@...@.@@.@ ..@@......
@@..@@@.@@ ..@.@.....
@.@.@..@@. ..@@@@....
@@@@@@.@.@ ..@...@...
@.....@@@@ ..@@..@@..
@@....@... ., ------- ------- ------- ,. ..@.@.@.@.
@.@...@@.. NICK WILDE IS A RED FOX AND A CONMAN. @.@@@@@@@@
.@@@..@.@. ., ------- ------- ------- ,. .@@.......
.@..@.@@@@ .@.@......
.@@.@@@... HE'S NOT ABOVE PETTY CRIME, BUT HE .@@@@.....
.@.@@..@.. KNOWS THAT IF HE PUTS IN A BIT OF WORK, @@...@....
.@@@.@.@@. HE WILL FIND MUCH MORE LUCRATIVE @.@..@@...
.@..@@@@.@ REWARDS. @@@@.@.@..
.@@.@...@@ ....@@@@@.
.@.@@@..@. AND THUS HE'S CURRENTLY WORKING @...@....@
@@@@..@.@@ ALONGSIDE HATSUNE MIKU FOR A COMPANY @@..@@...@
....@.@@@. THAT MAKES SYNTHETIC MEAL REPLACEMENTS. ..@.@.@..@
@...@@@..@ HE'S GOT A VAGUE OUTLINE OF A PLAN, TO @.@@@@@@.@
.@..@..@.@ SCATTER WITH SOME PRODUCT, OR EVEN @@@.....@@
@@@.@@.@@@ BETTER, SOME FORMULA? THESE THINGS ARE @..@....@.
@..@@.@@.. WORTH A LOT TO A COMPETITOR. .@.@@...@@
.@.@.@@.@. .@@@.@..@.
.@@@@@.@@@ HE'S BEEN LUCKY; THE PLACE IS .@..@@@.@@
@@....@@.. SURPRISINGLY UNGUARDED. ONCE HE'S GOT .@@.@..@@.
@.@...@.@. HIS PAWS ON SOMETHING WORTHWHILE, IT'LL @@.@@@.@.@
.@@@..@@@@ BE EASY TO JUST WALTZ OUT. UNTIL THEN, @.@@..@@@@
@@..@.@... KEEP DOING THE WORK... .@@.@.@...
@.@.@@@@.. .@.@@@@@..
@@@@@...@. COME TO THINK OF IT, THE PLACE IS .@@@....@.
@....@..@@ ALMOST EERILY EMPTY. THERE ARE FEW .@..@...@@
.@...@@.@. COWORKERS. (IN FACT THE COMPANY IS @@@.@@..@.
.@@..@.@@@ AI-RUN AND ONLY A FEW KEY ROLES ARE ...@@.@.@@
@@.@.@@@.. FILLED BY ACTUAL PEOPLE. ...@.@@@@.
@.@@@@..@. @..@@@...@
.@@...@.@@ NONE OF THE EMPLOYEES KNOW THIS.) .@.@..@..@
@@.@..@@@. .@@@@.@@.@
..@@@.@..@ --- --- @@...@@.@@
@.@..@@@.@ --- --- --- @.@..@.@@.
@@@@.@..@@ --- --- .@@@.@@@.@
....@@@.@. .@..@@..@@
@...@..@@@ NICK AND MIKU ARE BOTH STATIONED IN .@@.@.@.@.
@@..@@.@.. EARLY PROCESSING, HOUSED IN A STATE OF .@.@@@@@@@
..@.@.@@@. THE ART FACTORY CLOSE TO THE DOCKS. @@@@......
..@@@@@..@ THEY CREATE THE EARLY BUILDING BLOCKS @...@.....
..@....@.@ THAT ARE LATER COMBINED INTO THE MEALS .@..@@....
..@@...@@@ THAT'S SOLD TO CUSTOMERS. @@@.@.@...
..@.@..@.. @..@@@@@..
..@@@@.@@. THE BASES ARE MOSTLY SLUDGES @@.@....@.
..@...@@.@ OR PASTES, SUCH AS: @.@@@...@@
@.@@..@.@@ @@@..@..@.
