.,=/§$## ###&$§/=,.
,¨~~;=§§## ##§§=;~~¨,
..-^§$£### ###£$§^-..
.,,»;*@§@# #@§@*;»,,.
..»;^£§@## ##@§£^;»..
.¨~-/%&£## statuette ##£&%/-~¨.
¨^«;*£§### ###§£*;«^¨
.,,-*%$@@# £*$*§£*$$@%&%&*£-==-»~»»$$§*%§§$§@@$££%£ #@@$%*-,,.
,.=:*§§### &%$££%£%$ ###§§*:=.,
...-;*£§@# #@§£*;-...
,^~:*%@### forests around my childhood home. thick ###@%*:~^,
¨.^~\%§¤@# pine arcades that were planted and #@¤§%\~^.¨
¨^~;%%§@## forgotten. wild boars roaming ##@§%%;~^¨
,¨^~^*%¤@# underneath, sniffing at the ground. it #@¤%*^~^¨,
,~~=%$## is dark and moist, the canopy having ###&$%=~~,
..~~=*%£## already soaked up all the sun. ##£%*=~~..
¨.~*§£#### ####£§*~.¨
,..«†=$# there's a river passing by, from east ##&$=†«..,
¨~~/=¤¤### to west, getting broader and deeper and ###¤¤=/~~¨
..~»/%## slower as it goes. equisetum grow just ###&%/»~..
¨,»=$¤§### where the pine hands start to let ###§¤$=»,¨
¨¨:»\†§# through light, horsemint on the rocky ##&§†\»:¨¨
¨-~:$§¤### river bed. ###¤§$:~-¨
.¨~»^†*§@# #@§*†^»~¨.
,:»:%*¤@## \ ##@¤*%:»:,
¨.~-*=$@## ##@$=*-~.¨
¨.-*%¤&@## the riverbanks reek of magic. tonight ##@&¤%*-.¨
¨,~~;*¤§@# they had been a swampworld with sylvan #@§¤*;~~,¨
.~»:=@§### water, stone rings and floating moss. ###§@=:»~.
¨.-~**§§## you could've found me wallowing around ##§§**~-.¨
.^=/%%§### on the southern shores until i got ###§%%/=^.
¨.:=\=¤# bitten. ##&¤=\=:.¨
.--:§£#### ####£§:--.
¨,:»:*¤@## but now i'm further back, on solid ##@¤*:»:,¨
¨--^%*#### ground, in shoulder-high grass, with an ####*%^--¨
¨,,«:^%£## orange tin radio and a translucent ##£%^:«,,¨
¨^==†%¤### umbrella which i'm sitting on. ###¤%†==^¨
,¨-=:§£&@# #@&£§:=-¨,
¨-«\%&## † ###&&%\«-¨
¨,.-/%%£## ##£%%/-.,¨
,~»;$§#### somethings moving in the grass. it's ####§$;»~,
¨¨~~:^&£@# invisible to my eyes but i can feel #@£&^:~~¨¨
,,=†*¤@### through the ground just how large it is. ###@¤*†=,,
.,,-:^§£## ##£§^:-,,.
.,«\†£¤### the soil is muddy. i slip when trying ###¤£†\«,.
¨.^»†^£@## to get up, still looking at the ##@£^†»^.¨
,-=\=§@### direction of sound rather than at my ###@§=\=-,
.¨~~\*%¤## hands, who are busy putting things in ##¤%*\~~¨.
..~=%@¤### my pockets. ###¤@%=~..
.¨,~\%@# ##&@%\~,¨.
,.~\=&¤@## then i run east toward my home. ##@¤&=\~.,
,..=**£### ###£**=..,
.:«*%$£@## / ##@£$%*«:.
,.^-\=££@# #@££=\-^.,
¨:-;=&@@## i am not followed, and slow down in the ##@@&=;-:¨
.,^«*†&@## clearing where you at first can spot ##@&†*«^,.
.^~:*%£### the house, not yet really in the ###£%*:~^.
¨¨,~/*&£@# backyard. from my pockets i retrieve my #@£&*/~,¨¨
¨:~;%&§### radio (now dented) but also a small ###§&%;~:¨
¨,:«*=@@## clay figure i've never seen before. it ##@@=*«:,¨
.^=;$¤#### must have been laying in the wet dirt, ####¤$;=^.
.¨,~;^%@## and i must've picked it up with my ##@%^;~,¨.
¨^~:%§§@## other belongings. ##@§§%:~^¨
,.:=;†££## ##££†;=:.,
.,~^†¤&@## it's a statuette of a girl laying naked ##@&¤†^~,.
,.:«†^%§## on her stomach, feet in the air, ##§%^†«:.,
,~-†%*#@## roughly seven centimeters long. it's ##@#*%†-~,
,,.«=$&£## freshly made, not yet completely dried. ##£&$=«.,,
¨,~:*%#### ####%*:~,¨
.¨-»=$%&@# my mom is here now. i ask her for some #@&%$=»-¨.
¨-=\^@§### particle board for it to dry on, but ###§@^\=-¨
,..~;$§@## she is worried and wants me to ##@§$;~..,
.-«^%*@### throw it away. ###@*%^«-.
,,,~;=*@## ##@*=;~,,,
¨:»*$%§### ###§%$*»:¨
,.^~/*¤£## ##£¤*/~^.,
¨:»*%$§### ###§$%*»:¨
,¨.-**&§## ##§&**-.¨,
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