¨¨@¨@¨¨@@@ @¨@@¨@¨¨@¨
¨@@¨@¨@¨@@ @¨¨@¨@¨@@¨
@¨@¨@¨@¨¨@ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ L U S H @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ A R P E G G I O @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ ¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ WHAT ARE THESE THINGS IF NOT BIRDSONG? @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ BLACKBIRD + NOISE CASCADE. @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ THE COMMODORE SOUND MAYBE. DIRTY, @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ MIRRORING, DISTORTED FLUTE, @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ ¨ ¨ ¨ ¨ ¨ ¨¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ DDRREEAAMMYY SSLLIIDDEESS @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ MIRAGES IN SOUND. ARPEGGIOS, CHORDS @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ MULTIPLEXED IN THE TIME DOMAIN, @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ REFACTORED, REFRACTORED, REMADE @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ - - ¨ ¨ ¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ = = = = $ = @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ * $ * $ * * * * $ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @ @ @ @ @ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨
@¨@¨@¨@¨@¨ @¨¨@¨@¨@@¨
@¨@¨@¨@¨@¨ @¨@@¨@¨¨@¨