.-=:*%§¶¶¶                                          ¶¶¶§%*:=-.
.-=:*%§¶@#                                          #@¶§%*:=-.
.-=:*%§¶¶¶                                          ¶¶¶§%*:=-.
.-=:*%§¶@#                                          #@¶§%*:=-.
.....-:%%§                                          §%%:-.....
..--:**§§§ delay  delay  d.la@  § *a.  - .¶   =   - §§§**:--..
.-=:*%§¶@#                                          #@¶§%*:=-.
...==::%§§                                          §§%::==...
.-=:*%§¶¶@                                          @¶¶§%*:=-.
....--:%§@                                          @§%:--....
.-=:*§¶@## "delay" means repetiton or likewise,     ##@¶§*:=-.
.-=*%§¶@## but it's mainly useless without          ##@¶§%*=-.
.....==**§ feedback,                                §**==.....
.-=:::*%§§ to allow the delay to eat of it's own    §§%*:::=-.
.-=:*%§¶## tail, like one of those eaty serpents.   ##¶§%*:=-.
......-:%§ thus: it's the serpent effect!           §%:-......
.-=:*%§¶@@                                          @@¶§%*:=-.
..-=:***§§ it's to be revered as a creator of       §§***:=-..
.-=:*%§§§§ ambience and of space, if you treat it   §§§§%*:=-.
.-=:*%§¶@# right. a somewhat more solid and         #@¶§%*:=-.
..--::**§¶ slippery sibling of reverb.              ¶§**::--..
.-=:*%§¶@#                                          #@¶§%*:=-.
.-=:*%§¶@#                                          #@¶§%*:=-.
.-=:*%§§¶¶                                          ¶¶§§%*:=-.
.-=:*%¶@##                                          ##@¶%*:=-.
..--:***§@                                          @§***:--..