,,,~/%*&#@                                          @#&*%/~,,,
,,~/%*&#@#                                          #@#&*%/~,,
,,,~/%*&#@                                          @#&*%/~,,,
,,,,~/%*&#                                          #&*%/~,,,,
,,,~/%*&#@                                          @#&*%/~,,,
,,~/%*&#@# the last  song  on side  b (and  to some #@#&*%/~,,
,,,~/%*&#@ extent  the first song on side  a) talks @#&*%/~,,,
,,,,~/%*&# for  the  whole  album,  not just  their #&*%/~,,,,
,,,~/%*&#@ side.  the  last   song  on  side  b  is @#&*%/~,,,
,,~/%*&#@#        probably the most important       #@#&*%/~,,
,,,~/%*&#@   opportunity, the most charged slot.    @#&*%/~,,,
,,,,~/%*&#                                          #&*%/~,,,,
,,,~/%*&#@                   ,###,                  @#&*%/~,,,
,,~/%*&#@#                                          #@#&*%/~,,
,,,~/%*&#@ the album is a  singularity,  an anomaly @#&*%/~,,,
,,,,~/%*&# in  spacetime,  a  creature  that  knows #&*%/~,,,,
,,,~/%*&#@       exactly how beautiful it is.       @#&*%/~,,,
,,~/%*&#@#                     ,                    #@#&*%/~,,
,,,~/%*&#@ and  the thing is:  it  sees  itself  in @#&*%/~,,,
,,,,~/%*&# three  d.  it  knows  that  it's  dying. #&*%/~,,,,
,,,~/%*&#@                                          @#&*%/~,,,
,,~/%*&#@# %%**%%**%%**%%**%%*&&*%%**%%**%%**%%**%% #@#&*%/~,,
,,,~/%*&#@                                          @#&*%/~,,,
,,,,~/%*&#           , dolphins and cats ,          #&*%/~,,,,
,,,~/%*&#@                 bring us                 @#&*%/~,,,
,,~/%*&#@#          , flowers and honey ,           #@#&*%/~,,
,,,~/%*&#@                                          @#&*%/~,,,
,,,,~/%*&#          , dolphins and cats ,           #&*%/~,,,,
,,,~/%*&#@                 bring us                 @#&*%/~,,,
,,~/%*&#@#           , fairies and bees ,           #@#&*%/~,,
,,,~/%*&#@                                          @#&*%/~,,,
,,,,~/%*&#            our boat is afloat            #&*%/~,,,,
,,,~/%*&#@          on a surface of lilies          @#&*%/~,,,
,,~/%*&#@#           , dolphins and cats ,          #@#&*%/~,,
,,,~/%*&#@               drag us down               @#&*%/~,,,
,,,,~/%*&#            ,~% underneath %~,            #&*%/~,,,,
,,,~/%*&#@                                          @#&*%/~,,,
,,~/%*&#@# %%**%%**%%**%%**%%*&&*%%**%%**%%**%%**%% #@#&*%/~,,
,,,~/%*&#@                                          @#&*%/~,,,
,,,,~/%*&# side  a  is foresty, and  side  b  might #&*%/~,,,,
,,,~/%*&#@ be lizardy.  but  the last song is  full @#&*%/~,,,
,,~/%*&#@#                 of space.                #@#&*%/~,,
,,,~/%*&#@                                          @#&*%/~,,,
,,,,~/%*&#                                          #&*%/~,,,,
,,,~/%*&#@                                          @#&*%/~,,,
,,~/%*&#@#                                          #@#&*%/~,,
,,,~/%*&#@                                          @#&*%/~,,,