,,,@@,,,,@ ,,,,@@@@,,
@@,,,,@@,, @@@,,@@,,@
@,,@@,,,,@ @@,,,,,,,,
,,,,,,@@,, @,,@@@@@@,
@@@@@,,,,, ,,,,@@@@,,
,@@@,,@@@@ # ,@@,,@@,,,
,,@,,,,@@, ,LIZARDRY ,,,,,,,,@@
,,,,@@,,,, ~ # ## ### ################## @@@@@@@,,,
@@@,,,,@@, ## THE ART OF C,NNECTING @@@@@@,,@@
@@,,@@,,,, , WITH THE OLD MIND ,@@@@,,,,@
@,,,,,,@@@ ,,@@,,@@,,
,,@@@@,,@@ MY MIND IS BEING SKEWED. MI @,,,,,,,,,
@,,@@,,,,@ SKELETON IS STRINGY AND OLD AND ALIEN ,,@@@@@@@@
,,,,,,@@,, THE SITUATION IS LITERALLY ,,,@@@@@@@
,@@@@,,,,@ PRESSED OUT THROUGH MY EYES, IT'S @@,,@@@@@,
,,@@,,@@,, ECHOING LIKE ,,,,,@@@,,
@,,,,,,,,@ THE SUNSET OF THE ETERNAL @@@@,,@,,@
,,@@@@@@,, OCEAN ,@@,,,,,,,
@,,@@@@,,@ PERSISTENTLY AGAINST MY EMULSION ,,,,@@@@@@
,,,,@@,,,, @@@,,@@@@@
,@@,,,,@@, IT'S UNGRASPABLE TO ME, WHAT OTHER @@,,,,@@@,
,,,,@@,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,@@,,@,,
@@@,,,,@@@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @@,,,,,,,@
@@,,@@,,@@ HOW LONG A TIME HAS PASSED, FOR THEM? @,,@@@@@,,
,,,,,,,,,@ , ,,,,@@@,,,
@@@@@@@@,, , ,,, , ,,,,,,,,,,,,,,,, ####### @@@,,@,,@@
@@@@@@@,,, CONTINUOUSLY I'M CROWDING THROUGH @@,,,,,,,@
@@@@@@,,@@ , THE FOURTH WALL ,OUTWARDS IS WHAT , @,,@@@@@,,
,@@@@,,,,@ ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,@@@,,,
,,@@,,@@,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,@@,,@,,@@
,,,,,,,,,@ , , AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,,,,,
@@@@@@@@,, , , DOWN IN THE DRAGONS THROAT. ,@@@@@@@@@
@@@@@@@,,@ , ,,@@@@@@@@
@@@@@@,,,, , ,,,@@@@@@@
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@@@@,,,,@@ @,,,,@@@@@
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