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@,@,@,@,@, ,@,@,@@,@,
@,@,@,@,@, ,@,@,,@,@,
@,@,@,@,@, , # , ,@,@,@@,@,
@,@,@,@,@, , # , # , ,@,@,,@,@,
@,@,@,@,@, , , # , # , , ,@,@,@@,@,
@,@,@,@,@, , , , # , # , , , ,@,@,,@,@,
@,@,@,@,@, first hit - in the stomach. and then in ,@,@,@@,@,
@,@,@,@,@, the neck. # lights strobing ,@,@,,@,@,
@,@,@,@,@, - # in angel patterns # - ,@,@,@@,@,
@,@,@,@,@, - - # - - # - - ,@,@,,@,@,
@,@,@,@,@, - - - - # - - # - - - - ,@,@,@@,@,
@,@,@,@,@, - - - - - # - - # - - - - - ,@,@,,@,@,
@,@,@,@,@, body broken, bleeding, kicked again and ,@,@,@@,@,
@,@,@,@,@, again (now down on the concrete), ,@,@,,@,@,
@,@,@,@,@, ~ # ribs cracked. # ~ ,@,@,@@,@,
@,@,@,@,@, ~ # ~ ~ ~ # ~ ,@,@,,@,@,
@,@,@,@,@, ~ ~ # ~ ~ ~ # ~ ~ ,@,@,@@,@,
@,@,@,@,@, ~ ~ ~ # ~ ~ ~ # ~ ~ ~ ,@,@,,@,@,
@,@,@,@,@, consciousness rerouted into the ,@,@,@@,@,
@,@,@,@,@, escaping blood. mixed with the glow of ,@,@,,@,@,
@,@,@,@,@, the streetlights and carried away into ,@,@,@@,@,
@,@,@,@,@, the hands of the angel. , ,@,@,,@,@,
@,@,@,@,@, , - ~ * ^ & ^ * ~ - , ,@,@,@@,@,
@,@,@,@,@, , - ~ * ~ - , ,@,@,,@,@,
@,@,@,@,@, , - ~ - , ,@,@,@@,@,
@,@,@,@,@, she lifts her cupped hands to her ,@,@,,@,@,
@,@,@,@,@, muzzle , , , and drinks. ,@,@,@@,@,
@,@,@,@,@, , # # # , ,@,@,,@,@,
@,@,@,@,@, , , , # # # , , , ,@,@,@@,@,
@,@,@,@,@, , , # , , ,@,@,,@,@,
@,@,@,@,@, ,@,@,@@,@,
@,@,@,@,@, ,@,@,,@,@,
@,@,@,@,@, ,@,@,@@,@,
@,@,@,@,@, ,@,@,,@,@,
@,@,@,@,@, ,@,@,@@,@,