,,,,,*££¤¤ ¤¤££*,,,,,
,,,,»*§§£¤ ¤£§§*»,,,,
,,,»»§§£@@ @@£§§»»,,,
,,»*§£¤@@@ @@@¤£§*»,,
,,»*§£¤@## ##@¤£§*»,,
,,,,,**££@ delay delay d,la@ ¤ §a, , ,@ » , @££**,,,,,
,,»»*§££@@ @@££§*»»,,
,,»*§£¤@@# #@@¤£§*»,,
,,»*§£¤@@# #@@¤£§*»,,
,,»**§§¤¤@ @¤¤§§**»,,
,,»*§£¤@@# "delay" means repetiton or likewise, #@@¤£§*»,,
,,,,,,»*§¤ but it's mainly useless without ¤§*»,,,,,,
,,»*§£¤@@# feedback, #@@¤£§*»,,
,,»*§£££@@ to allow the delay to eat of it's own @@£££§*»,,
,,»*§£¤@@@ tail, like one of those eaty serpents. @@@¤£§*»,,
,,»*§£¤@@# thus: it's the serpent effect! #@@¤£§*»,,
,,»*§£¤@@# #@@¤£§*»,,
,,»*§£¤@@# it's to be revered as a creator of #@@¤£§*»,,
,,»*§£¤@@# ambience and of space, if you treat it #@@¤£§*»,,
,,,,,»*§¤¤ right. a somewhat more solid and ¤¤§*»,,,,,
,,,,,,»*§¤ slippery sibling of reverb. ¤§*»,,,,,,
,,,,»**§¤¤ ¤¤§**»,,,,
,,»*§£¤@## ##@¤£§*»,,
,,,,,»»§¤@ @¤§»»,,,,,
,,»*§¤@@## ##@@¤§*»,,
,,,,,»§§§¤ ¤§§§»,,,,,