@......@@@ ..@@....@@
@@.....@.@ @.@@@...@.
@@@......@ ..@.@@....
@.@@.....@ ....@@@...
..@@@..... @...@.@@..
..@.@@.... the last song on side b (and to some .@....@@@.
....@@@... extent the first song on side a) talks ..@...@.@@
@...@.@@.. for the whole album, not just their ...@....@@
@@....@@@. side. the last song on side b is @...@...@.
@@@...@.@@ probably the most important .@...@....
@.@@....@@ opportunity, the most charged slot. ..@...@...
..@@@...@. ...@...@..
..@.@@.... .@#@. @...@...@.
....@@@... .@...@...@
@...@.@@.. the album is a singularity, an anomaly ..@...@...
.@....@@@. in spacetime, a creature that knows ...@...@..
..@...@.@@ exactly how beautiful it is. ....@...@.
...@....@@ . .....@...@
@...@...@. and the thing is: it sees itself in ......@...
.@...@.... three d. it knows that it's dying. .......@..
..@...@... ........@.
...@...@.. ††$$††$$††$$††$$††$@@$††$$††$$††$$††$$†† @........@
@...@...@. @@........
.@...@...@ - dolphins and cats - .@@.......
..@...@... bring us .@@@......
...@...@.. . flowers and honey . .@.@@.....
....@...@. ...@@@....
.....@...@ - dolphins and cats - ...@.@@...
......@... bring us .....@@@..
.......@.. . fairies and bees . .....@.@@.
........@. .......@@@
@........@ our boat is afloat .......@.@
@@........ on a surface of lilies .........@
.@@....... - dolphins and cats - @........@
.@@@...... drag us down .@........
.@.@@..... .«† underneath †«. ..@.......
...@@@.... @..@......
...@.@@... ††$$††$$††$$††$$††$@@$††$$††$$††$$††$$†† @@..@.....
.....@@@.. .@@..@....
.....@.@@. side a is foresty, and side b might .@@@..@...
.......@@@ be lizardy. but the last song is full .@.@@..@..
.......@.@ of space. ...@@@..@.
.........@ ...@.@@..@
@........@ @....@@@..
.@........ @@...@.@@.
..@....... .@@....@@@
@..@...... .@@@...@.@