,,,,.=\%$# #$%\=.,,,,
,,,,,.=\%$ $%\=.,,,,,
,,,,,,.=\% %\=.,,,,,,
,,,,,,,.=\ \=.,,,,,,,
,,,,,,.=\% %\=.,,,,,,
,,,,,.=\%$ Delay Delay D,La@ £ %A, . ,# = . $%\=.,,,,,
,,,,.=\%$# #$%\=.,,,,
,,,.=\%$#@ @#$%\=.,,,
,,.=\%$#@# #@#$%\=.,,
,.=\%$#@## ##@#$%\=.,
,,.=\%$#@# "Delay" Means Repetiton Or Likewise, #@#$%\=.,,
,,,.=\%$#@ But It'S Mainly Useless Without @#$%\=.,,,
,,,,.=\%$# Feedback, #$%\=.,,,,
,,,,,.=\%$ To Allow The Delay To Eat Of It'S Own $%\=.,,,,,
,,,,,,.=\% Tail, Like One Of Those Eaty Serpents. %\=.,,,,,,
,,,,,,,.=\ Thus: It'S The Serpent Effect! \=.,,,,,,,
,,,,,,.=\% %\=.,,,,,,
,,,,,.=\%$ It'S To Be Revered As A Creator Of $%\=.,,,,,
,,,,.=\%$# Ambience And Of Space, If You Treat It #$%\=.,,,,
,,,.=\%$#@ Right. A Somewhat More Solid And @#$%\=.,,,
,,.=\%$#@# Slippery Sibling Of Reverb. #@#$%\=.,,
,.=\%$#@## ##@#$%\=.,
,,.=\%$#@# #@#$%\=.,,
,,,.=\%$#@ @#$%\=.,,,
,,,,.=\%$# #$%\=.,,,,
,,,,,.=\%$ $%\=.,,,,,