THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US,  WE WENT ON AN OUTING TO 
 THE  GLASS FACTORY THAT BORE  OUR FAMILY 
 NAME.  IT  HAD CHANGED OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE  BUILDINGS  THAT SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING.  BY  MANY,  WE WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS, MADE  IN 
 YELLOW  BRICK. LARGE BUT NARROW WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE,  LARGE AND 
 LEADED, AND ASHEN. A BIT TOO DARK TO  BE 
 PRACTICAL.  ON  THE  EASTERN   BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE  OTHER ONE IS PUBLICLY OPEN. THERE'S 
 A  MUSEUM, WITH WAX FIGURES  OF MY GREAT 
 GREAT GREAT GRANDFATHER,  OR  SOMETHING. 
 VARIOUS  TOOLS (OR REPLICAS) LAID OUT ON 
 TABLES,  WITH EXPLAINING TEXTS. A LOT OF 
 GLASS      OF     VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB  INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR   A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS   ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT I  CAN SEE  BY THE 
 LIGHT  THAT SHINES  IN WHEREVER THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST  DIFFERENCE IS THE 
 HIGHER  FLOORS: THIS  BUILDING HAS NONE. 
 IT IS ONE MASSIVE HALL, STRETCHING  AWAY 
 INFINITELY ABOVE ME. SOMEWHERE UP  THERE 
 IS  SOME  GREAT  IRON LATTICEWORK,  FROM 
 WHERE CHAINS  ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN THE MIDDLE  OF  THE GREAT 
 HALL,  A  THIN   SPIRAL  STAIRCASE  THAT 
 LEADS UP THERE. I SNEAK OVER  THERE, AND 
 TAKE A  FEW RELUCTANT STEPS. AFTER  JUST 
 A REVOLUTION,  I  NOTICE  THAT  FOR EACH 
 STEP  THE  BUILDING STARTS TO GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED,  AND THEN 
 ORANGE, ALL THE  PILED  UP DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY  TO RUN  DOWN  AND OUT, BUT 
 THERE'S  SOMEONE ELSE  ON THE  STAIRCASE 
 WITH   ME   NOW,   PRESSED  CLOSE.  HE'S 
 LOOKING LIKE  ME,  SHORT HAIR  AND  THIN 
 ARMS, BUT  WITH  EARS FROM  SOME ANIMAL, 
 AND MORE  DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN  PLACE  WHILE HE 
 STARTS OPERATING LEVERS  AND  DIALS  SET 
 IN THE CENTER  OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING, CIRCLING  UPWARDS. 
 IT'S  AN   ELEVATOR!  I   START  TO  RUN 
 DOWNWARDS,   BUT   NOW  THE  LIQUID  BOY 
 CREATURE  GRABS HOLD OF  ME.  I  TRY  TO 
 SHAKE HIM OFF,  BUT HE'S TOO STRONG, AND 
 PULLS   ME   BACK    UP    BESIDE   HIM. 
                                          
 THIS TIME, I  TURN  ANGRY INSTEAD.  WHAT 
 THE  HELL? WHO IS THIS GUY,  ACTING LIKE 
 THIS? I REACH  OUT  MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM ON  THE  ARM, FORCING MY  RELEASE. I 
 SHOVE HIM OFF OF ME, AND  HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN   RUSTY  CHAINMAIL 
 CURTAIN  IS DROPPED AROUND ME.  BUT  THE 
 ELEVATOR ALSO  SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS   ARE  FLARING  NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY  EYES AND 
 CURL INTO  A BALL.  BUT THEN, THE  GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY EYES BACK  OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS  BODY POOLING 
 DOWN IN  HIS NOW MASSIVE  TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS OF IN  A GLASS 
 DROP  THAT  FALLS  TOWARD   THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON THE  STAIRS, UNABLE  TO 
 KEEP  HIS BODY  UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY IS  TURNING  INTO  DARK 
 PEARLS.  FINALLY, HE'S LOST  TOO MUCH OF 
 HIMSELF  AND THE  SCREAM IS  CUT  SHORT. 
 THE    LAST   OF    HIM    RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE LEVERS  FROM 
 WITHIN MY  CAGE. LOOKING  UP,  I  TRY TO 
 MAKE OUT THE  CEILING,  BUT  IT'S  ALL A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE HELLFIRE OF  THE  FACTORY WALLS, BUT 
 VERY  FAINT.  I SIT DOWN, CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK  SHAKES  MY ENTIRE  BODY, 
 AND  SNAPS  ME  BACK  INTO  REALITY. I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN  PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I   SLOWLY  DISMOUNT   THE  STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE  MY WAY OVER 
 THE FACTORY FLOOR, WADING  THROUGH  DARK 
 GLASS MARBLES. A  QUICK GLANCE DOWN, AND 
 I  SEE  THERE'S  SOMETHING  FAINT INSIDE 
 THEM.   EMBRYOS?    ARE   THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.