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&**~...... .LIZARDRY ......~**&
###&%*^~-. ~ # ## ### ################## .-~^*%&###
#&%%%*^~-. ## THE ART OF C-NNECTING .-~^*%%%&#
###&%*^~-. . WITH THE OLD MIND .-~^*%&###
#%*~~~~-.. ..-~~~~*%#
##%^-..... MY MIND IS BEING SKEWED. MI .....-^%##
###&%*^~-. SKELETON IS STRINGY AND OLD AND ALIEN .-~^*%&###
#&%^--.... THE SITUATION IS LITERALLY ....--^%&#
&%*^-..... PRESSED OUT THROUGH MY EYES, IT'S .....-^*%&
##&*^-.... ECHOING LIKE ....-^*&##
###&%*^~-. THE SUNSET OF THE ETERNAL .-~^*%&###
###&%*^~-. OCEAN .-~^*%&###
#&*^~..... PERSISTENTLY AGAINST MY EMULSION .....~^*&#
###&%*^~-. .-~^*%&###
###&%*^~-. IT'S UNGRASPABLE TO ME, WHAT OTHER .-~^*%&###
&%^~...... HUMANS ARE DOING AND ABSTRACTING, ......~^%&
&&&%^^--.. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..--^^%&&&
###&%*^~-. HOW LONG A TIME HAS PASSED, FOR THEM? .-~^*%&###
###&%*^~-. . .-~^*%&###
###&%*^~-. . ... . ................ ####### .-~^*%&###
&*~....... CONTINUOUSLY I'M CROWDING THROUGH .......~*&
###&%*^~-. . THE FOURTH WALL -OUTWARDS IS WHAT . .-~^*%&###
#&%^~~.... .. I'M THINKING BUT IT'S WRONG.. A NEW ....~~^%&#
#&&*~-.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ....-~*&&#
###&%*^~-. - - AWARE OF THE PREVIOUS ONE, DEEPER . .-~^*%&###
##&*~-.... - - DOWN IN THE DRAGONS THROAT. ....-~*&##
##&%^^-... - ...-^^%&##
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&&&%^-.... ....-^%&&&
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&&%*~-.... ....-~*%&&