¨:«†*§@# #@#&§*†«:¨
,^~\%£&§¤# #¤§&£%\~^,
.^~:†$#@## ##@#$†:~^.
¨.«;$£#@## ##@#£$;«.¨
,,~^†%§*$¤ ¤$*§%†^~,,
,¨¨~«*%§ statuette #&§%*«~¨¨,
¨,~/§%#### ####%§/~,¨
.¨.,..:^%& ¤*%§$£%£$¤%$¤¤%%==~»»«~«*§$£*£%&&*¤%*£&£ &%^:..,.¨.
...,¨,†*@# *§$@%£¤%§ #@*†,¨,...
¨¨-~~~*^*§ §*^*~~~-¨¨
¨:«\^&&¶#@ forests around my childhood home. thick @#¶&&^\«:¨
,.¨,~\/$*£ pine arcades that were planted and £*$/\~,¨.,
.:»;§§&@## forgotten. wild boars roaming ##@&§§;»:.
¨~-/*%£#@# underneath, sniffing at the ground. it #@#£%*/-~¨
¨,~;%£@¶## is dark and moist, the canopy having ##¶@£%;~,¨
..,»:§*$£# already soaked up all the sun. #£$*§:»,..
,,»\*§£@@# #@@£§*\»,,
¨^=;%*££## there's a river passing by, from east ##££*%;=^¨
¨.«=^§§£@# to west, getting broader and deeper and #@£§§^=«.¨
..¨¨,†*§## slower as it goes. equisetum grow just ##§*†,¨¨..
,~~^†§#@## where the pine hands start to let ##@#§†^~~,
¨:-^§§¤£ through light, horsemint on the rocky #&£¤§§^-:¨
¨,-***&@## river bed. ##@&***-,¨
.:~*§£#¶## ##¶#£§*~:.
,,~\%&§### † ###§&%\~,,
,~~:$&£#@# #@#£&$:~~,
.,-=%%@#@@ the riverbanks reek of magic. tonight @@#@%%=-,.
¨,.,.-\*£@ they had been a swampworld with sylvan @£*\-.,.,¨
¨,«=§$@### water, stone rings and floating moss. ###@$§=«,¨
,,«**££¶## you could've found me wallowing around ##¶££**«,,
.,¨¨¨.«=%@ on the southern shores until i got @%=«.¨¨¨,.
¨.«;=%%@ bitten. #&@%%=;«.¨
,,~/$$£### ###£$$/~,,
,~=:=§¤@@# but now i'm further back, on solid #@@¤§=:=~,
..,,.,;¤£# ground, in shoulder-high grass, with an #£¤;,.,,..
.--;§£§@## orange tin radio and a translucent ##@§£§;--.
¨..¨«-%¤§@ umbrella which i'm sitting on. @§¤%-«¨..¨
.¨,-»-=££¶ ¶££=-»-,¨.
,,¨¨:=~*§¤ ; ¤§*~=:¨¨,,
,:-==*§@## ##@§*==-:,
¨~==%¤¤@## somethings moving in the grass. it's ##@¤¤%==~¨
¨:~*$*£¶## invisible to my eyes but i can feel ##¶£*$*~:¨
.-~^†£#@## through the ground just how large it is. ##@#£†^~-.
¨,==†$£### ###£$†==,¨
¨~-/§$@¶## the soil is muddy. i slip when trying ##¶@$§/-~¨
..=\†§¤@## to get up, still looking at the ##@¤§†\=..
,,~†^££#@# direction of sound rather than at my #@#££^†~,,
,,-**¤#@## hands, who are busy putting things in ##@#¤**-,,
¨~~=§†£*@¶ my pockets. ¶@*£†§=~~¨
..~=$$£¶## ##¶£$$=~..
.,«†*@¤@## then i run east toward my home. ##@¤@*†«,.
,.¨.,=:*@£ £@*:=,.¨.,
.¨,,^†$&¶# \ #¶&$†^,,¨.
¨,=/=$£¶## ##¶£$=/=,¨
,.~;§£§### i am not followed, and slow down in the ###§£§;~.,
,,~;=&@¶## clearing where you at first can spot ##¶@&=;~,,
¨,~\^@££## the house, not yet really in the ##££@^\~,¨
¨,*%£@#### backyard. from my pockets i retrieve my ####@£%*,¨
,,...:\^£# radio (now dented) but also a small #£^\:...,,
¨~»\%*†$*£ clay figure i've never seen before. it £*$†*%\»~¨
¨-«;§££§£# must have been laying in the wet dirt, #£§££§;«-¨
.~~=*¤¤@## and i must've picked it up with my ##@¤¤*=~~.
,.~:*¶£@ other belongings. @£¶#&*:~.,
..~*%§#@ @##&§%*~..
¨,-;$$&@## it's a statuette of a girl laying naked ##@&$$;-,¨
,.¨,¨-=:@# on her stomach, feet in the air, #@:=-¨,¨.,
¨,»^^&£§&¶ roughly seven centimeters long. it's ¶&§£&^^»,¨
¨,»†**§£## freshly made, not yet completely dried. ##£§**†»,¨
,,~*§$£@## ##@£$§*~,,
.,~:=£#@## my mom is here now. i ask her for some ##@#£=:~,.
¨^=/%%§£@# particle board for it to dry on, but #@£§%%/=^¨
.,=/$%## she is worried and wants me to ###&%$/=,.
¨,,.,=»*£& throw it away. &£*»=,.,,¨
.-»~~==#¶# #¶#==~~»-.
¨:«=%£§£## ##£§£%=«:¨
¨^«*=£¤¶## ##¶¤£=*«^¨
,^-=%@#### ####@%=-^,
..-=%$£@@# #@@£$%=-..
¨,,,.«§@@¶ ¶@@§«.,,,¨