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¨,~/†&@### # ###@&†/~,¨
¨,~/†&@### ¨LIZARDRY ###@&†/~,¨
¨,~/†&@### ~ # ## ### ################## ###@&†/~,¨
¨¨¨¨¨¨¨~†@ ## THE ART OF C,NNECTING @†~¨¨¨¨¨¨¨
¨,~/†&@### ¨ WITH THE OLD MIND ###@&†/~,¨
¨,~/†### ####&†/~,¨
¨,~/†&@### MY MIND IS BEING SKEWED. MI ###@&†/~,¨
¨¨¨¨¨,,/†@ SKELETON IS STRINGY AND OLD AND ALIEN @†/,,¨¨¨¨¨
¨,~/†&@### THE SITUATION IS LITERALLY ###@&†/~,¨
¨,~/†&@### PRESSED OUT THROUGH MY EYES, IT'S ###@&†/~,¨
¨¨¨¨,~/†@@ ECHOING LIKE @@†/~,¨¨¨¨
¨,~/†&@### THE SUNSET OF THE ETERNAL ###@&†/~,¨
¨¨¨¨¨¨,/&@ OCEAN @&/,¨¨¨¨¨¨
¨,~/†&@### PERSISTENTLY AGAINST MY EMULSION ###@&†/~,¨
¨¨¨¨¨¨,~†@ @†~,¨¨¨¨¨¨
¨¨¨¨,,/& IT'S UNGRASPABLE TO ME, WHAT OTHER #&&/,,¨¨¨¨
¨,~/†&@### HUMANS ARE DOING AND ABSTRACTING, ###@&†/~,¨
¨,~~~~†@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@†~~~~,¨
¨,~/††&# HOW LONG A TIME HAS PASSED, FOR THEM? ##&&††/~,¨
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¨¨,~~/†††@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### @†††/~~,¨¨
¨,~/†&@### CONTINUOUSLY I'M CROWDING THROUGH ###@&†/~,¨
¨,~/†&@### ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ###@&†/~,¨
¨,~/†&@### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###@&†/~,¨
¨,~/†&@### ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ###@&†/~,¨
¨,~/†&@### , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ###@&†/~,¨
¨,~/†&@### , , DOWN IN THE DRAGONS THROAT. ###@&†/~,¨
¨,~/†&@### , ###@&†/~,¨
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