..£....££. £..£..££££
.££...£.£. £.££.£.£££
..£..££.£. £..£.£..££
.££.£.£.£. £.££.£.£.£
..£.£.£.£. £..£.£.£.£
.££.£.£.£. A DYSTOPIAN MC DONALDS TOILET STEALS MY £.££.£.£.£
..£.£.£.£. AGENCY. TOO MUCH AGENCY ALREADY IN THIS £..£.£.£.£
.££.£.£.£. ROOM. SATURATED. I CAN ONLY DO WHAT IT £.££.£.£.£
..£.£.£.£. WANTS IN THE WAY IT WANTS. £..£.£.£.£
.££.£.£.£. £.££.£.£.£
..£.£.£.£. ~ : ~ ~ : ~ ~ : ~ £..£.£.£.£
.££.£.£.£. £.££.£.£.£
..£.£.£.£. BUT: IN A MIRACOLOUS FRACTION OF A £..£.£.£.£
.££.£.£.£. SECOND, ITS TRUE THOUGHTS SLIP THROUGH £.££.£.£.£
..£.£.£.£. TO ME, PREVIOUSLY UNHEARD EVEN BY ITS £..£.£.£.£
.££.£.£.£. BUILDERS (THE ROOM WAS THOUGHT TO BE £.££.£.£.£
..£.£.£.£. WITHOUT CONSCIOUSNESS). £..£.£.£.£
.££.£.£.£. £.££.£.£.£
..£.£.£.£. THE ROOM THINKS ABOUT CREATURES LYING £..£.£.£.£
.££.£.£.£. DOWN, GOING OFF TO SLEEP, MAKING £.££.£.£.£
..£.£.£.£. THEMSELVES COMFORTABLE FIRST... IS THIS £..£.£.£.£
.££.£.£.£. ONLY OPTIMIZING A RESTING POSITION FOR £.££.£.£.£
..£.£.£.£. THE BODY? OR IS THERE ANOTHER WILL £..£.£.£.£
.££.£.£.£. INVOLVED? £.££.£.£.£
..£.£.£.£. £..£.£.£.£
.££.£.£.£. A DARK LISTENING TAKING PLACE, £.££.£.£.£
..£.£.£.£. A SILENT CONCERT. £..£.£.£.£
.££.£.£.£. £.££.£.£.£
..£.£.£.£. IS THERE ANOTHER DESIRE INJECTED AT £..£.£.£.£
.££.£.£.£. HYPNAGOGIA? SOMETHING FROM THE OTHER £.££.£.£.£
..£.£.£.£. SIDE, GUIDING THEM, £..£.£.£.£
.££.£.£.£. ARRANGING THEIR BODIES. £.££.£.£.£
..£.£.£.£. £..£.£.£.£
.££.£.£.£. £.££.£.£.£
..£.£.£.£. £..£.£.£.£
.££.£.£.£. £.££.£.£.£
..£.£.£.£. £..£.£.£.£