^*~~,,,,,, ,,,,,,~~*^
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%^*~~,,,,, ~~ ,,,,,~~*^%
£%^*~~,,,, ~%%~ ,,,,~~*^%£
@£%^*~~,,, ~%##%~ ,,,~~*^%£@
@@£%^*~~,, ~%%~ ,,~~*^%£@@
#@@£%^*~~, ~~ ,~~*^%£@@#
@@£%^*~~,, ,,~~*^%£@@
@£%^*~~,,, ,,,~~*^%£@
£%^*~~,,,, *** teenage engineering presents *** ,,,,~~*^%£
%^*~~,,,,, #%~~~~~~ the pocket operators ~~~~~~%# ,,,,,~~*^%
^*~~,,,,,, ~~~ ~~~~~~ ~~~~~~~~~ ,,,,,,~~*^
*~~,,,,,,, ,,,,,,,~~*
~~,,,,,,,, they break easily ,,,,,,,,~~
*~~,,,,,,, for example if you would be to put them ,,,,,,,~~*
^*~~,,,,,, in your pocket ,,,,,,~~*^
%^*~~,,,,, ,,,,,~~*^%
£%^*~~,,,, ,^@#@^, ,,,,~~*^%£
@£%^*~~,,, here presented in an ascending fashion ,,,~~*^%£@
@@£%^*~~,, ,^@#@^, ,,~~*^%£@@
#@@£%^*~~, ,~~*^%£@@#
@@£%^*~~,, ,,~~*^%£@@
@£%^*~~,,, %% po twelve %% ,,,~~*^%£@
£%^*~~,,,, (drum machine, see po twelve) ,,,,~~*^%£
%^*~~,,,,, ,,,,,~~*^%
^*~~,,,,,, ,,,,,,~~*^
*~~,,,,,,, %% po fourteen %% ,,,,,,,~~*
~~,,,,,,,, lame base synth i had and sold ,,,,,,,,~~
*~~,,,,,,, ,,,,,,,~~*
^*~~,,,,,, ,,,,,,~~*^
%^*~~,,,,, %% po sixteen %% ,,,,,~~*^%
£%^*~~,,,, (melody and stuff, see po sixteen) ,,,,~~*^%£
@£%^*~~,,, ,,,~~*^%£@
@@£%^*~~,, ,,~~*^%£@@
#@@£%^*~~, %% po twenty %% ,~~*^%£@@#
@@£%^*~~,, a chiptune-sounding blip blop machine ,,~~*^%£@@
@£%^*~~,,, good for chords and stuff. never used it ,,,~~*^%£@
£%^*~~,,,, ,,,,~~*^%£
%^*~~,,,,, ,,,,,~~*^%
^*~~,,,,,, %% po twentyfour %% ,,,,,,~~*^
*~~,,,,,,, office rompler? for what reason? ,,,,,,,~~*
~~,,,,,,,, ,,,,,,,,~~
*~~,,,,,,, ,,,,,,,~~*
^*~~,,,,,, %% po twentyeight %% ,,,,,,~~*^
%^*~~,,,,, melody and stuff mark two ,,,,,~~*^%
£%^*~~,,,, (only melodies this time) ,,,,~~*^%£
@£%^*~~,,, ,,,~~*^%£@
@@£%^*~~,, ,,~~*^%£@@
#@@£%^*~~, %% po thirtytwo %% ,~~*^%£@@#
@@£%^*~~,, drum machine mark two ,,~~*^%£@@
@£%^*~~,,, runs on some computer software to make ,,,~~*^%£@
£%^*~~,,,, your own drums and whatnot. but it is ,,,,~~*^%£
%^*~~,,,,, expensive this one ,,,,,~~*^%
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