...~«†^@§£ £§@^†«~...
....~«†^@§ §@^†«~....
...~«†^@§£ £§@^†«~...
..~«†^@§£# #£§@^†«~..
.~«†^@§£## ##£§@^†«~.
..~«†^@§£# #### ##### #£§@^†«~..
...~«†^@§£ TAPE DREAM £§@^†«~...
....~«†^@§ #### ##### §@^†«~....
...~«†^@§£ £§@^†«~...
..~«†^@§£# FOR STORING MUSIC ON. ALSO DATA BUT #£§@^†«~..
.~«†^@§£## AT THIS POINT IN TIME THAT'S NOT ##£§@^†«~.
..~«†^@§£# REALLY IMPORTANT I THINK. #£§@^†«~..
...~«†^@§£ £§@^†«~...
....~«†^@§ §@^†«~....
...~«†^@§£ †††††††† TYPES OF TAPE †††††††† £§@^†«~...
..~«†^@§£# #£§@^†«~..
.~«†^@§£## CLASS I - "BAD" IRON ##£§@^†«~.
..~«†^@§£# CLASS II - GOOD CHROMIUM #£§@^†«~..
...~«†^@§£ CLASS III - BAD IRON PART TWO £§@^†«~...
....~«†^@§ CLASS IV - DANGEROUS METALS §@^†«~....
...~«†^@§£ £§@^†«~...
..~«†^@§£# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #£§@^†«~..
.~«†^@§£## THAT IS ACTUALLY USEFUL. ##£§@^†«~.
..~«†^@§£# #£§@^†«~..
...~«†^@§£ †† BIAS †† £§@^†«~...
....~«†^@§ §@^†«~....
...~«†^@§£ CLASS I USES ONE HUNDRED AND TWENTY £§@^†«~...
..~«†^@§£# MICRO-SOMETHING WHILE THE OTHERS ALL #£§@^†«~..
.~«†^@§£## USE SEVENTY OF THE SAME UNIT. ##£§@^†«~.
..~«†^@§£# #£§@^†«~..
...~«†^@§£ £§@^†«~...
....~«†^@§ ^^^^^^^^^ AHA AND ^^^^^^^^^ §@^†«~....
...~«†^@§£ £§@^†«~...
..~«†^@§£# CLASS IV IS APPARENTLY TOO STRONG TO #£§@^†«~..
.~«†^@§£## BE USED ON CLASS I PLAYERS. IT WILL ##£§@^†«~.
..~«†^@§£# SOUND TOO LOUND AND IT CANNOT BE #£§@^†«~..
...~«†^@§£ COMPLETELY ERASED. THIS IS VERY WELL. £§@^†«~...
....~«†^@§ MAYBE SOME WONDERFUL BLENDING EFFECTS §@^†«~....
...~«†^@§£ COULD BE ACHIEVED? £§@^†«~...
..~«†^@§£# #£§@^†«~..
.~«†^@§£## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##£§@^†«~.
..~«†^@§£# BETTER THAN EARLIER TAPE TYPES. #£§@^†«~..
...~«†^@§£ £§@^†«~...
....~«†^@§ §@^†«~....
...~«†^@§£ †††††††† ARTIFACTS †††††††† £§@^†«~...
..~«†^@§£# #£§@^†«~..
.~«†^@§£## GOOD TAPES ARE DECENT AND HAVE A GOOD ##£§@^†«~.
..~«†^@§£# HIGH FREQUENCY PRESENCE, BAD TAPES ARE #£§@^†«~..
...~«†^@§£ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA £§@^†«~...
....~«†^@§ LIKE IT. §@^†«~....
...~«†^@§£ £§@^†«~...
..~«†^@§£# BIAS LOSS: IF YOU FORGET THE BIAS WHO #£§@^†«~..
.~«†^@§£## KNOWS WHATS EVEN ON THERE ANYMORE ##£§@^†«~.
..~«†^@§£# #£§@^†«~..
...~«†^@§£ FLUTTER: KINDA QUICK PITCH VARIATIONS. £§@^†«~...
....~«†^@§ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. §@^†«~....
...~«†^@§£ £§@^†«~...
..~«†^@§£# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #£§@^†«~..
.~«†^@§£## SECONDS LONG. WHAT UP. BOTH OF THESE ##£§@^†«~.
..~«†^@§£# INCREASE WHEN TAPE SPEED DECREASES. #£§@^†«~..
...~«†^@§£ £§@^†«~...
....~«†^@§ PRINT THROUGH: TAPES RUB SOUND ON EACH §@^†«~....
...~«†^@§£ OTHER IF THEYRE ALONE FOR TOO LONG £§@^†«~...
..~«†^@§£# #£§@^†«~..
.~«†^@§£## ##£§@^†«~.
..~«†^@§£# #£§@^†«~..
...~«†^@§£ £§@^†«~...
....~«†^@§ §@^†«~....
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