.,«*%*&@## ##@&*%*«,.
.«*%*&@### ###@&*%*«.
.,«%*&@### ###@&*%«,.
.,«*%*&@## ##@&*%*«,.
.,«*%*&@## ##@&*%*«,.
.....«%*&@ %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%* @&*%«.....
.,«*%*&@## *% OPERATION CONTRASTING VALKYRIE *% ##@&*%*«,.
.,«*%*&@## %* IN THE SIXTIES. THE CENTRAL %* ##@&*%*«,.
.,«*%*&@## *% INTELLIGENCE AGENCY "CIA" RELEASE *% ##@&*%*«,.
.,«*%*&&@# %* AEROSOLIZED SELATENINE OVER A %* #@&&*%*«,.
.,«*%*&@## *% JUPITER EQUINOX CONCERT, CREATING *% ##@&*%*«,.
.....,,*%& %* THE LARGEST SECRET PARADIGM SHIFT %* &%*,,.....
.,«*%*&@## *% THAT THE WORLD HAS EVER «SEEN«. *% ##@&*%*«,.
......,*%& %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%* &%*,......
......,«%& &%«,......
.,«*%*&@## THE JUPITER EQUINOX* CONCERT IS PART OF ##@&*%*«,.
......«**@ A FESTIVAL IN BLACK TICKLE ARRANGED BY @**«......
.,«*%*&@## A GROUP CALLED EPICENTER OF LOVE. THERE ##@&*%*«,.
.,«*%***@# IS NO ENTRANCE BUT VISITORS ARE #@***%*«,.
.....,«%%& EXPECTED TO HELP WITH MAINTENANCE. FOOD &%%«,.....
..,,««%&&@ AND DRINK IS SHARED. MANY BANDS ARE @&&%««,,..
.,«*%*&@## PLAYING OVER THE FOUR DAY COURSE OF THE ##@&*%*«,.
...,«*%**@ FESTIVAL, AND THE STAGE IS OPEN BETWEEN @**%*«,...
..,,*%%%%& SCHEDULED CONCERTS. JUPITER EQUINOX, &%%%%*,,..
....«%%&&@ WHILE AN UNKNOWN ACT, HAS A PRESTIGIOUS @&&%%«....
.,«*%*&@@# TIMESLOT AT EIGHT IN THE EVENING ON THE #@@&*%*«,.
.,«*%*&@## THIRD DAY, WHICH IS FRIDAY. . . . ##@&*%*«,.
.....,«%&& &&%«,.....
.,«**&@### EIGHT IS ALSO WHEN THE PLANE USED TO ###@&**«,.
...,**%**@ SPREAD THE AEROSOL LIFTS OFF. IT @**%**,...
....,***&& ARRIVES AT THE FESTIVAL ABOUT A QUARTER &&***,....
.....,,*%& PAST, SOUND MASKED BY THE CONCERT. &%*,,.....
......«%&& AROUND WHEN THE FIRST WAVE OF &&%«......
....,*%%&& SELATENINE MUST HAVE REACHED THE &&%%*,....
....,*%*&& AUDIENCE, THE SONG COMES TO A TENSE BUT &&*%*,....
.,«*%*&@## QUIET MOVEMENT, AND THE LEAD SINGER ##@&*%*«,.
.,«*%*&@@@ WALKS TO THE FRONT OF THE STAGE. @@@&*%*«,.
.,«*%*&@## ##@&*%*«,.
.,«*%*&@## SHE SAYS, WITH A CRYSTALLINE VOICE: "I ##@&*%*«,.
.,«*%*&@## HAVE SOMETHING TO TELL YOU. I AM NOT A ##@&*%*«,.
.,«*%*&@## HUMAN BEING. I AM NOT AN ANIMAL OR A ##@&*%*«,.
.,«*%&@### PLANT. I HAVE BEEN SENT TO DELIVER A ###@&%*«,.
.,«*%*&@@# MESSAGE TO YOU. A MESSAGE OF HOPE. YOU #@@&*%*«,.
..,,,,**&& ARE NOT ALONE. THERE ARE OTHER BEINGS &&**,,,,..
.,«*%*&@## IN THE UNIVERSE. THERE IS LIFE OUT ##@&*%*«,.
.,«*%*&@## THERE, LIFE THAT IS REACHING OUT A ##@&*%*«,.
...,««%& HAND. AND IT'S TIME TO TAKE THAT HAND. #&&%««,...
...,«%**@# TO REACH OUT TOWARD THAT HAND AND GRAB #@**%«,...
.,«*%*&@## IT IT. IT IS TIME TO COME HOME. YOU ARE ##@&*%*«,.
.,«*%*@### GOING HOME. YOU ARE GOING HOME." ###@*%*«,.
.....,**%& &%**,.....
...,««%%&& THE SINGER STANDS THERE FOR A FEW &&%%««,...
.,«*%*&@## MOMENTS, HER HAND RAISED IN THE AIR, ##@&*%*«,.
.....«***& BEFORE THE REST OF THE BAND KICKS IN &***«.....
.,«*%%%* AND THE MUSIC BUILDS TO A CRESCENDO. #&*%%%*«,.
.,«««%**@@ THE CROWD ERUPTS. AND THEN SOMETHING @@**%«««,.
.,«*%*&@@@ ELSE ERUPTS AS WELL. A CONCERT-GOER @@@&*%*«,.
.,«***%*@@ DESCRIBES IT: "SUDDENLY, THE MUSIC @@*%***«,.
.....««**& SEAMS BROADER, MORE COLORFUL. I CAN &**««.....
