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,@@,,,@@,, # ,,@@@,,,,@
,@@@,,@@@, ,lizardry ,,@,@@,,,,
,@,@@,@,@@ ~ £ #£ ### ################## ,,,,@@@,,,
,,,@@,,,@@ ## the art of c:nnecting @,,,@,@@,,
,,,@@@,,@, , with the old mind @@,,,,@@@,
,,,@,@@,,, @@@,,,@,@@
@,,,,@@@,, my mind is being skewed. mi @,@@,,,,@@
@@,,,@,@@, skeleton is stringy and old and alien ,,@@@,,,@,
@@@,,,,@@@ the situation is literally ,,@,@@,,,,
@,@@,,,@,@ pressed out through my eyes, it's ,,,,@@@,,,
,,@@@,,,,@ echoing like ,,,,@,@@,,
,,@,@@,,,@ the sunset of the eternal ,,,,,,@@@,
,,,,@@@,,, ocean ,,,,,,@,@@
@,,,@,@@,, persistently against my emulsion ,,,,,,,,@@
@@,,,,@@@, @,,,,,,,@,
@@@,,,@,@@ it's ungraspable to me, what other ,@,,,,,,,,
@,@@,,,,@@ humans are doing and abstracting, ,,@,,,,,,,
,,@@@,,,@, and above all else, what time they use? ,,,@,,,,,,
,,@,@@,,,, how long a time has passed, for them? ,,,,@,,,,,
,,,,@@@,,, , @,,,,@,,,,
,,,,@,@@,, , ,,, , ,,,,,,,,,,,,,,,, £££££££ ,@,,,,@,,,
,,,,,,@@@, continuously i'm crowding through ,,@,,,,@,,
,,,,,,@,@@ , the fourth wall :outwards is what , ,,,@,,,,@,
,,,,,,,,@@ ,, i'm thinking but it's wrong.. a new @,,,@,,,,@
@,,,,,,,@, , , narrator is introduced, occasionally @@,,,@,,,,
,@,,,,,,,, : : aware of the previous one, deeper , @@@,,,@,,,
,,@,,,,,,, : : down in the dragons throat. @,@@,,,@,,
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