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.-»/§$@### # ###@$§/»-.
...--/§$$# .LIZARDRY #$$§/--...
....»»»/§@ » # ## ### ################## @§/»»»....
.-»/§$#### ## THE ART OF C-NNECTING ####$§/»-.
.-»/§$@### . WITH THE OLD MIND ###@$§/»-.
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.-»/§§$$## MY MIND IS BEING SKEWED. MI ##$$§§/»-.
....»»/§@# SKELETON IS STRINGY AND OLD AND ALIEN #@§/»»....
.-»/§$@### THE SITUATION IS LITERALLY ###@$§/»-.
.-»/§§§$## PRESSED OUT THROUGH MY EYES, IT'S ##$§§§/»-.
.-»/§§§§$@ ECHOING LIKE @$§§§§/»-.
.-»/§$@### THE SUNSET OF THE ETERNAL ###@$§/»-.
....-»§@## OCEAN ##@§»-....
.-»/§$@### PERSISTENTLY AGAINST MY EMULSION ###@$§/»-.
.-»/§$@### ###@$§/»-.
....»»§§@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@§§»»....
..-»//$@## HUMANS ARE DOING AND ABSTRACTING, ##@$//»-..
.-»/§$@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@$§/»-.
.-»/§$$$@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@$$$§/»-.
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.-»/§$@### . ... . ................ ####### ###@$§/»-.
...---/$$@ CONTINUOUSLY I'M CROWDING THROUGH @$$/---...
.-»/§$@### . THE FOURTH WALL -OUTWARDS IS WHAT . ###@$§/»-.
......-/§@ .. I'M THINKING BUT IT'S WRONG.. A NEW @§/-......
....-//§$# . . NARRATOR IS INTRODUCED, OCCASIONALLY #$§//-....
.-»/§$@### - - AWARE OF THE PREVIOUS ONE, DEEPER . ###@$§/»-.
.-»/§$@### - - DOWN IN THE DRAGONS THROAT. ###@$§/»-.
.-»/§$@@@# - #@@@$§/»-.
.-»/§$@### - ###@$§/»-.
.-»/§$@### ###@$§/»-.
...-//§§@# #@§§//-...
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