.~-*%£## ###&£%*-~.
.~-*%£## ###&£%*-~.
.~-*£### ####&£*-~.
.~-*%£## ###&£%*-~.
.~-*%£## ###&£%*-~.
.....~~-%& #### ##### &%-~~.....
.~-*%£## TAPE DREAM ###&£%*-~.
.~-*%£## #### ##### ###&£%*-~.
.~-*%%%& #&&%%%*-~.
....-**%£& FOR STORING MUSIC ON. ALSO DATA BUT &£%**-....
.~-*%£&# AT THIS POINT IN TIME THAT'S NOT ##&&£%*-~.
...~-*%& REALLY IMPORTANT I THINK. #&&%*-~...
.~-*%££& #&&££%*-~.
......-*£& &£*-......
.~-*%### ******** TYPES OF TAPE ******** ####&%*-~.
.~-*%£## ###&£%*-~.
....~*%%£& CLASS I - "BAD" IRON &£%%*~....
..~~***£&& CLASS II - GOOD CHROMIUM &&£***~~..
.~-*£### CLASS III - BAD IRON PART TWO ####&£*-~.
....~-%%£# CLASS IV - DANGEROUS METALS #£%%-~....
.~-*%£## ###&£%*-~.
.~-*%£## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###&£%*-~.
.~-*%£## THAT IS ACTUALLY USEFUL. ###&£%*-~.
.~-*%£## ###&£%*-~.
......-*£& ** BIAS ** &£*-......
.~-***%& #&&%***-~.
.~-*%£££ CLASS I USES ONE HUNDRED AND TWENTY #&£££%*-~.
.~-*%£## MICRO-SOMETHING WHILE THE OTHERS ALL ###&£%*-~.
....~--*£& USE SEVENTY OF THE SAME UNIT. &£*--~....
.~-*%£## ###&£%*-~.
.....-%££# #££%-.....
.~-*%£## %%%%%%%%% AHA AND %%%%%%%%% ###&£%*-~.
.~-*%££&&& &&&££%*-~.
....~--%&& CLASS IV IS APPARENTLY TOO STRONG TO &&%--~....
.~-*%£## BE USED ON CLASS I PLAYERS. IT WILL ###&£%*-~.
.~-%£### SOUND TOO LOUND AND IT CANNOT BE ####&£%-~.
.~-*%£## COMPLETELY ERASED. THIS IS VERY WELL. ###&£%*-~.
.~-*%£## MAYBE SOME WONDERFUL BLENDING EFFECTS ###&£%*-~.
....~-**£& COULD BE ACHIEVED? &£**-~....
.....~-*£& &£*-~.....
.~-*%£## THEY ALSO GNAW AT THE TAPE HEADS A BIT ###&£%*-~.
.~~~---%%& BETTER THAN EARLIER TAPE TYPES. &%%---~~~.
.~-*%£## ###&£%*-~.
.~-*%£## ###&£%*-~.
.~-*%££££# ******** ARTIFACTS ******** #££££%*-~.
.~-*%£&& #&&&£%*-~.
.~-*%£££ GOOD TAPES ARE DECENT AND HAVE A GOOD #&£££%*-~.
.~-*%£## HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###&£%*-~.
.......-%& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &%-.......
.~~~-*££ LIKE IT. #&££*-~~~.
.~-*%£## ###&£%*-~.
...~~-*% BIAS LOSS: IF YOU FORGET THE BIAS WHO #&%*-~~...
....~*%%£& KNOWS WHATS EVEN ON THERE ANYMORE &£%%*~....
....~-%££& &££%-~....
....~*£& FLUTTER: KINDA QUICK PITCH VARIATIONS. #&&£*~....
.~-*%£#### BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ####£%*-~.
.~~---%&&& &&&%---~~.
....~~-% WOW: A SLOWER FLUTTER, USUALLY SEVERAL #&%-~~....
.~-*%£#### SECONDS LONG. WHAT UP. BOTH OF THESE ####£%*-~.
....~**%£& INCREASE WHEN TAPE SPEED DECREASES. &£%**~....
.~-*%£## ###&£%*-~.
.~-*%£## PRINT THROUGH: TAPES RUB SOUND ON EACH ###&£%*-~.
...~-*££## OTHER IF THEYRE ALONE FOR TOO LONG ##££*-~...
.~-*%£## ###&£%*-~.
.....~-% #&%-~.....
...--**££# #££**--...
.~-*%£## ###&£%*-~.
...~---%£& &£%---~...
.~-*%£## ###&£%*-~.