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&.&..&&&&. .lizardry &&...&&&&.
&&&.&...&. ~ £ @£ @@@ @@@@@@@@@@@@@@@@@@ .&..&...&&
..&&&..&&& @@ the art of c^nnecting &&.&&..&..
.&..&.&..& . with the old mind .&&.&.&&..
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.&&...&&.. my mind is being skewed. mi &&...&&&.&
&.&..&.&.. skeleton is stringy and old and alien .&..&..&&&
&&&.&&&&.. the situation is literally &&.&&.&...
..&&...&.. pressed out through my eyes, it's .&&.&&&..&
.&.&..&&.. echoing like &.&&..&.&&
&&&&.&.&.. the sunset of the eternal &&.&.&&&.&
...&&&&&.. ocean .&&&&..&&.
..&....&.. persistently against my emulsion &...&.&.&.
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&&&.&&&&&& humans are doing and abstracting, &&&....&&&
..&&...... and above all else, what time they use? ..&...&...
.&.&...... how long a time has passed, for them? .&&..&&...
&&&&...... . &.&.&.&...
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..&&....&& continuously i'm crowding through ......&.&&
.&.&...&.. . the fourth wall ^outwards is what . .....&&&.&
&&&&..&&.& .. i'm thinking but it's wrong.. a new ....&..&&&
...&.&.&&. . . narrator is introduced, occasionally ...&&.&...
..&&&&&.&& ^ ^ aware of the previous one, deeper . ..&.&&&...
.&....&&.. ^ ^ down in the dragons throat. .&&&..&...
&&...&.&.. ^ &..&.&&...
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