,,,«^%%#£# #£#%%^«,,,
,,,,«^%%#£ £#%%^«,,,,
,,,«^%%#£# #£#%%^«,,,
,,«^%%#£## ##£#%%^«,,
,,,«^%%#£# #£#%%^«,,,
,,,,«^%%#£ # £#%%^«,,,,
,,,«^%%#£# ,LIZARDRY #£#%%^«,,,
,,«^%%#£## « £ #£ ### ################## ##£#%%^«,,
,,,«^%%#£# ## THE ART OF C,NNECTING #£#%%^«,,,
,,,,«^%%#£ , WITH THE OLD MIND £#%%^«,,,,
,,,«^%%#£# #£#%%^«,,,
,,«^%%#£## MY MIND IS BEING SKEWED. MI ##£#%%^«,,
,,,«^%%#£# SKELETON IS STRINGY AND OLD AND ALIEN #£#%%^«,,,
,,,,«^%%#£ THE SITUATION IS LITERALLY £#%%^«,,,,
,,,«^%%#£# PRESSED OUT THROUGH MY EYES, IT'S #£#%%^«,,,
,,«^%%#£## ECHOING LIKE ##£#%%^«,,
,,,«^%%#£# THE SUNSET OF THE ETERNAL #£#%%^«,,,
,,,,«^%%#£ OCEAN £#%%^«,,,,
,,,«^%%#£# PERSISTENTLY AGAINST MY EMULSION #£#%%^«,,,
,,«^%%#£## ##£#%%^«,,
,,,«^%%#£# IT'S UNGRASPABLE TO ME, WHAT OTHER #£#%%^«,,,
,,,,«^%%#£ HUMANS ARE DOING AND ABSTRACTING, £#%%^«,,,,
,,,«^%%#£# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #£#%%^«,,,
,,«^%%#£## HOW LONG A TIME HAS PASSED, FOR THEM? ##£#%%^«,,
,,,«^%%#£# , #£#%%^«,,,
,,,,«^%%#£ , ,,, , ,,,,,,,,,,,,,,,, £££££££ £#%%^«,,,,
,,,«^%%#£# CONTINUOUSLY I'M CROWDING THROUGH #£#%%^«,,,
,,«^%%#£## , THE FOURTH WALL ,OUTWARDS IS WHAT , ##£#%%^«,,
,,,«^%%#£# ,, I'M THINKING BUT IT'S WRONG.. A NEW #£#%%^«,,,
,,,,«^%%#£ , , NARRATOR IS INTRODUCED, OCCASIONALLY £#%%^«,,,,
,,,«^%%#£# , , AWARE OF THE PREVIOUS ONE, DEEPER , #£#%%^«,,,
,,«^%%#£## , , DOWN IN THE DRAGONS THROAT. ##£#%%^«,,
,,,«^%%#£# , #£#%%^«,,,
,,,,«^%%#£ , £#%%^«,,,,
,,,«^%%#£# #£#%%^«,,,
,,«^%%#£## ##£#%%^«,,
,,,«^%%#£# #£#%%^«,,,
,,,,«^%%#£ £#%%^«,,,,
,,,«^%%#£# #£#%%^«,,,
,,«^%%#£## ##£#%%^«,,