...@@@.... ...@...@@.
...@.@@... ....@..@@@
@....@@@.. .....@.@.@
@@...@.@@. .........@
.@@....@@@ .........@
.@@@...@.@ the last song on side b (and to some ..........
.@.@@....@ extent the first song on side a) talks @.........
...@@@...@ for the whole album, not just their .@........
...@.@@... side. the last song on side b is ..@.......
.....@@@.. probably the most important @..@......
.....@.@@. opportunity, the most charged slot. .@..@.....
.......@@@ ..@..@....
.......@.@ .###. @..@..@...
.........@ .@..@..@..
.........@ the album is a singularity, an anomaly ..@..@..@.
.......... in spacetime, a creature that knows ...@..@..@
@......... exactly how beautiful it is. @...@..@..
.@........ . @@...@..@.
..@....... and the thing is: it sees itself in @@@...@..@
@..@...... three d. it knows that it's dying. @.@@...@..
.@..@..... ..@@@...@.
..@..@.... %%¤¤%%¤¤%%¤¤%%¤¤%%¤@@¤%%¤¤%%¤¤%%¤¤%%¤¤%% ..@.@@...@
@..@..@... @...@@@...
.@..@..@.. , dolphins and cats , @@..@.@@..
..@..@..@. bring us .@@...@@@.
...@..@..@ . flowers and honey . .@@@..@.@@
@...@..@.. .@.@@...@@
@@...@..@. , dolphins and cats , ...@@@..@.
@@@...@..@ bring us ...@.@@...
@.@@...@.. . fairies and bees . @....@@@..
..@@@...@. @@...@.@@.
..@.@@...@ our boat is afloat @@@....@@@
@...@@@... on a surface of lilies @.@@...@.@
@@..@.@@.. , dolphins and cats , ..@@@....@
.@@...@@@. drag us down ..@.@@...@
.@@@..@.@@ .«% underneath %«. ....@@@...
.@.@@...@@ ....@.@@..
...@@@..@. %%¤¤%%¤¤%%¤¤%%¤¤%%¤@@¤%%¤¤%%¤¤%%¤¤%%¤¤%% @.....@@@.
...@.@@... .@....@.@@
@....@@@.. side a is foresty, and side b might ..@.....@@
@@...@.@@. be lizardy. but the last song is full ...@....@.
@@@....@@@ of space. ....@.....
@.@@...@.@ .....@....
..@@@....@ ......@...
..@.@@...@ .......@..
....@@@... ........@.
....@.@@.. .........@