@,@@,@@,@,                                          ,@@,@@,,@,
@@@,@@,@@@                                          ,@,@@,@,@@
,,,@@,@@,,                                          @@@@,@@@@,
,,,@,@@,@,                                          @,,,@@,,,@
@,,@@@,@@@                                          ,@,,@,@,,@
,@,@,,@@,,                    ^^                    @@@,@@@@,@
@@@@@,@,@,                   ^%%^                   ,,,@@,,,@@
,,,,,@@@@@                  ^%##%^                  @,,@,@,,@,
,,,,,@,,,,                   ^%%^                   @@,@@@@,@@
@,,,,@@,,,                    ^^                    @,@@,,,@@,
@@,,,@,@,,                                          ,@@,@,,@,@
,,@,,@@@@,                                          ,@,@@@,@@@
@,@@,@,,,@   ::: teenage engineering presents :::   ,@@@,,@@,,
@@@,@@@,,@ #%««««««  the pocket operators  ««««««%# @@,,@,@,@,
@,,@@,,@,@           ^^^ ^^^^^^ ^^^^^^^^^           ,,@,@@@@@@
,@,@,@,@@@                                          @,@@@,,,,,
,@@@@@@@,,            they break easily             @@@,,@,,,,
,@,,,,,,@, for example if you would be  to put them @,,@,@@,,,
,@@,,,,,@@              in your pocket              ,@,@@@,@,,
,@,@,,,,@,                                          @@@@,,@@@,
,@@@@,,,@@                  ,$###$,                 ,,,,@,@,,@
@@,,,@,,@, here presented in  an ascending  fashion @,,,@@@@,@
,,@,,@@,@@                  ,$###$,                 @@,,@,,,@@
@,@@,@,@@,                                          @,@,@@,,@,
@@@,@@@@,@                                          ,@@@@,@,@@
,,,@@,,,@@              %% po twelve %%             @@,,,@@@@,
,,,@,@,,@,       (drum machine, see po twelve)      @,@,,@,,,@
@,,@@@@,@@                                          @@@@,@@,,@
,@,@,,,@@,                                          @,,,@@,@,@
@@@@@,,@,@             %% po fourteen %%            ,@,,@,@@@@
,,,,,@,@@@ lame  base  synth   i   had   and   sold @@@,@@@,,,
,,,,,@@@,,                                          @,,@@,,@,,
,,,,,@,,@,                                          ,@,@,@,@@,
,,,,,@@,@@             %% po sixteen %%             @@@@@@@@,@
@,,,,@,@@,    (melody and stuff, see po sixteen)    @,,,,,,,@@
,@,,,@@@,@                                          ,@,,,,,,@,
,@@,,@,,@@                                          ,@@,,,,,@@
@@,@,@@,@,              %% po twenty %%             ,@,@,,,,@,
@,@@@@,@@@   a chiptune-sounding blip blop machine  ,@@@@,,,@@
,@@,,,@@,, good for chords and stuff. never used it ,@,,,@,,@,
,@,@,,@,@,                                          ,@@,,@@,@@
@@@@@,@@@@                                          @@,@,@,@@,
@,,,,@@,,,            %% po twentyfour %%           @,@@@@@@,@
,@,,,@,@,,     office rompler? for what reason?     ,@@,,,,,@@
@@@,,@@@@,                                          ,@,@,,,,@,
@,,@,@,,,@                                          ,@@@@,,,@@
,@,@@@@,,@           %% po twentyeight %%           @@,,,@,,@,
,@@@,,,@,@         melody and stuff mark two        ,,@,,@@,@@
@@,,@,,@@@        (only melodies this time)         @,@@,@,@@,
@,@,@@,@,,                                          @@@,@@@@,@
,@@@@,@@@,                                          @,,@@,,,@@
@@,,,@@,,@            %% po thirtytwo %%            ,@,@,@,,@,
@,@,,@,@,@           drum machine mark two          @@@@@@@,@@
,@@@,@@@@@ runs on some  computer  software to make ,,,,,,,@@,
,@,,@@,,,, your own drums and  whatnot.  but  it is ,,,,,,,@,@
@@@,@,@,,,            expensive this one            ,,,,,,,@@@
,,,@@@@@,,                                          @,,,,,,@,,
,,,@,,,,@,                                          @@,,,,,@@,
,,,@@,,,@@                                          ,,@,,,,@,@
@,,@,@,,@,                                          @,@@,,,@@@
,@,@@@@,@@                                          @@@,@,,@,,