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¨¨¨¨¨¨,~/$    #                                     $/~,¨¨¨¨¨¨
¨¨¨¨¨,~/$*              ¨LIZARDRY                   *$/~,¨¨¨¨¨
¨¨¨¨,~/$*# ~           £ #£ ###  ################## #*$/~,¨¨¨¨
¨¨¨,~/$*#£ ##      THE ART OF C,NNECTING            £#*$/~,¨¨¨
¨¨,~/$*#£#        ¨    WITH THE OLD MIND            #£#*$/~,¨¨
¨,~/$*#£##                                          ##£#*$/~,¨
¨¨,~/$*#£#             MY MIND IS BEING SKEWED. MI  #£#*$/~,¨¨
¨¨¨,~/$*#£  SKELETON IS STRINGY AND OLD AND ALIEN   £#*$/~,¨¨¨
¨¨¨¨,~/$*#             THE SITUATION IS LITERALLY   #*$/~,¨¨¨¨
¨¨¨¨¨,~/$* PRESSED OUT THROUGH MY EYES, IT'S        *$/~,¨¨¨¨¨
¨¨¨¨¨¨,~/$ ECHOING LIKE                             $/~,¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/             THE SUNSET OF THE ETERNAL    /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~ OCEAN                                    ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨,         PERSISTENTLY AGAINST MY EMULSION ,¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨,~                                          ~,¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨,~/    IT'S UNGRASPABLE TO ME, WHAT OTHER    /~,¨¨¨¨¨¨¨
¨¨¨¨¨¨,~/$   HUMANS ARE DOING AND ABSTRACTING,      $/~,¨¨¨¨¨¨
¨¨¨¨¨,~/$*  AND ABOVE ALL ELSE, WHAT TIME THEY USE? *$/~,¨¨¨¨¨
¨¨¨¨,~/$*# HOW LONG A TIME HAS PASSED, FOR THEM?    #*$/~,¨¨¨¨
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¨¨,~/$*#£#  ¨ ¨¨¨ ¨  ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨   £££££££     #£#*$/~,¨¨
¨,~/$*#£##   CONTINUOUSLY I'M CROWDING THROUGH      ##£#*$/~,¨
¨¨,~/$*#£# ¨ THE FOURTH WALL  ,OUTWARDS IS WHAT   ¨ #£#*$/~,¨¨
¨¨¨,~/$*#£ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW   £#*$/~,¨¨¨
¨¨¨¨,~/$*# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #*$/~,¨¨¨¨
¨¨¨¨¨,~/$* ,  , AWARE OF THE PREVIOUS ONE, DEEPER ¨ *$/~,¨¨¨¨¨
¨¨¨¨¨¨,~/$ ,   , DOWN IN THE DRAGONS THROAT.        $/~,¨¨¨¨¨¨
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¨¨¨¨¨,~/$*                                          *$/~,¨¨¨¨¨
¨¨¨¨,~/$*#                                          #*$/~,¨¨¨¨