,,,,,..:£# #£:..,,,,,
,.~:*£@### ###@£*:~.,
,.~:*£#@## ##@#£*:~.,
,.~:*££@@@ @@@££*:~.,
,.~:*£@#@@ @@#@£*:~.,
,,,,,,~*@@ delay delay d,la@ @ *a, . ,# ~ . @@*~,,,,,,
,.~:*£#@## ##@#£*:~.,
,.~:*£@@## ##@@£*:~.,
,...~*££@@ @@££*~...,
,,...::*@@ @@*::...,,
,,,,,,.:*@ "delay" means repetiton or likewise, @*:.,,,,,,
,.~:*£@#@# but it's mainly useless without #@#@£*:~.,
,.~:*£@#@# feedback, #@#@£*:~.,
,.~:*£@#@# to allow the delay to eat of it's own #@#@£*:~.,
,.~:*£@#@# tail, like one of those eaty serpents. #@#@£*:~.,
,.~:*£@#@# thus: it's the serpent effect! #@#@£*:~.,
,.~:*£@#@# #@#@£*:~.,
,.~:*£@##@ it's to be revered as a creator of @##@£*:~.,
,,..~~*£@@ ambience and of space, if you treat it @@£*~~..,,
,.~:*£@#@# right. a somewhat more solid and #@#@£*:~.,
,,,,,.~:£@ slippery sibling of reverb. @£:~.,,,,,
,.~:*£#@## ##@#£*:~.,
,.~:*£@#@@ @@#@£*:~.,
,.~:*£@#@# #@#@£*:~.,
,.~:*£@#@# #@#@£*:~.,
,.~:****@# #@****:~.,