,,,,,,:=\£ £\=:,,,,,,
,,,,,,,:=\ \=:,,,,,,,
,,,,,,,,:= =:,,,,,,,,
,,,,,,,,,: :,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, delay delay d,la@ & *a, : ,£ = : ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,: :,,,,,,,,,
,,,,,,,,:= =:,,,,,,,,
,,,,,,,:=\ \=:,,,,,,,
,,,,,,:=\£ "delay" means repetiton or likewise, £\=:,,,,,,
,,,,,:=\£& but it's mainly useless without &£\=:,,,,,
,,,,:=\£&£ feedback, £&£\=:,,,,
,,,:=\£&£@ to allow the delay to eat of it's own @£&£\=:,,,
,,:=\£&£@# tail, like one of those eaty serpents. #@£&£\=:,,
,:=\£&£@## thus: it's the serpent effect! ##@£&£\=:,
,,:=\£&£@# #@£&£\=:,,
,,,:=\£&£@ it's to be revered as a creator of @£&£\=:,,,
,,,,:=\£&£ ambience and of space, if you treat it £&£\=:,,,,
,,,,,:=\£& right. a somewhat more solid and &£\=:,,,,,
,,,,,,:=\£ slippery sibling of reverb. £\=:,,,,,,
,,,,,,,:=\ \=:,,,,,,,
,,,,,,,,:= =:,,,,,,,,
,,,,,,,,,: :,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,