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####@%\=,, @ ,,=\%@####
@##%\=,,,, ,LIZARDRY ,,,,=\%##@
#@@%%\\=,, = @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,,=\\%%@@#
@@%\\\\=,, @@ THE ART OF C,NNECTING ,,=\\\\%@@
@#%=,,,,,, , WITH THE OLD MIND ,,,,,,=%#@
#@@#@%\=,, ,,=\%@#@@#
##@@#@%\=, MY MIND IS BEING SKEWED. MI ,=\%@#@@##
@@@\\\\=,, SKELETON IS STRINGY AND OLD AND ALIEN ,,=\\\\@@@
@@@#@%\=,, THE SITUATION IS LITERALLY ,,=\%@#@@@
#@@#@%\=,, PRESSED OUT THROUGH MY EYES, IT'S ,,=\%@#@@#
#@@#@%\=,, ECHOING LIKE ,,=\%@#@@#
##@@\\,,,, THE SUNSET OF THE ETERNAL ,,,,\\@@##
##@#@%\=,, OCEAN ,,=\%@#@##
@@@@%\,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,\%@@@@
@@@#@%\=,, ,,=\%@#@@@
#@@#@%\=,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,=\%@#@@#
#@@#@%\=,, HUMANS ARE DOING AND ABSTRACTING, ,,=\%@#@@#
@#%\\=,,,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,,,=\\%#@
#@@#@%\=,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,=\%@#@@#
#@%%%==,,, , ,,,==%%%@#
#@@#@%\=,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,=\%@#@@#
##@@#%\=,, CONTINUOUSLY I'M CROWDING THROUGH ,,=\%#@@##
#@\=,,,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,,,=\@#
@@@#@%\=,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,=\%@#@@@
###%%\\=,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,=\\%%###
@@@@@%\=,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,=\%@@@@@
#@@#@%\=,, , , DOWN IN THE DRAGONS THROAT. ,,=\%@#@@#
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