¨¨¨¨~=%%%&                                          &%%%=~¨¨¨¨
¨¨¨¨¨~~=%#                                          #%=~~¨¨¨¨¨
¨~«=%%&###                                          ###&%%=«~¨
¨~«=%%&###                                          ###&%%=«~¨
¨~«=%%&###                                          ###&%%=«~¨
¨~«=%%%&&# delay  delay  d¨la#  & %a¨  ~ ¨#   «   ~ #&&%%%=«~¨
¨~«=%%&###                                          ###&%%=«~¨
¨~«=%%&###                                          ###&%%=«~¨
¨¨¨~=%%%&#                                          #&%%%=~¨¨¨
¨~«=%%&###                                          ###&%%=«~¨
¨~«=%%&### "delay" means repetiton or likewise,     ###&%%=«~¨
¨¨¨¨¨«%&## but it's mainly useless without          ##&%«¨¨¨¨¨
¨~«=%%&### feedback,                                ###&%%=«~¨
¨~«=%%&### to allow the delay to eat of it's own    ###&%%=«~¨
¨¨¨~«==%&# tail, like one of those eaty serpents.   #&%==«~¨¨¨
¨~«=%%&### thus: it's the serpent effect!           ###&%%=«~¨
¨~«=%%&###                                          ###&%%=«~¨
¨~«=%&#### it's to be revered as a creator of       ####&%=«~¨
¨~«««««=%# ambience and of space, if you treat it   #%=«««««~¨
¨¨¨~==%&## right. a somewhat more solid and         ##&%==~¨¨¨
¨~«=%%&&&# slippery sibling of reverb.              #&&&%%=«~¨
¨~«=%%&###                                          ###&%%=«~¨
¨~«=%%####                                          ####%%=«~¨
¨~«=%%&###                                          ###&%%=«~¨
¨~««=%%&&#                                          #&&%%=««~¨
¨~«=%%&###                                          ###&%%=«~¨