,,,,:-$$@@ @@$$-:,,,,
,:-:$%@#@@ @@#@%$:-:,
,,,,-$$%@# #@%$$-,,,,
,,,,,-$@@# #@@$-,,,,,
,:-:$%@#@# #@#@%$:-:,
,,,:::$@@@ delay delay d,la@ @ $a, : ,# - : @@@$:::,,,
,::---:%@# #@%:---::,
,:-:$%@#@# #@#@%$:-:,
,:-:$%@#@# #@#@%$:-:,
,,,,,,-$@@ @@$-,,,,,,
,:-:$%@### "delay" means repetiton or likewise, ###@%$:-:,
,:-:$%%%@# but it's mainly useless without #@%%%$:-:,
,:-:$%@#@@ feedback, @@#@%$:-:,
,,,,:-$@@# to allow the delay to eat of it's own #@@$-:,,,,
,:-:$%@#@@ tail, like one of those eaty serpents. @@#@%$:-:,
,:-:$%@#@# thus: it's the serpent effect! #@#@%$:-:,
,:-:$%%%%@ @%%%%$:-:,
,,,:--$@@@ it's to be revered as a creator of @@@$--:,,,
,:-:$%@### ambience and of space, if you treat it ###@%$:-:,
,:-:$%@### right. a somewhat more solid and ###@%$:-:,
,::--:%@@@ slippery sibling of reverb. @@@%:--::,
,:-:$%@#@@ @@#@%$:-:,
,:-:$%@##@ @##@%$:-:,
,:-:$%@#@# #@#@%$:-:,
,:-:$%@#@# #@#@%$:-:,
,:-:$%@#@# #@#@%$:-:,