@@¤¤¤%=~:, ,:~=%¤¤¤@@
##@@¤%=~:, ,:~=%¤@@##
##@@@¤%=:, ,:=%¤@@@##
#@@@¤%=~:, ,:~=%¤@@@#
@@%%=:,,,, ,,,,:=%%@@
@¤%~:,,,,, delay delay d,la@ @ %a, : ,@ ~ : ,,,,,:~%¤@
@@@@¤%=~:, ,:~=%¤@@@@
#@@@¤%=~:, ,:~=%¤@@@#
#@@@¤%=~:, ,:~=%¤@@@#
@%~:,,,,,, ,,,,,,:~%@
@@@¤==:,,, "delay" means repetiton or likewise, ,,,:==¤@@@
##@@¤%=~:, but it's mainly useless without ,:~=%¤@@##
@¤====~:,, feedback, ,,:~====¤@
@@@@¤%=~:, to allow the delay to eat of it's own ,:~=%¤@@@@
@@¤%=:,,,, tail, like one of those eaty serpents. ,,,,:=%¤@@
@@¤=:,,,,, thus: it's the serpent effect! ,,,,,:=¤@@
@@¤%%%=~:, ,:~=%%%¤@@
@@¤¤=:,,,, it's to be revered as a creator of ,,,,:=¤¤@@
@@¤¤=:,,,, ambience and of space, if you treat it ,,,,:=¤¤@@
#@@@¤%=~:, right. a somewhat more solid and ,:~=%¤@@@#
@@@@¤%=~:, slippery sibling of reverb. ,:~=%¤@@@@
@@¤=::,,,, ,,,,::=¤@@
#@@@¤%=~:, ,:~=%¤@@@#
#@@@¤%=~:, ,:~=%¤@@@#
@@@@¤%=~:, ,:~=%¤@@@@
##@@¤%=~:, ,:~=%¤@@##