.~~:$£@¶## ##¶@£$:~~.
.~~:$£@### ###@£$:~~.
.....~:£¶¶ ¶¶£:~.....
.~~::$$£¶# #¶£$$::~~.
.~~:$£@¶## ##¶@£$:~~.
.~~:$£¶### # ###¶£$:~~.
.~~:$£@@@@ .LIZARDRY @@@@£$:~~.
.~~:$£@¶## ~ ¶ #¶ ### ################## ##¶@£$:~~.
..~~::££@@ ## THE ART OF C~NNECTING @@££::~~..
.~~:$£@¶## . WITH THE OLD MIND ##¶@£$:~~.
.~~:$£@### ###@£$:~~.
.~~:$£¶### MY MIND IS BEING SKEWED. MI ###¶£$:~~.
....~~$£@¶ SKELETON IS STRINGY AND OLD AND ALIEN ¶@£$~~....
.~~:$£@¶## THE SITUATION IS LITERALLY ##¶@£$:~~.
.~~~~~:£¶¶ PRESSED OUT THROUGH MY EYES, IT'S ¶¶£:~~~~~.
...~~:$$@¶ ECHOING LIKE ¶@$$:~~...
.~~:::$£¶¶ THE SUNSET OF THE ETERNAL ¶¶£$:::~~.
.~~:::$@¶# OCEAN #¶@$:::~~.
.~~:$£@¶## PERSISTENTLY AGAINST MY EMULSION ##¶@£$:~~.
...~::£@¶¶ ¶¶@£::~...
.~~:$£@¶¶¶ IT'S UNGRASPABLE TO ME, WHAT OTHER ¶¶¶@£$:~~.
...~~~:$@¶ HUMANS ARE DOING AND ABSTRACTING, ¶@$:~~~...
.~~:$@¶### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###¶@$:~~.
.......~$@ HOW LONG A TIME HAS PASSED, FOR THEM? @$~.......
.~~:$£@¶## . ##¶@£$:~~.
.~~:$£@¶## . ... . ................ ¶¶¶¶¶¶¶ ##¶@£$:~~.
...~~::£@@ CONTINUOUSLY I'M CROWDING THROUGH @@£::~~...
.~~:$£@¶¶# . THE FOURTH WALL ~OUTWARDS IS WHAT . #¶¶@£$:~~.
.~~:$£@¶## .. I'M THINKING BUT IT'S WRONG.. A NEW ##¶@£$:~~.
.~~:$£¶### . . NARRATOR IS INTRODUCED, OCCASIONALLY ###¶£$:~~.
....~::££¶ ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . ¶££::~....
.~~:$£@¶## ~ ~ DOWN IN THE DRAGONS THROAT. ##¶@£$:~~.
.....~~$£@ ~ @£$~~.....
....~:::£¶ ~ ¶£:::~....
.~~:$£@@@@ @@@@£$:~~.
.~~:$£@@@# #@@@£$:~~.
...~~:$$£¶ ¶£$$:~~...
...~~:$$@@ @@$$:~~...
.~~:£@¶### ###¶@£:~~.
.....~~~$@ @$~~~.....