....&.&&.& .&&..&..&&
...&&..&.& ..&.&&.&.&
..&.&.&&.& .&&..&.&.&
.&&.&..&.& ..&.&&.&.&
..&.&.&&.& .&&..&.&.&
.&&.&..&.& # ..&.&&.&.&
..&.&.&&.& .LIZARDRY .&&..&.&.&
.&&.&..&.& = # ## ### ################## ..&.&&.&.&
..&.&.&&.& ## THE ART OF C-NNECTING .&&..&.&.&
.&&.&..&.& . WITH THE OLD MIND ..&.&&.&.&
..&.&.&&.& .&&..&.&.&
.&&.&..&.& MY MIND IS BEING SKEWED. MI ..&.&&.&.&
..&.&.&&.& SKELETON IS STRINGY AND OLD AND ALIEN .&&..&.&.&
.&&.&..&.& THE SITUATION IS LITERALLY ..&.&&.&.&
..&.&.&&.& PRESSED OUT THROUGH MY EYES, IT'S .&&..&.&.&
.&&.&..&.& ECHOING LIKE ..&.&&.&.&
..&.&.&&.& THE SUNSET OF THE ETERNAL .&&..&.&.&
.&&.&..&.& OCEAN ..&.&&.&.&
..&.&.&&.& PERSISTENTLY AGAINST MY EMULSION .&&..&.&.&
.&&.&..&.& ..&.&&.&.&
..&.&.&&.& IT'S UNGRASPABLE TO ME, WHAT OTHER .&&..&.&.&
.&&.&..&.& HUMANS ARE DOING AND ABSTRACTING, ..&.&&.&.&
..&.&.&&.& AND ABOVE ALL ELSE, WHAT TIME THEY USE? .&&..&.&.&
.&&.&..&.& HOW LONG A TIME HAS PASSED, FOR THEM? ..&.&&.&.&
..&.&.&&.& . .&&..&.&.&
.&&.&..&.& . ... . ................ ####### ..&.&&.&.&
..&.&.&&.& CONTINUOUSLY I'M CROWDING THROUGH .&&..&.&.&
.&&.&..&.& . THE FOURTH WALL -OUTWARDS IS WHAT . ..&.&&.&.&
..&.&.&&.& .. I'M THINKING BUT IT'S WRONG.. A NEW .&&..&.&.&
.&&.&..&.& . . NARRATOR IS INTRODUCED, OCCASIONALLY ..&.&&.&.&
..&.&.&&.& - - AWARE OF THE PREVIOUS ONE, DEEPER . .&&..&.&.&
.&&.&..&.& - - DOWN IN THE DRAGONS THROAT. ..&.&&.&.&
..&.&.&&.& - .&&..&.&.&
.&&.&..&.& - ..&.&&.&.&
..&.&.&&.& .&&..&.&.&
.&&.&..&.& ..&.&&.&.&
..&.&.&&.& .&&..&.&.&
.&&.&..&.& ..&.&&.&.&
..&.&.&&.& .&&..&.&.&
.&&.&..&.& ..&.&&.&.&