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¨,»/§%¤@## ¨LIZARDRY ##@¤%§/»,¨
¨,»/§%¤@## » @ #@ ### ################## ##@¤%§/»,¨
¨,»/§%¤@## ## THE ART OF C,NNECTING ##@¤%§/»,¨
¨,»/§%¤@## ¨ WITH THE OLD MIND ##@¤%§/»,¨
¨,»/§%%%@@ @@%%%§/»,¨
¨,»/§%¤@## MY MIND IS BEING SKEWED. MI ##@¤%§/»,¨
¨,»/§%¤@## SKELETON IS STRINGY AND OLD AND ALIEN ##@¤%§/»,¨
¨¨¨¨¨¨»§¤# THE SITUATION IS LITERALLY #¤§»¨¨¨¨¨¨
¨¨¨¨»»»/%@ PRESSED OUT THROUGH MY EYES, IT'S @%/»»»¨¨¨¨
¨¨¨¨¨,/§%¤ ECHOING LIKE ¤%§/,¨¨¨¨¨
¨,»/§%¤@## THE SUNSET OF THE ETERNAL ##@¤%§/»,¨
¨,»/§§%¤@@ OCEAN @@¤%§§/»,¨
¨,»/§%¤@## PERSISTENTLY AGAINST MY EMULSION ##@¤%§/»,¨
¨,»/§%¤@## ##@¤%§/»,¨
¨¨¨¨¨,»§¤@ IT'S UNGRASPABLE TO ME, WHAT OTHER @¤§»,¨¨¨¨¨
¨¨¨¨,»/%¤@ HUMANS ARE DOING AND ABSTRACTING, @¤%/»,¨¨¨¨
¨¨¨¨¨,/§%¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤%§/,¨¨¨¨¨
¨¨¨,,,»§¤# HOW LONG A TIME HAS PASSED, FOR THEM? #¤§»,,,¨¨¨
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¨,»/§%¤@## ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ##@¤%§/»,¨
¨,»/§%¤@## CONTINUOUSLY I'M CROWDING THROUGH ##@¤%§/»,¨
¨,»/§%¤@## ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ##@¤%§/»,¨
¨,»/§%¤@## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ##@¤%§/»,¨
¨,»/§%¤@## ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ##@¤%§/»,¨
¨¨¨¨,»§¤@@ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ @@¤§»,¨¨¨¨
¨,,,,»§§§¤ , , DOWN IN THE DRAGONS THROAT. ¤§§§»,,,,¨
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