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@&$§†=».¨¨ FEW COLORED LIGHTS SCATTERED IN AN ¨¨.»=†§$&@
##£#£$*--¨ ENORMOUS HALL. COINCIDENTALLY, THIS IS ¨--*$£#£##
##¶¤$*/»:¨ WHERE I WORK. ¨:»/*$¤¶##
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####¤$=*-^ I MUST HAVE EATEN A DRUG, OR MAYBE IT'S ^-*=$¤####
£@*£¤*:«,, JUST THE NATURE OF THE PLACE, BUT IT ,,«:*¤£*@£
#@@&£*^~~¨ FEELS LIKE I HAVE EATEN A DRUG. TOO ¨~~^*£&@@#
#@#§%*=«,¨ CONFIDENT, TOO MALLEABLE. I FEEL GOOD, ¨,«=*%§#@#
¶#§@/»«¨¨, TOO GOOD TO BE BORED, WHICH I GUESS IS ,¨¨«»/@§#¶
£%§%%††=,, THE POINT. ,,=††%%§%£
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@@¤#$=\«,¨ I DOZE OFF, DAYDREAM... OR MAYBE I FALL ¨,«\=$#¤@@
#£§$«,.,,, ASLEEP FOR REAL. I DREAM OF WORK, AND ,,,.,«$§£#
£§*=^^-:.¨ WAKE UP AT WORK, SO THE LINE IS BLURRY. ¨.:-^^=*§£
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@=:--¨.,.¨ SOMEONE NEW HAS COME WHEN I WAS OUT. ¨.,.¨--:=@
@@#§¤=^-:¨ THEIR BLACK SILLHOUETTE CONTRASTS WITH ¨:-^=¤§#@@
¤†::\;:-^¨ THE HAZY NEBULOSAS MIRRORED IN THE ¨^-:;\::†¤
@%:*~,¨¨.. OBSIDIAN FLOOR. I TAKE THEIR MONEY, ..¨¨,~*:%@
§&¤@¤§=~~, WHICH I DON'T UNDERSTAND, BUT THE ,~~=§¤@¤&§
##¶§&†=-,¨ MACHINE ACCEPTS IT. ¨,-=†&§¶##
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##@&*%^~-, TONES, LIKE A CHORD. THE BEVERAGE ,-~^%*&@##
#@¶&*††-:, FRIDGE ADDS A SHARP, DARK DRONE. THE ,:-††*&¶@#
@§=«:.-¨¨, DINING AREA IS VAST AND PEOPLE ARE ,¨¨-.:«=§@
@##£*$=«,. CLUTTERED LIKE CHARCOAL ISLANDS, THEIR .,«=$*£##@
#£†==~=:,¨ VOICES IN ANOTHER LANGUAGE. OR IN ¨,:=~==†£#
###@§$=~^, ANOTHER MEDIUM, AND I'M ONLY ABLE TO ,^~=$§@###
##@§$$†~^¨ PERCIEVE THE WAKE OF THEIR WORDS. ¨^~†$$§@##
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