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.:~==%££@# the  last song  on side  b (and  to some #@££%==~:.
.:~=%£##@# extent the first song  on side  a) talks #@##£%=~:.
.:~=%£#@## for  the  whole  album,  not just  their ##@#£%=~:.
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.:~=%£#@##        probably the most important       ##@#£%=~:.
.....~=%##    opportunity, the most charged slot.   ##%=~.....
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.:~=%£#@##                  .@#@.                   ##@#£%=~:.
.:~==%££#@                                          @#££%==~:.
.:~=%£#@## the album is a singularity,  an  anomaly ##@#£%=~:.
......~=%# in  spacetime,  a  creature  that  knows #%=~......
.:~=%£#@@@       exactly how beautiful it is.       @@@#£%=~:.
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.:~=%£#@## and  the  thing  is: it  sees  itself in ##@#£%=~:.
.:~=%£#@## three  d.  it  knows  that  it's  dying. ##@#£%=~:.
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.:~=%£#@##                                          ##@#£%=~:.
.:~=%£#@##           : dolphins and cats :          ##@#£%=~:.
...:==%£#@                 bring us                 @#£%==:...
.:~=%£#@##          . flowers and honey .           ##@#£%=~:.
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....:===£@           : dolphins and cats :          @£===:....
.:~=%£#@##                 bring us                 ##@#£%=~:.
....~=£#@@           . fairies and bees .           @@#£=~....
.:~=%£@###                                          ###@£%=~:.
.:~=%£#@##            our boat is afloat            ##@#£%=~:.
.:~=%£#@##          on a surface of lilies          ##@#£%=~:.
.:~=%£@###          : dolphins and cats :           ###@£%=~:.
...~~~~=%#               drag us down               #%=~~~~...
.:~=%£#@##            .~% underneath %~.            ##@#£%=~:.
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.....:~%#@ side  a is foresty,  and  side  b  might @#%~:.....
.:~=%#@### be lizardy.  but  the last  song is full ###@#%=~:.
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