THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US,  WE WENT ON AN OUTING TO 
 THE GLASS FACTORY  THAT  BORE OUR FAMILY 
 NAME. IT HAD CHANGED  OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED   FOR  A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END  STATION FOR 
 THE BUILDINGS  THAT  SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME SINCE  MY  FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE  WOULD BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE TWO  MAIN FACTORY  BUILDINGS, 
 DOMED THINGS  OF SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE  BUT NARROW WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE  GLASS, OF COURSE, LARGE AND 
 LEADED, AND ASHEN. A  BIT TOO DARK TO BE 
 PRACTICAL.   ON  THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER  ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH WAX FIGURES  OF MY  GREAT 
 GREAT GREAT GRANDFATHER,  OR  SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID  OUT ON 
 TABLES,  WITH EXPLAINING TEXTS. A LOT OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT,  AND CLIMB INTO THE 
 OTHER   BUILDING.    THE   CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A   LONG  TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS   ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I  CAN SEE BY  THE 
 LIGHT THAT SHINES  IN  WHEREVER THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE  GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS: THIS BUILDING  HAS  NONE. 
 IT  IS ONE MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME. SOMEWHERE  UP THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS, IN  THE MIDDLE  OF  THE  GREAT 
 HALL,  A   THIN  SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE A FEW RELUCTANT  STEPS.  AFTER JUST 
 A REVOLUTION,  I NOTICE  THAT  FOR  EACH 
 STEP THE  BUILDING STARTS  TO GLOW,  THE 
 BRICKS  TURNING A  DARK  RED,  AND  THEN 
 ORANGE,  ALL  THE PILED UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP  READY  TO RUN DOWN AND  OUT, BUT 
 THERE'S  SOMEONE ELSE ON  THE  STAIRCASE 
 WITH   ME  NOW,   PRESSED   CLOSE.  HE'S 
 LOOKING  LIKE ME,  SHORT  HAIR AND  THIN 
 ARMS,  BUT WITH EARS  FROM  SOME ANIMAL, 
 AND  MORE DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE WHILE  HE 
 STARTS  OPERATING  LEVERS AND  DIALS SET 
 IN THE CENTER OF THE STAIRCASE.  SLOWLY, 
 IT  STARTS  SPINNING, CIRCLING  UPWARDS. 
 IT'S  AN  ELEVATOR!   I  START   TO  RUN 
 DOWNWARDS,  BUT   NOW   THE  LIQUID  BOY 
 CREATURE GRABS  HOLD  OF ME.  I  TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS    ME   BACK    UP   BESIDE   HIM. 
                                          
 THIS TIME, I  TURN  ANGRY INSTEAD.  WHAT 
 THE HELL? WHO IS  THIS  GUY, ACTING LIKE 
 THIS? I REACH OUT  MY FREE ARM  AND SLAM 
 A  RANDOM  LEVER.   SOME  METAL  BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON  THE ARM,  FORCING MY RELEASE. I 
 SHOVE  HIM OFF OF  ME, AND HE FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A   THIN  RUSTY  CHAINMAIL 
 CURTAIN IS  DROPPED AROUND  ME.  BUT THE 
 ELEVATOR  ALSO  SPEEDS UP SIGNIFICANTLY. 
                                          
 THE  WALLS   ARE  FLARING  NOW,  YELLOW, 
 WHITE,  ALMOST BLUE. I CLOSE MY EYES AND 
 CURL  INTO  A BALL. BUT THEN, THE  GLASS 
 BOY  SCREAMS,   A  PIERCING  SOUND  THAT 
 FORCES  MY EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID, HIS  BODY  POOLING 
 DOWN IN HIS NOW  MASSIVE  TAIL,  AND THE 
 TIP OF IT SUDDENLY BREAKS OF IN  A GLASS 
 DROP  THAT  FALLS   TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE  STAIRS, UNABLE TO 
 KEEP HIS BODY  UPRIGHT.  CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING INTO  DARK 
 PEARLS. FINALLY, HE'S LOST  TOO MUCH  OF 
 HIMSELF  AND  THE SCREAM  IS CUT  SHORT. 
 THE   LAST    OF   HIM    RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN  MY CAGE. LOOKING  UP,  I  TRY TO 
 MAKE  OUT THE CEILING,  BUT  IT'S ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE HELLFIRE OF THE  FACTORY  WALLS, BUT 
 VERY FAINT. I  SIT  DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK SHAKES  MY ENTIRE  BODY, 
 AND SNAPS  ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN  PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I   SLOWLY  DISMOUNT  THE   STAIRS. 
                                          
 SHAKING AND  CRYING, I MAKE MY WAY  OVER 
 THE  FACTORY FLOOR, WADING  THROUGH DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I  SEE THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?    ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.