,,=\*§&###                                          ###&§*\=,,
,,,=\*§&##                                          ##&§*\=,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,,,=\*§&                                          &§*\=,,,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,=\*§&##                    ~~                    ##&§*\=,,,
,,=\*§&###                   ~§§~                   ###&§*\=,,
,=\*§&####                  ~§##§~                  ####&§*\=,
,,=\*§&###                   ~§§~                   ###&§*\=,,
,,,=\*§&##                    ~~                    ##&§*\=,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,,,=\*§&                                          &§*\=,,,,,
,,,,=\*§&#   \\\ teenage engineering presents \\\   #&§*\=,,,,
,,,=\*§&## #§======  the pocket operators  ======§# ##&§*\=,,,
,,=\*§&###           ~~~ ~~~~~~ ~~~~~~~~~           ###&§*\=,,
,=\*§&####                                          ####&§*\=,
,,=\*§&###            they break easily             ###&§*\=,,
,,,=\*§&## for example if you would be  to put them ##&§*\=,,,
,,,,=\*§&#              in your pocket              #&§*\=,,,,
,,,,,=\*§&                                          &§*\=,,,,,
,,,,=\*§&#                  ,*###*,                 #&§*\=,,,,
,,,=\*§&## here presented  in  an ascending fashion ##&§*\=,,,
,,=\*§&###                  ,*###*,                 ###&§*\=,,
,=\*§&####                                          ####&§*\=,
,,=\*§&###                                          ###&§*\=,,
,,,=\*§&##              §§ po twelve §§             ##&§*\=,,,
,,,,=\*§&#       (drum machine, see po twelve)      #&§*\=,,,,
,,,,,=\*§&                                          &§*\=,,,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,=\*§&##            §§ po fourteen §§             ##&§*\=,,,
,,=\*§&### lame   base  synth   i   had  and   sold ###&§*\=,,
,=\*§&####                                          ####&§*\=,
,,=\*§&###                                          ###&§*\=,,
,,,=\*§&##             §§ po sixteen §§             ##&§*\=,,,
,,,,=\*§&#    (melody and stuff, see po sixteen)    #&§*\=,,,,
,,,,,=\*§&                                          &§*\=,,,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,=\*§&##              §§ po twenty §§             ##&§*\=,,,
,,=\*§&###  a chiptune-sounding blip blop machine   ###&§*\=,,
,=\*§&#### good for chords and stuff. never used it ####&§*\=,
,,=\*§&###                                          ###&§*\=,,
,,,=\*§&##                                          ##&§*\=,,,
,,,,=\*§&#           §§ po twentyfour §§            #&§*\=,,,,
,,,,,=\*§&     office rompler? for what reason?     &§*\=,,,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,=\*§&##                                          ##&§*\=,,,
,,=\*§&###           §§ po twentyeight §§           ###&§*\=,,
,=\*§&####        melody and stuff mark two         ####&§*\=,
,,=\*§&###        (only melodies this time)         ###&§*\=,,
,,,=\*§&##                                          ##&§*\=,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,,,=\*§&            §§ po thirtytwo §§            &§*\=,,,,,
,,,,=\*§&#           drum machine mark two          #&§*\=,,,,
,,,=\*§&## runs  on  some computer software to make ##&§*\=,,,
,,=\*§&### your  own  drums and whatnot. but it  is ###&§*\=,,
,=\*§&####            expensive this one            ####&§*\=,
,,=\*§&###                                          ###&§*\=,,
,,,=\*§&##                                          ##&§*\=,,,
,,,,=\*§&#                                          #&§*\=,,,,
,,,,,=\*§&                                          &§*\=,,,,,
,,,,=\*§&#                                          #&§*\=,,,,