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£§*«,¨¨¨¨¨ extent the first song on side a) talks ¨¨¨¨¨,«*§£
§*«,¨¨¨¨¨¨ for the whole album, not just their ¨¨¨¨¨¨,«*§
*«,¨¨¨¨¨¨¨ side. the last song on side b is ¨¨¨¨¨¨¨,«*
«,¨¨¨¨¨¨¨¨ probably the most important ¨¨¨¨¨¨¨¨,«
*«,¨¨¨¨¨¨¨ opportunity, the most charged slot. ¨¨¨¨¨¨¨,«*
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#££§*«,¨¨¨ the album is a singularity, an anomaly ¨¨¨,«*§££#
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###££§*«,¨ exactly how beautiful it is. ¨,«*§££###
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#££§*«,¨¨¨ and the thing is: it sees itself in ¨¨¨,«*§££#
££§*«,¨¨¨¨ three d. it knows that it's dying. ¨¨¨¨,«*§££
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«,¨¨¨¨¨¨¨¨ , dolphins and cats , ¨¨¨¨¨¨¨¨,«
*«,¨¨¨¨¨¨¨ bring us ¨¨¨¨¨¨¨,«*
§*«,¨¨¨¨¨¨ ¨ flowers and honey ¨ ¨¨¨¨¨¨,«*§
£§*«,¨¨¨¨¨ ¨¨¨¨¨,«*§£
££§*«,¨¨¨¨ , dolphins and cats , ¨¨¨¨,«*§££
#££§*«,¨¨¨ bring us ¨¨¨,«*§££#
##££§*«,¨¨ ¨ fairies and bees ¨ ¨¨,«*§££##
###££§*«,¨ ¨,«*§££###
##££§*«,¨¨ our boat is afloat ¨¨,«*§££##
#££§*«,¨¨¨ on a surface of lilies ¨¨¨,«*§££#
££§*«,¨¨¨¨ , dolphins and cats , ¨¨¨¨,«*§££
£§*«,¨¨¨¨¨ drag us down ¨¨¨¨¨,«*§£
§*«,¨¨¨¨¨¨ ¨«§ underneath §«¨ ¨¨¨¨¨¨,«*§
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*«,¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨,«*
§*«,¨¨¨¨¨¨ side a is foresty, and side b might ¨¨¨¨¨¨,«*§
£§*«,¨¨¨¨¨ be lizardy. but the last song is full ¨¨¨¨¨,«*§£
££§*«,¨¨¨¨ of space. ¨¨¨¨,«*§££
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