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##£¤*%/~,,    #                                     ,,~/%*¤£##
£**/,,,,,,              ,LIZARDRY                   ,,,,,,/**£
###£*%/~,, ~           £ #£ ###  ################## ,,~/%*£###
##£¤*%/~,, ##      THE ART OF C,NNECTING            ,,~/%*¤£##
##£¤*%/~,,        ,    WITH THE OLD MIND            ,,~/%*¤£##
##£¤*%/~,,                                          ,,~/%*¤£##
##£¤*%/~,,             MY MIND IS BEING SKEWED. MI  ,,~/%*¤£##
##£¤*%/~,,  SKELETON IS STRINGY AND OLD AND ALIEN   ,,~/%*¤£##
#¤%%//,,,,             THE SITUATION IS LITERALLY   ,,,,//%%¤#
##£¤*%/~,, PRESSED OUT THROUGH MY EYES, IT'S        ,,~/%*¤£##
###¤*%/~,, ECHOING LIKE                             ,,~/%*¤###
¤*%~~,,,,,             THE SUNSET OF THE ETERNAL    ,,,,,~~%*¤
#¤*%///~,, OCEAN                                    ,,~///%*¤#
£££¤*%/~,,         PERSISTENTLY AGAINST MY EMULSION ,,~/%*¤£££
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###¤*%/~,,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,,~/%*¤###
###£¤*%/,,   HUMANS ARE DOING AND ABSTRACTING,      ,,/%*¤£###
##£¤*%/~,,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~/%*¤£##
##£¤*%/~,, HOW LONG A TIME HAS PASSED, FOR THEM?    ,,~/%*¤£##
##£¤*%/~,,                                     ,    ,,~/%*¤£##
£¤%~~,,,,,  , ,,, ,  ,,,,,,,,,,,,,,,,   £££££££     ,,,,,~~%¤£
##£¤*%/~,,   CONTINUOUSLY I'M CROWDING THROUGH      ,,~/%*¤£##
£¤¤**%/~,, , THE FOURTH WALL  ,OUTWARDS IS WHAT   , ,,~/%**¤¤£
##£¤*%/~,, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,,~/%*¤£##
###¤*%/~,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,~/%*¤###
##£¤*%/~,, ,  , AWARE OF THE PREVIOUS ONE, DEEPER , ,,~/%*¤£##
¤%~,,,,,,, ,   , DOWN IN THE DRAGONS THROAT.        ,,,,,,,~%¤
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