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@,,,,@,,,,                                          ,,,,,,,@,,
,@,,,,@,,,                                          @,,,,,,,@,
,,@,,,,@,,    #                                     @@,,,,,,,@
@,,@,,,,@,              ,lizardry                   @@@,,,,,,,
,@,,@,,,,@ ~           ¶ #¶ ###  ################## @,@@,,,,,,
,,@,,@,,,, ##      the art of c~nnecting            ,,@@@,,,,,
,,,@,,@,,,        ,    with the old mind            ,,@,@@,,,,
,,,,@,,@,,                                          ,,,,@@@,,,
,,,,,@,,@,             my mind is being skewed. mi  ,,,,@,@@,,
,,,,,,@,,@  skeleton is stringy and old and alien   @,,,,,@@@,
,,,,,,,@,,             the situation is literally   ,@,,,,@,@@
@,,,,,,,@, pressed out through my eyes, it's        ,,@,,,,,@@
@@,,,,,,,@ echoing like                             ,,,@,,,,@,
@@@,,,,,,,             the sunset of the eternal    @,,,@,,,,,
@,@@,,,,,, ocean                                    ,@,,,@,,,,
,,@@@,,,,,         persistently against my emulsion ,,@,,,@,,,
,,@,@@,,,,                                          ,,,@,,,@,,
,,,,@@@,,,    it's ungraspable to me, what other    ,,,,@,,,@,
,,,,@,@@,,   humans are doing and abstracting,      ,,,,,@,,,@
@,,,,,@@@,  and above all else, what time they use? ,,,,,,@,,,
,@,,,,@,@@ how long a time has passed, for them?    @,,,,,,@,,
,,@,,,,,@@                                     ,    ,@,,,,,,@,
,,,@,,,,@,  , ,,, ,  ,,,,,,,,,,,,,,,,   ¶¶¶¶¶¶¶     ,,@,,,,,,@
@,,,@,,,,,   continuously i'm crowding through      ,,,@,,,,,,
,@,,,@,,,, , the fourth wall  ~outwards is what   , ,,,,@,,,,,
,,@,,,@,,, ,, i'm thinking but it's wrong.. a new   ,,,,,@,,,,
,,,@,,,@,, , , narrator is introduced, occasionally @,,,,,@,,,
,,,,@,,,@, ~  ~ aware of the previous one, deeper , ,@,,,,,@,,
,,,,,@,,,@ ~   ~ down in the dragons throat.        ,,@,,,,,@,
,,,,,,@,,,      ~                                   @,,@,,,,,@
@,,,,,,@,,       ~                                  @@,,@,,,,,
,@,,,,,,@,                                          @@@,,@,,,,
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