&.&.&&.&.& .&&&.&.&..
&&&&&.&&&& &&..&&&&&.
&....&&... &.&.&....&
.&...&.&.. .&&&&&...&
&&&..&&&&. &&....&..&
...&.&...& @ ..&...&&.&
&..&&&&..& .LIZARDRY &.&&..&.&&
.&.&...&.& ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ &&&.&.&&&.
.&&&&..&&& @@ THE ART OF C,NNECTING ...&&&&..&
&&...&.&.. . WITH THE OLD MIND ...&...&.&
..&..&&&&. ...&&..&&&
&.&&.&...& MY MIND IS BEING SKEWED. MI &..&.&.&..
&&&.&&&..& SKELETON IS STRINGY AND OLD AND ALIEN &&.&&&&&&.
&..&&..&.& THE SITUATION IS LITERALLY ..&&.....&
.&.&.&.&&& PRESSED OUT THROUGH MY EYES, IT'S ..&.&....&
&&&&&&&&.. ECHOING LIKE &.&&&&...&
........&. THE SUNSET OF THE ETERNAL &&&...&..&
&.......&& OCEAN ...&..&&.&
.&......&. PERSISTENTLY AGAINST MY EMULSION ...&&.&.&&
&&&.....&& &..&.&&&&.
&..&....&. IT'S UNGRASPABLE TO ME, WHAT OTHER .&.&&&...&
.&.&&...&& HUMANS ARE DOING AND ABSTRACTING, .&&&..&..&
&&&&.&..&. AND ABOVE ALL ELSE, WHAT TIME THEY USE? &&..&.&&.&
....&&&.&& HOW LONG A TIME HAS PASSED, FOR THEM? &.&.&&&.&&
&...&..&&. . &&&&&..&&.
&&..&&.&.& . ... . ................ @@@@@@@ .....&.&.&
..&.&.&&&& CONTINUOUSLY I'M CROWDING THROUGH &....&&&&&
&.&&&&&... . THE FOURTH WALL ,OUTWARDS IS WHAT . .&...&....
&&&....&.. .. I'M THINKING BUT IT'S WRONG.. A NEW &&&..&&...
&..&...&&. . . NARRATOR IS INTRODUCED, OCCASIONALLY &..&.&.&..
&&.&&..&.& , , AWARE OF THE PREVIOUS ONE, DEEPER . &&.&&&&&&.
&.&&.&.&&& , , DOWN IN THE DRAGONS THROAT. &.&&.....&
.&&.&&&&.. , &&&.&....&
&&.&&...&. , ...&&&...&
..&&.&..&& ...&..&..&
&.&.&&&.&. ...&&.&&.&
.&&&&..&&& &..&.&&.&&
&&...&.&.. .&.&&&.&&.
&.&..&&&&. .&&&..&&.&
.&&&.&...& &&..&.&.&&