,,\$§¤@###                                          ###@¤§$\,,
,,,,,,,«$¤                                          ¤$«,,,,,,,
,,,«\$$¤@#                                          #@¤$$\«,,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,««\$$¤@#                                          #@¤$$\««,,
,,«\$§¤@##                    ,,                    ##@¤§$\«,,
,,«\$§@###                   ,§§,                   ###@§$\«,,
,,«\$§¤@##                  ,§##§,                  ##@¤§$\«,,
,,«\$§§¤@#                   ,§§,                   #@¤§§$\«,,
,,«\$§¤@##                    ,,                    ##@¤§$\«,,
,,«\$§¤###                                          ###¤§$\«,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,«««\§¤¤@   \\\ teenage engineering presents \\\   @¤¤§\«««,,
,,,,«««\$¤ #§««««««  the pocket operators  ««««««§# ¤$\«««,,,,
,,«\$§§§@#           ,,, ,,,,,, ,,,,,,,,,           #@§§§$\«,,
,,,,,,\§¤@                                          @¤§\,,,,,,
,,,,\\\\§¤             they break easily            ¤§\\\\,,,,
,,«\§¤@### for example  if you would be to put them ###@¤§\«,,
,,,,,«$$§@              in your pocket              @§$$«,,,,,
,,«\$§¤###                                          ###¤§$\«,,
,,«\$§¤@##                  ,$###$,                 ##@¤§$\«,,
,,,,,«$§§¤ here presented in  an ascending  fashion ¤§§$«,,,,,
,,,,,,«\§@                  ,$###$,                 @§\«,,,,,,
,,«\$§§§§@                                          @§§§§$\«,,
,«\$§¤@###                                          ###@¤§$\«,
,,«\$§¤¤¤#              §§ po twelve §§             #¤¤¤§$\«,,
,,,,,«\$§@       (drum machine, see po twelve)      @§$\«,,,,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,«\$$§§¤@                                          @¤§§$$\«,,
,,,,,«$¤¤¤            §§ po fourteen §§             ¤¤¤$«,,,,,
,,,,«\\$¤# lame   base   synth   i   had  and  sold #¤$\\«,,,,
,,,,,,«$¤@                                          @¤$«,,,,,,
,,«\$$$$§¤                                          ¤§$$$$\«,,
,,«\$§§§¤@             §§ po sixteen §§             @¤§§§$\«,,
,,«\$§¤@##    (melody and stuff, see po sixteen)    ##@¤§$\«,,
,,«$§¤@###                                          ###@¤§$«,,
,,,,,«\§§¤                                          ¤§§\«,,,,,
,,«\$§¤@##             §§ po twenty §§              ##@¤§$\«,,
,,«\$§¤@##   a chiptune-sounding blip blop machine  ##@¤§$\«,,
,,,,,«$¤¤¤ good for chords and stuff. never used it ¤¤¤$«,,,,,
,,«\\\$$¤@                                          @¤$$\\\«,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,«$§¤@###            §§ po twentyfour §§           ###@¤§$«,,
,,«\$§¤@##     office rompler? for what reason?     ##@¤§$\«,,
,,,,«\\$§¤                                          ¤§$\\«,,,,
,,,,,\$§¤¤                                          ¤¤§$\,,,,,
,,«\$§¤@##           §§ po twentyeight §§           ##@¤§$\«,,
,,«\$§¤@##        melody and stuff mark two         ##@¤§$\«,,
,,«\$§¤@##         (only melodies this time)        ##@¤§$\«,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,«\$§§¤@#            §§ po thirtytwo §§            #@¤§§$\«,,
,,«\$§¤@##          drum machine mark two           ##@¤§$\«,,
,,«\$§¤¤¤# runs on  some computer software to  make #¤¤¤§$\«,,
,,,,,,\$¤@ your  own drums and  whatnot. but it  is @¤$\,,,,,,
,,«\$§@###            expensive this one            ###@§$\«,,
,,«\$§§¤¤@                                          @¤¤§§$\«,,
,,\$§¤@###                                          ###@¤§$\,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,«\$§¤@##                                          ##@¤§$\«,,
,,,,,,«$$¤                                          ¤$$«,,,,,,