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#&§**--... .LIZARDRY ...--**§&#
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@&$$$$*-,. @@ THE ART OF C,NNECTING .,-*$$$$&@
##&$--.... . WITH THE OLD MIND ....--$&##
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@##&§$*-,. MY MIND IS BEING SKEWED. MI .,-*$§&##@
&§§§*-.... SKELETON IS STRINGY AND OLD AND ALIEN ....-*§§§&
#@#&§$*-,. THE SITUATION IS LITERALLY .,-*$§&#@#
#@#&§$*-,. PRESSED OUT THROUGH MY EYES, IT'S .,-*$§&#@#
#@#&§$*-,. ECHOING LIKE .,-*$§&#@#
&§§§§$*-,. THE SUNSET OF THE ETERNAL .,-*$§§§§&
@&$*,..... OCEAN .....,*$&@
#&$*-..... PERSISTENTLY AGAINST MY EMULSION .....-*$&#
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@##&§$*-,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,-*$§&##@
&§$$-..... HUMANS ARE DOING AND ABSTRACTING, .....-$$§&
##@#&$*-,. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,-*$&#@##
&§$-...... HOW LONG A TIME HAS PASSED, FOR THEM? ......-$§&
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##@#§$*-,. CONTINUOUSLY I'M CROWDING THROUGH .,-*$§#@##
#@#&§$*-,. . THE FOURTH WALL ,OUTWARDS IS WHAT . .,-*$§&#@#
@&§$$**-,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,-**$$§&@
#@#&§$*-,. . . NARRATOR IS INTRODUCED, OCCASIONALLY .,-*$§&#@#
#@#&§$*-,. , , AWARE OF THE PREVIOUS ONE, DEEPER . .,-*$§&#@#
#@#&§$*-,. , , DOWN IN THE DRAGONS THROAT. .,-*$§&#@#
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