@.@...@..@ .@..@@...@
@..@...@.. ..@.@@@..@
@@..@...@. @...@.@@.@
.@@..@...@ .@....@@.@
.@@@..@... ..@...@@..
.@.@@..@.. the last song on side b (and to some ...@..@@@.
...@@@..@. extent the first song on side a) talks ....@.@.@@
@..@.@@..@ for the whole album, not just their @.......@@
@@...@@@.. side. the last song on side b is @@......@.
@@@..@.@@. probably the most important .@@.......
@.@@...@@@ opportunity, the most charged slot. .@@@......
..@@@..@.@ .@.@@.....
..@.@@...@ .@#@. ...@@@....
....@@@..@ @..@.@@...
....@.@@.. the album is a singularity, an anomaly .@...@@@..
......@@@. in spacetime, a creature that knows ..@..@.@@.
......@.@@ exactly how beautiful it is. ...@...@@@
@.......@@ . ....@..@.@
@@......@. and the thing is: it sees itself in .....@...@
.@@....... three d. it knows that it's dying. ......@..@
.@@@...... @......@..
.@.@@..... **%%**%%**%%**%%**%@@%**%%**%%**%%**%%** .@......@.
...@@@.... ..@......@
@..@.@@... ^ dolphins and cats ^ @..@......
.@...@@@.. bring us @@..@.....
..@..@.@@. . flowers and honey . @@@..@....
...@...@@@ @.@@..@...
....@..@.@ ^ dolphins and cats ^ ..@@@..@..
.....@...@ bring us ..@.@@..@.
......@..@ . fairies and bees . @...@@@..@
@......@.. .@..@.@@..
.@......@. our boat is afloat ..@...@@@.
..@......@ on a surface of lilies ...@..@.@@
@..@...... ^ dolphins and cats ^ ....@...@@
@@..@..... drag us down @....@..@.
@@@..@.... .=* underneath *=. @@....@...
@.@@..@... .@@....@..
..@@@..@.. **%%**%%**%%**%%**%@@%**%%**%%**%%**%%** .@@@....@.
..@.@@..@. .@.@@....@
@...@@@..@ side a is foresty, and side b might ...@@@....
.@..@.@@.. be lizardy. but the last song is full @..@.@@...
..@...@@@. of space. .@...@@@..
...@..@.@@ ..@..@.@@.
....@...@@ @..@...@@@
@....@..@. .@..@..@.@
@@....@... ..@..@...@
.@@....@.. @..@..@..@