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##¶&%*;~,, # ,,~;*%&¶##
¶%;~~~~,,, ,LIZARDRY ,,,~~~~;%¶
&%;;,,,,,, ~ ¶ #¶ ### ################## ,,,,,,;;%&
¶%%;~,,,,, ## THE ART OF C,NNECTING ,,,,,~;%%¶
¶&*;,,,,,, , WITH THE OLD MIND ,,,,,,;*&¶
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&&%*~,,,,, MY MIND IS BEING SKEWED. MI ,,,,,~*%&&
##¶&%*;~,, SKELETON IS STRINGY AND OLD AND ALIEN ,,~;*%&¶##
&%%*~~~,,, THE SITUATION IS LITERALLY ,,,~~~*%%&
¶%%%;,,,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,,,;%%%¶
#&%;;;~,,, ECHOING LIKE ,,,~;;;%&#
¶%;,,,,,,, THE SUNSET OF THE ETERNAL ,,,,,,,;%¶
¶&*;;;;~,, OCEAN ,,~;;;;*&¶
##¶&%*;~,, PERSISTENTLY AGAINST MY EMULSION ,,~;*%&¶##
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&%*~,,,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,,,~*%&
#¶¶&%*;~,, HUMANS ARE DOING AND ABSTRACTING, ,,~;*%&¶¶#
#¶¶&%*;~,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,~;*%&¶¶#
##¶&%*;~,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,~;*%&¶##
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#¶¶&%*;~,, CONTINUOUSLY I'M CROWDING THROUGH ,,~;*%&¶¶#
&&*;~~~~,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,~~~~;*&&
&&*;;;,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,;;;*&&
###&%*;~,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,~;*%&###
¶%%;~,,,,, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,~;%%¶
¶¶%;,,,,,, , , DOWN IN THE DRAGONS THROAT. ,,,,,,;%¶¶
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