.^»;%$§¶## ##¶§$%;»^.
¨~~**§&£## ##£&§**~~¨
.,«†;%§&£@ @£&§%;†«,.
¨¨.~»^*:¤£ £¤:*^»~.¨¨
¨,-^%*@# #@#&*%^-,¨
,:=;§§&£§¤ statuette ¤§£&§§;=:,
¨:»\=@¤£@# #@£¤@=\»:¨
¨,.¨,^/%¤# £$$%£§@¤$§£%$$@@~=«~---«&%¤%¤§§§*$**¤*%¤ #¤%/^,¨.,¨
¨-:†££#### &%$¤%*§%% ####££†:-¨
¨:~=%@¤£@# #@£¤@%=~:¨
,,~†=@## forests around my childhood home. thick ###&@=†~,,
.¨¨--*:*%£ pine arcades that were planted and £%*:*--¨¨.
,¨~,«\¤¤#@ forgotten. wild boars roaming @#¤¤\«,~¨,
.^»†*@@# underneath, sniffing at the ground. it #@@#&*†»^.
¨,,,«\/\^¤ is dark and moist, the canopy having ¤^\/\«,,,¨
.-~*§%#@## already soaked up all the sun. ##@#%§*~-.
,,=†%¤¤### ###¤¤%†=,,
,,»*†$@@## there's a river passing by, from east ##@@$†*»,,
,....,~*£@ to west, getting broader and deeper and @£*~,....,
,..¨.-*@#@ slower as it goes. equisetum grow just @#@*-.¨..,
,-=;*§£@#@ where the pine hands start to let @#@£§*;=-,
,^»^†&¤### through light, horsemint on the rocky ###¤&†^»^,
,,,.,~-$@# river bed. #@$-~,.,,,
.,..¨.=§@# #@§=.¨..,.
¨-«*%¤&£## / ##£&¤%*«-¨
.^«^*@@### ###@@*^«^.
,:~\%£§### the riverbanks reek of magic. tonight ###§£%\~:,
,-~^^£&@## they had been a swampworld with sylvan ##@&£^^~-,
¨¨.^:~%£%@ water, stone rings and floating moss. @%£%~:^.¨¨
¨-=\*§^§## you could've found me wallowing around ##§^§*\=-¨
¨,~†$¤&£## on the southern shores until i got ##£&¤$†~,¨
,...,^»:§£ bitten. £§:»^,...,
.,-:$$£@## ##@£$$:-,.
¨¨.,,==§££ but now i'm further back, on solid ££§==,,.¨¨
¨:=:=§@### ground, in shoulder-high grass, with an ###@§=:=:¨
.^~;^§£### orange tin radio and a translucent ###£§^;~^.
¨,~/*%£$#@ umbrella which i'm sitting on. @#$£%*/~,¨
¨,~\*§¤@@# #@@¤§*\~,¨
...~=:=§@@ * @@§=:=~...
.,-;%@@&§& &§&@@%;-,.
.^~:§**&¤¤ somethings moving in the grass. it's ¤¤&**§:~^.
¨,~†%$¤¶#@ invisible to my eyes but i can feel @#¶¤$%†~,¨
,:~:%#£### through the ground just how large it is. ###£#%:~:,
¨~-†**#£## ##£#**†-~¨
¨:~:=@&@@# the soil is muddy. i slip when trying #@@&@=:~:¨
.~~^^*£@## to get up, still looking at the ##@£*^^~~.
¨.¨.¨^;$@# direction of sound rather than at my #@$;^¨.¨.¨
¨¨.-\:=*†@ hands, who are busy putting things in @†*=:\-.¨¨
¨,~/=¤£### my pockets. ###£¤=/~,¨
.^»^%%#@## ##@#%%^»^.
¨.~»:/$# then i run east toward my home. ##&$/:»~.¨
.:~=^%¤### ###¤%^=~:.
¨,¨¨,~^¤*§ ^ §*¤^~,¨¨,¨
...,-†$@#@ @#@$†-,...
.^~\§§@£@# i am not followed, and slow down in the #@£@§§\~^.
.^-==%@¶## clearing where you at first can spot ##¶@%==-^.
,--/=*†;&& the house, not yet really in the &&;†*=/--,
¨,,¨..~^$¤ backyard. from my pockets i retrieve my ¤$^~..¨,,¨
¨-~†$£## radio (now dented) but also a small ###&£$†~-¨
.,.-«:§§&£ clay figure i've never seen before. it £&§§:«-.,.
.,-/^%#### must have been laying in the wet dirt, ####%^/-,.
¨.»\;†§££# and i must've picked it up with my #££§†;\».¨
,.=\*§## other belongings. ###&§*\=.,
.¨¨¨^-«%@£ £@%«-^¨¨¨.
,¨¨..¨~† it's a statuette of a girl laying naked #&†~¨..¨¨,
¨-«/†#£### on her stomach, feet in the air, ###£#†/«-¨
,-»=*¤@### roughly seven centimeters long. it's ###@¤*=»-,
¨~»^=¤£@## freshly made, not yet completely dried. ##@£¤=^»~¨
,,=^^$§££¶ ¶££§$^^=,,
.,¨.~;\£££ my mom is here now. i ask her for some £££\;~.¨,.
,^»:%$¤¶## particle board for it to dry on, but ##¶¤$%:»^,
¨~-†%$£### she is worried and wants me to ###£$%†-~¨
..«=%$@£@# throw it away. #@£@$%=«..
,-~*$$§### ###§$$*~-,
.-»/§&§@@# #@@§&§/»-.
¨.¨,¨¨»=§@ @§=»¨¨,¨.¨
,:~†%*@@## ##@@*%†~:,
.^-/^¤#### ####¤^/-^.
¨¨,.,-//%£ £%//-,.,¨¨