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#@@$==~,¨¨ ¨¨,~==$@@#
@@$==~,¨¨¨ # ¨¨¨,~==$@@
#@@$==~,¨¨ ¨LIZARDRY ¨¨,~==$@@#
##@@$==~,¨ ~ @ #@ ### ################## ¨,~==$@@##
#@@$==~,¨¨ ## THE ART OF C,NNECTING ¨¨,~==$@@#
@@$==~,¨¨¨ ¨ WITH THE OLD MIND ¨¨¨,~==$@@
#@@$==~,¨¨ ¨¨,~==$@@#
##@@$==~,¨ MY MIND IS BEING SKEWED. MI ¨,~==$@@##
#@@$==~,¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨,~==$@@#
@@$==~,¨¨¨ THE SITUATION IS LITERALLY ¨¨¨,~==$@@
#@@$==~,¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨,~==$@@#
##@@$==~,¨ ECHOING LIKE ¨,~==$@@##
#@@$==~,¨¨ THE SUNSET OF THE ETERNAL ¨¨,~==$@@#
@@$==~,¨¨¨ OCEAN ¨¨¨,~==$@@
#@@$==~,¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨,~==$@@#
##@@$==~,¨ ¨,~==$@@##
#@@$==~,¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨,~==$@@#
@@$==~,¨¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨¨,~==$@@
#@@$==~,¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨,~==$@@#
##@@$==~,¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨,~==$@@##
#@@$==~,¨¨ ¨ ¨¨,~==$@@#
@@$==~,¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨¨,~==$@@
#@@$==~,¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨,~==$@@#
##@@$==~,¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨,~==$@@##
#@@$==~,¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨,~==$@@#
@@$==~,¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨,~==$@@
#@@$==~,¨¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨,~==$@@#
##@@$==~,¨ , , DOWN IN THE DRAGONS THROAT. ¨,~==$@@##
#@@$==~,¨¨ , ¨¨,~==$@@#
@@$==~,¨¨¨ , ¨¨¨,~==$@@
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