###&@§:~^. .^~:§@&###
##¶&@§:~^. .^~:§@&¶##
¶¶¶&@§:~^. .^~:§@&¶¶¶
##¶&@§:~^. .^~:§@&¶##
#&@:^..... .....^:@&#
##¶&@§:~^. the last song on side b (and to some .^~:§@&¶##
##¶&@§:~^. extent the first song on side a) talks .^~:§@&¶##
##¶&@§:~^. for the whole album, not just their .^~:§@&¶##
¶@@@@§:~^. side. the last song on side b is .^~:§@@@@¶
¶&&§§:~^.. probably the most important ..^~:§§&&¶
¶@:^...... opportunity, the most charged slot. ......^:@¶
###¶&@§:~^ ^~:§@&¶###
¶¶¶&@§:~^. .¶#¶. .^~:§@&¶¶¶
#&@§§~^... ...^~§§@&#
¶@§~^..... the album is a singularity, an anomaly .....^~§@¶
##¶&@§:~^. in spacetime, a creature that knows .^~:§@&¶##
###&@§:~^. exactly how beautiful it is. .^~:§@&###
&&§§:^.... . ....^:§§&&
##¶&@§:~^. and the thing is: it sees itself in .^~:§@&¶##
##¶&@§:~^. three d. it knows that it's dying. .^~:§@&¶##
#¶@@@§:~^. .^~:§@@@¶#
###¶@§:~^. §§@@§§@@§§@@§§@@§§@&&@§§@@§§@@§§@@§§@@§§ .^~:§@¶###
&§~^...... ......^~§&
#&@§§~.... ^ dolphins and cats ^ ....~§§@&#
##¶&@§:~^. bring us .^~:§@&¶##
#&§::~.... . flowers and honey . ....~::§&#
##¶&@§:~^. .^~:§@&¶##
##¶&@§:~^. ^ dolphins and cats ^ .^~:§@&¶##
&§~~...... bring us ......~~§&
#&&§§::~^. . fairies and bees . .^~::§§&&#
##¶&@§:~^. .^~:§@&¶##
¶&§§~~^... our boat is afloat ...^~~§§&¶
##¶&@§:~^. on a surface of lilies .^~:§@&¶##
¶@@@@§:~^. ^ dolphins and cats ^ .^~:§@@@@¶
#&@@@§:~^. drag us down .^~:§@@@&#
¶¶&@§:^^^. .~§ underneath §~. .^^^:§@&¶¶
##¶&@§:~^. .^~:§@&¶##
#¶@:~^.... §§@@§§@@§§@@§§@@§§@&&@§§@@§§@@§§@@§§@@§§ ....^~:@¶#
##¶&@§:~^. .^~:§@&¶##
#¶&&@§:~^. side a is foresty, and side b might .^~:§@&&¶#
###¶&§:~^. be lizardy. but the last song is full .^~:§&¶###
##¶&@§:~^. of space. .^~:§@&¶##
##¶&@§:~^. .^~:§@&¶##
##¶&@§:~^. .^~:§@&¶##
&@@@@§:~^. .^~:§@@@@&
##¶&@§:~^. .^~:§@&¶##
&&@§~..... .....~§@&&