,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ %%%%%%%%%% @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ LYRA EIGHT @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ ,, @#@*%=~,,,
,,~=%*@#@# , , #@#@*%=~,,
,,,~=%*@#@ ~ ~ @#@*%=~,,,
,,~=%*@#@# = = #@#@*%=~,,
,,,~=%*@#@ % % @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ CAVE SCULPTER @#@*%=~,,,
,,~=%*@#@# DREAM TO CHORD TRANSLATOR #@#@*%=~,,
,,,~=%*@#@ @#@*%=~,,,
,,~=%*@#@# EIGHT VOICED BLEEDING FORTUNE TELLER #@#@*%=~,,
,,,~=%*@#@ @#@*%=~,,,
,,~=%*@#@# DUAL SELF-MODULATING DELAY LINE #@#@*%=~,,
,,,~=%*@#@ SWITCH FOR "TOTAL FEEDBACK" @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ LICK THE CONTACT PADS @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ % % @#@*%=~,,,
,,~=%*@#@# = = #@#@*%=~,,
,,,~=%*@#@ ~ ~ @#@*%=~,,,
,,~=%*@#@# , , #@#@*%=~,,
,,,~=%*@#@ ,, @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ GEARLIST , ANOTHER SYNTH @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ %%%%%%%%%%%%%%%%%%%%%%%%% @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,
,,,~=%*@#@ @#@*%=~,,,
,,~=%*@#@# #@#@*%=~,,