¨,-=%$£### ###£$%=-,¨
¨,~^†=@@@£ £@@@=†^~,¨
..¨.»=«^§# #§^«=».¨..
¨-»/*%£### ###£%*/»-¨
,^~*§§¤#@# #@#¤§§*~^,
¨.=;%$§§§# statuette #§§§$%;=.¨
¨,«†*&¤£## ##£¤&*†«,¨
..,:~,\§£@ *$$$@$%@%%&%¤§&*-~~~=»»»@£@£@§*$@££$§%&& @£§\,~:,..
,~~=*§£#£@ @£&££§£*$ @£#£§*=~~,
,:~†§$&@@# #@@&$§†~:,
¨~-*$§£@@# forests around my childhood home. thick #@@£§$*-~¨
,,¨,,¨:~§# pine arcades that were planted and #§~:¨,,¨,,
,:/§#### forgotten. wild boars roaming #####&§/:,
..==^^%$£# underneath, sniffing at the ground. it #£$%^^==..
.,»;*¤##@£ is dark and moist, the canopy having £@##¤*;»,.
,^«*=@£@ already soaked up all the sun. @#&£@=*«^,
¨~~*%*@#@# #@#@*%*~~¨
...,,¨,^§# there's a river passing by, from east #§^,¨,,...
¨¨¨.~~:&@@ to west, getting broader and deeper and @@&:~~.¨¨¨
¨,»†§$#### slower as it goes. equisetum grow just ####$§†»,¨
.:~*=£#@@@ where the pine hands start to let @@@#£=*~:.
.~~†*$££@# through light, horsemint on the rocky #@££$*†~~.
,¨¨¨-\;;*& river bed. &*;;\-¨¨¨,
.,,,,~\*§£ £§*\~,,,,.
..,.,-,^%@ † @%^,-,.,..
,-»/†%@@## ##@@%†/»-,
.«=*$&@@## the riverbanks reek of magic. tonight ##@@&$*=«.
¨,~*=££@@# they had been a swampworld with sylvan #@@££=*~,¨
,,~†=@££## water, stone rings and floating moss. ##££@=†~,,
¨-»/†$££@# you could've found me wallowing around #@££$†/»-¨
,,¨,^==†@# on the southern shores until i got #@†==^,¨,,
..¨,-,^*&@ bitten. @&*^,-,¨..
,,.¨=*:¤@# #@¤:*=¨.,,
,^~/^$£@## but now i'm further back, on solid ##@£$^/~^,
,:~:$£#### ground, in shoulder-high grass, with an ####£$:~:,
,.~^=%§### orange tin radio and a translucent ###§%=^~.,
,.~*=$##@¶ umbrella which i'm sitting on. ¶@##$=*~.,
.,~/§£#@@# #@@#£§/~,.
.^-:%*%*£# : #£*%*%:-^.
..¨.^*$#§¤ ¤§#$*^.¨..
,~~:^*@@## somethings moving in the grass. it's ##@@*^:~~,
,:»/^&§@@@ invisible to my eyes but i can feel @@@§&^/»:,
,,«^\/$&&¶ through the ground just how large it is. ¶&&$/\^«,,
¨,.¨,¨~* #&*~¨,¨.,¨
¨,~/%¤§&@£ the soil is muddy. i slip when trying £@&§¤%/~,¨
.:»=%££@## to get up, still looking at the ##@££%=»:.
.,«\**#### direction of sound rather than at my ####**\«,.
¨^~\%@#### hands, who are busy putting things in ####@%\~^¨
¨¨¨¨~-*§*£ my pockets. £*§*-~¨¨¨¨
¨:-\=$£### ###£$=\-:¨
,.,.¨-:£ then i run east toward my home. #&£:-¨.,.,
¨,«=%%#¶## ##¶#%%=«,¨
.,¨¨-%§¤ \ #&¤§%-¨¨,.
¨,=**/\%## ##%\/**=,¨
.~*§&@#### i am not followed, and slow down in the ####@&§*~.
.,«^§$@£## clearing where you at first can spot ##£@$§^«,.
,,=†%¤§@@# the house, not yet really in the #@@§¤%†=,,
¨..¨,¨~-$¤ backyard. from my pockets i retrieve my ¤$-~¨,¨..¨
¨,,,.~%£§£ radio (now dented) but also a small £§£%~.,,,¨
.-«\%@£¶@# clay figure i've never seen before. it #@¶£@%\«-.
...,~~$*@@ must have been laying in the wet dirt, @@*$~~,...
,,~;§&§@## and i must've picked it up with my ##@§&§;~,,
.,¨¨¨,=%@@ other belongings. @@%=,¨¨¨,.
,-=†**¤@@# #@@¤**†=-,
,-=*=£#@## it's a statuette of a girl laying naked ##@#£=*=-,
,¨,.~=*@%§ on her stomach, feet in the air, §%@*=~.,¨,
,~»†*£¤¶## roughly seven centimeters long. it's ##¶¤£*†»~,
,:=/%$%*%@ freshly made, not yet completely dried. @%*%$%/=:,
.^==*†%@£# #£@%†*==^.
¨,«\=@&£## my mom is here now. i ask her for some ##£&@=\«,¨
¨.~**%§£#@ particle board for it to dry on, but @#£§%**~.¨
,,-†%££@#@ she is worried and wants me to @#@££%†-,,
¨,-;§§@#@@ throw it away. @@#@§§;-,¨
,.-:§%#### ####%§:-.,
¨~-\*%%§£¤ ¤£§%%*\-~¨
..¨,,,**@@ @@**,,,¨..
.~-††%## ###&%††-~.
.:»^*£§£@# #@£§£*^»:.
.~~;†$=*£¶ ¶£*=$†;~~.