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¨,,¨.:†^££ ££^†:.¨,,¨
¨.~^§&¤@## ##@¤&§^~.¨
.--=§£## statuette ###&£§=--.
.,»*%££¶@@ @@¶££%*»,.
,~-;†¤#@£# &&$$%£*@$¤$$§$*&»--»=~«~%§§££§$%*¤*&$%&$ #£@#¤†;-~,
.:»^%£@### @$£%%@&@£ ###@£%^»:.
.:~†*§#@## ##@#§*†~:.
¨^~,,«;;%# forests around my childhood home. thick #%;;«,,~^¨
.~-\†$#@## pine arcades that were planted and ##@#$†\-~.
.¨:~:-»*&§ forgotten. wild boars roaming §&*»-:~:¨.
,,,.»:££#@ underneath, sniffing at the ground. it @#££:».,,,
.,~=§@¤§¤# is dark and moist, the canopy having #¤§¤@§=~,.
¨.~;%£¤¶## already soaked up all the sun. ##¶¤£%;~.¨
.,=^%§¤#@# #@#¤§%^=,.
.,.¨¨«=£§# there's a river passing by, from east #§£=«¨¨.,.
¨.¨¨..=$*# to west, getting broader and deeper and #*$=..¨¨.¨
,^»;$*@£## slower as it goes. equisetum grow just ##£@*$;»^,
.,¨,^«~†¤# where the pine hands start to let #¤†~«^,¨,.
.-~:%@§@#@ through light, horsemint on the rocky @#@§@%:~-.
¨,~\%*£@## river bed. ##@£*%\~,¨
,,==§£@@## ##@@£§==,,
,,=:%&@### \ ###@&%:=,,
¨,.¨:,:;§¶ ¶§;:,:¨.,¨
¨^«/†§&@@# the riverbanks reek of magic. tonight #@@&§†/«^¨
.^~†*§@#@# they had been a swampworld with sylvan #@#@§*†~^.
.:=\=@¤@@# water, stone rings and floating moss. #@@¤@=\=:.
.:~:=%#£@@ you could've found me wallowing around @@£#%=:~:.
,~»††%¤£## on the southern shores until i got ##£¤%††»~,
,:~;†£#### bitten. ####£†;~:,
.~~^$*@@## ##@@*$^~~.
.~=;$§§##£ but now i'm further back, on solid £##§§$;=~.
.,¨,.~~*$£ ground, in shoulder-high grass, with an £$*~~.,¨,.
,¨,»-$$@## orange tin radio and a translucent ##@$$-»,¨,
.-~/%£¤£## umbrella which i'm sitting on. ##£¤£%/~-.
¨,.:~«:&¶# #¶&:«~:.,¨
,^~\^§@@## ; ##@@§^\~^,
,¨,.^=$$@@ @@$$=^.,¨,
,.~;;\§&¤@ somethings moving in the grass. it's @¤&§\;;~.,
¨.=\*£§¶## invisible to my eyes but i can feel ##¶§£*\=.¨
,.,¨./^£@¶ through the ground just how large it is. ¶@£^/.¨,.,
,¨,..~†@## ##@†~..,¨,
,,~^~~**§@ the soil is muddy. i slip when trying @§**~~^~,,
,...~*$#§# to get up, still looking at the #§#$*~...,
.,,,^:£%£@ direction of sound rather than at my @£%£:^,,,.
,^=»*†$§£@ hands, who are busy putting things in @£§$†*»=^,
¨,~\%*&£## my pockets. ##£&*%\~,¨
¨,.¨,,\$£# #£$\,,¨.,¨
.,¨.¨.,:¤£ then i run east toward my home. £¤:,.¨.¨,.
.,~;^%$§£¶ ¶£§$%^;~,.
¨,=^$$££@# = #@££$$^=,¨
.~-†=§§@@@ @@@§§=†-~.
..«†^&£@@# i am not followed, and slow down in the #@@£&^†«..
..»^*%§¶## clearing where you at first can spot ##¶§%*^»..
¨-~\§¤§### the house, not yet really in the ###§¤§\~-¨
,^~:*$¤¤¶# backyard. from my pockets i retrieve my #¶¤¤$*:~^,
,-~-~*;§#¶ radio (now dented) but also a small ¶#§;*~-~-,
,¨,.^-~$*£ clay figure i've never seen before. it £*$~-^.,¨,
.¨¨.,^~=£§ must have been laying in the wet dirt, §£=~^,.¨¨.
¨:-*$%¤@@# and i must've picked it up with my #@@¤%$*-:¨
..,,«*%@## other belongings. ##@%*«,,..
¨,«/§%¤### ###¤%§/«,¨
¨.»†%$£¶## it's a statuette of a girl laying naked ##¶£$%†».¨
.-«=*$@### on her stomach, feet in the air, ###@$*=«-.
..»*%§§### roughly seven centimeters long. it's ###§§%*»..
,~~:§£@¶## freshly made, not yet completely dried. ##¶@£§:~~,
,,~*=$¶@## ##@¶$=*~,,
,~»;§%**§# my mom is here now. i ask her for some #§**%§;»~,
,.,:,-\**§ particle board for it to dry on, but §**\-,:,.,
.^«†^@#### she is worried and wants me to ####@^†«^.
¨.==§§£@¶# throw it away. #¶@£§§==.¨
,^»=$§£@## ##@£§$=»^,
,-~\*@#@&@ @&@#@*\~-,
,~=/§§#@## ##@#§§/=~,
,^~\^&@@## ##@@&^\~^,
,:~:^£§@@# #@@§£^:~:,
,~=/**#@## ##@#**/=~,