,.«/%¤§@##                                          ##@§¤%/«.,
,.«/%%¤§§@                                          @§§¤%%/«.,
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,.«/%¤§@##                                          ##@§¤%/«.,
,,,,«««%§#                                          #§%«««,,,,
,.«//%%§§# delay  delay  d,la#  § %a,  . ,@   «   . #§§%%//«.,
,.«/%%¤¤§#                                          #§¤¤%%/«.,
,,,,,«%§@@                                          @@§%«,,,,,
,.«/%¤§###                                          ###§¤%/«.,
,,,../%¤¤@                                          @¤¤%/..,,,
,.«/%§@### "delay" means repetiton or likewise,     ###@§%/«.,
,.«/%¤§@## but it's mainly useless without          ##@§¤%/«.,
,.«/%¤§@## feedback,                                ##@§¤%/«.,
,,,,,«%¤§§ to allow the delay to eat of it's own    §§¤%«,,,,,
,,,,../¤¤@ tail, like one of those eaty serpents.   @¤¤/..,,,,
,.«/%¤§@## thus: it's the serpent effect!           ##@§¤%/«.,
,,,««%%§§§                                          §§§%%««,,,
,,,..«%§§§ it's to be revered as a creator of       §§§%«..,,,
,,,..//¤§§ ambience and of space, if you treat it   §§¤//..,,,
,.«/%¤§@## right. a somewhat more solid and         ##@§¤%/«.,
,,,,,,«%%§ slippery sibling of reverb.              §%%«,,,,,,
,,,,«/%%§#                                          #§%%/«,,,,
.«/%¤§@###                                          ###@§¤%/«.
,.«/%§@###                                          ###@§%/«.,
,.«/%¤§@##                                          ##@§¤%/«.,
,.«/%%%§@@                                          @@§%%%/«.,