###£@%^«.. ..«^%@£###
###£§@%^.. ..^%@§£###
##£§@%^«.. ..«^%@§£##
##£§@%^«.. ..«^%@§£##
##£§@%^«.. ..«^%@§£##
##£§@%^«.. # ..«^%@§£##
###£@%^«.. .LIZARDRY ..«^%@£###
§§%^««.... « £ #£ ### ################## ....««^%§§
##£§@%^«.. ## THE ART OF C.NNECTING ..«^%@§£##
###£§@%^«. . WITH THE OLD MIND .«^%@§£###
#§§§@%^«.. ..«^%@§§§#
£@%«««.... MY MIND IS BEING SKEWED. MI ....«««%@£
£§@%«..... SKELETON IS STRINGY AND OLD AND ALIEN .....«%@§£
#§§§@%^«.. THE SITUATION IS LITERALLY ..«^%@§§§#
#£§§@%^«.. PRESSED OUT THROUGH MY EYES, IT'S ..«^%@§§£#
§%%^«..... ECHOING LIKE .....«^%%§
###§@%^«.. THE SUNSET OF THE ETERNAL ..«^%@§###
##£§@%^«.. OCEAN ..«^%@§£##
##£§@%^«.. PERSISTENTLY AGAINST MY EMULSION ..«^%@§£##
£@@^...... ......^@@£
##£§@%^«.. IT'S UNGRASPABLE TO ME, WHAT OTHER ..«^%@§£##
§%%^...... HUMANS ARE DOING AND ABSTRACTING, ......^%%§
##£§@%^«.. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..«^%@§£##
##£§@%^«.. HOW LONG A TIME HAS PASSED, FOR THEM? ..«^%@§£##
#£@%%%^«.. . ..«^%%%@£#
##£§@%^«.. . ... . ................ £££££££ ..«^%@§£##
§%«....... CONTINUOUSLY I'M CROWDING THROUGH .......«%§
###£@%^«.. . THE FOURTH WALL .OUTWARDS IS WHAT . ..«^%@£###
##£§@%^«.. .. I'M THINKING BUT IT'S WRONG.. A NEW ..«^%@§£##
##£§@%^«.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..«^%@§£##
£@^....... . . AWARE OF THE PREVIOUS ONE, DEEPER . .......^@£
£§@%%««... . . DOWN IN THE DRAGONS THROAT. ...««%%@§£
##£§@%^«.. . ..«^%@§£##
£§@^...... . ......^@§£
##£§@%^«.. ..«^%@§£##
###£§%^«.. ..«^%§£###
§§§@%%^«.. ..«^%%@§§§
##£§@%^«.. ..«^%@§£##
###£@%^«.. ..«^%@£###
###£§%^«.. ..«^%§£###