,~===%%%&@ @&%%%===~,
,~=*%£&@## ##@&£%*=~,
,~=*%£&@## ##@&£%*=~,
,~=*%%%%&@ @&%%%%*=~,
,~=*£&@### ###@&£*=~,
,~=*%&@### winds esker ###@&%*=~,
,~=*%£&@@# ======================================== #@@&£%*=~,
,~=*%£&@## ##@&£%*=~,
,~=*%£&@## there was this place that for two years ##@&£%*=~,
,,,,=*%£&& i couldn't go to. regardless how much &&£%*=,,,,
,~=*%£&@@# discussed with others, or pointed out #@@&£%*=~,
,,,~=%%%%& on maps, i could not think of it when &%%%%=~,,,
,~=*%£## alone. i would often travel past the ###&£%*=~,
,,,,,~=% fork, where a right turn would surely #&%=~,,,,,
,,,,,==%£& take me there, but even then, something &£%==,,,,,
,,,,,=**£& kept me away. &£**=,,,,,
,,,,,,=%£@ @£%=,,,,,,
,,,~~*££&@ when i finally got there, after some @&££*~~,,,
,,,,,,,=%& heavy subconscious battle i must &%=,,,,,,,
,~=*%£@### assume, the place was surreal. an ###@£%*=~,
,~=*%£&@## esker, like a needle-thin rift out in ##@&£%*=~,
,,,,~*%%£& the lake, but ten meters high and &£%%*~,,,,
,,,,=*%%&& adorned in birch, willow, bracken, and &&%%*=,,,,
,,,,,~*£@@ blueberries. @@£*~,,,,,
,,,,~=*£@@ @@£*=~,,,,
,~=*%£&@## walking atop that spine, i came to ##@&£%*=~,
,~=*%£&@## notice the view to either side. there ##@&£%*=~,
,~=*%£&@@# should be shores, of course, but i #@@&£%*=~,
,~=*%£&& didn't recognize them. first off, they #&&&£%*=~,
,~=****£&@ were much too close, as the lake should @&£****=~,
,,,,,~~*£& stretch for a hundred meters more on &£*~~,,,,,
,~=*%£&@## both sides. but now i felt i could ##@&£%*=~,
,~=*%£&@## almost reach out and touch them. and ##@&£%*=~,
,~=*%£&@@# then, when i realized which shores they #@@&£%*=~,
,~=*%£&@## were, i had to stop. ##@&£%*=~,
,~=*%£&@## ##@&£%*=~,
,~=*%£&@@# they were of the right lake. but this #@@&£%*=~,
,~=*%£&@## lake is large, fractured, and ##@&£%*=~,
,~=*%£&&@# bipartite. like a pair of lungs carved #@&&£%*=~,
,~=*%£&@## into the granite, and with no less than ##@&£%*=~,
,~=*£&@### five communities anchored at various ###@&£*=~,
,,,,~~=*£@ points. and so, studying these @£*=~~,,,,
,~=*%£&@@# impossibly close shores, i slowly #@@&£%*=~,
,,,,===% understood them as belonging many miles #&%===,,,,
,~~~=**%&& away. &&%**=~~~,
,,,,==*%£& &£%*==,,,,
,~=*%£&@## i examined the ridge, the treeline ##@&£%*=~,
,,,,~*%%£@ above. was this what you saw opposite, @£%%*~,,,,
,,,,,,~*£& from those other shores? i couldn't &£*~,,,,,,
,~=*%£&@## remember. ##@&£%*=~,
,~=*%£££&@ @&£££%*=~,
,,~~~***%& carrying forward, on the very tip of &%***~~~,,
,,,,~=%%&@ the esker, i found the ruins of some @&%%=~,,,,
,~=*%£&@@# old building. there were overgrown #@@&£%*=~,
,~=*%£## marble staircases, stone floors beneath ###&£%*=~,
,,,,~=%££@ the moss, and strange slabs inserted @££%=~,,,,
,~=*%£@### into the slope like dams against the ###@£%*=~,
,~=*%£&@@@ ground itself. @@@&£%*=~,
,,,,~*%%£& &£%%*~,,,,
,,~=*%££@# sitting there, i could see across the #@££%*=~,,
,,,,=%£&&@ narrowed lake my entire path to where i @&&£%=,,,,
,~=*%&@### sat: from the stairwell of my house, ###@&%*=~,
,,,,=%£££& through the old woods behind the tile &£££%=,,,,
,~=*%£&@## factory, the bridge over route ##@&£%*=~,
,~=*%£&@## twenty three and then back under it, ##@&£%*=~,
,~=*%£&@## through the fancy villas, over the ##@&£%*=~,
,~=*%£&@## fields, and then that right turn at the ##@&£%*=~,
,,,,,===%& fork. &%===,,,,,
,,,,~==%£& &£%==~,,,,
,~=*%£&@## and then the stairs up on the ridge. ##@&£%*=~,
,~=*%£&@## thinking back, this was probably it. ##@&£%*=~,
,~=*%£££&& hidden in a grove, there were stairs &&£££%*=~,
,,,,,,=%£& much like the ones i currently sat on, &£%=,,,,,,
,~=*%£&@## old and worn down, that lead you up ##@&£%*=~,
,,,,,~=*£@ onto the esker. the point of entry. had @£*=~,,,,,
,,,~*%££&& i insted opted to walk the path at its &&££%*~,,,
,~=*%£&@## foot, i'm sure my experience would've ##@&£%*=~,
,,,,,==%&@ been different indeed. @&%==,,,,,
,,,,,=%& #&&%=,,,,,
,~=*%£&@## ======================================== ##@&£%*=~,
,~=*%£&@## ##@&£%*=~,
,~=*%£&@## on the lake, there were people in ##@&£%*=~,
,,,,,~*%%& boats. i wondered, could they even see &%%*~,,,,,
,~=*%£@### me? if i shouted, would they turn to ###@£%*=~,
,~=*%£&@## stare right through me? ##@&£%*=~,
,~=*%%%£&@ @&£%%%*=~,
,~=*%£&@@@ @@@&£%*=~,
,,~~~*££ #&££*~~~,,
,~=*%£&@## ##@&£%*=~,
,~=*%£&@## ##@&£%*=~,