##@#£*\~,, ,,~\*£#@##
@#*~,,,,,, ,,,,,,~*#@
##@#£*\~,, ,,~\*£#@##
##@#£*\~,, ,,~\*£#@##
##@#£*\~,, ,,~\*£#@##
##@#£*\~,, delay delay d,la# # *a, , ,@ ~ , ,,~\*£#@##
#*\,,,,,,, ,,,,,,,\*#
##@#£*\~,, ,,~\*£#@##
##£*~~,,,, ,,,,~~*£##
@#£\,,,,,, ,,,,,,\£#@
#*\\,,,,,, "delay" means repetiton or likewise, ,,,,,,\\*#
##@#£*\~,, but it's mainly useless without ,,~\*£#@##
#£\,,,,,,, feedback, ,,,,,,,\£#
###**~,,,, to allow the delay to eat of it's own ,,,,~**###
##@#£*\~,, tail, like one of those eaty serpents. ,,~\*£#@##
##@#£*\~,, thus: it's the serpent effect! ,,~\*£#@##
##@#£*\~,, ,,~\*£#@##
@@@#£*\~,, it's to be revered as a creator of ,,~\*£#@@@
##@#£*\~,, ambience and of space, if you treat it ,,~\*£#@##
##@#£*\~,, right. a somewhat more solid and ,,~\*£#@##
@@£\\\,,,, slippery sibling of reverb. ,,,,\\\£@@
##@#£*\~,, ,,~\*£#@##
@£\,,,,,,, ,,,,,,,\£@
#**~~,,,,, ,,,,,~~**#
##*\~,,,,, ,,,,,~\*##
@#*~~,,,,, ,,,,,~~*#@