,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£#                                          #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£#                                          #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£#          ,,,,**## VäXJö ##**,,,,         #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£# THE  APARTMENT SMELLS OF OLD  COFFEE AND #£@%*\~^,,
,^~\*%@£## SWEETENERS.  I DON'T KNOW  HOW  I LET IT ##£@%*\~^,
,,^~\*%@£# GET  LIKE  THIS. IT'S  NOT  INTENTIONAL. #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£# I WEAR YELLOW  TINTED  GLASSES. THE ROOM #£@%*\~^,,
,^~\*%@£## CHANGES SHAPE  A  LOT. RIGHT NOW THERE'S ##£@%*\~^,
,,^~\*%@£# A  BLUE  SOFA   WITH  YELLOW   SEAMS.  I #£@%*\~^,,
,^~\*%@£##    EXPERIMENT WITH DIFFERENT COLORED     ##£@%*\~^,
,,^~\*%@£#       LIGHTS. I'M LEARNING THINGS.       #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£# MY  THOUGHTS ARE REVOLVING  AROUND TIME, #£@%*\~^,,
,^~\*%@£## AND THE PERCEPTION OF IT. CAN I  MAKE IT ##£@%*\~^,
,,^~\*%@£# RIGID? IF I  REALLY WANT TO,  CAN I MAKE #£@%*\~^,,
,^~\*%@£## IT  FEEL  LIKE THERE IS  ENOUGH  OF  IT? ##£@%*\~^,
,,^~\*%@£#    ALSO, AND MAYBE, ULTIMATELY, MORE     #£@%*\~^,,
,^~\*%@£## IMPORTANT  - CAN I MAKE IT  FEEL LIKE IT ##£@%*\~^,
,,^~\*%@£#             DOESN'T MATTER?              #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£#                                          #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,
,,^~\*%@£#                                          #£@%*\~^,,
,^~\*%@£##                                          ##£@%*\~^,