...^~^%%&¶ ¶&%%^~^...
.^~*^%&¶@# #@¶&%^*~^.
.^~*^%&¶¶@ @¶¶&%^*~^.
.^~*%&¶@## ##@¶&%*~^.
.^~*^%&¶@# #@¶&%^*~^.
.^~*^%&¶@@ the last song on side b (and to some @@¶&%^*~^.
.^~*^%¶@## extent the first song on side a) talks ##@¶%^*~^.
.^~*^%&@## for the whole album, not just their ##@&%^*~^.
.^~*^%&¶@# side. the last song on side b is #@¶&%^*~^.
.^~*^%&¶@# probably the most important #@¶&%^*~^.
.......~^& opportunity, the most charged slot. &^~.......
.^~*^%&¶@@ @@¶&%^*~^.
.....^~*%& .¶#¶. &%*~^.....
.^~*^%&¶@@ @@¶&%^*~^.
...^~^%&&¶ the album is a singularity, an anomaly ¶&&%^~^...
.^~*^%%&¶@ in spacetime, a creature that knows @¶&%%^*~^.
.....^**%& exactly how beautiful it is. &%**^.....
.^~*^%¶@## . ##@¶%^*~^.
....^~*%&& and the thing is: it sees itself in &&%*~^....
.^~*^%&&&@ three d. it knows that it's dying. @&&&%^*~^.
...^*^^&¶@ @¶&^^*^...
.....^~*^& ^^%%^^%%^^%%^^%%^^%&&%^^%%^^%%^^%%^^%%^^ &^*~^.....
.^~*^%&¶@@ @@¶&%^*~^.
.^~*^%&¶@# ^ dolphins and cats ^ #@¶&%^*~^.
......~^&& bring us &&^~......
.^~*^%&¶@# . flowers and honey . #@¶&%^*~^.
.....^^*%& &%*^^.....
.^~*^%&¶@# ^ dolphins and cats ^ #@¶&%^*~^.
.^^^****%& bring us &%****^^^.
.^~*^%&¶@# . fairies and bees . #@¶&%^*~^.
.^~*^%&¶¶@ @¶¶&%^*~^.
.^^^~~^&&& our boat is afloat &&&^~~^^^.
.^~*^%%&¶¶ on a surface of lilies ¶¶&%%^*~^.
.^~*^%&¶@@ ^ dolphins and cats ^ @@¶&%^*~^.
.^^^^*^^%¶ drag us down ¶%^^*^^^^.
.^~*^%&¶¶@ .~^ underneath ^~. @¶¶&%^*~^.
.^~*^%&¶@# #@¶&%^*~^.
......~*%& ^^%%^^%%^^%%^^%%^^%&&%^^%%^^%%^^%%^^%%^^ &%*~......
.^~*^%&¶@@ @@¶&%^*~^.
.^~*^%%&&& side a is foresty, and side b might &&&%%^*~^.
...^^**^&¶ be lizardy. but the last song is full ¶&^**^^...
.^~*^%&¶@# of space. #@¶&%^*~^.
.^~*^%&¶@@ @@¶&%^*~^.
.....~^&&@ @&&^~.....
....^~*%%& &%%*~^....
.^~*^%&¶## ##¶&%^*~^.
...^*^%%¶¶ ¶¶%%^*^...