,~~*=@&¶## ##¶&@=*~~,
,,,,,~~*=& &=*~~,,,,,
,,~~*===@¶ ¶@===*~~,,
,~~*=@&¶## ##¶&@=*~~,
,~~*=@&&&¶ ¶&&&@=*~~,
,~~*=@&¶## the last song on side b (and to some ##¶&@=*~~,
,~~*=@&¶¶¶ extent the first song on side a) talks ¶¶¶&@=*~~,
,~~*=@&¶## for the whole album, not just their ##¶&@=*~~,
,,,,,,~=@¶ side. the last song on side b is ¶@=~,,,,,,
,,,,,~*@¶# probably the most important #¶@*~,,,,,
,~~*=@&¶## opportunity, the most charged slot. ##¶&@=*~~,
,,~~~*@@&# #&@@*~~~,,
,,,,,,~=&& ,¶#¶, &&=~,,,,,,
,,,,~~*=&# #&=*~~,,,,
,~~*=@&¶## the album is a singularity, an anomaly ##¶&@=*~~,
,,,,~***=& in spacetime, a creature that knows &=***~,,,,
,~~*=@@&&& exactly how beautiful it is. &&&@@=*~~,
,,,,,~~~=& , &=~~~,,,,,
,~~*=@&¶## and the thing is: it sees itself in ##¶&@=*~~,
,~~*=@&¶## three d. it knows that it's dying. ##¶&@=*~~,
,~~*=@&¶## ##¶&@=*~~,
,~~*==@&&¶ ==@@==@@==@@==@@==@&&@==@@==@@==@@==@@== ¶&&@==*~~,
,~~*=@&¶## ##¶&@=*~~,
,~~*=@&¶## ~ dolphins and cats ~ ##¶&@=*~~,
,~~*=@&¶## bring us ##¶&@=*~~,
,~~*=@&¶## , flowers and honey , ##¶&@=*~~,
,~~*=@¶### ###¶@=*~~,
,~~~~=@&¶# ~ dolphins and cats ~ #¶&@=~~~~,
,~~*=@&¶## bring us ##¶&@=*~~,
,,~~*==@@& , fairies and bees , &@@==*~~,,
,~~***=@@¶ ¶@@=***~~,
,,,,,~~=@¶ our boat is afloat ¶@=~~,,,,,
,,,,~~*=&# on a surface of lilies #&=*~~,,,,
,,,~~**@&& ~ dolphins and cats ~ &&@**~~,,,
,~~*=@&¶## drag us down ##¶&@=*~~,
,~~*=@&¶## ,~= underneath =~, ##¶&@=*~~,
,~~~~**@¶# #¶@**~~~~,
,,,~***=&¶ ==@@==@@==@@==@@==@&&@==@@==@@==@@==@@== ¶&=***~,,,
,~~*===&¶# #¶&===*~~,
,~~***@@&# side a is foresty, and side b might #&@@***~~,
,~~*=@&### be lizardy. but the last song is full ###&@=*~~,
,,,,,~*@@¶ of space. ¶@@*~,,,,,
,,~~~*@&¶# #¶&@*~~~,,
,~~*=@&&¶# #¶&&@=*~~,
,~~*=@&¶## ##¶&@=*~~,
,~~*=@&¶## ##¶&@=*~~,
,,,,~~*@@& &@@*~~,,,,