,~~^%$&@## ##@&$%^~~,
,~~^%$$$&# #&$$$%^~~,
,~~^%$&@## ##@&$%^~~,
,~~^%$&&@# #@&&$%^~~,
,,,~~^$&@# #@&$^~~,,,
,~~^%$&@## delay delay d,la# & %a, ~ ,@ ~ ~ ##@&$%^~~,
,~~~~~^$&# #&$^~~~~~,
,,,,~^^$&& &&$^^~,,,,
,~~^%$&@@# #@@&$%^~~,
,~~^%$&@## ##@&$%^~~,
,~~^%$&@## "delay" means repetiton or likewise, ##@&$%^~~,
,,,,~~%%$& but it's mainly useless without &$%%~~,,,,
,~~^%$&@## feedback, ##@&$%^~~,
,,,,~~~%$& to allow the delay to eat of it's own &$%~~~,,,,
,~~~^^^$&@ tail, like one of those eaty serpents. @&$^^^~~~,
,~~^%$&@## thus: it's the serpent effect! ##@&$%^~~,
,,,~~^%$&# #&$%^~~,,,
,~~^%%%%&& it's to be revered as a creator of &&%%%%^~~,
,~~^%$&@## ambience and of space, if you treat it ##@&$%^~~,
,,,,,,~~%& right. a somewhat more solid and &%~~,,,,,,
,~~^%&@### slippery sibling of reverb. ###@&%^~~,
,~~^%$&@## ##@&$%^~~,
,~~^%$&@## ##@&$%^~~,
,~~^%$&@## ##@&$%^~~,
,,,,,~~^$& &$^~~,,,,,
,~~^%$&@## ##@&$%^~~,