¨¨¨¨¨==^%§ §%^==¨¨¨¨¨
¨~=;$§%†@# #@†%§$;=~¨
,.,¨^»*:£@ @£:*»^¨,.,
,¨,,¨.-\*& &*\-.¨,,¨,
.¨,¨.~=&¶# #¶&=~.¨,¨.
.,,.¨.::†§ statuette §†::.¨.,,.
..«:%$#@@# #@@#$%:«..
:»=*&&@### %%§&%$§£§¤§*&$§*«~«~==~«*&%@$*&&§@£$$*%% ###@&&*=»:
¨.¨,¨,~%*& %£¤&£¤@%£ &*%~,¨,¨.¨
,-~**^*£@# #@£*^**~-,
.,¨.¨~%§†# forests around my childhood home. thick #†§%~¨.¨,.
,¨¨¨¨-†$&¶ pine arcades that were planted and ¶&$†-¨¨¨¨,
¨^-=$£##£¶ forgotten. wild boars roaming ¶£##£$=-^¨
,,.¨,~=†¤& underneath, sniffing at the ground. it &¤†=~,¨.,,
¨,~^*£¤¶## is dark and moist, the canopy having ##¶¤£*^~,¨
¨-»\=&¤#@# already soaked up all the sun. #@#¤&=\»-¨
¨..¨,*\@£@ @£@\*,¨..¨
¨-=/$£¤### there's a river passing by, from east ###¤£$/=-¨
.¨,¨.-;^£§ to west, getting broader and deeper and §£^;-.¨,¨.
,~-*$£@@## slower as it goes. equisetum grow just ##@@£$*-~,
¨.¨,,^§¤## where the pine hands start to let ##¤§^,,¨.¨
¨¨¨¨¨-=*§@ through light, horsemint on the rocky @§*=-¨¨¨¨¨
,,.-:\†$#£ river bed. £#$†\:-.,,
,-~:$†¤£*@ @*£¤†$:~-,
,,¨,»=%*££ = ££*%=»,¨,,
¨.,.-=\$@@ @@$\=-.,.¨
¨..,,¨=:*¤ the riverbanks reek of magic. tonight ¤*:=¨,,..¨
.-~=%%£¶## they had been a swampworld with sylvan ##¶£%%=~-.
,.,:,^:†§@ water, stone rings and floating moss. @§†:^,:,.,
.~==^&&¶@# you could've found me wallowing around #@¶&&^==~.
,,,«;\\§£@ on the southern shores until i got @£§\\;«,,,
.~,.,«=%#& bitten. %=«,.,~.
,¨¨,¨,-=¤@ @¤=-,¨,¨¨,
¨¨.¨.,«^&£ but now i'm further back, on solid £&^«,.¨.¨¨
..-:§£@¶@# ground, in shoulder-high grass, with an #@¶@£§:-..
¨:~;*&@# orange tin radio and a translucent #@#&&*;~:¨
,.»\%&@@## umbrella which i'm sitting on. ##@@&%\».,
.,,¨=/%%¤# #¤%%/=¨,,.
,,~/%£&£@# / #@£&£%/~,,
,¨..,^\^ #&^\^,..¨,
,,¨¨¨¨=*£& somethings moving in the grass. it's &£*=¨¨¨¨,,
,~»*=¤@£## invisible to my eyes but i can feel ##£@¤=*»~,
¨,~*$@%&%@ through the ground just how large it is. @%&%@$*~,¨
.,«;*$§@## ##@§$*;«,.
¨^=\^¤&%#@ the soil is muddy. i slip when trying @#%&¤^\=^¨
.,~;§%## to get up, still looking at the ###&%§;~,.
.^~;*%## direction of sound rather than at my ###&%*;~^.
,.»†$£#@£# hands, who are busy putting things in #£@#£$†».,
.¨.¨,:/%@@ my pockets. @@%/:,¨.¨.
¨..¨,¨:-^@ @^-:¨,¨..¨
.¨¨.¨~=§## then i run east toward my home. ##§=~¨.¨¨.
¨..,,~†$%@ @%$†~,,..¨
,,«;£§@@## \ ##@@§£;«,,
,.,.,»~=£# #£=~»,.,.,
¨--:%*#@@# i am not followed, and slow down in the #@@#*%:--¨
--=†§£¶### clearing where you at first can spot ###¶£§†=--
,.-;$¤@### the house, not yet really in the ###@¤$;-.,
.,-=†@£¶## backyard. from my pockets i retrieve my ##¶£@†=-,.
,.,.»-=&&@ radio (now dented) but also a small @&&=-».,.,
¨,»=£&£### clay figure i've never seen before. it ###£&£=»,¨
,:~/%&§£## must have been laying in the wet dirt, ##£§&%/~:,
,¨.,,.«^$£ and i must've picked it up with my £$^«.,,.¨,
,.,,¨,-:¤£ other belongings. £¤:-,¨,,.,
.,~=$£## ###&£$=~,.
¨^«~=«%@¶@ it's a statuette of a girl laying naked @¶@%«=~«^¨
,~-*§%££@# on her stomach, feet in the air, #@££%§*-~,
.^==*¤§### roughly seven centimeters long. it's ###§¤*==^.
,-~^$@£@## freshly made, not yet completely dried. ##@£@$^~-,
.^-^=*£¤#@ @#¤£*=^-^.
.¨¨.«^£%## my mom is here now. i ask her for some ##%£^«.¨¨.
,.~==%@&&@ particle board for it to dry on, but @&&@%==~.,
,..,~/%$¤£ she is worried and wants me to £¤$%/~,..,
,--:*@¤@## throw it away. ##@¤@*:--,
.,«^^%¤§#£ £#§¤%^^«,.
,~~†^&§### ###§&^†~~,
,.,.,-==£¶ ¶£==-,.,.,
¨¨¨¨,=^§£# #£§^=,¨¨¨¨
,,-==£¤### ###¤£==-,,
.¨,¨.-/¤¤# #¤¤/-.¨,¨.