.,-*%§#@## ##@#§%*-,.
.¨.¨^-==@@ @@==-^¨.¨.
..-=†¤£#£¶ ¶£#£¤†=-..
,^-/^@¤¶#@ @#¶¤@^/-^,
,.-^**£### ###£**^-.,
¨-«=†¤@£@# statuette #@£@¤†=«-¨
,,-~»;§^&£ £&^§;»~-,,
,¨,¨.~\%£@ %£*§¤*$&¤§*&%%%$»~««~~«=%%$%$%££$§@¤@$§* @£%\~.¨,¨,
.:»;§$£@@# %*&¤¤§%&& #@@£$§;»:.
,^-**§£### ###£§**-^,
.,«†%*%&¤# forests around my childhood home. thick #¤&%*%†«,.
.¨.¨¨-^;§£ pine arcades that were planted and £§;^-¨¨.¨.
,,:»^††### forgotten. wild boars roaming ###††^»:,,
¨,-;^¤£¶@£ underneath, sniffing at the ground. it £@¶£¤^;-,¨
,^-=§%£@## is dark and moist, the canopy having ##@£%§=-^,
.,~**%§£@# already soaked up all the sun. #@£§%**~,.
¨^-/†*£%## ##%£*†/-^¨
.~-*$§¶### there's a river passing by, from east ###¶§$*-~.
¨-~/=££@## to west, getting broader and deeper and ##@££=/~-¨
,,»~~*:§%# slower as it goes. equisetum grow just #%§:*~~»,,
~«\*@#@@## where the pine hands start to let ##@@#@*\«~
.:~*$$#£ through light, horsemint on the rocky #&£#$$*~:.
:~;=%£#@## river bed. ##@#£%=;~:
.¨,.¨-:*&@ @&*:-¨.,¨.
,.^«~;/*&£ ^ £&*/;~«^.,
.,«:%%¶### ###¶%%:«,.
¨,,-*=%¤#@ the riverbanks reek of magic. tonight @#¤%=*-,,¨
.,-\%*§@## they had been a swampworld with sylvan ##@§*%\-,.
.:-*%§@### water, stone rings and floating moss. ###@§%*-:.
¨:~/%§§@@# you could've found me wallowing around #@@§§%/~:¨
.,~/^%¤#@# on the southern shores until i got #@#¤%^/~,.
¨-~;**£@## bitten. ##@£**;~-¨
¨.~/†&£#@# #@#£&†/~.¨
,¨,.;:%@## but now i'm further back, on solid ##@%:;.,¨,
.¨¨.~\%@#@ ground, in shoulder-high grass, with an @#@%\~.¨¨.
.,-:%@£¶@# orange tin radio and a translucent #@¶£@%:-,.
..~^%%@### umbrella which i'm sitting on. ###@%%^~..
.,,.:^%&@@ @@&%^:.,,.
,,.-~=*$¶# † #¶$*=~-.,,
¨¨,-**%@§£ £§@%**-,¨¨
.^^=*@@### somethings moving in the grass. it's ###@@*=^^.
,,.¨..~*=@ invisible to my eyes but i can feel @=*~..¨.,,
¨-~^*§§@## through the ground just how large it is. ##@§§*^~-¨
¨,-\;^%%#§ §#%%^;\-,¨
,:»^^££### the soil is muddy. i slip when trying ###££^^»:,
,:~^%¤@@@# to get up, still looking at the #@@@¤%^~:,
,.,.¨~*£## direction of sound rather than at my ##£*~¨.,.,
¨~~\†$§@## hands, who are busy putting things in ##@§$†\~~¨
¨,«†^£¤@## my pockets. ##@¤£^†«,¨
,^~\%*¤§¤# #¤§¤*%\~^,
,^-††%@#@# then i run east toward my home. #@#@%††-^,
¨-»\%%££@# #@££%%\»-¨
¨~~:*%¤### * ###¤%*:~~¨
¨,~**$£#@# #@#£$**~,¨
,^~\=%$#§# i am not followed, and slow down in the #§#$%=\~^,
,:~††$@# clearing where you at first can spot #@#&$††~:,
,.«:§*##¶# the house, not yet really in the #¶##*§:«.,
¨,¨¨.,»~†§ backyard. from my pockets i retrieve my §†~»,.¨¨,¨
,^~=::@@%@ radio (now dented) but also a small @%@@::=~^,
¨,-;%@&¶## clay figure i've never seen before. it ##¶&@%;-,¨
¨,==*$¤### must have been laying in the wet dirt, ###¤$*==,¨
..==*&%£¤@ and i must've picked it up with my @¤£%&*==..
,:«\†**$§# other belongings. #§$**†\«:,
.~-==£## ###&£==-~.
¨¨..^:~§§@ it's a statuette of a girl laying naked @§§~:^..¨¨
..¨¨,*:^§§ on her stomach, feet in the air, §§^:*,¨¨..
,,~;*£&@@# roughly seven centimeters long. it's #@@&£*;~,,
,,«†*$§¶@# freshly made, not yet completely dried. #@¶§$*†«,,
.^-/$$@¶## ##¶@$$/-^.
,,~;=*&§§@ my mom is here now. i ask her for some @§§&*=;~,,
,,,.:†== particle board for it to dry on, but #&==†:.,,,
,:»*=£@### she is worried and wants me to ###@£=*»:,
¨-~:%£§#@# throw it away. #@#§£%:~-¨
¨,.-^*£&&£ £&&£*^-.,¨
¨:»\=$¤@## ##@¤$=\»:¨
¨^*%$§#@## ##@#§$%*^¨
,.=**$&@## ##@&$**=.,
.,~**£¤@@# #@@¤£**~,.
¨,¨,^^**## ##**^^,¨,¨