.....~-%@@ @@%-~.....
.~-/%@@£@# #@£@@%/-~.
.~-/%@@£@# #@£@@%/-~.
.~-/%@@£@# #@£@@%/-~.
.....~/@@£ £@@/~.....
.~-/%@@£££ the phosphor .///// a dark, wet, £££@@%/-~.
...~/%@@@@ reality check .%%%%/ concrete @@@@%/~...
..~~~--%@£ system: .@@@@/ building, a damp £@%--~~~..
.~-/%@@£@# improving .@@@@# smell - #@£@@%/-~.
.~-/%@@£@# accuracy and .££££# something is #@£@@%/-~.
...~///%@£ efficiency in .@@@@# growing here. £@%///~...
.~-/%@@@£@ law enforcement .##### algae? those @£@@@%/-~.
.~-/%@@£££ .@#### inhabiting the £££@@%/-~.
.....~/@@£ ./#### labyrinth care £@@/~.....
....~-%@££ ..#### not so much ££@%-~....
.~-/%@@£££ ../### about the £££@@%/-~.
.~~-/%@@@@ ...### janitorial @@@@%/-~~.
....-//@@@ .../## side of things. @@@//-....
.....-%@@@ so, a green tint then, on the walls and @@@%-.....
.~-/%@@@@@ floors. that's fine, there's a much @@@@@%/-~.
.~-/%@@£## more important color - the crimson ##£@@%/-~.
.~-/%@@@@@ fire. hidden away, deep in bureaucratic @@@@@%/-~.
.~-/%@@£@# and architectural mazes both, the only #@£@@%/-~.
.~-/%@@£@# place where they dare set it ablaze, #@£@@%/-~.
....-/%%%@ and thus where they need to go to @%%%/-....
.~-/%@@@@@ utilize the flame. @@@@@%/-~.
....~/%%@@ @@%%/~....
....~-%@£@ a thought, a face, a flicker in the red @£@%-~....
.~-/%@@£@# fire. another thought, the presumed #@£@@%/-~.
.~-/%@@£@# contact, another shiver in the light. #@£@@%/-~.
.....~/%@£ then, the interrogator imagining their £@%/~.....
...-///%@£ meeting, talking perhaps, exchanging £@%///-...
.~-/%@@£@@ notes. the fire is still. no resonance. @@£@@%/-~.
.~-/%@@£## ##£@@%/-~.
.~-/%@@££@ @££@@%/-~.
.....~-%@@ @@%-~.....
.....~/@@£ £@@/~.....
.~-/%@@£££ £££@@%/-~.