...,«\*£@# #@£*\«,...
....,«\*£@ @£*\«,....
.....,«\*£ £*\«,.....
......,«\* *\«,......
.......,«\ \«,.......
........,« the last song on side b (and to some «,........
........., extent the first song on side a) talks ,.........
.......... for the whole album, not just their ..........
.......... side. the last song on side b is ..........
.......... probably the most important ..........
.......... opportunity, the most charged slot. ..........
.......... ..........
.......... .@#@. ..........
.......... ..........
........., the album is a singularity, an anomaly ,.........
........,« in spacetime, a creature that knows «,........
.......,«\ exactly how beautiful it is. \«,.......
......,«\* . *\«,......
.....,«\*£ and the thing is: it sees itself in £*\«,.....
....,«\*£@ three d. it knows that it's dying. @£*\«,....
...,«\*£@# #@£*\«,...
..,«\*£@## **££**££**££**££**£@@£**££**££**££**££** ##@£*\«,..
.,«\*£@### ###@£*\«,.
..,«\*£@## , dolphins and cats , ##@£*\«,..
...,«\*£@# bring us #@£*\«,...
....,«\*£@ . flowers and honey . @£*\«,....
.....,«\*£ £*\«,.....
......,«\* , dolphins and cats , *\«,......
.......,«\ bring us \«,.......
........,« . fairies and bees . «,........
........., ,.........
.......... our boat is afloat ..........
.......... on a surface of lilies ..........
.......... , dolphins and cats , ..........
.......... drag us down ..........
.......... .«* underneath *«. ..........
.......... ..........
.......... **££**££**££**££**£@@£**££**££**££**££** ..........
........., ,.........
........,« side a is foresty, and side b might «,........
.......,«\ be lizardy. but the last song is full \«,.......
......,«\* of space. *\«,......
.....,«\*£ £*\«,.....
....,«\*£@ @£*\«,....
...,«\*£@# #@£*\«,...
..,«\*£@## ##@£*\«,..
.,«\*£@### ###@£*\«,.