.~~/^%&@## ##@&%^/~~.
..~~/^%&@# #@&%^/~~..
...~~/^%&@ @&%^/~~...
....~~/^%& &%^/~~....
...~~/^%&@ @&%^/~~...
..~~/^%&@# @ #@&%^/~~..
.~~/^%&@## .LIZARDRY ##@&%^/~~.
..~~/^%&@# ~ ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ #@&%^/~~..
...~~/^%&@ @@ THE ART OF C~NNECTING @&%^/~~...
....~~/^%& . WITH THE OLD MIND &%^/~~....
...~~/^%&@ @&%^/~~...
..~~/^%&@# MY MIND IS BEING SKEWED. MI #@&%^/~~..
.~~/^%&@## SKELETON IS STRINGY AND OLD AND ALIEN ##@&%^/~~.
..~~/^%&@# THE SITUATION IS LITERALLY #@&%^/~~..
...~~/^%&@ PRESSED OUT THROUGH MY EYES, IT'S @&%^/~~...
....~~/^%& ECHOING LIKE &%^/~~....
...~~/^%&@ THE SUNSET OF THE ETERNAL @&%^/~~...
..~~/^%&@# OCEAN #@&%^/~~..
.~~/^%&@## PERSISTENTLY AGAINST MY EMULSION ##@&%^/~~.
..~~/^%&@# #@&%^/~~..
...~~/^%&@ IT'S UNGRASPABLE TO ME, WHAT OTHER @&%^/~~...
....~~/^%& HUMANS ARE DOING AND ABSTRACTING, &%^/~~....
...~~/^%&@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @&%^/~~...
..~~/^%&@# HOW LONG A TIME HAS PASSED, FOR THEM? #@&%^/~~..
.~~/^%&@## . ##@&%^/~~.
..~~/^%&@# . ... . ................ ¶¶¶¶¶¶¶ #@&%^/~~..
...~~/^%&@ CONTINUOUSLY I'M CROWDING THROUGH @&%^/~~...
....~~/^%& . THE FOURTH WALL ~OUTWARDS IS WHAT . &%^/~~....
...~~/^%&@ .. I'M THINKING BUT IT'S WRONG.. A NEW @&%^/~~...
..~~/^%&@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@&%^/~~..
.~~/^%&@## ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . ##@&%^/~~.
..~~/^%&@# ~ ~ DOWN IN THE DRAGONS THROAT. #@&%^/~~..
...~~/^%&@ ~ @&%^/~~...
....~~/^%& ~ &%^/~~....
...~~/^%&@ @&%^/~~...
..~~/^%&@# #@&%^/~~..
.~~/^%&@## ##@&%^/~~.
..~~/^%&@# #@&%^/~~..
...~~/^%&@ @&%^/~~...
....~~/^%& &%^/~~....