##££&%*«~.                                          .~«*%&££##
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##££&%*«~.                                          .~«*%&££##
##££&%*«~.                                          .~«*%&££##
##££&%*«~.                                          .~«*%&££##
##££&%*«~. delay  delay  d.la#  £ %a.  ~ .£   «   ~ .~«*%&££##
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##££&%*«~. "delay" means repetiton or likewise,     .~«*%&££##
£%%«~..... but it's mainly useless without          .....~«%%£
£%««~..... feedback,                                .....~««%£
£&*~~~.... to allow the delay to eat of it's own    ....~~~*&£
£&%%««.... tail, like one of those eaty serpents.   ....««%%&£
###£&%*«~. thus: it's the serpent effect!           .~«*%&£###
##££&%*«~.                                          .~«*%&££##
##££&%*«~. it's to be revered as a creator of       .~«*%&££##
##££&%*«~. ambience and of space, if you treat it   .~«*%&££##
##££&%*«~. right. a somewhat more solid and         .~«*%&££##
###£&%*«~. slippery sibling of reverb.              .~«*%&£###
##££&%*«~.                                          .~«*%&££##
##££&%*«~.                                          .~«*%&££##
##££&%*«~.                                          .~«*%&££##
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