.@@.@@.@.@ @.@.@@.@@.
@.@..@.@.. @.@..@..@.
@.@.@@.@.@ @.@.@@.@@.
@.@..@.@.@ @.@..@..@.
@.@.@@.@.@ @.@.@@.@@.
@.@..@.@.@ the phosphor .::::: a dark, wet, @.@..@..@.
@.@.@@.@.@ reality check .%%%%: concrete @.@.@@.@@.
@.@..@.@.@ system: .££££: building, a damp @.@..@..@.
@.@.@@.@.@ improving .@@@@# smell - @.@.@@.@@.
@.@..@.@.@ accuracy and .££££# something is @.@..@..@.
@.@.@@.@.@ efficiency in .##### growing here. @.@.@@.@@.
@.@..@.@.@ law enforcement .##### algae? those @.@..@..@.
@.@.@@.@.@ .@#### inhabiting the @.@.@@.@@.
@.@..@.@.@ .:#### labyrinth care @.@..@..@.
@.@.@@.@.@ ..#### not so much @.@.@@.@@.
@.@..@.@.@ ..:### about the @.@..@..@.
@.@.@@.@.@ ...### janitorial @.@.@@.@@.
@.@..@.@.@ ...:## side of things. @.@..@..@.
@.@.@@.@.@ so, a green tint then, on the walls and @.@.@@.@@.
@.@..@.@.@ floors. that's fine, there's a much @.@..@..@.
@.@.@@.@.@ more important color - the crimson @.@.@@.@@.
@.@..@.@.@ fire. hidden away, deep in bureaucratic @.@..@..@.
@.@.@@.@.@ and architectural mazes both, the only @.@.@@.@@.
@.@..@.@.@ place where they dare set it ablaze, @.@..@..@.
@.@.@@.@.@ and thus where they need to go to @.@.@@.@@.
@.@..@.@.@ utilize the flame. @.@..@..@.
@.@.@@.@.@ @.@.@@.@@.
@.@..@.@.@ a thought, a face, a flicker in the red @.@..@..@.
@.@.@@.@.@ fire. another thought, the presumed @.@.@@.@@.
@.@..@.@.@ contact, another shiver in the light. @.@..@..@.
@.@.@@.@.@ then, the interrogator imagining their @.@.@@.@@.
@.@..@.@.@ meeting, talking perhaps, exchanging @.@..@..@.
@.@.@@.@.@ notes. the fire is still. no resonance. @.@.@@.@@.
@.@..@.@.@ @.@..@..@.
@.@.@@.@.@ @.@.@@.@@.
@.@..@.@.@ @.@..@..@.
@.@.@@.@.@ @.@.@@.@@.
@.@..@.@.@ @.@..@..@.