##@¤*=*~,¨ ¨,~*=*¤@##
##@¤*=*~,¨ ¨,~*=*¤@##
#¤**,¨¨¨¨¨ ¨¨¨¨¨,**¤#
##@¤*=*~,¨ ¨,~*=*¤@##
##@¤*=*~,¨ ¨,~*=*¤@##
@*=*~¨¨¨¨¨ # ¨¨¨¨¨~*=*@
@@¤==*~¨¨¨ ¨LIZARDRY ¨¨¨~*==¤@@
##@¤*=*~,¨ ~ @ #@ ### ################## ¨,~*=*¤@##
@**~,,¨¨¨¨ ## THE ART OF C,NNECTING ¨¨¨¨,,~**@
##@¤*=*~,¨ ¨ WITH THE OLD MIND ¨,~*=*¤@##
##@¤*=*~,¨ ¨,~*=*¤@##
@**=*~~,¨¨ MY MIND IS BEING SKEWED. MI ¨¨,~~*=**@
##@¤*=*~,¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨,~*=*¤@##
@**,,¨¨¨¨¨ THE SITUATION IS LITERALLY ¨¨¨¨¨,,**@
@¤=*,,¨¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨¨,,*=¤@
#@¤¤*=*~,¨ ECHOING LIKE ¨,~*=*¤¤@#
¤===~¨¨¨¨¨ THE SUNSET OF THE ETERNAL ¨¨¨¨¨~===¤
¤=****,¨¨¨ OCEAN ¨¨¨,****=¤
##@¤*=*~,¨ PERSISTENTLY AGAINST MY EMULSION ¨,~*=*¤@##
###¤*=*~,¨ ¨,~*=*¤###
##@¤*=*~,¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨,~*=*¤@##
@¤¤¤*=*~,¨ HUMANS ARE DOING AND ABSTRACTING, ¨,~*=*¤¤¤@
###@¤=*~,¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨,~*=¤@###
##@¤*=*~,¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨,~*=*¤@##
@*=*,¨¨¨¨¨ ¨ ¨¨¨¨¨,*=*@
@*=~~¨¨¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨¨¨¨~~=*@
¤******~,¨ CONTINUOUSLY I'M CROWDING THROUGH ¨,~******¤
###@¤*=~,¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨,~=*¤@###
¤¤¤¤*=*~,¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨,~*=*¤¤¤¤
¤=~~~¨¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨¨~~~=¤
¤****~,¨¨¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨,~****¤
##@¤*=*~,¨ , , DOWN IN THE DRAGONS THROAT. ¨,~*=*¤@##
##@¤*=*~,¨ , ¨,~*=*¤@##
¤¤====*~,¨ , ¨,~*====¤¤
#¤¤**=*~,¨ ¨,~*=**¤¤#
@*=*~,¨¨¨¨ ¨¨¨¨,~*=*@
@¤*=*~~~,¨ ¨,~~~*=*¤@
@*===*,¨¨¨ ¨¨¨,*===*@
@¤=**,,¨¨¨ ¨¨¨,,**=¤@
¤¤*==~¨¨¨¨ ¨¨¨¨~==*¤¤