,,,,,†*@ #&@*†,,,,,
,,,,†*@# ##&@*†,,,,
,,,†*@## ###&@*†,,,
,,†*@### ####&@*†,,
,,,†*@## ###&@*†,,,
,,,,†*@# the last song on side b (and to some ##&@*†,,,,
,,,,,†*@ extent the first song on side a) talks #&@*†,,,,,
,,,,,,†*@& for the whole album, not just their &@*†,,,,,,
,,,,,,,†*@ side. the last song on side b is @*†,,,,,,,
,,,,,,,,†* probably the most important *†,,,,,,,,
,,,,,,,†*@ opportunity, the most charged slot. @*†,,,,,,,
,,,,,,†*@& &@*†,,,,,,
,,,,,†*@ ,###, #&@*†,,,,,
,,,,†*@# ##&@*†,,,,
,,,†*@## the album is a singularity, an anomaly ###&@*†,,,
,,†*@### in spacetime, a creature that knows ####&@*†,,
,,,†*@## exactly how beautiful it is. ###&@*†,,,
,,,,†*@# , ##&@*†,,,,
,,,,,†*@ and the thing is: it sees itself in #&@*†,,,,,
,,,,,,†*@& three d. it knows that it's dying. &@*†,,,,,,
,,,,,,,†*@ @*†,,,,,,,
,,,,,,,,†* **@@**@@**@@**@@**@&&@**@@**@@**@@**@@** *†,,,,,,,,
,,,,,,,†*@ @*†,,,,,,,
,,,,,,†*@& , dolphins and cats , &@*†,,,,,,
,,,,,†*@ bring us #&@*†,,,,,
,,,,†*@# , flowers and honey , ##&@*†,,,,
,,,†*@## ###&@*†,,,
,,†*@### , dolphins and cats , ####&@*†,,
,,,†*@## bring us ###&@*†,,,
,,,,†*@# , fairies and bees , ##&@*†,,,,
,,,,,†*@ #&@*†,,,,,
,,,,,,†*@& our boat is afloat &@*†,,,,,,
,,,,,,,†*@ on a surface of lilies @*†,,,,,,,
,,,,,,,,†* , dolphins and cats , *†,,,,,,,,
,,,,,,,†*@ drag us down @*†,,,,,,,
,,,,,,†*@& ,«* underneath *«, &@*†,,,,,,
,,,,,†*@ #&@*†,,,,,
,,,,†*@# **@@**@@**@@**@@**@&&@**@@**@@**@@**@@** ##&@*†,,,,
,,,†*@## ###&@*†,,,
,,†*@### side a is foresty, and side b might ####&@*†,,
,,,†*@## be lizardy. but the last song is full ###&@*†,,,
,,,,†*@# of space. ##&@*†,,,,
,,,,,†*@ #&@*†,,,,,
,,,,,,†*@& &@*†,,,,,,
,,,,,,,†*@ @*†,,,,,,,
,,,,,,,,†* *†,,,,,,,,
,,,,,,,†*@ @*†,,,,,,,