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,,,,,,«^%# ##########£%^*«,, cave ,,«*^%£########## #%^«,,,,,,
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,,«*^%%%£# # the name is a little mis- # #£%%%^*«,,
,,,,««*^%# « giving, because of course there is « #%^*««,,,,
,,,,,**^%# no real geometry in the caves. you may #%^**,,,,,
,,«*^%£### feel as if you are venturing into some ###£%^*«,,
,,,,,,«^%# vast structure, but you are in fact #%^«,,,,,,
,,,,,,,«^£ leaving any such thing at the entrance. £^«,,,,,,,
,,«^%£#### ####£%^«,,
,,,,««*^££ leaving physical tethers behind, ££^*««,,,,
,,«*^%£### submitting to an inescapable darkness, ###£%^*«,,
,,«*^%£### the world around you becomes more of a ###£%^*«,,
,,«*^%#### manifestation of your mind, or a ####%^*«,,
,,«*^%£### collective mind, with a shape and a ###£%^*«,,
,,,,«^^^£# direction and a taste. #£^^^«,,,,
,,«*^%££## ##££%^*«,,
,,,,,,,*%# inescapeable darkness, because if you #%*,,,,,,,
,,«*^%#### bring a candle or mount electrical ####%^*«,,
,,«*^%£### lights, the walls only serves as ###£%^*«,,
,,«*^%£### markers to where the tiny spatial ###£%^*«,,
,,«*^%£### existence ends and the darkness beneath ###£%^*«,,
,,«*^%£### it begins. ###£%^*«,,
,,«*^%£### ###£%^*«,,
,,«*^%#### like an inverted mandelbrot, the real ####%^*«,,
,,«*^%£### cave is actually not the pockets, but ###£%^*«,,
,,«*^%£### the black around them. keep that in ###£%^*«,,
,,«*^%£### mind. ###£%^*«,,
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,,,,,,,*%# the moisture that permeates any cave #%*,,,,,,,
,,«*^%£### worth it's name... it's the water the ###£%^*«,,
,,«*^%£### world rose from. it's the water you ###£%^*«,,
,,,,,,«^%# drown in, in your dreams. #%^«,,,,,,
,,«*^%£### ###£%^*«,,
,,,«*^%££# the only sounds in the cave are those #££%^*«,,,
,,,,,,«*^£ that you make yourselves. they may be £^*«,,,,,,
,,«*^%%££# distorted by the stone structure, and #££%%^*«,,
,,«««^^^%£ amplified by your mind. try not to be £%^^^«««,,
,,«*^%£### alarmed, try to remember the persons ###£%^*«,,
,,«*^%£### and objects around you, and you can ###£%^*«,,
,,,,,,,«^£ discern a mirage from a friend. £^«,,,,,,,
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