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,.«:%£¶@##              ,LIZARDRY                   ##@¶£%:«.,
,,.«:%£¶@# «           ¶ @¶ @@@  @@@@@@@@@@@@@@@@@@ #@¶£%:«.,,
,.«:%£¶@## @@      THE ART OF C.NNECTING            ##@¶£%:«.,
,,.«:%£¶@#        ,    WITH THE OLD MIND            #@¶£%:«.,,
,.«:%£¶@##                                          ##@¶£%:«.,
,,.«:%£¶@#             MY MIND IS BEING SKEWED. MI  #@¶£%:«.,,
,.«:%£¶@##  SKELETON IS STRINGY AND OLD AND ALIEN   ##@¶£%:«.,
,,.«:%£¶@#             THE SITUATION IS LITERALLY   #@¶£%:«.,,
,.«:%£¶@## PRESSED OUT THROUGH MY EYES, IT'S        ##@¶£%:«.,
,,.«:%£¶@# ECHOING LIKE                             #@¶£%:«.,,
,.«:%£¶@##             THE SUNSET OF THE ETERNAL    ##@¶£%:«.,
,,.«:%£¶@# OCEAN                                    #@¶£%:«.,,
,.«:%£¶@##         PERSISTENTLY AGAINST MY EMULSION ##@¶£%:«.,
,,.«:%£¶@#                                          #@¶£%:«.,,
,.«:%£¶@##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##@¶£%:«.,
,,.«:%£¶@#   HUMANS ARE DOING AND ABSTRACTING,      #@¶£%:«.,,
,.«:%£¶@##  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@¶£%:«.,
,,.«:%£¶@# HOW LONG A TIME HAS PASSED, FOR THEM?    #@¶£%:«.,,
,.«:%£¶@##                                     ,    ##@¶£%:«.,
,,.«:%£¶@#  , ,,, ,  ,,,,,,,,,,,,,,,,   ¶¶¶¶¶¶¶     #@¶£%:«.,,
,.«:%£¶@##   CONTINUOUSLY I'M CROWDING THROUGH      ##@¶£%:«.,
,,.«:%£¶@# , THE FOURTH WALL  .OUTWARDS IS WHAT   , #@¶£%:«.,,
,.«:%£¶@## ,, I'M THINKING BUT IT'S WRONG.. A NEW   ##@¶£%:«.,
,,.«:%£¶@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@¶£%:«.,,
,.«:%£¶@## .  . AWARE OF THE PREVIOUS ONE, DEEPER , ##@¶£%:«.,
,,.«:%£¶@# .   . DOWN IN THE DRAGONS THROAT.        #@¶£%:«.,,
,.«:%£¶@##      .                                   ##@¶£%:«.,
,,.«:%£¶@#       .                                  #@¶£%:«.,,
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