,,,,,,,/^@ @^/,,,,,,,
,,~/^^^^@@ @@^^^^/~,,
,~/^*@¶### ###¶@*^/~,
,,,,////*¶ ¶*////,,,,
,,~/^*@¶## ##¶@*^/~,,
,,~/^*@¶## the last song on side b (and to some ##¶@*^/~,,
,,~/^*@¶## extent the first song on side a) talks ##¶@*^/~,,
,,~/^*@¶## for the whole album, not just their ##¶@*^/~,,
,,~/^*@¶## side. the last song on side b is ##¶@*^/~,,
,,~/^@¶### probably the most important ###¶@^/~,,
,,~/^@¶### opportunity, the most charged slot. ###¶@^/~,,
,,~/^**@¶# #¶@**^/~,,
,,,,,,/^^@ ,¶#¶, @^^/,,,,,,
,,~/^*¶### ###¶*^/~,,
,,,,,~^^@# the album is a singularity, an anomaly #@^^~,,,,,
,,,,,,~^^@ in spacetime, a creature that knows @^^~,,,,,,
,,,,,~/^*¶ exactly how beautiful it is. ¶*^/~,,,,,
,,~/^*@¶## , ##¶@*^/~,,
,,~/^*@¶## and the thing is: it sees itself in ##¶@*^/~,,
,,~/^*@¶## three d. it knows that it's dying. ##¶@*^/~,,
,,~/^*@¶## ##¶@*^/~,,
,,~/^****¶ ^^**^^**^^**^^**^^*@@*^^**^^**^^**^^**^^ ¶****^/~,,
,,~/^*@¶## ##¶@*^/~,,
,,~/^*@¶## , dolphins and cats , ##¶@*^/~,,
,,~/^*@### bring us ###@*^/~,,
,~/^*@¶### , flowers and honey , ###¶@*^/~,
,~/^*@¶### ###¶@*^/~,
,,~/^*@¶## , dolphins and cats , ##¶@*^/~,,
,,~/^*@¶## bring us ##¶@*^/~,,
,,,,,,//^@ , fairies and bees , @^//,,,,,,
,,,~~~//*¶ ¶*//~~~,,,
,,~/^*@¶## our boat is afloat ##¶@*^/~,,
,,,,~~/**@ on a surface of lilies @**/~~,,,,
,,,,,~/^@¶ , dolphins and cats , ¶@^/~,,,,,
,,,,,,~/*¶ drag us down ¶*/~,,,,,,
,,~/^*@¶## ,~^ underneath ^~, ##¶@*^/~,,
,,~/^*@¶¶¶ ¶¶¶@*^/~,,
,,,,/^**@@ ^^**^^**^^**^^**^^*@@*^^**^^**^^**^^**^^ @@**^/,,,,
,,~/^*@¶## ##¶@*^/~,,
,,,,,~~/*¶ side a is foresty, and side b might ¶*/~~,,,,,
,,~/^*¶### be lizardy. but the last song is full ###¶*^/~,,
,,~/^*@¶## of space. ##¶@*^/~,,
,,~/^*@¶## ##¶@*^/~,,
,,,,,~/^*¶ ¶*^/~,,,,,
,,,,,,,/*¶ ¶*/,,,,,,,
,,~/^*@¶## ##¶@*^/~,,
,,~/^^^*¶# #¶*^^^/~,,