.,-=*%££## ##££%*=-,.
¨^~:†£#### ####£†:~^¨
¨¨,~*$#£@# #@£#$*~,¨¨
.,,^«*§### ###§*«^,,.
..^~†%¤£@# #@£¤%†~^..
,-~**##### statuette #####**~-,
,.:»†§&@@# #@@&§†»:.,
.,¨,«=%§@# £$£$§$%&£%¤@@§*$«»»»=~~«£%%@$%$$¤%$$£%&% #@§%=«,¨,.
,¨~=^*§### $$$%*$£&$ ###§*^=~¨,
¨:»*^##@## ##@##^*»:¨
.¨~~/$#¶## forests around my childhood home. thick ##¶#$/~~¨.
.¨¨.~†*&@@ pine arcades that were planted and @@&*†~.¨¨.
,¨,»=†#@## forgotten. wild boars roaming ##@#†=»,¨,
.-~^*##### underneath, sniffing at the ground. it #####*^~-.
,¨:-=§£@## is dark and moist, the canopy having ##@£§=-:¨,
.¨¨,~;^¤#@ already soaked up all the sun. @#¤^;~,¨¨.
,¨,~:†#### ####†:~,¨,
.^-;=@@### there's a river passing by, from east ###@@=;-^.
,¨.~*$£¶## to west, getting broader and deeper and ##¶£$*~.¨,
,.¨:»=$&¶# slower as it goes. equisetum grow just #¶&$=»:¨.,
.¨,~†%¤### where the pine hands start to let ###¤%†~,¨.
,,~;*#£### through light, horsemint on the rocky ###£#*;~,,
,¨:=\*@£## river bed. ##£@*\=:¨,
,,¨^~^%@## ##@%^~^¨,,
,¨:~/*&@## \ ##@&*/~:¨,
.,~†$#¶@## ##@¶#$†~,.
,,:«:^£@@# the riverbanks reek of magic. tonight #@@£^:«:,,
,¨..»**£@# they had been a swampworld with sylvan #@£**»..¨,
¨..~†=§#@# water, stone rings and floating moss. #@#§=†~..¨
.-~^$¤@### you could've found me wallowing around ###@¤$^~-.
...-/§&@@# on the southern shores until i got #@@&§/-...
,,¨,~†%£## bitten. ##£%†~,¨,,
,¨-~/^§#@# #@#§^/~-¨,
¨,»/§@#@## but now i'm further back, on solid ##@#@§/»,¨
¨,:~;§@@## ground, in shoulder-high grass, with an ##@@§;~:,¨
..¨-~†%¤## orange tin radio and a translucent ##¤%†~-¨..
,¨,-=%£### umbrella which i'm sitting on. ###£%=-,¨,
,~~†*£@@## ##@@£*†~~,
,.^=*§@¶## \ ##¶@§*=^.,
¨.¨~~^=@¶# #¶@=^~~¨.¨
,¨:»\^§@## somethings moving in the grass. it's ##@§^\»:¨,
,.»:§£#### invisible to my eyes but i can feel ####£§:».,
..,=†*§### through the ground just how large it is. ###§*†=,..
¨,,-«†*&@# #@&*†«-,,¨
¨¨,=/§#@## the soil is muddy. i slip when trying ##@#§/=,¨¨
.^-*=§@### to get up, still looking at the ###@§=*-^.
,,:~\^&@## direction of sound rather than at my ##@&^\~:,,
¨.,:«**¤@@ hands, who are busy putting things in @@¤**«:,.¨
,,~~/=§£## my pockets. ##£§=/~~,,
..-^=&£@## ##@£&=^-..
...-:%#### then i run east toward my home. ####%:-...
,,,:~:^#@@ @@#^:~:,,,
.,^-;*¤#@# / #@#¤*;-^,.
.~«;^¤£@## ##@£¤^;«~.
,¨,-**§£## i am not followed, and slow down in the ##£§**-,¨,
¨,¨^~:=§£# clearing where you at first can spot #£§=:~^¨,¨
..^-\%£#@# the house, not yet really in the #@#£%\-^..
,-~;=§¶@## backyard. from my pockets i retrieve my ##@¶§=;~-,
,,~»\%¤¶@# radio (now dented) but also a small #@¶¤%\»~,,
¨,.~»*†@@# clay figure i've never seen before. it #@@†*»~.,¨
,,,~^$¤@## must have been laying in the wet dirt, ##@¤$^~,,,
,--;%¤@### and i must've picked it up with my ###@¤%;--,
,¨,=^*¤### other belongings. ###¤*^=,¨,
,¨..«:%§## ##§%:«..¨,
¨.,«\†#@## it's a statuette of a girl laying naked ##@#†\«,.¨
.,~**£#### on her stomach, feet in the air, ####£**~,.
,,-«=*§¶## roughly seven centimeters long. it's ##¶§*=«-,,
¨..:-†*§## freshly made, not yet completely dried. ##§*†-:..¨
¨..~†§£### ###£§†~..¨
.^~\^§¶### my mom is here now. i ask her for some ###¶§^\~^.
,,,-;§## particle board for it to dry on, but ###&§;-,,,
¨.,~-\=@£@ she is worried and wants me to @£@=\-~,.¨
¨.,»\$##@# throw it away. #@##$\»,.¨
.--:†££### ###££†:--.
..,~/*§£## ##£§*/~,..
.,,^~;§&¶# #¶&§;~^,,.
¨,^~=*£### ###£*=~^,¨
,,»^^§#### ####§^^»,,
,.~»†§§#@# #@#§§†»~.,