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...~«:§£¤@              .LIZARDRY                   @¤£§:«~...
..~«:§£¤@# «           @ #@ ###  ################## #@¤£§:«~..
.~«:§£¤@## ##      THE ART OF C~NNECTING            ##@¤£§:«~.
..~«:§£¤@#        .    WITH THE OLD MIND            #@¤£§:«~..
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..~«:§£¤@#             MY MIND IS BEING SKEWED. MI  #@¤£§:«~..
.~«:§£¤@##  SKELETON IS STRINGY AND OLD AND ALIEN   ##@¤£§:«~.
..~«:§£¤@#             THE SITUATION IS LITERALLY   #@¤£§:«~..
...~«:§£¤@ PRESSED OUT THROUGH MY EYES, IT'S        @¤£§:«~...
..~«:§£¤@# ECHOING LIKE                             #@¤£§:«~..
.~«:§£¤@##             THE SUNSET OF THE ETERNAL    ##@¤£§:«~.
..~«:§£¤@# OCEAN                                    #@¤£§:«~..
...~«:§£¤@         PERSISTENTLY AGAINST MY EMULSION @¤£§:«~...
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.~«:§£¤@##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##@¤£§:«~.
..~«:§£¤@#   HUMANS ARE DOING AND ABSTRACTING,      #@¤£§:«~..
...~«:§£¤@  AND ABOVE ALL ELSE, WHAT TIME THEY USE? @¤£§:«~...
..~«:§£¤@# HOW LONG A TIME HAS PASSED, FOR THEM?    #@¤£§:«~..
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...~«:§£¤@   CONTINUOUSLY I'M CROWDING THROUGH      @¤£§:«~...
..~«:§£¤@# . THE FOURTH WALL  ~OUTWARDS IS WHAT   . #@¤£§:«~..
.~«:§£¤@## .. I'M THINKING BUT IT'S WRONG.. A NEW   ##@¤£§:«~.
..~«:§£¤@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@¤£§:«~..
...~«:§£¤@ ~  ~ AWARE OF THE PREVIOUS ONE, DEEPER . @¤£§:«~...
..~«:§£¤@# ~   ~ DOWN IN THE DRAGONS THROAT.        #@¤£§:«~..
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