#@@#§=^=~. .~=^=§#@@#
@@#§==^=~. .~=^==§#@@
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#@@#§=^=~. .~=^=§#@@#
#==....... .......==#
@@#§^^=... @ ...=^^§#@@
#@@#§=^=~. .LIZARDRY .~=^=§#@@#
@@@#§=^=~. = @ @@ @@@ @@@@@@@@@@@@@@@@@@ .~=^=§#@@@
@§§§^=.... @@ THE ART OF C~NNECTING ....=^§§§@
@##===^=~. . WITH THE OLD MIND .~=^===##@
##@#§=^=~. .~=^=§#@##
#@@#§=^=~. MY MIND IS BEING SKEWED. MI .~=^=§#@@#
@@§§^~.... SKELETON IS STRINGY AND OLD AND ALIEN ....~^§§@@
@@@#§=^=~. THE SITUATION IS LITERALLY .~=^=§#@@@
#§^^~..... PRESSED OUT THROUGH MY EYES, IT'S .....~^^§#
#§====~... ECHOING LIKE ...~====§#
@@§§^~~~.. THE SUNSET OF THE ETERNAL ..~~~^§§@@
@#====^=~. OCEAN .~=^====#@
@@@#§=^=~. PERSISTENTLY AGAINST MY EMULSION .~=^=§#@@@
#@@#§=^=~. .~=^=§#@@#
#=^^~..... IT'S UNGRASPABLE TO ME, WHAT OTHER .....~^^=#
##@#§=^=~. HUMANS ARE DOING AND ABSTRACTING, .~=^=§#@##
@#§=^=.... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ....=^=§#@
#§^==~.... HOW LONG A TIME HAS PASSED, FOR THEM? ....~==^§#
#§§==..... . .....==§§#
##=^^^~... . ... . ................ @@@@@@@ ...~^^^=##
@#===~.... CONTINUOUSLY I'M CROWDING THROUGH ....~===#@
##@#§=^=~. . THE FOURTH WALL ~OUTWARDS IS WHAT . .~=^=§#@##
####§=^=~. .. I'M THINKING BUT IT'S WRONG.. A NEW .~=^=§####
@@#§^~.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ....~^§#@@
##@#§=^=~. ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . .~=^=§#@##
@@#===.... ~ ~ DOWN IN THE DRAGONS THROAT. ....===#@@
##@@#§==~. ~ .~==§#@@##
@@@#§=^=~. ~ .~=^=§#@@@
#@@#§=^=~. .~=^=§#@@#
@###§=^=~. .~=^=§###@
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##==...... ......==##
#=^=...... ......=^=#
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