¨.¨--§@$£§ §£$@§--¨.¨
.~«*†££#@# #@#££†*«~.
¨^»:=†§$%§ §%$§†=:»^¨
..«;§§¤### ###¤§§;«..
¨.--»:=%§@ @§%=:»--.¨
.^»†^%§#@# statuette #@#§%^†»^.
¨:~/†*§### ###§*†/~:¨
¨,,.~«*%£# £§*¤$&@$§&*££&$*=«--««~~$£$%$£¤$%%§&@*¤$ #£%*«~.,,¨
¨,»\†%¤#@# $£%*@$§¤§ #@#¤%†\»,¨
¨,«/%§@### ###@§%/«,¨
.--^=*&¤## forests around my childhood home. thick ##¤&*=^--.
.,»/†¤@### pine arcades that were planted and ###@¤†/»,.
¨,«=§$#### forgotten. wild boars roaming ####$§=«,¨
.^~^=@££## underneath, sniffing at the ground. it ##££@=^~^.
¨:~\=$§¶## is dark and moist, the canopy having ##¶§$=\~:¨
,.-*%$@### already soaked up all the sun. ###@$%*-.,
,:~:*¶## ##¶#&*:~:,
.,«=†¤#@## there's a river passing by, from east ##@#¤†=«,.
.¨,,~=$£## to west, getting broader and deeper and ##£$=~,,¨.
,~-^§*£§&¤ slower as it goes. equisetum grow just ¤&§£*§^-~,
¨.~=†£#£## where the pine hands start to let ##£#£†=~.¨
,-»~»;=%£# through light, horsemint on the rocky #£%=;»~»-,
¨...,=*### river bed. ###*=,...¨
.-=/*@£@¶# #¶@£@*/=-.
.,»;*£¤@@# : #@@¤£*;»,.
¨-~\$### ####&$\~-¨
..«/=:†¤@# the riverbanks reek of magic. tonight #@¤†:=/«..
,,~==¤§### they had been a swampworld with sylvan ###§¤==~,,
,--†*@£* water, stone rings and floating moss. #&*£@*†--,
¨,~/=##@## you could've found me wallowing around ##@##=/~,¨
,^«:%$§@@# on the southern shores until i got #@@§$%:«^,
¨.-=†$@@## bitten. ##@@$†=-.¨
,,-^§$£@## ##@£$§^-,,
,^~;*¤##@# but now i'm further back, on solid #@##¤*;~^,
¨-~\=%@¶## ground, in shoulder-high grass, with an ##¶@%=\~-¨
.:-^%§&¤## orange tin radio and a translucent ##¤&§%^-:.
,¨..==\^¤@ umbrella which i'm sitting on. @¤^\==..¨,
.-=:%@@@ #&@@@%:=-.
¨,=**@#### = ####@**=,¨
,¨,.¨¨:=@£ £@=:¨¨.,¨,
.:«/†&¤¤## somethings moving in the grass. it's ##¤¤&†/«:.
,,»†^&@¶## invisible to my eyes but i can feel ##¶@&^†»,,
¨.¨,:-%# through the ground just how large it is. ##&%-:,¨.¨
¨¨.,=§%^$§ §$^%§=,.¨¨
,-«†%%£#@# the soil is muddy. i slip when trying #@#£%%†«-,
¨,»^=$@£## to get up, still looking at the ##£@$=^»,¨
¨^~/†$&@## direction of sound rather than at my ##@&$†/~^¨
.-:*@§@### hands, who are busy putting things in ###@§@*:-.
,^»†*§£@## my pockets. ##@£§*†»^,
...-~*&%%¶ ¶%%&*~-...
,¨¨-~^@¤## then i run east toward my home. ##¤@^~-¨¨,
.:~*^&£### ###£&^*~:.
..¨¨,:;£¤@ ^ @¤£;:,¨¨..
,,,^†;§##¶ ¶##§;†^,,,
,¨.¨¨:†% i am not followed, and slow down in the #&%†:¨¨.¨,
,..¨..-†$# clearing where you at first can spot #$†-..¨..,
...-~=$#&@ the house, not yet really in the @$=~-...
¨-~;**£### backyard. from my pockets i retrieve my ###£**;~-¨
¨.«***@@#@ radio (now dented) but also a small @#@@***«.¨
..,¨¨.=$$# clay figure i've never seen before. it #$$=.¨¨,..
,:~†§%## must have been laying in the wet dirt, ###&%§†~:,
¨^-:^@## and i must've picked it up with my ##@#&^:-^¨
.¨-~=†=§%# other belongings. #%§=†=~-¨.
.,.,,^:$## ##$:^,,.,.
¨,«=$*¤### it's a statuette of a girl laying naked ###¤*$=«,¨
¨¨¨¨,»=*§# on her stomach, feet in the air, #§*=»,¨¨¨¨
,,,,.,\@*@ roughly seven centimeters long. it's @*@\,.,,,,
,..¨-.;$$# freshly made, not yet completely dried. #$$;.-¨..,
.^~=$%£### ###£%$=~^.
¨:»;%£§@## my mom is here now. i ask her for some ##@§£%;»:¨
.¨.-=-†^*¤ particle board for it to dry on, but ¤*^†-=-.¨.
.,,¨¨,†^*¤ she is worried and wants me to ¤*^†,¨¨,,.
¨,¨.~»%£$@ throw it away. @$£%»~.¨,¨
,~=*=%@¶## ##¶@%=*=~,
¨-~*†¤&@## ##@&¤†*~-¨
,,~;*£#@## ##@#£*;~,,
,^~/^&§### ###§&^/~^,
¨.«:^¤@### ###@¤^:«.¨
,:~/$%££## ##££%$/~:,