##@§£=\-^,                                          ,^-\=£§@##
#@§£=\-^,,                                          ,,^-\=£§@#
@§£=\-^,,,                                          ,,,^-\=£§@
§£=\-^,,,,                                          ,,,,^-\=£§
£=\-^,,,,,                                          ,,,,,^-\=£
§£=\-^,,,, delay  delay  d,la#  § =a,  ^ ,@   -   ^ ,,,,^-\=£§
@§£=\-^,,,                                          ,,,^-\=£§@
#@§£=\-^,,                                          ,,^-\=£§@#
##@§£=\-^,                                          ,^-\=£§@##
#@§£=\-^,,                                          ,,^-\=£§@#
@§£=\-^,,, "delay" means repetiton or likewise,     ,,,^-\=£§@
§£=\-^,,,, but it's mainly useless without          ,,,,^-\=£§
£=\-^,,,,, feedback,                                ,,,,,^-\=£
§£=\-^,,,, to allow the delay to eat of it's own    ,,,,^-\=£§
@§£=\-^,,, tail, like one of those eaty serpents.   ,,,^-\=£§@
#@§£=\-^,, thus: it's the serpent effect!           ,,^-\=£§@#
##@§£=\-^,                                          ,^-\=£§@##
#@§£=\-^,, it's to be revered as a creator of       ,,^-\=£§@#
@§£=\-^,,, ambience and of space, if you treat it   ,,,^-\=£§@
§£=\-^,,,, right. a somewhat more solid and         ,,,,^-\=£§
£=\-^,,,,, slippery sibling of reverb.              ,,,,,^-\=£
§£=\-^,,,,                                          ,,,,^-\=£§
@§£=\-^,,,                                          ,,,^-\=£§@
#@§£=\-^,,                                          ,,^-\=£§@#
##@§£=\-^,                                          ,^-\=£§@##
#@§£=\-^,,                                          ,,^-\=£§@#