&¨¨&¨&&&&¨ ¨&&¨&&¨&¨&
&¨&&¨¨&&&¨ &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ THE SKYSCRAPER THAT MOVES &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ TAINARON IS A BUILDING OWNED AND &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ UNKNOWN), DARK BLUE AND COMPLETELY &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ RECTANGULAR. IT FEATURES NO SIGNS, &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ LIGHTS, OR ORNAMENTS, APART FROM A &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ HELIPAD ON TOP. MOST FLOORS HAVE &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ IN LATE EVENINGS, SHROUDED BY MALMö'S &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ SIGNATURE FOG ROLLING IN FROM THE SEA, &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ THE BUILDING COMES TO LIFE: IT MOVES ON &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ A THOUSAND ROBOTIC LEGS TO ANOTHER &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ (SECRET) PART OF TOWN, OR PERHAPS OUT &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ TO SEA. THIS SIGNALS A NEW AND MORE &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ VISCIOUS PHASE OF THE TAINARON &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ ECOSYSTEM. &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ THE GUESTS ARRIVING DURING THE EARLY &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ EVENING ARE TREATED TO FOOD AND DRINK, &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ COMFORTABLE BUT MAZE-LIKE INTERIOR &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ STRUCTURE (THE BUILDING FEATURES A &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ PLACED SEEMINGLY AT RANDOM, NONE GOING &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ FURTHER THAN A FEW FLOORS). &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ SAME QUALITY AS THE SURROUNDING MIST: &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ IF YOU WOULD LOOK THROUGH THE WINDOWS &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ YOU WOULD SEE THE MIST ROLLING BY, AND &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ PERHAPS THE OUTLINE OF SOME OTHER &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ BUILDING, FAR BELOW. &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ DURING THE NIGHT, AFTER TAINARON HAS &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ STARTED MOVING, THE LOWER FLOORS ARE &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ THE GUESTS. FOOD IS NO LONGER SERVED, &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ IT'S AT THIS POINT THAT THE SECOND SET &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ OF GUEST ARRIVES, VIA HELICOPTER - &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ ===== &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ IN MY DREAM I AM INVITED AS A FRIEND OF &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ ONE OF THE SERVERS, AND THUS SAFE. WE &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ SIT IN ONE OF THE LARGE WINDOWS, &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ LOOKING THROUGH THE MIST FOR ANY &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ LANDMARKS TO PIERCE THROUGH THE MIST. &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ SHE TELLS ME THAT APART FROM COMING AND &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ GOING FROM WORK, SHE'S NEVER SEEN THE &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ THE NEXT DAY I AM INVITED TO THE PUBLIC &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ DEMONSTRATION OF THE EXOBUBBLE. &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ &¨&¨¨&¨&¨¨
&¨¨&¨&¨&&¨ &¨&¨&&¨&¨&
&¨&&¨&¨¨&¨ &¨&¨¨&¨&¨¨