.^-*††$$&@ @&$$††*-^.
....^^-*$@ @$*-^^....
.^-*†$&@@# #@@&$†*-^.
...^*†††&@ @&†††*^...
.^-*†$@### ###@$†*-^.
.^-*†$&@## the last song on side b (and to some ##@&$†*-^.
.^-*†$&@## extent the first song on side a) talks ##@&$†*-^.
.^-*†$&@## for the whole album, not just their ##@&$†*-^.
.^-*$&@### side. the last song on side b is ###@&$*-^.
.^-*†$&@@# probably the most important #@@&$†*-^.
.^-*†$&@## opportunity, the most charged slot. ##@&$†*-^.
.....--†&@ @&†--.....
....^^^*$@ .@#@. @$*^^^....
.^-*†$&@## ##@&$†*-^.
.^-*†$&@## the album is a singularity, an anomaly ##@&$†*-^.
.^-*†$&@## in spacetime, a creature that knows ##@&$†*-^.
....-†$$&& exactly how beautiful it is. &&$$†-....
.....^**$& . &$**^.....
.^-*†$&@@# and the thing is: it sees itself in #@@&$†*-^.
.^-*†$&@## three d. it knows that it's dying. ##@&$†*-^.
.^^^**†† #&††**^^^.
.^-*$&@### ††$$††$$††$$††$$††$&&$††$$††$$††$$††$$†† ###@&$*-^.
.^-*†$$&&@ @&&$$†*-^.
.^-*†$&@@# ^ dolphins and cats ^ #@@&$†*-^.
......-†&@ bring us @&†-......
.^-*†$&@## . flowers and honey . ##@&$†*-^.
.^-*†$&@@@ @@@&$†*-^.
.^-*†$&@## ^ dolphins and cats ^ ##@&$†*-^.
.^-*†$&@## bring us ##@&$†*-^.
.^-*†$&@## . fairies and bees . ##@&$†*-^.
.....-†&@@ @@&†-.....
.^-*†$&@## our boat is afloat ##@&$†*-^.
.^-*†$&@## on a surface of lilies ##@&$†*-^.
.^-*†$&@@@ ^ dolphins and cats ^ @@@&$†*-^.
.^-*†$@### drag us down ###@$†*-^.
.^-*††$$@@ .-† underneath †-. @@$$††*-^.
.....^^*$@ @$*^^.....
.^-*†$&@## ††$$††$$††$$††$$††$&&$††$$††$$††$$††$$†† ##@&$†*-^.
.^-*†$&@## ##@&$†*-^.
.^---*††&@ side a is foresty, and side b might @&††*---^.
.^-*†$&@## be lizardy. but the last song is full ##@&$†*-^.
.^-*†$&@## of space. ##@&$†*-^.
.^-*†$&@## ##@&$†*-^.
.^^^--*$&@ @&$*--^^^.
.^-*†$&@@# #@@&$†*-^.
.^-*†$&@## ##@&$†*-^.
.^-*†$&@## ##@&$†*-^.