.~«\%&££## ##££&%\«~.
......~\%£ £%\~......
.~«\%&£££# #£££&%\«~.
.~\%&££### ###££&%\~.
.~~«\\&£££ £££&\\«~~.
..~~~~«%£# l u s h #£%«~~~~..
.~««\\\&&£ a r p e g g i o £&&\\\««~.
.~«\%&££££ . . . . . . . . . . ££££&%\«~.
.~«%&££### ###££&%«~.
.~«\\\&&£# what are these things if not birdsong? #£&&\\\«~.
.~«\%&£££# blackbird + noise cascade. #£££&%\«~.
.~«\%%%%&£ £&%%%%\«~.
.....~«\&£ the commodore sound maybe. dirty, £&\«~.....
....~«\%££ mirroring, distorted flute, ££%\«~....
.~«\%&£### ###£&%\«~.
.~«\%&££## . . . . . .. ##££&%\«~.
~«\%&££### ###££&%\«~
.~«\%&££## ddrreeaammyy sslliiddeess ##££&%\«~.
.~«\%&££## ##££&%\«~.
.....«\%£# mirages in sound. arpeggios, chords #£%\«.....
.~«\%&££## multiplexed in the time domain, ##££&%\«~.
.~«\%&££## ##££&%\«~.
......«%££ refactored, refractored, remade ££%«......
.....««%££ ~ ~ . . . ££%««.....
...~«\\&££ \ \ \ \ % \ ££&\\«~...
.~«\%&£### & % & % & & & & % ###£&%\«~.
.....~\&££ # # # # # ££&\~.....
.~«\%&££## ##££&%\«~.
..~~~~\&££ ££&\~~~~..
.~«\%&&&££ ££&&&%\«~.
.....~\%££ ££%\~.....
.~«\%&££## ##££&%\«~.
.~«««\&&&£ £&&&\«««~.