##£#§*/«,¨ ¨,«/*§#£##
#£#§*/«,¨¨ ¨¨,«/*§#£#
£#§*/«,¨¨¨ ¨¨¨,«/*§#£
#£#§*/«,¨¨ ¨¨,«/*§#£#
##£#§*/«,¨ ¨,«/*§#£##
#£#§*/«,¨¨ # ¨¨,«/*§#£#
£#§*/«,¨¨¨ ¨LIZARDRY ¨¨¨,«/*§#£
#£#§*/«,¨¨ « £ #£ ### ################## ¨¨,«/*§#£#
##£#§*/«,¨ ## THE ART OF C,NNECTING ¨,«/*§#£##
#£#§*/«,¨¨ ¨ WITH THE OLD MIND ¨¨,«/*§#£#
£#§*/«,¨¨¨ ¨¨¨,«/*§#£
#£#§*/«,¨¨ MY MIND IS BEING SKEWED. MI ¨¨,«/*§#£#
##£#§*/«,¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨,«/*§#£##
#£#§*/«,¨¨ THE SITUATION IS LITERALLY ¨¨,«/*§#£#
£#§*/«,¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨,«/*§#£
#£#§*/«,¨¨ ECHOING LIKE ¨¨,«/*§#£#
##£#§*/«,¨ THE SUNSET OF THE ETERNAL ¨,«/*§#£##
#£#§*/«,¨¨ OCEAN ¨¨,«/*§#£#
£#§*/«,¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨,«/*§#£
#£#§*/«,¨¨ ¨¨,«/*§#£#
##£#§*/«,¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨,«/*§#£##
#£#§*/«,¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨,«/*§#£#
£#§*/«,¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨,«/*§#£
#£#§*/«,¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨,«/*§#£#
##£#§*/«,¨ ¨ ¨,«/*§#£##
#£#§*/«,¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ £££££££ ¨¨,«/*§#£#
£#§*/«,¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨,«/*§#£
#£#§*/«,¨¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨¨,«/*§#£#
##£#§*/«,¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨,«/*§#£##
#£#§*/«,¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨,«/*§#£#
£#§*/«,¨¨¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨,«/*§#£
#£#§*/«,¨¨ , , DOWN IN THE DRAGONS THROAT. ¨¨,«/*§#£#
##£#§*/«,¨ , ¨,«/*§#£##
#£#§*/«,¨¨ , ¨¨,«/*§#£#
£#§*/«,¨¨¨ ¨¨¨,«/*§#£
#£#§*/«,¨¨ ¨¨,«/*§#£#
##£#§*/«,¨ ¨,«/*§#£##
#£#§*/«,¨¨ ¨¨,«/*§#£#
£#§*/«,¨¨¨ ¨¨¨,«/*§#£
#£#§*/«,¨¨ ¨¨,«/*§#£#