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¨¨...:*### # the name is a little mis- # ###*:...¨¨
¨.=:*&#£## = giving, because of course there is = ##£#&*:=.¨
¨.=:*&#£## no real geometry in the caves. you may ##£#&*:=.¨
¨.=:*&#£## feel as if you are venturing into some ##£#&*:=.¨
¨.=:*&#£## vast structure, but you are in fact ##£#&*:=.¨
¨.=:*&#£## leaving any such thing at the entrance. ##£#&*:=.¨
¨.=:*&#£## ##£#&*:=.¨
¨.=:*&#£## leaving physical tethers behind, ##£#&*:=.¨
¨.=:*&&#£# submitting to an inescapable darkness, #£#&&*:=.¨
¨.=:*&&&#£ the world around you becomes more of a £#&&&*:=.¨
¨.=:*&#£## manifestation of your mind, or a ##£#&*:=.¨
¨¨¨¨¨¨.:&# collective mind, with a shape and a #&:.¨¨¨¨¨¨
¨.=:&#£### direction and a taste. ###£#&:=.¨
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¨.=:*&#£## markers to where the tiny spatial ##£#&*:=.¨
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¨¨¨¨==:&£# it begins. #£&:==¨¨¨¨
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¨.=:***&## like an inverted mandelbrot, the real ##&***:=.¨
¨.=:*&#£## cave is actually not the pockets, but ##£#&*:=.¨
¨.=:*&#£££ the black around them. keep that in £££#&*:=.¨
¨.=:*#£### mind. ###£#*:=.¨
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¨.=:*&#£## worth it's name... it's the water the ##£#&*:=.¨
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¨.=:*&#£££ drown in, in your dreams. £££#&*:=.¨
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¨¨¨..=*&## the only sounds in the cave are those ##&*=..¨¨¨
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