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##@§$†\=,¨ (SITUATION) ¨,=\†$§@##
#@§$†\=,¨¨ ¨¨,=\†$§@#
@§$†\=,¨¨¨ YOU FIND YOURSELF IN A RIFT - A ¨¨¨,=\†$§@
§$†\=,¨¨¨¨ CLEARING, NARROW BUT IMMEASURABLY LONG. ¨¨¨¨,=\†$§
$†\=,¨¨¨¨¨ TO YOUR SIDES ARE WALLS MADE OF TREES, ¨¨¨¨¨,=\†$
§$†\=,¨¨¨¨ THICK AND READY TO SWALLOW YOU. THE SUN ¨¨¨¨,=\†$§
@§$†\=,¨¨¨ IS NOWHERE TO BE SEEN, BUT NONTHELESS ¨¨¨,=\†$§@
#@§$†\=,¨¨ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ¨¨,=\†$§@#
##@§$†\=,¨ BLUE, ALMOST WHITE. ¨,=\†$§@##
#@§$†\=,¨¨ ¨¨,=\†$§@#
@§$†\=,¨¨¨ ALONG THE SPAN OF THE CLEARING LAY TWO ¨¨¨,=\†$§@
§$†\=,¨¨¨¨ PARALLEL SILVERY LINES, DARK HARD ¨¨¨¨,=\†$§
$†\=,¨¨¨¨¨ METAL. SOMEHOW YOU CAN SEE HOW HEAVY ¨¨¨¨¨,=\†$
§$†\=,¨¨¨¨ THEY ARE. ¨¨¨¨,=\†$§
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#@§$†\=,¨¨ THEY EMIT A HIGH PITCHED WHINE... ¨¨,=\†$§@#
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#@§$†\=,¨¨ YOURE AT THE TRAIN STATION, ON A ¨¨,=\†$§@#
##@§$†\=,¨ CATWALK ABOVE THE RAILS. YOUR TRAIN IS ¨,=\†$§@##
#@§$†\=,¨¨ LATE, OR YOU ARE LATE TO THE TRAIN. ¨¨,=\†$§@#
@§$†\=,¨¨¨ IT'S A SUMMER AFTERNOON AND THE STATION ¨¨¨,=\†$§@
§$†\=,¨¨¨¨ IS BUSY, FULL OF RELAXED CONFIDENCE. ¨¨¨¨,=\†$§
$†\=,¨¨¨¨¨ ¨¨¨¨¨,=\†$
§$†\=,¨¨¨¨ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ¨¨¨¨,=\†$§
@§$†\=,¨¨¨ STRESSED ABOUT THE TIME, WHILE MOVING ¨¨¨,=\†$§@
#@§$†\=,¨¨ UP THE STAIRS TO YOUR PLATFORM. THE ¨¨,=\†$§@#
##@§$†\=,¨ STATION IS IN SEVERAL LEVELS, ALL ¨,=\†$§@##
#@§$†\=,¨¨ PLACED WITHIN EACHOTHER BY SOME ¨¨,=\†$§@#
@§$†\=,¨¨¨ INTELLIGENT DESIGNER, AND FULL OF ¨¨¨,=\†$§@
§$†\=,¨¨¨¨ STAIRS, ELEVATORS, SHORTCUTS, ¨¨¨¨,=\†$§
$†\=,¨¨¨¨¨ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ¨¨¨¨¨,=\†$
§$†\=,¨¨¨¨ SOME GLASS WINDOWS. IT'S... NOT WHERE ¨¨¨¨,=\†$§
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§$†\=,¨¨¨¨ ¨¨¨¨,=\†$§
@§$†\=,¨¨¨ YOU'RE FINALLY ENTERING THE CITY. WHILE ¨¨¨,=\†$§@
#@§$†\=,¨¨ IT IS INDEED A VERY HIGH SPEED TRAIN ¨¨,=\†$§@#
##@§$†\=,¨ YOU'RE TRAVELING IN, THE JOURNEY HAS ¨,=\†$§@##
#@§$†\=,¨¨ BEEN LONG. BUT IT'S ABOUT TO END! ¨¨,=\†$§@#
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§$†\=,¨¨¨¨ SOCIETY IS GROWING DENSER AROUND YOU, ¨¨¨¨,=\†$§
$†\=,¨¨¨¨¨ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¨¨¨¨¨,=\†$
§$†\=,¨¨¨¨ SHACKS, BUILT OF METAL AND STONE, THEN ¨¨¨¨,=\†$§
@§$†\=,¨¨¨ PROPER HOUSES WITH MORTAR TO KEEP THEM ¨¨¨,=\†$§@
#@§$†\=,¨¨ TOGETHER... WHO IN TURN MAKE WAY FOR ¨¨,=\†$§@#
##@§$†\=,¨ THE INDUSTRIAL BUILDINGS, THE URBAN ¨,=\†$§@##
#@§$†\=,¨¨ MAZE, PROTECTIVE WALLS, JUNGLE ¨¨,=\†$§@#
@§$†\=,¨¨¨ NETWORK... ¨¨¨,=\†$§@
§$†\=,¨¨¨¨ ¨¨¨¨,=\†$§
$†\=,¨¨¨¨¨ THE TRACKS LEAVE THE GROUND, WHICH IS ¨¨¨¨¨,=\†$
§$†\=,¨¨¨¨ NEEDED FOR OTHER PURPOSES. YOU ARE ¨¨¨¨,=\†$§
@§$†\=,¨¨¨ CARRIED GENTLY, CURVING UPWARDS UNTIL ¨¨¨,=\†$§@
#@§$†\=,¨¨ YOU'RE MOVING UPWARD ALONG THE WALL OF ¨¨,=\†$§@#
##@§$†\=,¨ A BUILDING. IT'S MADE OF SLABBY STONE, ¨,=\†$§@##
#@§$†\=,¨¨ WITH GREAT GLASSLESS WINDOW HOLES ¨¨,=\†$§@#
@§$†\=,¨¨¨ LOOKING OUT THE WAY YOU CAME. IT IS ¨¨¨,=\†$§@
§$†\=,¨¨¨¨ PITCH BLACK INSIDE. ¨¨¨¨,=\†$§
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