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.@......@.              .LIZARDRY                   .@@...@@@.
..@....... =           # ## ###  ################## .@@@..@.@@
@..@...... ##      THE ART OF C:NNECTING            .@.@@...@@
@@..@.....        .    WITH THE OLD MIND            ...@@@..@.
@@@..@....                                          ...@.@@...
@.@@..@...             MY MIND IS BEING SKEWED. MI  .....@@@..
..@@@..@..  SKELETON IS STRINGY AND OLD AND ALIEN   .....@.@@.
..@.@@..@.             THE SITUATION IS LITERALLY   .......@@@
@...@@@..@ PRESSED OUT THROUGH MY EYES, IT'S        @......@.@
@@..@.@@.. ECHOING LIKE                             .@.......@
.@@...@@@.             THE SUNSET OF THE ETERNAL    ..@......@
.@@@..@.@@ OCEAN                                    @..@......
.@.@@...@@         PERSISTENTLY AGAINST MY EMULSION @@..@.....
...@@@..@.                                          @@@..@....
...@.@@...    IT'S UNGRASPABLE TO ME, WHAT OTHER    @.@@..@...
.....@@@..   HUMANS ARE DOING AND ABSTRACTING,      ..@@@..@..
.....@.@@.  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..@.@@..@.
.......@@@ HOW LONG A TIME HAS PASSED, FOR THEM?    @...@@@..@
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.@.......@  . ... .  ................   #######     .@@...@@@.
..@......@   CONTINUOUSLY I'M CROWDING THROUGH      .@@@..@.@@
@..@...... . THE FOURTH WALL  :OUTWARDS IS WHAT   . .@.@@...@@
@@..@..... .. I'M THINKING BUT IT'S WRONG.. A NEW   ...@@@..@.
@@@..@.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ...@.@@...
@.@@..@... :  : AWARE OF THE PREVIOUS ONE, DEEPER . @....@@@..
..@@@..@.. :   : DOWN IN THE DRAGONS THROAT.        @@...@.@@.
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