#.#.##..#. ...#.#.#..
#.#..#.##. ..##.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. ##.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. %%%%%%%%%% .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. LYRA EIGHT .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. .. .#.#.#.#.#
#.#.##..#. ^ ^ .#.#.#.#..
#.#..#.##. - - .#.#.#.#.#
#.#.##..#. = = .#.#.#.#..
#.#..#.##. % % .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. CAVE SCULPTER .#.#.#.#.#
#.#.##..#. DREAM TO CHORD TRANSLATOR .#.#.#.#..
#.#..#.##. .#.#.#.#.#
#.#.##..#. EIGHT VOICED BLEEDING FORTUNE TELLER .#.#.#.#..
#.#..#.##. .#.#.#.#.#
#.#.##..#. DUAL SELF-MODULATING DELAY LINE .#.#.#.#..
#.#..#.##. SWITCH FOR "TOTAL FEEDBACK" .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. LICK THE CONTACT PADS .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. % % .#.#.#.#.#
#.#.##..#. = = .#.#.#.#..
#.#..#.##. - - .#.#.#.#.#
#.#.##..#. ^ ^ .#.#.#.#..
#.#..#.##. .. .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. GEARLIST . ANOTHER SYNTH .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. %%%%%%%%%%%%%%%%%%%%%%%%% .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. .#.#.#.#.#
#.#.##..#. .#.#.#.#..
#.#..#.##. .#.#.#.#.#
#.#.##..#. .#.#.#.#..