..,=/=£# #£#&=/=,..
...,=/=£ £#&=/=,...
....,=/= #&=/=,....
.....,=/=& &=/=,.....
....,=/= #&=/=,....
...,=/=£ =&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=& £#&=/=,...
..,=/=£# &= OPERATION CONTRASTING VALKYRIE &= #£#&=/=,..
.,=/=£## =& IN THE SIXTIES. THE CENTRAL =& ##£#&=/=,.
..,=/=£# &= INTELLIGENCE AGENCY "CIA" RELEASE &= #£#&=/=,..
...,=/=£ =& AEROSOLIZED SELATENINE OVER A =& £#&=/=,...
....,=/= &= JUPITER EQUINOX CONCERT, CREATING &= #&=/=,....
.....,=/=& =& THE LARGEST SECRET PARADIGM SHIFT =& &=/=,.....
....,=/= &= THAT THE WORLD HAS EVER =SEEN=. &= #&=/=,....
...,=/=£ =&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=& £#&=/=,...
..,=/=£# #£#&=/=,..
.,=/=£## THE JUPITER EQUINOX* CONCERT IS PART OF ##£#&=/=,.
..,=/=£# A FESTIVAL IN BLACK TICKLE ARRANGED BY #£#&=/=,..
...,=/=£ A GROUP CALLED EPICENTER OF LOVE. THERE £#&=/=,...
....,=/= IS NO ENTRANCE BUT VISITORS ARE #&=/=,....
.....,=/=& EXPECTED TO HELP WITH MAINTENANCE. FOOD &=/=,.....
....,=/= AND DRINK IS SHARED. MANY BANDS ARE #&=/=,....
...,=/=£ PLAYING OVER THE FOUR DAY COURSE OF THE £#&=/=,...
..,=/=£# FESTIVAL, AND THE STAGE IS OPEN BETWEEN #£#&=/=,..
.,=/=£## SCHEDULED CONCERTS. JUPITER EQUINOX, ##£#&=/=,.
..,=/=£# WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS #£#&=/=,..
...,=/=£ TIMESLOT AT EIGHT IN THE EVENING ON THE £#&=/=,...
....,=/= THIRD DAY, WHICH IS FRIDAY. . . . #&=/=,....
.....,=/=& &=/=,.....
....,=/= EIGHT IS ALSO WHEN THE PLANE USED TO #&=/=,....
...,=/=£ SPREAD THE AEROSOL LIFTS OFF. IT £#&=/=,...
..,=/=£# ARRIVES AT THE FESTIVAL ABOUT A QUARTER #£#&=/=,..
.,=/=£## PAST, SOUND MASKED BY THE CONCERT. ##£#&=/=,.
..,=/=£# AROUND WHEN THE FIRST WAVE OF #£#&=/=,..
...,=/=£ SELATENINE MUST HAVE REACHED THE £#&=/=,...
....,=/= AUDIENCE, THE SONG COMES TO A TENSE BUT #&=/=,....
.....,=/=& QUIET MOVEMENT, AND THE LEAD SINGER &=/=,.....
....,=/= WALKS TO THE FRONT OF THE STAGE. #&=/=,....
...,=/=£ £#&=/=,...
..,=/=£# SHE SAYS, WITH A CRYSTALLINE VOICE: "I #£#&=/=,..
.,=/=£## HAVE SOMETHING TO TELL YOU. I AM NOT A ##£#&=/=,.
..,=/=£# HUMAN BEING. I AM NOT AN ANIMAL OR A #£#&=/=,..
...,=/=£ PLANT. I HAVE BEEN SENT TO DELIVER A £#&=/=,...
....,=/= MESSAGE TO YOU. A MESSAGE OF HOPE. YOU #&=/=,....
.....,=/=& ARE NOT ALONE. THERE ARE OTHER BEINGS &=/=,.....
....,=/= IN THE UNIVERSE. THERE IS LIFE OUT #&=/=,....
...,=/=£ THERE, LIFE THAT IS REACHING OUT A £#&=/=,...
..,=/=£# HAND. AND IT'S TIME TO TAKE THAT HAND. #£#&=/=,..
.,=/=£## TO REACH OUT TOWARD THAT HAND AND GRAB ##£#&=/=,.
..,=/=£# IT IT. IT IS TIME TO COME HOME. YOU ARE #£#&=/=,..
...,=/=£ GOING HOME. YOU ARE GOING HOME." £#&=/=,...
....,=/= #&=/=,....
.....,=/=& THE SINGER STANDS THERE FOR A FEW &=/=,.....
....,=/= MOMENTS, HER HAND RAISED IN THE AIR, #&=/=,....
...,=/=£ BEFORE THE REST OF THE BAND KICKS IN £#&=/=,...
..,=/=£# AND THE MUSIC BUILDS TO A CRESCENDO. #£#&=/=,..
.,=/=£## THE CROWD ERUPTS. AND THEN SOMETHING ##£#&=/=,.
..,=/=£# ELSE ERUPTS AS WELL. A CONCERT-GOER #£#&=/=,..
...,=/=£ DESCRIBES IT: "SUDDENLY, THE MUSIC £#&=/=,...
....,=/= SEAMS BROADER, MORE COLORFUL. I CAN #&=/=,....
