¨&§&@£&&,. ,¨§§.,,¤#¨
¨.&@¤£@.,¤ ...¨,¤,.¨.
¤¨.&¤@.,., §@§&,¨,§
,.,,£,,¤@. ,§@¨.¤.¨##
,&§¨¨.¨... ¨,¨,..¨¨.,
,¨¨.#¤@@£. statuette £&@@#£#@#§
,£¤..&@£., @&@@§&¤,
,.¨,..¤¨,, §*%£$*¤£¤§%$%$&£~««-~=«-@%§$$%§@££%%&$%£ &§£@.¨
¤##£¤,,¨@& *&$££§§*$ ##£@¤#§.,§
¤¤#§¨,#¨,¤ @@¤@#&¨,,,
¨££,,.,,,, forests around my childhood home. thick .¤&§¤,¨#£,
¨,¨¨£###@¨ pine arcades that were planted and ..¤@.,.,¨.
§¤@¨¨&&¤¨¨ forgotten. wild boars roaming ¨,,..£&¤@&
§§,.¨,§¨.. underneath, sniffing at the ground. it @§¤£.,&@¤#
@....,§£ is dark and moist, the canopy having ¨§§¨,¨,£&@
.¨,,¨.#,,, already soaked up all the sun. ,¨¨¨¤#,,@¤
,§#£#¨,,&¤ ,#&.¨.¨.,.
..¤¤,.£.¨, there's a river passing by, from east ,¨¨.¤§@¤
¨¨.¨¨¨..£# to west, getting broader and deeper and @#£..¤@£#.
@££#@,,@ slower as it goes. equisetum grow just #&.,,¨£#¨¨
.@§#@£¨.¨. where the pine hands start to let ¨,¨&&,¨,¨,
¨¨#§#¨,&&& through light, horsemint on the rocky &¤.¨.¨@§§&
.,,@¨..,¤# river bed. .,,#£,,£§¨
¤§..,§#.,, ¤¤,¨,¨,¨,,
¨,¨§,¨.,¤@ * ¨,,¤§£#¤£¨
§&¨,,¤§¨.¨ ¤#¨,¤&@¤¨.
.,¨&.,,¨§& the riverbanks reek of magic. tonight ¤,,.,@¤,,,
£@¨,,&@,,§ they had been a swampworld with sylvan ,¨££,..,£@
£,.§¨...¨. water, stone rings and floating moss. .¨.¨.#£¨,§
.,,.,@#£§¨ you could've found me wallowing around &§£@¨.¨¨.¨
¤#§@¨,&§,, on the southern shores until i got ,@&,¨¤§#¤§
£#&.¨.,,¨, bitten. ,¨.¨¨¨£¤§@
¤§¨,¤#¤£@¤ &£§@@.,&@¤
&¨,,,&@§@. but now i'm further back, on solid £¤#§¨¨..§£
..¤&¨¨&@., ground, in shoulder-high grass, with an .@¤,¨&£¨¨@
.,¨,¨¨,..¨ orange tin radio and a translucent .¨¨.¨¨,.¨¨
@¤§@£@ umbrella which i'm sitting on. &@@@&@¤¤&§
¤@£@¤£¤@ §£¤@§#££&£
#§@&@¤£§@£ / @¤@£&£#¤
£&§§££§¤ @@@§@&@&£¤
§@@&¤#¤¤ somethings moving in the grass. it's ¤@@&&¤¤¤&&
££¤£¤&¤@§¤ invisible to my eyes but i can feel @§&£#§§§££
@£@@&&@#§¤ through the ground just how large it is. #§@&§@@@§§
££§##¤###@ @££¤@¤§@
&¤£¤¤¤££#§ the soil is muddy. i slip when trying @&&&¤&
¤§£&£&£@@@ to get up, still looking at the ¤¤¤¤¤@£@&§
§#&@§&¤& direction of sound rather than at my §#££@£@¤@£
&&££&¤#&£# hands, who are busy putting things in §#§&¤§@&&&
§§###§¤¤¤£ my pockets. £&§&@¤¤¤##
£#¤@¤§@¤£& &£#£@&&@§@
&§¤&&&£&§& then i run east toward my home. @¤@@@&§&
§@@&¤§#£¤& £§£¤&&£¤#&
#&§¤§#@¤ : @@@£@¤§&¤@
£§¤&@@#£@@ #@¤@§§#§@&
¤@@&¤¤§¤@§ i am not followed, and slow down in the §¤@&&£¤§@¤
@@¤&§¤¤@ clearing where you at first can spot &@&&@¤£§&§
¤§&§@&@# the house, not yet really in the &¤£¤§§¤&£#
#§@¤@#£&&¤ backyard. from my pockets i retrieve my @#§££¤&¤§#
#@@#§&&@§£ radio (now dented) but also a small #§£§§££##¤
¤££##¤@#£§ clay figure i've never seen before. it §§§#&££@&§
§¤#££@£§@§ must have been laying in the wet dirt, §££&£@£¤§&
&¤¤@¤¤§@ and i must've picked it up with my &@@&£#@#&§
@£#£§§£# other belongings. £¤@@#@&§¤&
¤#££&§¤& §£§¤§§#£&§
@&£&&§§#§@ it's a statuette of a girl laying naked £§&§#&£#¤@
¤@#£#@¤#@@ on her stomach, feet in the air, ###§§¤##£#
#§&&£¤£§§@ roughly seven centimeters long. it's #§¤#¤£&£§£
&&£¤£§&¤¤& freshly made, not yet completely dried. @@###¤§§§¤
£§¤#¤&££ §#£¤¤§&&
£¤&@#£§&&& my mom is here now. i ask her for some ¤¤#§§¤££¤&
&&&¤£@¤§¤# particle board for it to dry on, but @#&&§@#&£§
#§¤&¤¤ she is worried and wants me to #£&§#£@£
£##¤&¤£@@@ throw it away. &&¤££@£#&¤
¤#§££&¤£ #£§@&@@££@
#¤£¤#&£# £@#§&£¤§@¤
§§§¤§@#£&¤ ¤¤@&¤££&&§
¤##£¤£&¤¤§ &£&§@&@§§§
£@&££&@##£ ##£@@£#¤£&
§£&@¤@§¤§¤ #¤&£##££¤§