#.#..##.#.                                          #....##..#
#.#.#.#.#.                                          #...#.#.#.
#.#.#.#.#.                                          #..##.#.#.
#.#.#.#.#.                                          #.#.#.#.#.
#.#.#.#.#.                                          #.#.#.#.#.
#.#.#.#.#.  slightly distorted sine, maybe a little #.#.#.#.#.
#.#.#.#.#. tri/sq-ish,,...   no tips. bind velocity #.#.#.#.#.
#.#.#.#.#. to semitone, to fine tune ############## #.#.#.#.#.
#.#.#.#.#.                     ##### one fifty bpm  #.#.#.#.#.
#.#.#.#.#.                #####      dark drone   . #.#.#.#.#.
#.#.#.#.#.           #####           more and more  #.#.#.#.#.
#.#.#.#.#.      #####                chaos and a    #.#.#.#.#.
#.#.#.#.#. #####                     little bit too #.#.#.#.#.
#.#.#.#.#.                       much               #.#.#.#.#.
#.#.#.#.#. a woman an octave abov                   #.#.#.#.#.
#.#.#.#.#. e, a crudely looped aaah as a lead instr #.#.#.#.#.
#.#.#.#.#. ument, and drums from the microphone (?) #.#.#.#.#.
#.#.#.#.#.                                          #.#.#.#.#.
#.#.#.#.#.                                          #.#.#.#.#.
#.#.#.#.#.                                          #.#.#.#.#.
#.#.#.#.#.                                          #.#.#.#.#.
#.#.#.#.#.                                          #.#.#.#.#.
#.#.#.#.#.                                          #.#.#.#.#.