¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨,-^*%#@##                                          ##@#%*^-,¨
¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨¨¨,-^*%#@                                          @#%*^-,¨¨¨
¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨,-^*%#@## delay  delay  d¨la@  # *a¨  , ¨@   -   , ##@#%*^-,¨
¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨¨¨,-^*%#@                                          @#%*^-,¨¨¨
¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨,-^*%#@##                                          ##@#%*^-,¨
¨¨,-^*%#@# "delay" means repetiton or likewise,     #@#%*^-,¨¨
¨¨¨,-^*%#@ but it's mainly useless without          @#%*^-,¨¨¨
¨¨,-^*%#@# feedback,                                #@#%*^-,¨¨
¨,-^*%#@## to allow the delay to eat of it's own    ##@#%*^-,¨
¨¨,-^*%#@# tail, like one of those eaty serpents.   #@#%*^-,¨¨
¨¨¨,-^*%#@ thus: it's the serpent effect!           @#%*^-,¨¨¨
¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨,-^*%#@## it's to be revered as a creator of       ##@#%*^-,¨
¨¨,-^*%#@# ambience and of space, if you treat it   #@#%*^-,¨¨
¨¨¨,-^*%#@ right. a somewhat more solid and         @#%*^-,¨¨¨
¨¨,-^*%#@# slippery sibling of reverb.              #@#%*^-,¨¨
¨,-^*%#@##                                          ##@#%*^-,¨
¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨¨¨,-^*%#@                                          @#%*^-,¨¨¨
¨¨,-^*%#@#                                          #@#%*^-,¨¨
¨,-^*%#@##                                          ##@#%*^-,¨