###£§§*-.¨ ¨.-*§§£###
##£§§*-.¨¨ ¨¨.-*§§£##
#£§§*-.¨¨¨ ¨¨¨.-*§§£#
£§§*-.¨¨¨¨ ¨¨¨¨.-*§§£
§§*-.¨¨¨¨¨ ¨¨¨¨¨.-*§§
§*-.¨¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨¨.-*§
*-.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.-*
-.¨¨¨¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨¨¨¨¨¨
.¨¨¨¨¨¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨¨¨¨.-
*-.¨¨¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨¨¨.-*
§*-.¨¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨¨.-*§
§§*-.¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨.-*§§
£§§*-.¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨.-*§§£
#£§§*-.¨¨¨ ECOSYSTEM. ¨¨¨.-*§§£#
##£§§*-.¨¨ ¨¨.-*§§£##
###£§§*-.¨ THE GUESTS ARRIVING DURING THE EARLY ¨.-*§§£###
##£§§*-.¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨.-*§§£##
#£§§*-.¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨.-*§§£#
£§§*-.¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨.-*§§£
§§*-.¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨.-*§§
§*-.¨¨¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨¨¨.-*§
*-.¨¨¨¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨¨¨¨.-*
-.¨¨¨¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨¨¨¨¨¨¨
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨¨¨¨.-
*-.¨¨¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨¨¨.-*
§*-.¨¨¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨¨¨.-*§
§§*-.¨¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨¨.-*§§
£§§*-.¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨.-*§§£
#£§§*-.¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨.-*§§£#
##£§§*-.¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨.-*§§£##
###£§§*-.¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨.-*§§£###
##£§§*-.¨¨ ¨¨.-*§§£##
#£§§*-.¨¨¨ ----- ¨¨¨.-*§§£#
£§§*-.¨¨¨¨ ¨¨¨¨.-*§§£
§§*-.¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨.-*§§
§*-.¨¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨¨.-*§
*-.¨¨¨¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨¨¨¨.-*
-.¨¨¨¨¨¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨¨¨¨¨.
¨¨¨¨¨¨¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
¨¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨¨
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.-