,,==%@&£@@ @@£&@%==,,
,,==%@&£@# #@£&@%==,,
,,,,,=%%&£ £&%%=,,,,,
,,==%@&£@# #@£&@%==,,
,,,,,==@@£ £@@==,,,,,
,,,,,,=@££ @@@@ ##### ££@=,,,,,,
,,,,,,==@£ tape dream £@==,,,,,,
,,,,==@&&@ #### @@@@@ @&&@==,,,,
,,,,,,=@@£ £@@=,,,,,,
,,==%@£@## for storing music on. also data but ##@£@%==,,
,,==%@&£## at this point in time that's not ##£&@%==,,
,,,===%%@& really important i think. &@%%===,,,
,,,,,,==%& &%==,,,,,,
,,==%%@@&@ @&@@%%==,,
,,==%%%%%& ======== types of tape ======== &%%%%%==,,
,,==%@&£££ £££&@%==,,
,,==%@&£@# class i - "bad" iron #@£&@%==,,
,,==%@&£@# class ii - good chromium #@£&@%==,,
,,==%@&£@# class iii - bad iron part two #@£&@%==,,
,,=%@&£@## class iv - dangerous metals ##@£&@%=,,
,,,,,=%%%& &%%%=,,,,,
,,,,,,=%&£ rumors exist about a secret class v tape £&%=,,,,,,
,,==%@&£££ that is actually useful. £££&@%==,,
,,==%@&&&@ @&&&@%==,,
,,,,,,==%& == bias == &%==,,,,,,
,==%@&£@## ##@£&@%==,
,,==%@&£@@ class i uses one hundred and twenty @@£&@%==,,
,,==%@&£@# micro-something while the others all #@£&@%==,,
,,,,,=%%&& use seventy of the same unit. &&%%=,,,,,
,,==%@&&&& &&&&@%==,,
,,==%@&£@# #@£&@%==,,
,,,,,,,=%& %%%%%%%%% aha and %%%%%%%%% &%=,,,,,,,
,,==%@&£@# #@£&@%==,,
,,==%@&£@# class iv is apparently too strong to #@£&@%==,,
,,==%@&£@# be used on class i players. it will #@£&@%==,,
,,==%@&£@# sound too lound and it cannot be #@£&@%==,,
,,,,,=%%@£ completely erased. this is very well. £@%%=,,,,,
,,===%@@££ maybe some wonderful blending effects ££@@%===,,
,,,====@£@ could be achieved? @£@====,,,
,,==%@&£@@ @@£&@%==,,
,,,,===@&& they also gnaw at the tape heads a bit &&@===,,,,
,,==%@&£@@ better than earlier tape types. @@£&@%==,,
,,==%@&£@@ @@£&@%==,,
,,==%@@@£@ @£@@@%==,,
,,==%@&£@# ======== artifacts ======== #@£&@%==,,
,,==%@&£@# #@£&@%==,,
,,===%%&£@ good tapes are decent and have a good @£&%%===,,
,,,,,==%&@ high frequency presence, bad tapes are @&%==,,,,,
,,==%@&£@# lofi if not outright bad. idk, i kinda #@£&@%==,,
,,,,,,==@& like it. &@==,,,,,,
,,,,==@@£@ @£@@==,,,,
,,,,,,,=%& bias loss: if you forget the bias who &%=,,,,,,,
,,==%@&£@# knows whats even on there anymore #@£&@%==,,
,,==%@&£@# #@£&@%==,,
,,==%@&£@# flutter: kinda quick pitch variations. #@£&@%==,,
,,,,,,,=%& beautiful, wonderful, extraordinary. &%=,,,,,,,
,,,,,,=%@& &@%=,,,,,,
,,==%@&£@@ wow: a slower flutter, usually several @@£&@%==,,
,,==%%@@@& seconds long. what up. both of these &@@@%%==,,
,,==%@£@## increase when tape speed decreases. ##@£@%==,,
,,=====@@£ £@@=====,,
,,==%@&£@# print through: tapes rub sound on each #@£&@%==,,
,,,,,,=%@& other if theyre alone for too long &@%=,,,,,,
,,==%@&£@# #@£&@%==,,
,,,,=%%@&& &&@%%=,,,,
,,=%@&£@## ##@£&@%=,,
,,==%@&£@@ @@£&@%==,,
,,==%@&£@# #@£&@%==,,
,,,,,==@&& &&@==,,,,,