THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON AN  OUTING TO 
 THE GLASS FACTORY  THAT BORE  OUR FAMILY 
 NAME. IT HAD  CHANGED OWNERS  MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR  A   LONG  WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE  BUILDINGS THAT  SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S A  LONG  TIME  SINCE  MY  FAMILY 
 MADE ANYTHING.  BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN  FACTORY BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS, MADE  IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT  TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE  OTHER ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH WAX FIGURES  OF MY  GREAT 
 GREAT GREAT GRANDFATHER,  OR  SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID OUT  ON 
 TABLES, WITH EXPLAINING TEXTS. A LOT  OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB INTO  THE 
 OTHER   BUILDING.   THE   CONTRAST    IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A   LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT I CAN  SEE  BY THE 
 LIGHT THAT SHINES  IN WHEREVER  THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER, THE GREATEST  DIFFERENCE IS THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS ONE MASSIVE  HALL, STRETCHING AWAY 
 INFINITELY ABOVE ME.  SOMEWHERE UP THERE 
 IS  SOME  GREAT IRON  LATTICEWORK,  FROM 
 WHERE CHAINS  ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS, IN  THE  MIDDLE  OF THE  GREAT 
 HALL,   A  THIN  SPIRAL  STAIRCASE  THAT 
 LEADS  UP THERE. I SNEAK OVER THERE, AND 
 TAKE A  FEW RELUCTANT  STEPS. AFTER JUST 
 A  REVOLUTION, I NOTICE  THAT  FOR  EACH 
 STEP THE BUILDING  STARTS  TO  GLOW, THE 
 BRICKS  TURNING  A  DARK  RED, AND  THEN 
 ORANGE, ALL  THE  PILED UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I  STOP  READY TO RUN DOWN  AND OUT, BUT 
 THERE'S SOMEONE  ELSE  ON  THE STAIRCASE 
 WITH   ME  NOW,   PRESSED   CLOSE.  HE'S 
 LOOKING LIKE ME,  SHORT  HAIR  AND  THIN 
 ARMS,  BUT WITH EARS  FROM SOME  ANIMAL, 
 AND  MORE  DISTURBINGLY, COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING LEVERS AND  DIALS  SET 
 IN  THE CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN   ELEVATOR!   I  START  TO  RUN 
 DOWNWARDS,   BUT   NOW  THE  LIQUID  BOY 
 CREATURE GRABS  HOLD  OF  ME.  I TRY  TO 
 SHAKE HIM OFF, BUT  HE'S TOO STRONG, AND 
 PULLS   ME    BACK    UP   BESIDE   HIM. 
                                          
 THIS  TIME,  I  TURN ANGRY INSTEAD. WHAT 
 THE HELL? WHO  IS THIS  GUY, ACTING LIKE 
 THIS? I REACH OUT MY FREE  ARM  AND SLAM 
 A   RANDOM  LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED  BETWEEN US,  HITTING 
 HIM ON  THE  ARM, FORCING MY RELEASE.  I 
 SHOVE HIM OFF OF ME,  AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN IS DROPPED  AROUND ME.  BUT  THE 
 ELEVATOR  ALSO SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING   NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY EYES  AND 
 CURL  INTO A  BALL. BUT  THEN, THE GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I WATCH  AS HE 
 BECOMES  TOO LIQUID,  HIS  BODY  POOLING 
 DOWN IN HIS NOW  MASSIVE  TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS  OF IN A GLASS 
 DROP  THAT   FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE  STAIRS, UNABLE TO 
 KEEP HIS BODY  UPRIGHT. CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING INTO  DARK 
 PEARLS.  FINALLY, HE'S LOST TOO MUCH  OF 
 HIMSELF AND  THE  SCREAM IS  CUT  SHORT. 
 THE   LAST    OF   HIM    RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN MY  CAGE.  LOOKING  UP,  I TRY TO 
 MAKE  OUT THE CEILING,  BUT  IT'S  ALL A 
 WHIRLING  SEA OF COLOURS. BELOW ME GLOWS 
 THE HELLFIRE  OF THE  FACTORY WALLS, BUT 
 VERY  FAINT.  I SIT DOWN,  CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE  CLUNK  SHAKES MY  ENTIRE BODY, 
 AND  SNAPS  ME BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE  STILL   MOVING   SLIGHTLY, 
 CLICKING IN PLACE,  CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I  SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING  AND CRYING, I MAKE MY  WAY OVER 
 THE FACTORY  FLOOR, WADING  THROUGH DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I SEE  THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.