@.@....@@. ..@..@@@@.
@@@@...@.@ @.@@.@...@
....@..@@@ .@@.@@@..@
@...@@.@.. .@.@@..@.@
.@..@.@@@. @@@@.@.@@@
@@@.@@@..@ ....$$@# VäXJö #@$$.... ....@@@@..
@..@@..@.@ @...@...@.
@@.@.@.@@@ THE APARTMENT SMELLS OF OLD COFFEE AND @@..@@..@@
..@@@@@@.. SWEETENERS. I DON'T KNOW HOW I LET IT @.@.@.@.@.
..@.....@. GET LIKE THIS. IT'S NOT INTENTIONAL. .@@@@@@@@@
@.@@....@@ .@........
@@@.@...@. I WEAR YELLOW TINTED GLASSES. THE ROOM .@@.......
@..@@@..@@ CHANGES SHAPE A LOT. RIGHT NOW THERE'S @@.@......
@@.@..@.@. A BLUE SOFA WITH YELLOW SEAMS. I ..@@@.....
@.@@@.@@@@ EXPERIMENT WITH DIFFERENT COLORED @.@..@....
@@@..@@... LIGHTS. I'M LEARNING THINGS. .@@@.@@...
@..@.@.@.. @@..@@.@..
@@.@@@@@@. MY THOUGHTS ARE REVOLVING AROUND TIME, ..@.@.@@@.
@.@@.....@ AND THE PERCEPTION OF IT. CAN I MAKE IT ..@@@@@..@
.@@.@....@ RIGID? IF I REALLY WANT TO, CAN I MAKE ..@....@.@
@@.@@@...@ IT FEEL LIKE THERE IS ENOUGH OF IT? @.@@...@@@
..@@..@..@ ALSO, AND MAYBE, ULTIMATELY, MORE @@@.@..@..
..@.@.@@.@ IMPORTANT - CAN I MAKE IT FEEL LIKE IT ...@@@.@@.
..@@@@@.@@ DOESN'T MATTER? @..@..@@.@
@.@....@@. .@.@@.@.@@
.@@@...@.@ .@@@.@@@@.
.@..@..@@@ @@..@@...@
@@@.@@.@.. @.@.@.@..@
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