.~»:*$¤@## ##@¤$*:»~.
......»:$@ @$:»......
...»:::*¤@ @¤*:::»...
.~»:*$¤@## ##@¤$*:»~.
.~»:****¤@ @¤****:»~.
.~»:*$¤@@# delay delay d.la# ¤ *a. ~ .@ » ~ #@@¤$*:»~.
...~»»*¤¤¤ ¤¤¤*»»~...
.....~»*$@ @$*»~.....
.~»:*$¤¤@# #@¤¤$*:»~.
..~~:::*¤# #¤*:::~~..
....»::$@@ "delay" means repetiton or likewise, @@$::»....
.~»:*$¤@## but it's mainly useless without ##@¤$*:»~.
.~»:*$¤@@@ feedback, @@@¤$*:»~.
.~»:*$¤@## to allow the delay to eat of it's own ##@¤$*:»~.
.~»:*$¤@## tail, like one of those eaty serpents. ##@¤$*:»~.
.....»:$$¤ thus: it's the serpent effect! ¤$$:».....
.~»:*$¤@## ##@¤$*:»~.
....~:*$¤@ it's to be revered as a creator of @¤$*:~....
.~»:*$¤@## ambience and of space, if you treat it ##@¤$*:»~.
.~»:*$@### right. a somewhat more solid and ###@$*:»~.
.~»:*$¤@## slippery sibling of reverb. ##@¤$*:»~.
.~»:*¤@### ###@¤*:»~.
.~»:*$$$¤# #¤$$$*:»~.
....~::$¤# #¤$::~....
.~»:*$¤@## ##@¤$*:»~.
.~»:*$¤@## ##@¤$*:»~.