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@@@§%=\=~, @ ,~=\=%§@@@
@@§%=\~,,, ,LIZARDRY ,,,~\=%§@@
@§=\\=~,,, = @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,,,~=\\=§@
@§%==~,,,, @@ THE ART OF C~NNECTING ,,,,~==%§@
@%==\~,,,, , WITH THE OLD MIND ,,,,~\==%@
§§%==~~~,, ,,~~~==%§§
§§%=\\==~, MY MIND IS BEING SKEWED. MI ,~==\\=%§§
@%%%%=\=~, SKELETON IS STRINGY AND OLD AND ALIEN ,~=\=%%%%@
§%\~,,,,,, THE SITUATION IS LITERALLY ,,,,,,~\%§
@§===\\=~, PRESSED OUT THROUGH MY EYES, IT'S ,~=\\===§@
@%\~,,,,,, ECHOING LIKE ,,,,,,~\%@
@§%\=~,,,, THE SUNSET OF THE ETERNAL ,,,,~=\%§@
@§§%===~~, OCEAN ,~~===%§§@
##@§%=\=~, PERSISTENTLY AGAINST MY EMULSION ,~=\=%§@##
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#@@§%=\=~, IT'S UNGRASPABLE TO ME, WHAT OTHER ,~=\=%§@@#
@§%\=,,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,,,=\%§@
@@%==\=~,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~=\==%@@
@§§=\\=,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,=\\=§§@
@@@§%=\=~, , ,~=\=%§@@@
@@@§%=\=~, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,~=\=%§@@@
#@@§%=\=~, CONTINUOUSLY I'M CROWDING THROUGH ,~=\=%§@@#
@@@§%=\=~, , THE FOURTH WALL ~OUTWARDS IS WHAT , ,~=\=%§@@@
@@%%==\=~, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,~=\==%%@@
#@@§%=\=~, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,~=\=%§@@#
@§==\\\=~, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,~=\\\==§@
§===,,,,,, ~ ~ DOWN IN THE DRAGONS THROAT. ,,,,,,===§
§==\\\=,,, ~ ,,,=\\\==§
@@%%==~,,, ~ ,,,~==%%@@
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