,,~=*&§#@# #@#§&*=~,,
,,,,,==&&§ §&&==,,,,,
,,,~=*&&&§ §&&&*=~,,,
,,~=*&§§#@ @#§§&*=~,,
,,,,,,=*§@ @§*=,,,,,,
,,~=*&§#@@ L U S H @@#§&*=~,,
,,,,,~==*§ A R P E G G I O §*==~,,,,,
,,~=*&§#@# , , , , , , , , , , #@#§&*=~,,
,,,,~=***§ §***=~,,,,
,,~=*&&§#@ WHAT ARE THESE THINGS IF NOT BIRDSONG? @#§&&*=~,,
,,~*&§#@## BLACKBIRD + NOISE CASCADE. ##@#§&*~,,
,,~=***&&# #&&***=~,,
,,~=*&#@## THE COMMODORE SOUND MAYBE. DIRTY, ##@#&*=~,,
,,,,,~~*§§ MIRRORING, DISTORTED FLUTE, §§*~~,,,,,
,,~=*&#@## ##@#&*=~,,
,,~=*&§### , , , , , ,, ###§&*=~,,
,,~=*&§#@@ @@#§&*=~,,
,,~=*&§#@@ DDRREEAAMMYY SSLLIIDDEESS @@#§&*=~,,
,,,,,,,~*§ §*~,,,,,,,
,,,~~~=*&# MIRAGES IN SOUND. ARPEGGIOS, CHORDS #&*=~~~,,,
,,,,,~==*§ MULTIPLEXED IN THE TIME DOMAIN, §*==~,,,,,
,,~=***&&§ §&&***=~,,
,,~=*&§#@# REFACTORED, REFRACTORED, REMADE #@#§&*=~,,
,,~=*&§#@# , , , , , #@#§&*=~,,
,,~=*&§#@# = = = = * = #@#§&*=~,,
,,,,~~**§@ & * & * & & & & * @§**~~,,,,
,,,~==*&§# @ @ @ @ @ #§&*==~,,,
,,~=*&§#@# #@#§&*=~,,
,,~~=*&&## ##&&*=~~,,
,,,,==*&§§ §§&*==,,,,
,,~=*&§#@# #@#§&*=~,,
,,,~===&§§ §§&===~,,,
,,~=*&&&§# #§&&&*=~,,