,,--\\%&&# #&&%\\--,,
,-«\^%&### ###&%^\«-,
,-«\%&#### ####&%\«-,
,,,,,-\\^& &^\\-,,,,,
,-«\^%%%%# #%%%%^\«-,
,-«\^%&### the last song on side b (and to some ###&%^\«-,
,---\^^^%& extent the first song on side a) talks &%^^^\---,
,-«\^%%%&& for the whole album, not just their &&%%%^\«-,
,-«\^%&### side. the last song on side b is ###&%^\«-,
,-«\^%&### probably the most important ###&%^\«-,
,-«\%&#### opportunity, the most charged slot. ####&%\«-,
,-«\^%%&&# #&&%%^\«-,
,-«\^%&### ,###, ###&%^\«-,
,,,,-«^^&# #&^^«-,,,,
,,,--\^%%& the album is a singularity, an anomaly &%%^\--,,,
,-«\^%&### in spacetime, a creature that knows ###&%^\«-,
,-«\^%&&&# exactly how beautiful it is. #&&&%^\«-,
,-«\^%&### , ###&%^\«-,
,-«\^%&### and the thing is: it sees itself in ###&%^\«-,
,,,--\\^%& three d. it knows that it's dying. &%^\\--,,,
,-«\^&#### ####&^\«-,
,-«\^%&### ^^%%^^%%^^%%^^%%^^%&&%^^%%^^%%^^%%^^%%^^ ###&%^\«-,
,,,,,-«^&& &&^«-,,,,,
,-«\^%&### - dolphins and cats - ###&%^\«-,
,,,,,«^%%& bring us &%%^«,,,,,
,,,--\^%%# , flowers and honey , #%%^\--,,,
,,,,,,«^%& &%^«,,,,,,
,,,-\^^^^& - dolphins and cats - &^^^^\-,,,
,-«\^%&### bring us ###&%^\«-,
,,,«\^^&&# , fairies and bees , #&&^^\«,,,
,-«\^%&### ###&%^\«-,
,,,«\\\^&# our boat is afloat #&^\\\«,,,
,-«\^%%&&# on a surface of lilies #&&%%^\«-,
,-«\^%&### - dolphins and cats - ###&%^\«-,
,-«\^%&### drag us down ###&%^\«-,
,,,-\\%%## ,«^ underneath ^«, ##%%\\-,,,
,-«\^%&### ###&%^\«-,
,-«\^%&### ^^%%^^%%^^%%^^%%^^%&&%^^%%^^%%^^%%^^%%^^ ###&%^\«-,
,,,,,-\^&# #&^\-,,,,,
,-«\^%&### side a is foresty, and side b might ###&%^\«-,
,,,--««^%# be lizardy. but the last song is full #%^««--,,,
,-«\^%&### of space. ###&%^\«-,
,,,,-\^&## ##&^\-,,,,
,-«\^%&### ###&%^\«-,
,,,,--«^%# #%^«--,,,,
,-«\^%&### ###&%^\«-,
,,--«^^&## ##&^^«--,,