....@..@.. .@.@...@@@
@....@..@. ....@..@.@
@@....@... .....@...@
.@@....@.. ......@..@
.@@@....@. .......@..
.@.@@....@ ....**## VäXJö ##**.... ........@.
...@@@.... .........@
@..@.@@... THE APARTMENT SMELLS OF OLD COFFEE AND @.........
.@...@@@.. SWEETENERS. I DON'T KNOW HOW I LET IT @@........
..@..@.@@. GET LIKE THIS. IT'S NOT INTENTIONAL. .@@.......
...@...@@@ .@@@......
....@..@.@ I WEAR YELLOW TINTED GLASSES. THE ROOM .@.@@.....
.....@...@ CHANGES SHAPE A LOT. RIGHT NOW THERE'S ...@@@....
......@..@ A BLUE SOFA WITH YELLOW SEAMS. I ...@.@@...
.......@.. EXPERIMENT WITH DIFFERENT COLORED @....@@@..
........@. LIGHTS. I'M LEARNING THINGS. .@...@.@@.
.........@ ..@....@@@
@......... MY THOUGHTS ARE REVOLVING AROUND TIME, ...@...@.@
@@........ AND THE PERCEPTION OF IT. CAN I MAKE IT ....@....@
.@@....... RIGID? IF I REALLY WANT TO, CAN I MAKE @....@...@
.@@@...... IT FEEL LIKE THERE IS ENOUGH OF IT? @@....@...
.@.@@..... ALSO, AND MAYBE, ULTIMATELY, MORE .@@....@..
...@@@.... IMPORTANT - CAN I MAKE IT FEEL LIKE IT .@@@....@.
...@.@@... DOESN'T MATTER? .@.@@....@
@....@@@.. ...@@@....
.@...@.@@. ...@.@@...
..@....@@@ .....@@@..
...@...@.@ @....@.@@.
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