###@**†»^, ,^»†**@###
###@**†»^, ,^»†**@###
###@**†»^, ,^»†**@###
##****†»^, ,^»†****##
@**†^,,,,, ,,,,,^†**@
@***†»»,,, delay delay d,la# @ *a, ^ ,# » ^ ,,,»»†***@
###@**†»^, ,^»†**@###
###@**†»^, ,^»†**@###
###@**†»^, ,^»†**@###
#@*»^,,,,, ,,,,,^»*@#
#***»^,,,, "delay" means repetiton or likewise, ,,,,^»***#
#@*†»,,,,, but it's mainly useless without ,,,,,»†*@#
#*†»»,,,,, feedback, ,,,,,»»†*#
#*†^^,,,,, to allow the delay to eat of it's own ,,,,,^^†*#
##@@**†»^, tail, like one of those eaty serpents. ,^»†**@@##
###@**†»^, thus: it's the serpent effect! ,^»†**@###
###@**†»^, ,^»†**@###
##@@**†»^, it's to be revered as a creator of ,^»†**@@##
@*†»»»»,,, ambience and of space, if you treat it ,,,»»»»†*@
###@**†»^, right. a somewhat more solid and ,^»†**@###
##****†»^, slippery sibling of reverb. ,^»†****##
@*»»,,,,,, ,,,,,,»»*@
###@**†»^, ,^»†**@###
@**†»,,,,, ,,,,,»†**@
###@**†»^, ,^»†**@###
####**†»^, ,^»†**####