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.,«:*¤§¶¶@              .LIZARDRY                   @¶¶§¤*:«,.
.,«:*¤§§§§ «           ¶ @¶ @@@  @@@@@@@@@@@@@@@@@@ §§§§¤*:«,.
....,:*§§@ @@      THE ART OF C,NNECTING            @§§*:,....
.,«:*¤§§§@        .    WITH THE OLD MIND            @§§§¤*:«,.
....,,::¤¶                                          ¶¤::,,....
.....««*§@             MY MIND IS BEING SKEWED. MI  @§*««.....
.,«:*¤§¶@#  SKELETON IS STRINGY AND OLD AND ALIEN   #@¶§¤*:«,.
.....,::*§             THE SITUATION IS LITERALLY   §*::,.....
.,«:*¤§¶@# PRESSED OUT THROUGH MY EYES, IT'S        #@¶§¤*:«,.
.......«*§ ECHOING LIKE                             §*«.......
.,«:*¤§¶@#             THE SUNSET OF THE ETERNAL    #@¶§¤*:«,.
...,,,«*§¶ OCEAN                                    ¶§*«,,,...
...,«:¤¤¤§         PERSISTENTLY AGAINST MY EMULSION §¤¤¤:«,...
....,«:¤¤§                                          §¤¤:«,....
.,«:*¤¶@##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##@¶¤*:«,.
.,«:*¤§¶@#   HUMANS ARE DOING AND ABSTRACTING,      #@¶§¤*:«,.
...,««**§¶  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¶§**««,...
.,«:*¤§¶@# HOW LONG A TIME HAS PASSED, FOR THEM?    #@¶§¤*:«,.
.,«:*¤§¶##                                     .    ##¶§¤*:«,.
.,«:*¤§¶@#  . ... .  ................   ¶¶¶¶¶¶¶     #@¶§¤*:«,.
.,«:*¤§¶@#   CONTINUOUSLY I'M CROWDING THROUGH      #@¶§¤*:«,.
.,«:*¤§¶## . THE FOURTH WALL  ,OUTWARDS IS WHAT   . ##¶§¤*:«,.
.....«*¤§¶ .. I'M THINKING BUT IT'S WRONG.. A NEW   ¶§¤*«.....
....,::¤¤§ . . NARRATOR IS INTRODUCED, OCCASIONALLY §¤¤::,....
.,«:*¤§¶## ,  , AWARE OF THE PREVIOUS ONE, DEEPER . ##¶§¤*:«,.
.,«:*¤¶@## ,   , DOWN IN THE DRAGONS THROAT.        ##@¶¤*:«,.
.,««««*¤§¶      ,                                   ¶§¤*««««,.
.,«:*¤§¶##       ,                                  ##¶§¤*:«,.
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.,«:*¤§¶@#                                          #@¶§¤*:«,.