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,^«;*&&£@#    @                                     #@£&&*;«^,
,^«;*&&£@#              ,lizardry                   #@£&&*;«^,
,^«;*&£@## «           £ @£ @@@  @@@@@@@@@@@@@@@@@@ ##@£&*;«^,
,^«;*&&£@# @@      the art of c^nnecting            #@£&&*;«^,
,,,^;*&&££        ,    with the old mind            ££&&*;^,,,
,^«;*&&£@#                                          #@£&&*;«^,
,,,,,«;&&&             my mind is being skewed. mi  &&&;«,,,,,
,^«;*&&@##  skeleton is stringy and old and alien   ##@&&*;«^,
,^«;*&&&&£             the situation is literally   £&&&&*;«^,
,^«;*&&@## pressed out through my eyes, it's        ##@&&*;«^,
,,,,,,^«*& echoing like                             &*«^,,,,,,
,^«;*&&£@#             the sunset of the eternal    #@£&&*;«^,
,^«;*&&£@# ocean                                    #@£&&*;«^,
,^«;*&&£@#         persistently against my emulsion #@£&&*;«^,
,^«;*&&£@#                                          #@£&&*;«^,
,^«««**&££    it's ungraspable to me, what other    ££&**«««^,
,,,,,,^;&£   humans are doing and abstracting,      £&;^,,,,,,
,^«;*&&£@#  and above all else, what time they use? #@£&&*;«^,
,^«;*&&@## how long a time has passed, for them?    ##@&&*;«^,
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,^«;*&&£@@  , ,,, ,  ,,,,,,,,,,,,,,,,   £££££££     @@£&&*;«^,
,^«;;**&&@   continuously i'm crowding through      @&&**;;«^,
,^«;*&&£££ , the fourth wall  ^outwards is what   , £££&&*;«^,
,^«;*&&£@# ,, i'm thinking but it's wrong.. a new   #@£&&*;«^,
,,,,,^;*&£ , , narrator is introduced, occasionally £&*;^,,,,,
,,,,«;;*&@ ^  ^ aware of the previous one, deeper , @&*;;«,,,,
,^«;*&&@## ^   ^ down in the dragons throat.        ##@&&*;«^,
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