,~«/*@#@## ##@#@*/«~,
,,,,~~«*¤@ @¤*«~~,,,,
,~«/*¤@### ###@¤*/«~,
,,,,,~/*@@ @@*/~,,,,,
,~«/*¤¤¤@@ @@¤¤¤*/«~,
,~«/*¤@#@# Delay Delay D,La@ @ *A, ~ ,# « ~ #@#@¤*/«~,
,~«/*¤@#@# #@#@¤*/«~,
,,,,~~/¤@# #@¤/~~,,,,
,,,~~~~/*@ @*/~~~~,,,
,~«/*¤¤@@@ @@@¤¤*/«~,
,,,,~«/¤#@ "Delay" Means Repetiton Or Likewise, @#¤/«~,,,,
,~«/*¤@### But It'S Mainly Useless Without ###@¤*/«~,
,,,~~//¤@@ Feedback, @@¤//~~,,,
,~«/*¤@#@@ To Allow The Delay To Eat Of It'S Own @@#@¤*/«~,
,~«/*¤@#@@ Tail, Like One Of Those Eaty Serpents. @@#@¤*/«~,
,,,,«**¤#@ Thus: It'S The Serpent Effect! @#¤**«,,,,
,,,,,,~/*@ @*/~,,,,,,
,,,~~«*¤¤# It'S To Be Revered As A Creator Of #¤¤*«~~,,,
,~«/*¤@### Ambience And Of Space, If You Treat It ###@¤*/«~,
,,,,~«/*@@ Right. A Somewhat More Solid And @@*/«~,,,,
,,,,«/*@@@ Slippery Sibling Of Reverb. @@@*/«,,,,
,~«/*¤@#@# #@#@¤*/«~,
,~«/**¤¤¤# #¤¤¤**/«~,
,~«/*¤@#@@ @@#@¤*/«~,
,,,,,««*@@ @@*««,,,,,
,,,~~/¤@#@ @#@¤/~~,,,