,,,,,,,,^= =^,,,,,,,,
,,,,,,,,,^ ^,,,,,,,,,
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,,,,,,,,,, delay delay d,la# & =a, ^ ,# = ^ ,,,,,,,,,,
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,,,,,,,,,, "delay" means repetiton or likewise, ,,,,,,,,,,
,,,,,,,,,^ but it's mainly useless without ^,,,,,,,,,
,,,,,,,,^= feedback, =^,,,,,,,,
,,,,,,,^=; to allow the delay to eat of it's own ;=^,,,,,,,
,,,,,,^=;= tail, like one of those eaty serpents. =;=^,,,,,,
,,,,,^=;=£ thus: it's the serpent effect! £=;=^,,,,,
,,,,^=;=£& &£=;=^,,,,
,,,^=;=£ it's to be revered as a creator of #&£=;=^,,,
,,^=;=£# ambience and of space, if you treat it ##&£=;=^,,
,^=;=£## right. a somewhat more solid and ###&£=;=^,
,,^=;=£# slippery sibling of reverb. ##&£=;=^,,
,,,^=;=£ #&£=;=^,,,
,,,,^=;=£& &£=;=^,,,,
,,,,,^=;=£ £=;=^,,,,,
,,,,,,^=;= =;=^,,,,,,
,,,,,,,^=; ;=^,,,,,,,