....@.@@.. ..@..@...@
@.....@@@. ...@..@...
.@....@.@@ ....@..@..
..@.....@@ .....@..@.
...@....@. ......@..@
@...@..... A DYSTOPIAN MC DONALDS TOILET STEALS MY @......@..
.@...@.... AGENCY. TOO MUCH AGENCY ALREADY IN THIS .@......@.
..@...@... ROOM. SATURATED. I CAN ONLY DO WHAT IT ..@......@
@..@...@.. WANTS IN THE WAY IT WANTS. @..@......
.@..@...@. .@..@.....
..@..@...@ = ^ = = ^ = = ^ = ..@..@....
...@..@... @..@..@...
....@..@.. BUT: IN A MIRACOLOUS FRACTION OF A @@..@..@..
.....@..@. SECOND, ITS TRUE THOUGHTS SLIP THROUGH @@@..@..@.
......@..@ TO ME, PREVIOUSLY UNHEARD EVEN BY ITS @.@@..@..@
@......@.. BUILDERS (THE ROOM WAS THOUGHT TO BE ..@@@..@..
.@......@. WITHOUT CONSCIOUSNESS). ..@.@@..@.
..@......@ ....@@@..@
@..@...... THE ROOM THINKS ABOUT CREATURES LYING @...@.@@..
.@..@..... DOWN, GOING OFF TO SLEEP, MAKING .@....@@@.
..@..@.... THEMSELVES COMFORTABLE FIRST... IS THIS ..@...@.@@
@..@..@... ONLY OPTIMIZING A RESTING POSITION FOR ...@....@@
@@..@..@.. THE BODY? OR IS THERE ANOTHER WILL ....@...@.
@@@..@..@. INVOLVED? @....@....
@.@@..@..@ @@....@...
..@@@..@.. A DARK LISTENING TAKING PLACE, @@@....@..
..@.@@..@. A SILENT CONCERT. @.@@....@.
....@@@..@ ..@@@....@
@...@.@@.. IS THERE ANOTHER DESIRE INJECTED AT ..@.@@....
.@....@@@. HYPNAGOGIA? SOMETHING FROM THE OTHER @...@@@...
..@...@.@@ SIDE, GUIDING THEM, @@..@.@@..
...@....@@ ARRANGING THEIR BODIES. .@@...@@@.
....@...@. .@@@..@.@@
@....@.... .@.@@...@@
@@....@... ...@@@..@.
@@@....@.. ...@.@@...
@.@@....@. .....@@@..