....---;¤& &¤;---....
...-~**# ##&**~-...
.-~;*¤## ###&¤*;~-.
.-~;*¤## ###&¤*;~-.
....~;*&&@ @&&*;~....
.~;*¤@## delay delay d.la@ & *a. - .# ~ - ##@#&¤*;~.
.-~;*¤&& #&&&¤*;~-.
.-~;*¤#@## ##@#¤*;~-.
.-~;*¤## ###&¤*;~-.
..-~~~;¤## ##¤;~~~-..
......-;*& "delay" means repetiton or likewise, &*;-......
.-~;*¤@# but it's mainly useless without #@#&¤*;~-.
.-~*¤@## feedback, ##@#&¤*~-.
...-~**& to allow the delay to eat of it's own #&&**~-...
.-~;*¤## tail, like one of those eaty serpents. ###&¤*;~-.
.-~;*¤&@## thus: it's the serpent effect! ##@&¤*;~-.
...-;;;¤¤# #¤¤;;;-...
.---~~~*¤& it's to be revered as a creator of &¤*~~~---.
.-~;*¤@# ambience and of space, if you treat it #@#&¤*;~-.
...--;¤¤## right. a somewhat more solid and ##¤¤;--...
.-~;*¤¤¤¤& slippery sibling of reverb. &¤¤¤¤*;~-.
.....-~*&@ @&*~-.....
.-~;*¤@# #@#&¤*;~-.
....--~;¤# #¤;~--....
..--~;*¤## ##¤*;~--..
.-~;*¤@# #@#&¤*;~-.