@@....@@.. ..@...@@.@
.@@...@@@. ...@..@@.@
.@@@..@.@@ ....@.@@..
.@.@@...@@ ......@@@.
...@@@..@@ @.....@.@@
@..@.@@.@@ THE LAST SONG ON SIDE B (AND TO SOME @@......@@
@@...@@.@. EXTENT THE FIRST SONG ON SIDE A) TALKS .@@.....@.
@@@..@@... FOR THE WHOLE ALBUM, NOT JUST THEIR .@@@......
@.@@.@@@.. SIDE. THE LAST SONG ON SIDE B IS .@.@@.....
..@@.@.@@. PROBABLY THE MOST IMPORTANT ...@@@....
..@@...@@@ OPPORTUNITY, THE MOST CHARGED SLOT. ...@.@@...
..@@@..@.@ .....@@@..
..@.@@...@ .@#@. .....@.@@.
....@@@..@ .......@@@
@...@.@@.. THE ALBUM IS A SINGULARITY, AN ANOMALY .......@.@
@@....@@@. IN SPACETIME, A CREATURE THAT KNOWS .........@
.@@...@.@@ EXACTLY HOW BEAUTIFUL IT IS. @........@
.@@@....@@ . .@........
.@.@@...@. AND THE THING IS: IT SEES ITSELF IN ..@.......
...@@@.... THREE D. IT KNOWS THAT IT'S DYING. @..@......
...@.@@... .@..@.....
.....@@@.. ††@@††@@††@@††@@††@@@@††@@††@@††@@††@@†† ..@..@....
.....@.@@. @..@..@...
.......@@@ . DOLPHINS AND CATS . .@..@..@..
.......@.@ BRING US ..@..@..@.
.........@ . FLOWERS AND HONEY . ...@..@..@
@........@ @...@..@..
.@........ . DOLPHINS AND CATS . .@...@..@.
..@....... BRING US ..@...@..@
@..@...... . FAIRIES AND BEES . ...@...@..
.@..@..... ....@...@.
..@..@.... OUR BOAT IS AFLOAT @....@...@
@..@..@... ON A SURFACE OF LILIES .@....@...
.@..@..@.. . DOLPHINS AND CATS . ..@....@..
..@..@..@. DRAG US DOWN @..@....@.
...@..@..@ .«† UNDERNEATH †«. @@..@....@
@...@..@.. .@@..@....
.@...@..@. ††@@††@@††@@††@@††@@@@††@@††@@††@@††@@†† .@@@..@...
..@...@..@ .@.@@..@..
...@...@.. SIDE A IS FORESTY, AND SIDE B MIGHT ...@@@..@.
....@...@. BE LIZARDY. BUT THE LAST SONG IS FULL ...@.@@..@
@....@...@ OF SPACE. @....@@@..
.@....@... @@...@.@@.
..@....@.. .@@....@@@
@..@....@. .@@@...@.@
@@..@....@ .@.@@....@
.@@..@.... ...@@@...@