#@#&$$/«,.                                          .,«/$$&#@#
###&$$/«,.                                          .,«/$$&###
@@#&$$/«,.                                          .,«/$$&#@@
#@#&$$/«,.                                          .,«/$$&#@#
@@#&$$/«,.                                          .,«/$$&#@@
&$$/««««,. delay  delay  d.la@  & $a.  , .#   «   , .,««««/$$&
&$$«,,....                                          ....,,«$$&
#@#&$$/«,.                                          .,«/$$&#@#
@#$/«.....                                          .....«/$#@
@&$$$/,...                                          ...,/$$$&@
#@#&$$/«,. "delay" means repetiton or likewise,     .,«/$$&#@#
@#$/,,,... but it's mainly useless without          ...,,,/$#@
&$$«...... feedback,                                ......«$$&
#&$«,,.... to allow the delay to eat of it's own    ....,,«$&#
#@#&$$/«,. tail, like one of those eaty serpents.   .,«/$$&#@#
#@#&$$/«,. thus: it's the serpent effect!           .,«/$$&#@#
&$$$«.....                                          .....«$$$&
#@#&$$/«,. it's to be revered as a creator of       .,«/$$&#@#
###&$$/«,. ambience and of space, if you treat it   .,«/$$&###
#@#&$$/«,. right. a somewhat more solid and         .,«/$$&#@#
#@#&$$/«,. slippery sibling of reverb.              .,«/$$&#@#
&$$//«,,,.                                          .,,,«//$$&
###&$$/«,.                                          .,«/$$&###
&&$/,,,...                                          ...,,,/$&&
#@#&$$/«,.                                          .,«/$$&#@#
#&$$$//«,.                                          .,«//$$$&#