@@@.@.@@@. *- PLANT MATTER ...@.@@.@@
...@@@@..@ *- BLOOD COLONY ...@@@.@@.
...@...@.@ (MADE WITH A TYPE OF BACTERIA) @..@..@@.@
@..@@..@@@ *- WILD FLESH @@.@@.@.@@
.@.@.@.@.. (FREE ROAMING ANIMALS) @.@@.@@@@.
.@@@@@@@@. *- ORGANS .@@.@@...@
@@.......@ (TAKEN FROM A LIVING HUMAN THAT .@.@@.@..@
..@......@ IS WILLING TO SELL) .@@@.@@@.@
@.@@.....@ *- MINERALS @@..@@..@@
.@@.@....@ *- BLOOD COLONY TWO ..@.@.@.@.
.@.@@@...@ *- INSECTS ..@@@@@@@@
@@@@..@..@ (WHICH ARE MAINLY USED FOR THEIR ..@.......
@...@.@@.@ BRAIN, WHICH IS USED TO EXTRACT ..@@......
@@..@@@.@@ RECEPTORS THAT DETECT PHEROMONES) ..@.@.....
@.@.@..@@. ..@@@@....
@@@@@@.@.@ --- --- ..@...@...
@.....@@@@ --- --- --- ..@@..@@..
@@....@... --- --- ..@.@.@.@.
@.@...@@.. @.@@@@@@@@
.@@@..@.@. MIKU IS IN CHARGE OF THE BLOOD .@@.......
.@..@.@@@@ COLONIES. THERE'S LARGE VATS OF THE .@.@......
.@@.@@@... ORIGINAL CULTURE WHICH IS FED BLOOD .@@@@.....
.@.@@..@.. MEAL, BONE MEAL, WHAT DOESN'T QUALIFY @@...@....
.@@@.@.@@. TO GO IN THE "WILD FLESH" PASTE, AND @.@..@@...
.@..@@@@.@ SOME PROCESSING CHEMICALS. ALL THESE @@@@.@.@..
.@@.@...@@ INGREDIENTS HAVE AN EFFECT ON THE BLOOD ....@@@@@.
.@.@@@..@. WHICH IN TURN AFFECTS MIKU. @...@....@
@@@@..@.@@ @@..@@...@
....@.@@@. THERE IS A LARGE TANK BEHIND THE ..@.@.@..@
@...@@@..@ FACTORY THAT CONTAINS A VAST NUMBER OF @.@@@@@@.@
.@..@..@.@ AUXILLIARY BLOOD COLONIES. MIKU WATCHES @@@.....@@
@@@.@@.@@@ OVER THESE AS WELL. THEIR PURPOSE IS @..@....@.
@..@@.@@.. UNCLEAR. .@.@@...@@
.@.@.@@.@. .@@@.@..@.
.@@@@@.@@@ THE FACTORY IS SURROUNDED BY THE BLOOD .@..@@@.@@
@@....@@.. MEAL FARMS. THERE IS A CONSTANT .@@.@..@@.
@.@...@.@. EXCHANGE OF BLOOD AND BLOOD MEAL. THIS @@.@@@.@.@
.@@@..@@@@ PROVIDES TWO OF THE MAJOR MATERIALS FOR @.@@..@@@@
@@..@.@... BOTH THE COLONIES AND MIKU. .@@.@.@...
@.@.@@@@.. .@.@@@@@..
@@@@@...@. --- --- .@@@....@.
@....@..@@ --- --- --- .@..@...@@
.@...@@.@. --- --- @@@.@@..@.
.@@..@.@@@ ...@@.@.@@
@@.@.@@@.. NICK IS UNCOMFORTABLE AROUND ...@.@@@@.
@.@@@@..@. THE "WILD FLESH" VATS. @..@@@...@
.@@...@.@@ .@.@..@..@
@@.@..@@@. .@@@@.@@.@
..@@@.@..@ @@...@@.@@
@.@..@@@.@ @.@..@.@@.
@@@@.@..@@ .@@@.@@@.@