.¤#...¨... ,¨,¨¨¨...,
.¨.¨§§¤#&& @#§#¤#¤#&£
.#¤¨.@#§ §&£§##@#£¨
,¨¨,¨,¤#£# #££@£§,,
¤@#¤&..# ,¤&£¤,.¤
&&@£¨..,£§ statuette ¨.¤¤¨¨.,
,#£.,¤¤,¨, .,,££¨¨#¤.
¨.,¨¨,¨.£# $§$@$&%@¤£@§$$%§»~»««-~~@§%@£§$£§$*%£¤$& &£.¨.,.¨,,
@£&&&,¨¤ $££%*%%££ ¤,.££&§@@&
§§¤§@£,.¨¨ ¨.,,¤£¤@§¤
@§£¤¤,,&§# forests around my childhood home. thick ¤&£,¨##@££
&§§&,¨¨¨&@ pine arcades that were planted and £&,,¨¨@&§&
@&¤¨¨£@¨.. forgotten. wild boars roaming @,.£&..@##
¤#,,.,¨,&£ underneath, sniffing at the ground. it .,.,,¨..£@
#¨.¤@£@¨¨. is dark and moist, the canopy having §#£#£@¤¨.§
¨¨.¨£&¨¨¤@ already soaked up all the sun. £§@§#£.,¨¨
#£#,¨¨¨,.¤ ¨¤§@§¨¨¤£&
@&,,##&£.¨ there's a river passing by, from east ,,¤#,¨.,@£
#¨.,,§@¨,. to west, getting broader and deeper and &,...&§¨¨¤
,¨&&¨,.¨@& slower as it goes. equisetum grow just ¨,@§,..,.¨
&.,¨,¤#,.¤ where the pine hands start to let ¨.,¨.£¤@¤@
¨.§£.¨..,. through light, horsemint on the rocky &§£§¨.&¤@§
¨¨¨.¨¤#£#, river bed. ¨#&,...§&¨
£&£#.,#&¨. ,¨.¨¤§..¨.
,@&,,,.¨,. ^ §#@,¨¨.§§.
,..,¤#&&@# £#.¨@#.,,.
&..#&&&& the riverbanks reek of magic. tonight .¨,.,¨¨@#§
@§,¨¨.&@@# they had been a swampworld with sylvan ¤¤#§@£.,&@
¤,.§@¨,¤§& water, stone rings and floating moss. ,£§££,¨¨,#
..,¨.¨.¨£# you could've found me wallowing around ,¨#@¨,@£..
@§@£#,¨, on the southern shores until i got £,.¨.¨¨¨¨@
&@§£§£,,¤¤ bitten. ¨.¤#£§&£,¨
.#&§&,..¨£ .,,@#¤@..,
.,§@..£¤.. but now i'm further back, on solid §¤,.¤&,,#§
.¨¨,,,¨¨.¨ ground, in shoulder-high grass, with an .¨¨..¨,.,¨
§£¤@&§@@&¤ orange tin radio and a translucent @@¤&£@&@§&
§§£¤¤§¤£@@ umbrella which i'm sitting on. ¤@§¤§@§@&¤
¤@#&&@#£ §¤§§¤#§@
##@££¤§#&@ ^ ¤#§@&§£¤&§
@&§§@£#¤¤& ##££#§&¤£&
§¤¤§@££&@§ somethings moving in the grass. it's @@§§&@&£@@
¤¤@£¤&&§¤§ invisible to my eyes but i can feel ¤#@@#¤#@
§#£@§&£#£& through the ground just how large it is. &&&£@§£¤
#¤&£#### #£##@¤#£¤£
#§@@£@£§&& the soil is muddy. i slip when trying #@@&@&§¤¤§
&&@#¤&&£@# to get up, still looking at the §§#££#@£@@
###@£@§&@& direction of sound rather than at my @&&£&¤¤@££
¤@¤§£@£¤ hands, who are busy putting things in @¤#§&¤#&¤¤
@£#§&@@@§@ my pockets. #§¤&@£££#§
&§#£££¤#@§ £¤#&¤#§@§¤
££§¤£&¤#§# then i run east toward my home. @¤@@¤§#&¤&
&£#§@@¤&§# §£##¤£#@¤@
#&£¤§¤@£ \ ¤£@#¤££§£@
£@#@£#@£ £&@#§&£##§
#§@#@¤#§ i am not followed, and slow down in the £¤¤@&£@£
#&&@§@£#¤& clearing where you at first can spot §£@@#¤&@§@
£@£&£#££¤§ the house, not yet really in the #@&@§¤#§§&
@&§£#&¤£§§ backyard. from my pockets i retrieve my £§¤@§§@£@¤
#§£¤¤¤&£&@ radio (now dented) but also a small ¤#¤#£@¤£
#£&§@&@£## clay figure i've never seen before. it ££&£§#&§§£
¤@&£&£&££§ must have been laying in the wet dirt, §&§@¤&@#£#
££&¤§£&¤@¤ and i must've picked it up with my §£##§¤§£§§
#¤£§£¤#&¤@ other belongings. ¤&§£¤##&
#£¤¤£#£££§ ¤£¤¤£§&&&@
@@£@@@#&&§ it's a statuette of a girl laying naked £§§#§#&@
&¤§§§£§&@¤ on her stomach, feet in the air, #¤&&£¤#&
¤#£###@#¤@ roughly seven centimeters long. it's £¤@#¤@#&
@¤@@£@¤£ freshly made, not yet completely dried. &&¤¤¤§¤@§¤
#&£@£&¤§ #£#¤@§§#&@
£¤¤£§#&@#§ my mom is here now. i ask her for some £§£§@@@@#¤
§¤&§¤¤£¤@¤ particle board for it to dry on, but ¤£#§#§&¤&§
#@§£&@§#§@ she is worried and wants me to ¤¤@##§##@¤
§§¤#@£@§ throw it away. @¤@¤§£¤@§#
¤¤§&&¤&§£§ @¤@@££#§
&£§¤§##& #&@£#&@&¤#
#££¤£#&&§£ #¤¤¤@@§£§§
@§¤¤§@¤& ##£¤&£§#¤#
¤£&§¤&§¤&§ ¤£#@&§§¤@&
@&@#£#&@## #¤@£@&@@¤§