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@...@.@...                                          ..@.@.@...
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@.@...@...         ....$$## VäXJö ##$$....          @.....@.@.
@@@..@@...                                          @....@@@@@
..@.@.@..@ THE  APARTMENT SMELLS OF OLD  COFFEE AND @...@.....
.@@@@@@.@@ SWEETENERS. I DON'T  KNOW HOW I  LET  IT @..@@.....
@.....@@.. GET  LIKE  THIS.  IT'S NOT  INTENTIONAL. @.@.@.....
@....@.@..                                          @@@@@....@
@...@@@@.. I  WEAR  YELLOW TINTED GLASSES. THE ROOM ....@...@.
@..@...@.@ CHANGES  SHAPE  A LOT. RIGHT NOW THERE'S ...@@..@@@
@.@@..@@@@ A  BLUE   SOFA  WITH  YELLOW   SEAMS.  I ..@.@.@...
@@.@.@....     EXPERIMENT WITH DIFFERENT COLORED    .@@@@@@..@
.@@@@@...@       LIGHTS. I'M LEARNING THINGS.       @.....@.@.
@....@..@@                                          @....@@@@.
@...@@.@.@ MY  THOUGHTS  ARE REVOLVING AROUND TIME, @...@...@@
@..@.@@@@. AND THE PERCEPTION OF IT.  CAN I MAKE IT @..@@..@..
@.@@@...@. RIGID? IF I  REALLY WANT TO, CAN  I MAKE @.@.@.@@.@
@@..@..@@. IT  FEEL  LIKE THERE  IS ENOUGH  OF  IT? @@@@@@.@@.
.@.@@.@.@.    ALSO, AND MAYBE, ULTIMATELY, MORE     .....@@.@@
@@@.@@@@@. IMPORTANT - CAN I  MAKE IT FEEL LIKE  IT ....@.@@.@
..@@....@.              DOESN'T MATTER?             ...@@@.@@.
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