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,,@,@,@@,, ## THE ART OF C~NNECTING @,@@@,@,@,
,,@@@@@,@, , WITH THE OLD MIND ,@@,,@@@@@
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@@@@,,,@,, MY MIND IS BEING SKEWED. MI ,@@@@@@,,,
@,,,@,,@@, SKELETON IS STRINGY AND OLD AND ALIEN ,@,,,,,@,,
@@,,@@,@,@ THE SITUATION IS LITERALLY @@@,,,,@@,
@,@,@,@@@@ PRESSED OUT THROUGH MY EYES, IT'S ,,,@,,,@,@
,@@@@@@,,, ECHOING LIKE ,,,@@,,@@@
@@,,,,,@,, THE SUNSET OF THE ETERNAL @,,@,@,@,,
@,@,,,,@@, OCEAN @@,@@@@@@,
@@@@,,,@,@ PERSISTENTLY AGAINST MY EMULSION @,@@,,,,,@
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@,,,@@,@,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,@,@@@,,,@
,@,,@,@@@, HUMANS ARE DOING AND ABSTRACTING, @@@@,,@,,@
@@@,@@@,,@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @,,,@,@@,@
,,,@@,,@,@ HOW LONG A TIME HAS PASSED, FOR THEM? ,@,,@@@,@@
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,,@@,,,,@, CONTINUOUSLY I'M CROWDING THROUGH ,,@@,,@@@@
@,@,@,,,@@ , THE FOURTH WALL ~OUTWARDS IS WHAT , ,,@,@,@,,,
@@@@@@,,@, ,, I'M THINKING BUT IT'S WRONG.. A NEW @,@@@@@@,,
@,,,,,@,@@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @@@,,,,,@,
@@,,,,@@@, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , @,,@,,,,@@
,,@,,,@,,@ ~ ~ DOWN IN THE DRAGONS THROAT. @@,@@,,,@,
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