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@##§$=*~:, IT'S VERY DARK IN HERE. DARK AND BIG, A ,:~*=$§##@
##@&§†\»~, FEW COLORED LIGHTS SCATTERED IN AN ,~»\†§&@##
#@£&£$/--. ENORMOUS HALL. COINCIDENTALLY, THIS IS .--/$£&£@#
@$~~~,., WHERE I WORK. ,.,~~~$#&@
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#@&¤¤†;-.¨ I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ¨.-;†¤¤&@#
¶@¤£@**»~¨ JUST THE NATURE OF THE PLACE, BUT IT ¨~»**@£¤@¶
@¤@\=~»-:¨ FEELS LIKE I HAVE EATEN A DRUG. TOO ¨:-»~=\@¤@
@#@£¤†=-:, CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ,:-=†¤£@#@
£**~..,.¨, TOO GOOD TO BE BORED, WHICH I GUESS IS ,¨.,..~**£
##¶£%^\»~. THE POINT. .~»\^%£¶##
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##£@¤§=~-, I DOZE OFF, DAYDREAM... OR MAYBE I FALL ,-~=§¤@£##
¤*†*;-=,¨¨ ASLEEP FOR REAL. I DREAM OF WORK, AND ¨¨,=-;*†*¤
#@¶&§^\~,. WAKE UP AT WORK, SO THE LINE IS BLURRY. .,~\^§&¶@#
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#§$=~~»^~. SOMEONE NEW HAS COME WHEN I WAS OUT. .~^»~~=$§#
#¤£*†=,,., THEIR BLACK SILLHOUETTE CONTRASTS WITH ,.,,=†*£¤#
¶$@\=~:,:¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨:,:~=\@$¶
@#§¤$†*-^, OBSIDIAN FLOOR. I TAKE THEIR MONEY, ,^-*†$¤§#@
##@@&§=»~. WHICH I DON'T UNDERSTAND, BUT THE .~»=§&@@##
@#£^^-¨¨¨¨ MACHINE ACCEPTS IT. ¨¨¨¨-^^£#@
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#@§@%=/«:, FROM OUTSIDE THERE'S A BUNCH OF WHINING ,:«/=%@§@#
@##£&§:--, TONES, LIKE A CHORD. THE BEVERAGE ,--:§&£##@
¤&@=%=¨.¨¨ FRIDGE ADDS A SHARP, DARK DRONE. THE ¨¨.¨=%=@&¤
@@£#$$/=,, DINING AREA IS VAST AND PEOPLE ARE ,,=/$$#£@@
###@$*:~,. CLUTTERED LIKE CHARCOAL ISLANDS, THEIR .,~:*$@###
£^~,,.¨.., VOICES IN ANOTHER LANGUAGE. OR IN ,..¨.,,~^£
###&&§/~^, ANOTHER MEDIUM, AND I'M ONLY ABLE TO ,^~/§&##
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