,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, the last song on side b (and to some ,,,,,,,,,,
,,,,,,,,,, extent the first song on side a) talks ,,,,,,,,,,
,,,,,,,,,, for the whole album, not just their ,,,,,,,,,,
,,,,,,,,,, side. the last song on side b is ,,,,,,,,,,
,,,,,,,,,, probably the most important ,,,,,,,,,,
,,,,,,,,,, opportunity, the most charged slot. ,,,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=/ ,@#@, /=,,,,,,,,
,,,,,,,=/* */=,,,,,,,
,,,,,,=/*¤ the album is a singularity, an anomaly ¤*/=,,,,,,
,,,,,=/*¤¤ in spacetime, a creature that knows ¤¤*/=,,,,,
,,,,=/*¤¤@ exactly how beautiful it is. @¤¤*/=,,,,
,,,=/*¤¤@# , #@¤¤*/=,,,
,,=/*¤¤@## and the thing is: it sees itself in ##@¤¤*/=,,
,,,=/*¤¤@# three d. it knows that it's dying. #@¤¤*/=,,,
,,,,=/*¤¤@ @¤¤*/=,,,,
,,,,,=/*¤¤ **¤¤**¤¤**¤¤**¤¤**¤¤¤¤**¤¤**¤¤**¤¤**¤¤** ¤¤*/=,,,,,
,,,,,,=/*¤ ¤*/=,,,,,,
,,,,,,,=/* , dolphins and cats , */=,,,,,,,
,,,,,,,,=/ bring us /=,,,,,,,,
,,,,,,,,,= , flowers and honey , =,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, , dolphins and cats , ,,,,,,,,,,
,,,,,,,,,, bring us ,,,,,,,,,,
,,,,,,,,,, , fairies and bees , ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, our boat is afloat ,,,,,,,,,,
,,,,,,,,,, on a surface of lilies ,,,,,,,,,,
,,,,,,,,,, , dolphins and cats , ,,,,,,,,,,
,,,,,,,,,, drag us down ,,,,,,,,,,
,,,,,,,,,, ,=* underneath *=, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,= **¤¤**¤¤**¤¤**¤¤**¤¤¤¤**¤¤**¤¤**¤¤**¤¤** =,,,,,,,,,
,,,,,,,,=/ /=,,,,,,,,
,,,,,,,=/* side a is foresty, and side b might */=,,,,,,,
,,,,,,=/*¤ be lizardy. but the last song is full ¤*/=,,,,,,
,,,,,=/*¤¤ of space. ¤¤*/=,,,,,
,,,,=/*¤¤@ @¤¤*/=,,,,
,,,=/*¤¤@# #@¤¤*/=,,,
,,=/*¤¤@## ##@¤¤*/=,,
,,,=/*¤¤@# #@¤¤*/=,,,
,,,,=/*¤¤@ @¤¤*/=,,,,