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#.##.#.#..                                          #..#.#.##.
#..#.#.#.#         ART SCHOOL HOUSE DREAM.          #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.#        #~~~~~~~~~~~~~~~~~~~~~~~~#        #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.# SLIGHTLY UPTOWN ON A GRASSY HILL LIES  A #.##.#..#.
#.##.#.#..    LARGE REPURPOSED INSTITUTION. IT'S    #..#.#.##.
#..#.#.#.# SEVERAL  FLOORS, A  FEW  HUNDRED  METERS #.##.#..#.
#.##.#.#..       WIDE. MADE OF YELLOW BRICKS.       #..#.#.##.
#..#.#.#.#                                          #.##.#..#.
#.##.#.#..  COMBINED NIGHTCLUB, CAFE, GALLERY, ART  #..#.#.##.
#..#.#.#.# SCHOOL. IT'S  ALWAYS  OPEN, PEOPLE  COME #.##.#..#.
#.##.#.#.. AND GO. THE BASEMENT IS  DEEPER THAN YOU #..#.#.##.
#..#.#.#.#               WOULD GUESS.               #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.# IT'S MESSY. I'VE  SPREAD  MY THINGS OVER #.##.#..#.
#.##.#.#..             SEVERAL FLOORS,              #..#.#.##.
#..#.#.#.#                                          #.##.#..#.
#.##.#.#.. AND DUE  TO  A FEW MANY  BEERS  AND SOME #..#.#.##.
#..#.#.#.# SECRET  RIVALRIES,  I  DECIDE  I  SHOULD #.##.#..#.
#.##.#.#.. LEAVE.   BUT   WHERE  ARE  MY   SHOES... #..#.#.##.
#..#.#.#.#                                          #.##.#..#.
#.##.#.#..       #~~~ (LOOKING FOR SHOES) ~~~#      #..#.#.##.
#..#.#.#.#                                          #.##.#..#.
#.##.#.#.. AFTER  A WHILE THEY APPEAR  ON  MY FEET. #..#.#.##.
#..#.#.#.#                   OK.                    #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.# I'M CRYING OF JOY, I HUG  A  FRIEND  AND #.##.#..#.
#.##.#.#.. IT'S  GOOD,  WE'RE  CLOSE  NOW,  HE  CAN #..#.#.##.
#..#.#.#.# SMELL  ME   (ALL  ACCORDING   TO  PLAN). #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.# I FIND OUT WHO  RUINED MY  PAINTINGS AND #.##.#..#.
#.##.#.#.. I  PULL HER  HAIR. SHE  CRIES  FROM PAIN #..#.#.##.
#..#.#.#.#      BUT DOES NOT BEG FORGIVENESS.       #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.#       #~~~ (IN THE BACKGROUND) ~~~#      #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.# SUNSET,  ORANGE  AND  PINK,  CITY  IS  A #.##.#..#.
#.##.#.#..     BLACK CUTOUT. THERE'S FIRES AND      #..#.#.##.
#..#.#.#.#        EXPLOSIONS ON THE GROUND.         #.##.#..#.
#.##.#.#..                                          #..#.#.##.
#..#.#.#.# "THE  NEW  WAY OF  SHIPPING  IRON - WITH #.##.#..#.
#.##.#.#.. THE  RAILGUN.  THE IRON SLAG  IS SHOT AT #..#.#.##.
#..#.#.#.# THREE  HUNDRED AND  THIRTY THREE  METERS #.##.#..#.
#.##.#.#.. PER SECOND, AND AT THE RECEIVING  END AN #..#.#.##.
#..#.#.#.# EIGHT  SQUARE   METER   WOODEN  CUBE  IS #.##.#..#.
#.##.#.#..        LAUNCHED TO INTERCEPT IT."        #..#.#.##.
#..#.#.#.#                                          #.##.#..#.
#.##.#.#.. IT  LOOKS  LIKE  INTERSTELLAR  WAR.  THE #..#.#.##.
#..#.#.#.# WOODEN BLOCK  SHATTER  INTO  HUNDREDS OF #.##.#..#.
#.##.#.#..                  WANDS.                  #..#.#.##.
#..#.#.#.#                                          #.##.#..#.
#.##.#.#..        #~~~~~~~~~~~~~~~~~~~~~~~~#        #..#.#.##.
#..#.#.#.#                                          #.##.#..#.
#.##.#.#.. # HOUSE DREAM *  RAILGUN  * STRUCTURE  # #..#.#.##.
#..#.#.#.#          # INSTITUTION * MAZE #          #.##.#..#.
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