.¨¨..,^£&§ §&£^,..¨¨.
,:»=%££¶@# #@¶££%=»:,
,~^%£§@### ###@§£%^~,
,.~^*££@## ##@££*^~.,
.-«\*@## ###&@*\«-.
.,=:*£§@@# statuette #@@§£*:=,.
.,-^§£#### ####£§^-,.
.-»*†*@@@# **%%%¤£$&$%£%$£*=»~~»»--*@&¤¤¤£&£$%%%$&¤ #@@@*†*»-.
.^-/%*§### $*$$&%§@% ###§*%/-^.
,,,,-††¤@# #@¤††-,,,,
,,«;$%#@ forests around my childhood home. thick @##&%$;«,,
,~»:†§#£@@ pine arcades that were planted and @@£#§†:»~,
..¨.»^%@£# forgotten. wild boars roaming #£@%^».¨..
,,»»»»**¤£ underneath, sniffing at the ground. it £¤**»»»»,,
,.~*^%#£@# is dark and moist, the canopy having #@£#%^*~.,
.,,,.¨»§£# already soaked up all the sun. #£§»¨.,,,.
¨-«/*$¤£@# #@£¤$*/«-¨
...,,,~\%¤ there's a river passing by, from east ¤%\~,,,...
¨¨,,-~=*§¶ to west, getting broader and deeper and ¶§*=~-,,¨¨
.:=/**§@## slower as it goes. equisetum grow just ##@§**/=:.
.-»**%## where the pine hands start to let ###&%**»-.
¨-~:=§¤### through light, horsemint on the rocky ###¤§=:~-¨
¨~«:†§¤@## river bed. ##@¤§†:«~¨
¨,,¨.=:^$# #$^:=.¨,,¨
..==*@£### = ###£@*==..
¨,«/†§@#@# #@#@§†/«,¨
¨,=^=%§@¶# the riverbanks reek of magic. tonight #¶@§%=^=,¨
.-~^=$@¤£¶ they had been a swampworld with sylvan ¶£¤@$=^~-.
¨^-^§$§£## water, stone rings and floating moss. ##£§$§^-^¨
¨.»:$£§@## you could've found me wallowing around ##@§£$:».¨
.^=:%@§@## on the southern shores until i got ##@§@%:=^.
...¨¨^=\%# bitten. #%\=^¨¨...
.^=/†%§£## ##£§%†/=^.
,^»;§$£##£ but now i'm further back, on solid £##£$§;»^,
¨.,...~«*¤ ground, in shoulder-high grass, with an ¤*«~...,.¨
..¨.¨~.\§# orange tin radio and a translucent #§\.~¨.¨..
.-~/*$##@# umbrella which i'm sitting on. #@##$*/~-.
¨-~/%%#¶## ##¶#%%/~-¨
,,^»=*&&£# * #£&&*=»^,,
.,¨¨.-\££# #££\-.¨¨,.
.,,.~†$¤¶# somethings moving in the grass. it's #¶¤$†~.,,.
¨¨¨..-^%#¶ invisible to my eyes but i can feel ¶#%^-..¨¨¨
,.~\%£¤@## through the ground just how large it is. ##@¤£%\~.,
,,~=§$#@## ##@#$§=~,,
.,~;%*£#@# the soil is muddy. i slip when trying #@#£*%;~,.
.-==$@@@#£ to get up, still looking at the £#@@@$==-.
¨-=*^&&¶## direction of sound rather than at my ##¶&&^*=-¨
.,¨--\%@ hands, who are busy putting things in @#&%\--¨,.
.¨¨¨,»=%$& my pockets. &$%=»,¨¨¨.
.~»;§%¤@@@ @@@¤%§;»~.
.^=\=$%#@# then i run east toward my home. #@#%$=\=^.
¨~~;*$@@## ##@@$*;~~¨
¨^-/^&¤@@# = #@@¤&^/-^¨
,,~=*@&£## ##£&@*=~,,
¨,-=%&£### i am not followed, and slow down in the ###£&%=-,¨
¨,.,,..†§@ clearing where you at first can spot @§†..,,.,¨
¨,-;=%¤£## the house, not yet really in the ##£¤%=;-,¨
¨,»/=&£¶## backyard. from my pockets i retrieve my ##¶£&=/»,¨
..-;=@§#@# radio (now dented) but also a small #@#§@=;-..
¨.»*†&## clay figure i've never seen before. it ###&&†*».¨
,¨¨¨^^~$@# must have been laying in the wet dirt, #@$~^^¨¨¨,
,,...-:=@# and i must've picked it up with my #@=:-...,,
¨-»;^@#£#& other belongings. £#@^;»-¨
¨,~;$£@¶## ##¶@£$;~,¨
¨,,^»^§¤§@ it's a statuette of a girl laying naked @§¤§^»^,,¨
.^»\$@#### on her stomach, feet in the air, ####@$\»^.
.^«/;*†\%@ roughly seven centimeters long. it's @%\†*;/«^.
,:«\†$§@## freshly made, not yet completely dried. ##@§$†\«:,
,.,¨~=%@£@ @£@%=~¨,.,
,.~†*%¤##£ my mom is here now. i ask her for some £##¤%*†~.,
¨-»:%&¤@## particle board for it to dry on, but ##@¤&%:»-¨
¨^-;%%¤@## she is worried and wants me to ##@¤%%;-^¨
,..-~.~^§@ throw it away. @§^~.~-..,
¨-~*%@@¶@# #@¶@@%*~-¨
,,~†*%¤### ###¤%*†~,,
,,»=*$§£@@ @@£§$*=»,,
,-~††¤#### ####¤††~-,
.~=*%@@@## ##@@@%*=~.
,-«\$@#¤## ##¤#@$\«-,