/-,,,, - ,,,,-/*£§@
#@§£*/-,,, ,,,-/*£§@#
##@§£*/-,, (SITUATION) ,,-/*£§@##
#@§£*/-,,, ,,,-/*£§@#
@§£*/-,,,, YOURE AT THE TRAIN STATION, ON A ,,,,-/*£§@
#@§£*/-,,, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,,,-/*£§@#
##@§£*/-,, LATE, OR YOU ARE LATE TO THE TRAIN. ,,-/*£§@##
#@§£*/-,,, IT'S A SUMMER AFTERNOON AND THE STATION ,,,-/*£§@#
@§£*/-,,,, IS BUSY, FULL OF RELAXED CONFIDENCE. ,,,,-/*£§@
#@§£*/-,,, ,,,-/*£§@#
##@§£*/-,, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,,-/*£§@##
#@§£*/-,,, STRESSED ABOUT THE TIME, WHILE MOVING ,,,-/*£§@#
@§£*/-,,,, UP THE STAIRS TO YOUR PLATFORM. THE ,,,,-/*£§@
#@§£*/-,,, STATION IS IN SEVERAL LEVELS, ALL ,,,-/*£§@#
##@§£*/-,, PLACED WITHIN EACHOTHER BY SOME ,,-/*£§@##
#@§£*/-,,, INTELLIGENT DESIGNER, AND FULL OF ,,,-/*£§@#
@§£*/-,,,, STAIRS, ELEVATORS, SHORTCUTS, ,,,,-/*£§@
#@§£*/-,,, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,,,-/*£§@#
##@§£*/-,, SOME GLASS WINDOWS. IT'S... NOT WHERE ,,-/*£§@##
#@§£*/-,,, IT'S SUPPOSED TO BE? ,,,-/*£§@#
@§£*/-,,,, ,,,,-/*£§@
#@§£*/-,,, - ,,,-/*£§@#
##@§£*/-,, ,,£,, ,,-/*£§@##
#@§£*/-,,, - ,,,-/*£§@#
@§£*/-,,,, ,,,,-/*£§@
#@§£*/-,,, (SITUATION) ,,,-/*£§@#
##@§£*/-,, ,,-/*£§@##
#@§£*/-,,, YOU'RE FINALLY ENTERING THE CITY. WHILE ,,,-/*£§@#
@§£*/-,,,, IT IS INDEED A VERY HIGH SPEED TRAIN ,,,,-/*£§@
#@§£*/-,,, YOU'RE TRAVELING IN, THE JOURNEY HAS ,,,-/*£§@#
##@§£*/-,, BEEN LONG. BUT IT'S ABOUT TO END! ,,-/*£§@##
#@§£*/-,,, ,,,-/*£§@#
@§£*/-,,,, SOCIETY IS GROWING DENSER AROUND YOU, ,,,,-/*£§@
#@§£*/-,,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,,-/*£§@#
##@§£*/-,, SHACKS, BUILT OF METAL AND STONE, THEN ,,-/*£§@##
#@§£*/-,,, PROPER HOUSES WITH MORTAR TO KEEP THEM ,,,-/*£§@#
@§£*/-,,,, TOGETHER... WHO IN TURN MAKE WAY FOR ,,,,-/*£§@
#@§£*/-,,, THE INDUSTRIAL BUILDINGS, THE URBAN ,,,-/*£§@#
##@§£*/-,, MAZE, PROTECTIVE WALLS, JUNGLE ,,-/*£§@##
#@§£*/-,,, NETWORK... ,,,-/*£§@#
@§£*/-,,,, ,,,,-/*£§@
#@§£*/-,,, THE TRACKS LEAVE THE GROUND, WHICH IS ,,,-/*£§@#
##@§£*/-,, NEEDED FOR OTHER PURPOSES. YOU ARE ,,-/*£§@##
#@§£*/-,,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,,-/*£§@#
@§£*/-,,,, YOU'RE MOVING UPWARD ALONG THE WALL OF ,,,,-/*£§@
#@§£*/-,,, A BUILDING. IT'S MADE OF SLABBY STONE, ,,,-/*£§@#
##@§£*/-,, WITH GREAT GLASSLESS WINDOW HOLES ,,-/*£§@##
#@§£*/-,,, LOOKING OUT THE WAY YOU CAME. IT IS ,,,-/*£§@#
@§£*/-,,,, PITCH BLACK INSIDE. ,,,,-/*£§@
#@§£*/-,,, ,,,-/*£§@#
##@§£*/-,, ,,-/*£§@##
#@§£*/-,,, ,,,-/*£§@#
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