¨¨¨¨-==$&@ @&$==-¨¨¨¨
¨¨¨¨--=$&# #&$=--¨¨¨¨
¨-===††&&& &&&††===-¨
¨¨¨¨-=†$@# #@$†=-¨¨¨¨
¨-==†$&@## ##@&$†==-¨
¨¨¨¨¨¨-=†& the last song on side b (and to some &†=-¨¨¨¨¨¨
¨-==†$&&@@ extent the first song on side a) talks @@&&$†==-¨
¨-==†$&@## for the whole album, not just their ##@&$†==-¨
¨-==†$&@## side. the last song on side b is ##@&$†==-¨
¨-==†$&### probably the most important ###&$†==-¨
¨-==†$$$@@ opportunity, the most charged slot. @@$$$†==-¨
¨¨¨¨==$&&# #&&$==¨¨¨¨
¨-==†$&@## ¨@#@¨ ##@&$†==-¨
¨¨¨-==†$$& &$$†==-¨¨¨
¨-==†$&@## the album is a singularity, an anomaly ##@&$†==-¨
¨-==†$&@## in spacetime, a creature that knows ##@&$†==-¨
¨-==†$&&&# exactly how beautiful it is. #&&&$†==-¨
¨-====††&& ¨ &&††====-¨
¨-==†$&@## and the thing is: it sees itself in ##@&$†==-¨
¨¨¨¨-==$@@ three d. it knows that it's dying. @@$==-¨¨¨¨
¨-==†$&@## ##@&$†==-¨
¨¨¨¨¨-=†&& ††$$††$$††$$††$$††$&&$††$$††$$††$$††$$†† &&†=-¨¨¨¨¨
¨¨¨¨--=$@# #@$=--¨¨¨¨
¨-==†&@### - dolphins and cats - ###@&†==-¨
¨-==†$&@## bring us ##@&$†==-¨
¨¨-===$$@# ¨ flowers and honey ¨ #@$$===-¨¨
¨¨¨¨--=$&@ @&$=--¨¨¨¨
¨¨¨¨¨==†$@ - dolphins and cats - @$†==¨¨¨¨¨
¨-==†$&@@# bring us #@@&$†==-¨
¨-==†$&@## ¨ fairies and bees ¨ ##@&$†==-¨
¨-==†$&@## ##@&$†==-¨
¨-==†$&@## our boat is afloat ##@&$†==-¨
¨-==†$&&@# on a surface of lilies #@&&$†==-¨
¨-====$$&& - dolphins and cats - &&$$====-¨
¨-==†$&@@# drag us down #@@&$†==-¨
¨==†$&@### ¨=† underneath †=¨ ###@&$†==¨
¨¨¨¨¨-=$&& &&$=-¨¨¨¨¨
¨¨¨-=†$$@@ ††$$††$$††$$††$$††$&&$††$$††$$††$$††$$†† @@$$†=-¨¨¨
¨-==†$&@## ##@&$†==-¨
¨-==†$&@## side a is foresty, and side b might ##@&$†==-¨
¨¨¨¨¨-==$@ be lizardy. but the last song is full @$==-¨¨¨¨¨
¨-==†$&@## of space. ##@&$†==-¨
¨-==†$&@## ##@&$†==-¨
¨-==†$&@## ##@&$†==-¨
¨-==†$@### ###@$†==-¨
¨¨¨¨¨==†$& &$†==¨¨¨¨¨
¨-==$&@### ###@&$==-¨