...:~\†$@# #@$†\~:...
..:~\†$@## ##@$†\~:..
.:~\†$@### ###@$†\~:.
..:~\†$@## ##@$†\~:..
...:~\†$@# #@$†\~:...
....:~\†$@ # @$†\~:....
...:~\†$@# .LIZARDRY #@$†\~:...
..:~\†$@## ~ ¶ #¶ ### ################## ##@$†\~:..
.:~\†$@### ## THE ART OF C:NNECTING ###@$†\~:.
..:~\†$@## . WITH THE OLD MIND ##@$†\~:..
...:~\†$@# #@$†\~:...
....:~\†$@ MY MIND IS BEING SKEWED. MI @$†\~:....
...:~\†$@# SKELETON IS STRINGY AND OLD AND ALIEN #@$†\~:...
..:~\†$@## THE SITUATION IS LITERALLY ##@$†\~:..
.:~\†$@### PRESSED OUT THROUGH MY EYES, IT'S ###@$†\~:.
..:~\†$@## ECHOING LIKE ##@$†\~:..
...:~\†$@# THE SUNSET OF THE ETERNAL #@$†\~:...
....:~\†$@ OCEAN @$†\~:....
...:~\†$@# PERSISTENTLY AGAINST MY EMULSION #@$†\~:...
..:~\†$@## ##@$†\~:..
.:~\†$@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@$†\~:.
..:~\†$@## HUMANS ARE DOING AND ABSTRACTING, ##@$†\~:..
...:~\†$@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@$†\~:...
....:~\†$@ HOW LONG A TIME HAS PASSED, FOR THEM? @$†\~:....
...:~\†$@# . #@$†\~:...
..:~\†$@## . ... . ................ ¶¶¶¶¶¶¶ ##@$†\~:..
.:~\†$@### CONTINUOUSLY I'M CROWDING THROUGH ###@$†\~:.
..:~\†$@## . THE FOURTH WALL :OUTWARDS IS WHAT . ##@$†\~:..
...:~\†$@# .. I'M THINKING BUT IT'S WRONG.. A NEW #@$†\~:...
....:~\†$@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @$†\~:....
...:~\†$@# : : AWARE OF THE PREVIOUS ONE, DEEPER . #@$†\~:...
..:~\†$@## : : DOWN IN THE DRAGONS THROAT. ##@$†\~:..
.:~\†$@### : ###@$†\~:.
..:~\†$@## : ##@$†\~:..
...:~\†$@# #@$†\~:...
....:~\†$@ @$†\~:....
...:~\†$@# #@$†\~:...
..:~\†$@## ##@$†\~:..
.:~\†$@### ###@$†\~:.
..:~\†$@## ##@$†\~:..