.......&.. &&....&&&.
&&&&&&...& ...&&..&..
.&&&&..&.. &&........
..&&.....& ...&&&&&&&
.....&&&.. &&..&&&&&.
&&&&..&... delay delay d.la@ & *a. , .£ « , &....&&&..
.&&.....&& ..&&..&...
....&&&... &.......&&
.&&..&..&& ..&&&&&...
.........& ...&&&..&&
.&&&&&&&.. "delay" means repetiton or likewise, &&..&.....
..&&&&&... but it's mainly useless without &.....&&&&
...&&&..&& feedback, ..&&&..&&.
&&..&..... to allow the delay to eat of it's own &..&......
......&&&& tail, like one of those eaty serpents. .....&&&&.
&&&&&..&&. thus: it's the serpent effect! &&&&..&&..
.&&&...... &&&.......
..&..&&&&& it's to be revered as a creator of .&..&&&&&&
......&&&& ambience and of space, if you treat it .....&&&&.
&&&&&..&&& right. a somewhat more solid and .&&&..&&..
.&&&....&. slippery sibling of reverb. ..&.......
..&..&&... ....&&&&&&
........&. &&&..&&&&.
&&&&&&&... .&....&&..
.&&&&&..&. ...&&.....
..&&&..... .&....&&&&