,,:=/*£@## ##@£*/=:,,
,:=/*£@### ###@£*/=:,
,,:=/*£@## ##@£*/=:,,
,,,:=/*£@# #@£*/=:,,,
,,:=/*£@## ##@£*/=:,,
,:=/*£@### ###= =### ###@£*/=:,
,,:=/*£@## # # ##@£*/=:,,
,,,:=/*£@# # tele migraine # #@£*/=:,,,
,,:=/*£@## # # ##@£*/=:,,
,:=/*£@### ###= =### ###@£*/=:,
,,:=/*£@## ##@£*/=:,,
,,,:=/*£@# the so called "third migraine". it's #@£*/=:,,,
,,:=/*£@## like a regular migraine but it does not ##@£*/=:,,
,:=/*£@### hurt there's no pain, the cosmos is ###@£*/=:,
,,:=/*£@## there and it's draining the evil ##@£*/=:,,
,,,:=/*£@# straight out of the wound. #@£*/=:,,,
,,:=/*£@## ##@£*/=:,,
,:=/*£@### it's massaging your temples, piercing ###@£*/=:,
,,:=/*£@## you, entering your blood, cracking the ##@£*/=:,,
,,,:=/*£@# skull open. a paw grips your brain, #@£*/=:,,,
,,:=/*£@## plays with it, pulls it out into the ##@£*/=:,,
,:=/*£@### cosmos. ###@£*/=:,
,,:=/*£@## ##@£*/=:,,
,,,:=/*£@# there's comets! space oddities. #@£*/=:,,,
,,:=/*£@## solitary oscillations. carrier wave. ##@£*/=:,,
,:=/*£@### burned away by the suns radiation until ###@£*/=:,
,,:=/*£@## only the faintest trace remain, ##@£*/=:,,
,,,:=/*£@# eventually caught in the gravity well #@£*/=:,,,
,,:=/*£@## of some second rate water planet. ##@£*/=:,,
,:=/*£@### ###@£*/=:,
,,:=/*£@## it's raining sap. ##@£*/=:,,
,,,:=/*£@# we're getting sweet and wet #@£*/=:,,,
,,:=/*£@## ##@£*/=:,,
,:=/*£@### ###= =### ###@£*/=:,
,,:=/*£@## ##@£*/=:,,
,,,:=/*£@# my lunch break is over and i need to #@£*/=:,,,
,,:=/*£@## get back to the shop. lynne is there ##@£*/=:,,
,:=/*£@### alone and hasn't eaten yet. i take the ###@£*/=:,
,,:=/*£@## back route up from the beach to avoid ##@£*/=:,,
,,,:=/*£@# the crowd. sing a little to myself. #@£*/=:,,,
,,:=/*£@## ##@£*/=:,,
,:=/*£@### life gets to prosper outside of,@/=== - ###@£*/=:,
,,:=/*£@## suddenly, an acid flashback: i step ##@£*/=:,,
,,,:=/*£@# down in my mind (like an open mind / #@£*/=:,,,
,,:=/*£@## fractal stinger / bismuth staircase) ##@£*/=:,,
,:=/*£@### and wade in shadows... surrounded by ###@£*/=:,
,,:=/*£@## memory negatives, ##@£*/=:,,
,,,:=/*£@# like uprocessed film.... #@£*/=:,,,
,,:=/*£@## ##@£*/=:,,
,:=/*£@### ###= =### ###@£*/=:,
,,:=/*£@## ##@£*/=:,,
,,,:=/*£@# we're closing for the evening. the shop #@£*/=:,,,
,,:=/*£@## is in the bottom floor of a narrow ##@£*/=:,,
,:=/*£@### mudbrick building, painted teal. we ###@£*/=:,
,,:=/*£@## live on the second floor, together with ##@£*/=:,,
,,,:=/*£@# the owner. as i close the metal #@£*/=:,,,
,,:=/*£@## curtain, behind its characteristic ##@£*/=:,,
,:=/*£@### sharp rattling i can hear the ###@£*/=:,
,,:=/*£@## curfew sirens. ##@£*/=:,,
,,,:=/*£@# #@£*/=:,,,
,,:=/*£@## wormy street wolves outside, chasing ##@£*/=:,,
,:=/*£@### entrances in the dark alleyways, ###@£*/=:,
,,:=/*£@## wanting in, getting desperate, lapsing ##@£*/=:,,
,,,:=/*£@# to search higher, on roofs, climbing on #@£*/=:,,,
,,:=/*£@## balconies. and there's bound to be some ##@£*/=:,,
,:=/*£@### reckless tourist who didn't heed the ###@£*/=:,
,,:=/*£@## warnings, never closed their windows... ##@£*/=:,,
,,,:=/*£@# #@£*/=:,,,
,,:=/*£@## or, in some cases, the houseowner had ##@£*/=:,,
,:=/*£@### the window bolts weakened, and when ###@£*/=:,
,,:=/*£@## cleaning up the aftermath would pocket ##@£*/=:,,
,,,:=/*£@# their belongings. #@£*/=:,,,
,,:=/*£@## ##@£*/=:,,
,:=/*£@### ###@£*/=:,
,,:=/*£@## ##@£*/=:,,
,,,:=/*£@# #@£*/=:,,,
,,:=/*£@## ##@£*/=:,,