.......@.. .@.@@....@
@.......@. ...@@@....
.@.......@ ...@.@@...
..@....... .....@@@..
...@...... .....@.@@.
....@..... the last song on side b (and to some @......@@@
@....@.... extent the first song on side a) talks .@.....@.@
@@....@... for the whole album, not just their ..@......@
.@@....@.. side. the last song on side b is ...@.....@
.@@@....@. probably the most important ....@.....
.@.@@....@ opportunity, the most charged slot. .....@....
...@@@.... ......@...
...@.@@... .@#@. @......@..
.....@@@.. .@......@.
.....@.@@. the album is a singularity, an anomaly ..@......@
@......@@@ in spacetime, a creature that knows @..@......
.@.....@.@ exactly how beautiful it is. .@..@.....
..@......@ . ..@..@....
...@.....@ and the thing is: it sees itself in ...@..@...
....@..... three d. it knows that it's dying. ....@..@..
.....@.... @....@..@.
......@... ==%%==%%==%%==%%==%@@%==%%==%%==%%==%%== @@....@..@
@......@.. .@@....@..
.@......@. . dolphins and cats . .@@@....@.
..@......@ bring us .@.@@....@
@..@...... . flowers and honey . ...@@@....
.@..@..... ...@.@@...
..@..@.... . dolphins and cats . .....@@@..
...@..@... bring us @....@.@@.
....@..@.. . fairies and bees . @@.....@@@
@....@..@. @@@....@.@
@@....@..@ our boat is afloat @.@@.....@
.@@....@.. on a surface of lilies ..@@@....@
.@@@....@. . dolphins and cats . ..@.@@....
.@.@@....@ drag us down ....@@@...
...@@@.... .== underneath ==. @...@.@@..
...@.@@... .@....@@@.
.....@@@.. ==%%==%%==%%==%%==%@@%==%%==%%==%%==%%== ..@...@.@@
@....@.@@. @..@....@@
@@.....@@@ side a is foresty, and side b might .@..@...@.
@@@....@.@ be lizardy. but the last song is full ..@..@....
@.@@.....@ of space. @..@..@...
..@@@....@ .@..@..@..
..@.@@.... ..@..@..@.
....@@@... ...@..@..@
@...@.@@.. @...@..@..
.@....@@@. .@...@..@.