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####¤%^=:, IT'S VERY DARK IN HERE. DARK AND BIG, A ,:=^%¤####
#@#@£§;~-. FEW COLORED LIGHTS SCATTERED IN AN .-~;§£@#@#
###§£^†-^¨ ENORMOUS HALL. COINCIDENTALLY, THIS IS ¨^-†^£§###
##^«¨¨..,. WHERE I WORK. .,..¨¨«^##
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¶@£%†~:,.. I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ..,:~†%£@¶
@**§$-,¨¨, JUST THE NATURE OF THE PLACE, BUT IT ,¨¨,-$§**@
@££*$†:«,¨ FEELS LIKE I HAVE EATEN A DRUG. TOO ¨,«:†$*££@
@**-,,,..¨ CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ¨..,,,-**@
#@#&$^;-,¨ TOO GOOD TO BE BORED, WHICH I GUESS IS ¨,-;^$@#
@@&%~:¨.., THE POINT. ,..¨:~%&@@
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@£&=:~..,, I DOZE OFF, DAYDREAM... OR MAYBE I FALL ,,..~:=&£@
#@$%£†\«,, ASLEEP FOR REAL. I DREAM OF WORK, AND ,,«\†£%$@#
#@$†/;:.¨. WAKE UP AT WORK, SO THE LINE IS BLURRY. .¨.:;/†$@#
#@@&%*==~, ,~==*%&@@#
#@@$$-:,,¨ SOMEONE NEW HAS COME WHEN I WAS OUT. ¨,,:-$$@@#
###@#^=~^¨ THEIR BLACK SILLHOUETTE CONTRASTS WITH ¨^~=^#@###
@£$%%««,.¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨.,««%%$£@
@%£&£*=«,¨ OBSIDIAN FLOOR. I TAKE THEIR MONEY, ¨,«=*£&£%@
¶£*«-»»,,. WHICH I DON'T UNDERSTAND, BUT THE .,,»»-«*£¶
@##@%*†=~. MACHINE ACCEPTS IT. .~=†*%@##@
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¶£†=:...¨. FROM OUTSIDE THERE'S A BUNCH OF WHINING .¨...:=†£¶
#@@§*%^--. TONES, LIKE A CHORD. THE BEVERAGE .--^%*§@@#
##¶#%*^=., FRIDGE ADDS A SHARP, DARK DRONE. THE ,.=^*%#¶##
##@§%==«~. DINING AREA IS VAST AND PEOPLE ARE .~«==%§@##
#§¤^/^;~-¨ CLUTTERED LIKE CHARCOAL ISLANDS, THEIR ¨-~;^/^¤§#
#@@#$*;=:¨ VOICES IN ANOTHER LANGUAGE. OR IN ¨:=;*$#@@#
@££*^\^=:, ANOTHER MEDIUM, AND I'M ONLY ABLE TO ,:=^\^*££@
###&@=:»~. PERCIEVE THE WAKE OF THEIR WORDS. .~»:=@##
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