.....,=/=& SOMEHOW SEE IT, AND I FEEL THE OTHERS &=/=,.....
....,=/= SEEING IT, AND I SEE IT THROUGH THEIR #&=/=,....
...,=/=£ EYES AS WELL. MEANWHILE I'M DANCING, £#&=/=,...
..,=/=£# AND I CAN FEEL MY BODY AS I'VE NEVER #£#&=/=,..
.,=/=£## DONE BEFORE, I AM AWARE OF EACH CELL ##£#&=/=,.
..,=/=£# AND EACH MOLECULE, ALL VIBRATING IN #£#&=/=,..
...,=/=£ UNISON. AND IT'S ALL GOING FASTER, £#&=/=,...
....,=/= BUILDING UP TO SOMETHING, WAKING UP." #&=/=,....
.....,=/=& &=/=,.....
....,=/= PEOPLE START FORMING CIRCLES, HOLDING #&=/=,....
...,=/=£ HANDS AND DANCING. SOME ARE CRYING. £#&=/=,...
..,=/=£# SOME ARE LAUGHING. SOME ARE SCREAMING. #£#&=/=,..
.,=/=£## ##£#&=/=,.
..,=/=£# AND THEN - A FLUTTER - AND SOMETHING #£#&=/=,..
...,=/=£ GIVES. A SHOCKWAVE OF REVERSING £#&=/=,...
....,=/= POLARITY IN THE ETHER, AND LIKE #&=/=,....
.....,=/=& BUTTERFLIES GETTING HIT BY A BURST OF &=/=,.....
....,=/= WIND, THE THIRD EYE OPENS FOR EVERYONE #&=/=,....
...,=/=£ IN THE AUDIENCE. AND IT BECOMES A CHAIN £#&=/=,...
..,=/=£# REACTION, QUICKLY SPREADING ACROSS THE #£#&=/=,..
.,=/=£## FESTIVAL AREA. WITHIN SECONDS THERE IS ##£#&=/=,.
..,=/=£# A GLOBAL BLACKOUT. FESTIVAL GOERS #£#&=/=,..
...,=/=£ REGAIN THEIR MEMORIES AROUND A WEEK £#&=/=,...
....,=/= LATER, THOSE IN THE NEARBY TOWN OF #&=/=,....
.....,=/=& BLACK TICKLE AFTER A FEW DAYS, IN &=/=,.....
....,=/= MONTREAL FOR THE EVENING, THE REST OF #&=/=,....
...,=/=£ AMERICA MAYBE AN HOUR. . . . . . £#&=/=,...
..,=/=£# #£#&=/=,..
.,=/=£## AND THUS, THE POPULATION OF EARTH ##£#&=/=,.
..,=/=£# HAS KIND OF LEFT IT'S MATERIALISTIC #£#&=/=,..
...,=/=£ BASELINE, ONLY THAT MOST DO NOT £#&=/=,...
....,=/= REMEMBER IT. #&=/=,....
.....,=/=& &=/=,.....
....,=/= #&=/=,....
...,=/=£ =&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=& £#&=/=,...
..,=/=£# &= * THERE'S AN INTERESTING ASPECT TO &= #£#&=/=,..
.,=/=£## =& THE "JUPITER EQUINOX" ACT. IT =& ##£#&=/=,.
..,=/=£# &= SEEMS THERE WAS NEVER ANY &= #£#&=/=,..
...,=/=£ =& JUPITER EQUINOX CONCERTS BEFORE OR =& £#&=/=,...
....,=/= &= AFTER THE ONE IN BLACK TICKLE. THE &= #&=/=,....
.....,=/=& =& LEAD SINGER (ALSO COLLOQUIALLY =& &=/=,.....
....,=/= &= REFERRED TO AS JUPITER) SEEMED TO &= #&=/=,....
...,=/=£ =& IMMEDIATELY DISAPPEAR (FOR A LONG =& £#&=/=,...
..,=/=£# &= WHILE SHE WAS THOUGHT TO HAVE BEEN &= #£#&=/=,..
.,=/=£## =& A CIA AGENT, BUT A LATER FOIA =& ##£#&=/=,.
..,=/=£# &= RELEASE REFUTED THIS). FOR OBVIOUS &= #£#&=/=,..
...,=/=£ =& REASONS, MANY WERE LOOKING FOR ANY =& £#&=/=,...
....,=/= &= TRACE OF THE BAND, BUT NONE &= #&=/=,....
.....,=/=& =& WERE FRUITFUL. =& &=/=,.....
....,=/= &= &= #&=/=,....
...,=/=£ =& RECENTLY, HOWEVER, SOME ATTENTION =& £#&=/=,...
..,=/=£# &= HAS BEEN DRAWN TO JUNIPER HELDING, &= #£#&=/=,..
.,=/=£## =& A SIXTEEN YEAR OLD POP SINGER FROM =& ##£#&=/=,.
..,=/=£# &= ENGLAND WHO HAS A VERY STRIKING &= #£#&=/=,..
...,=/=£ =& SIMILARITY... =& £#&=/=,...
....,=/= &=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&=&= #&=/=,....
.....,=/=& &=/=,.....
....,=/= #&=/=,....
...,=/=£ £#&=/=,...
..,=/=£# #£#&=/=,..
.,=/=£## ##£#&=/=,.