£.££.£..£. £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. £.££.££.£.
£..£.£.££. a dystopian mc donalds toilet steals my £..£..£.£.
£.££.£..£. agency. too much agency already in this £.££.££.£.
£..£.£.££. room. saturated. i can only do what it £..£..£.£.
£.££.£..£. wants in the way it wants. £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. - / - - / - - / - £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. but: in a miracolous fraction of a £.££.££.£.
£..£.£.££. second, its true thoughts slip through £..£..£.£.
£.££.£..£. to me, previously unheard even by its £.££.££.£.
£..£.£.££. builders (the room was thought to be £..£..£.£.
£.££.£..£. without consciousness). £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. the room thinks about creatures lying £.££.££.£.
£..£.£.££. down, going off to sleep, making £..£..£.£.
£.££.£..£. themselves comfortable first... is this £.££.££.£.
£..£.£.££. only optimizing a resting position for £..£..£.£.
£.££.£..£. the body? or is there another will £.££.££.£.
£..£.£.££. involved? £..£..£.£.
£.££.£..£. £.££.££.£.
£..£.£.££. a dark listening taking place, £..£..£.£.
£.££.£..£. a silent concert. £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. is there another desire injected at £.££.££.£.
£..£.£.££. hypnagogia? something from the other £..£..£.£.
£.££.£..£. side, guiding them, £.££.££.£.
£..£.£.££. arranging their bodies. £..£..£.£.
£.££.£..£. £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. £.££.££.£.
£..£.£.££. £..£..£.£.
£.££.£..£. £.££.££.£.