....=%§§&& &&§§%=....
......=%&# #&%=......
.......;%& &%;.......
..=;%§&#@@ @@#&§%;=..
.....=%&&& &&&%=.....
..=;%§&#@# @ #@#&§%;=..
..=====;%& .LIZARDRY &%;=====..
..=;%§&@## = # @# @@@ @@@@@@@@@@@@@@@@@@ ##@&§%;=..
..=;%§&##@ @@ THE ART OF C.NNECTING @##&§%;=..
..=;%§&#@# . WITH THE OLD MIND #@#&§%;=..
......;%§& &§%;......
......=%&@ MY MIND IS BEING SKEWED. MI @&%=......
..=;%§&#@@ SKELETON IS STRINGY AND OLD AND ALIEN @@#&§%;=..
.=;%§&#@## THE SITUATION IS LITERALLY ##@#&§%;=.
.=;%§&#@## PRESSED OUT THROUGH MY EYES, IT'S ##@#&§%;=.
.....=%&&# ECHOING LIKE #&&%=.....
.......;§# THE SUNSET OF THE ETERNAL #§;.......
......=;%& OCEAN &%;=......
.....;%&&# PERSISTENTLY AGAINST MY EMULSION #&&%;.....
..=;%§&#@# #@#&§%;=..
..=;%§&#@@ IT'S UNGRASPABLE TO ME, WHAT OTHER @@#&§%;=..
......=%&# HUMANS ARE DOING AND ABSTRACTING, #&%=......
....;%%&&# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #&&%%;....
.......;§# HOW LONG A TIME HAS PASSED, FOR THEM? #§;.......
..=;%§&#@# . #@#&§%;=..
..=;%§#@## . ... . ................ ####### ##@#§%;=..
..=;%%%§&# CONTINUOUSLY I'M CROWDING THROUGH #&§%%%;=..
......;%§# . THE FOURTH WALL .OUTWARDS IS WHAT . #§%;......
.......;§# .. I'M THINKING BUT IT'S WRONG.. A NEW #§;.......
..=;%§&#@@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @@#&§%;=..
..=;%§&#@@ . . AWARE OF THE PREVIOUS ONE, DEEPER . @@#&§%;=..
..=;%%§&&# . . DOWN IN THE DRAGONS THROAT. #&&§%%;=..
......;%§# . #§%;......
..=;%&#@## . ##@#&%;=..
......=%%& &%%=......
....;;§&&& &&&§;;....
....=%%§#@ @#§%%=....
..=;%§&#@# #@#&§%;=..
..=;%&#@## ##@#&%;=..
.....=;§## ##§;=.....