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¨¨:~==*@## # ##@*==~:¨¨
¨:~==*@### ¨LIZARDRY ###@*==~:¨
¨¨:~==*@## ~ # ## ### ################## ##@*==~:¨¨
¨:~==*@### ## THE ART OF C:NNECTING ###@*==~:¨
¨¨:~==*@## ¨ WITH THE OLD MIND ##@*==~:¨¨
¨:~==*@### ###@*==~:¨
¨¨:~==*@## MY MIND IS BEING SKEWED. MI ##@*==~:¨¨
¨:~==*@### SKELETON IS STRINGY AND OLD AND ALIEN ###@*==~:¨
¨¨:~==*@## THE SITUATION IS LITERALLY ##@*==~:¨¨
¨:~==*@### PRESSED OUT THROUGH MY EYES, IT'S ###@*==~:¨
¨¨:~==*@## ECHOING LIKE ##@*==~:¨¨
¨:~==*@### THE SUNSET OF THE ETERNAL ###@*==~:¨
¨¨:~==*@## OCEAN ##@*==~:¨¨
¨:~==*@### PERSISTENTLY AGAINST MY EMULSION ###@*==~:¨
¨¨:~==*@## ##@*==~:¨¨
¨:~==*@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@*==~:¨
¨¨:~==*@## HUMANS ARE DOING AND ABSTRACTING, ##@*==~:¨¨
¨:~==*@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@*==~:¨
¨¨:~==*@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@*==~:¨¨
¨:~==*@### ¨ ###@*==~:¨
¨¨:~==*@## ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ##@*==~:¨¨
¨:~==*@### CONTINUOUSLY I'M CROWDING THROUGH ###@*==~:¨
¨¨:~==*@## ¨ THE FOURTH WALL :OUTWARDS IS WHAT ¨ ##@*==~:¨¨
¨:~==*@### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###@*==~:¨
¨¨:~==*@## ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ##@*==~:¨¨
¨:~==*@### : : AWARE OF THE PREVIOUS ONE, DEEPER ¨ ###@*==~:¨
¨¨:~==*@## : : DOWN IN THE DRAGONS THROAT. ##@*==~:¨¨
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¨¨:~==*@## : ##@*==~:¨¨
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