#@£&£**=,¨ ¨,=**£&£@#
##@££**=,¨ ¨,=**££@##
@&*=,,¨¨¨¨ ¨¨¨¨,,=*&@
@&**=,¨¨¨¨ ¨¨¨¨,=**&@
@&*****=,¨ ¨,=*****&@
@@£&£**=,¨ @ ¨,=**£&£@@
@££&£**=,¨ ¨LIZARDRY ¨,=**£&££@
#@£&£**=,¨ = £ @£ @@@ @@@@@@@@@@@@@@@@@@ ¨,=**£&£@#
#@£&£**=,¨ @@ THE ART OF C,NNECTING ¨,=**£&£@#
##@&£**=,¨ ¨ WITH THE OLD MIND ¨,=**£&@##
#@£&£**=,¨ ¨,=**£&£@#
@&£**=¨¨¨¨ MY MIND IS BEING SKEWED. MI ¨¨¨¨=**£&@
#@£&£**=,¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨,=**£&£@#
#@£&£**=,¨ THE SITUATION IS LITERALLY ¨,=**£&£@#
&££££**=,¨ PRESSED OUT THROUGH MY EYES, IT'S ¨,=**££££&
#@£&£**=,¨ ECHOING LIKE ¨,=**£&£@#
@@£&£**=,¨ THE SUNSET OF THE ETERNAL ¨,=**£&£@@
@£££***=,¨ OCEAN ¨,=***£££@
&£*=¨¨¨¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨¨¨=*£&
&&*****=,¨ ¨,=*****&&
##@££**=,¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨,=**££@##
@@£&£**=,¨ HUMANS ARE DOING AND ABSTRACTING, ¨,=**£&£@@
##@£&£**,¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨,**£&£@##
&££££**=,¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨,=**££££&
#@£&£**=,¨ ¨ ¨,=**£&£@#
##@£&**=,¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ £££££££ ¨,=**&£@##
##£&£**=,¨ CONTINUOUSLY I'M CROWDING THROUGH ¨,=**£&£##
#@£&£**=,¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨,=**£&£@#
#@£&£**=,¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨,=**£&£@#
£&&&£**=,¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨,=**£&&&£
@&£*,,¨¨¨¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨¨,,*£&@
@&*==,,¨¨¨ , , DOWN IN THE DRAGONS THROAT. ¨¨¨,,==*&@
@&£**,,¨¨¨ , ¨¨¨,,**£&@
@&**===,¨¨ , ¨¨,===**&@
##@£&**=,¨ ¨,=**&£@##
&&**=,¨¨¨¨ ¨¨¨¨,=**&&
#@£&£**=,¨ ¨,=**£&£@#
#@£&£**=,¨ ¨,=**£&£@#
&£**=¨¨¨¨¨ ¨¨¨¨¨=**£&
&*=¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨=*&