....«%***@ SOMEHOW SEE IT, AND I FEEL THE OTHERS @***%«....
....««%**@ SEEING IT, AND I SEE IT THROUGH THEIR @**%««....
.,«*%*&@## EYES AS WELL. MEANWHILE I'M DANCING, ##@&*%*«,.
.,«*%%%%*& AND I CAN FEEL MY BODY AS I'VE NEVER &*%%%%*«,.
.,«*%*## DONE BEFORE, I AM AWARE OF EACH CELL ###&*%*«,.
.,,,,***&& AND EACH MOLECULE, ALL VIBRATING IN &&***,,,,.
.,«*%*&@## UNISON. AND IT'S ALL GOING FASTER, ##@&*%*«,.
...,«%***@ BUILDING UP TO SOMETHING, WAKING UP." @***%«,...
.,«*%*&@## ##@&*%*«,.
.,«*%*&@## PEOPLE START FORMING CIRCLES, HOLDING ##@&*%*«,.
.,«*%*&@## HANDS AND DANCING. SOME ARE CRYING. ##@&*%*«,.
.....««%&& SOME ARE LAUGHING. SOME ARE SCREAMING. &&%««.....
...,,,** #&**,,,...
.,«*%*&@## AND THEN - A FLUTTER - AND SOMETHING ##@&*%*«,.
....««%%&@ GIVES. A SHOCKWAVE OF REVERSING @&%%««....
..,,,«*%*@ POLARITY IN THE ETHER, AND LIKE @*%*«,,,..
.,«*%%%*&@ BUTTERFLIES GETTING HIT BY A BURST OF @&*%%%*«,.
.,«*%*&@@# WIND, THE THIRD EYE OPENS FOR EVERYONE #@@&*%*«,.
.,«*%*&@## IN THE AUDIENCE. AND IT BECOMES A CHAIN ##@&*%*«,.
......««%& REACTION, QUICKLY SPREADING ACROSS THE &%««......
.,«*%*&@## FESTIVAL AREA. WITHIN SECONDS THERE IS ##@&*%*«,.
.,«*%*&@## A GLOBAL BLACKOUT. FESTIVAL GOERS ##@&*%*«,.
...,,*%&&& REGAIN THEIR MEMORIES AROUND A WEEK &&&%*,,...
.,«*%*## LATER, THOSE IN THE NEARBY TOWN OF ###&*%*«,.
.,«*%*&&@@ BLACK TICKLE AFTER A FEW DAYS, IN @@&&*%*«,.
.,,«««%*@@ MONTREAL FOR THE EVENING, THE REST OF @@*%«««,,.
.,«*%*## AMERICA MAYBE AN HOUR. . . . . . ###&*%*«,.
.,«*%*&@## ##@&*%*«,.
.,«*%*&@## AND THUS, THE POPULATION OF EARTH ##@&*%*«,.
.,«*%%%&@# HAS KIND OF LEFT IT'S MATERIALISTIC #@&%%%*«,.
....,*%%&& BASELINE, ONLY THAT MOST DO NOT &&%%*,....
.,«***%* REMEMBER IT. #&*%***«,.
.,«*%*&@## ##@&*%*«,.
..,««%%* #&*%%««,..
.,«*%*&@## %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%* ##@&*%*«,.
.....«%*@@ *% * THERE'S AN INTERESTING ASPECT TO *% @@*%«.....
...«««%% %* THE "JUPITER EQUINOX" ACT. IT %* #&%%«««...
.,«*%&@### *% SEEMS THERE WAS NEVER ANY *% ###@&%*«,.
.,«*%*&@## %* JUPITER EQUINOX CONCERTS BEFORE OR %* ##@&*%*«,.
.,«*%*&@## *% AFTER THE ONE IN BLACK TICKLE. THE *% ##@&*%*«,.
.,«*%*&@## %* LEAD SINGER (ALSO COLLOQUIALLY %* ##@&*%*«,.
.,«*%*&@## *% REFERRED TO AS JUPITER) SEEMED TO *% ##@&*%*«,.
.,«*%*&@## %* IMMEDIATELY DISAPPEAR (FOR A LONG %* ##@&*%*«,.
......«%&& *% WHILE SHE WAS THOUGHT TO HAVE BEEN *% &&%«......
.,«*%*&@@@ %* A CIA AGENT, BUT A LATER FOIA %* @@@&*%*«,.
.,«**&@### *% RELEASE REFUTED THIS). FOR OBVIOUS *% ###@&**«,.
.,,,,«%**@ %* REASONS, MANY WERE LOOKING FOR ANY %* @**%«,,,,.
...,,*%%&@ *% TRACE OF THE BAND, BUT NONE *% @&%%*,,...
.,«*%%** %* WERE FRUITFUL. %* #&**%%*«,.
.,«*%&@### *% *% ###@&%*«,.
..,«***& %* RECENTLY, HOWEVER, SOME ATTENTION %* #&&***«,..
....,,*%%& *% HAS BEEN DRAWN TO JUNIPER HELDING, *% &%%*,,....
,«*%*&@### %* A SIXTEEN YEAR OLD POP SINGER FROM %* ###@&*%*«,
....,«%& *% ENGLAND WHO HAS A VERY STRIKING *% #&&%«,....
.,«*%*&@## %* SIMILARITY... %* ##@&*%*«,.
.,«*%*&@## *%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*% ##@&*%*«,.
..,«««%&&& &&&%«««,..
...««*%**@ @**%*««...
.,,««**&&& &&&**««,,.
.,«*%*&@## ##@&*%*«,.
.,«*%*&@## ##@&*%*«,.