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....&.&&.&    #                                     &.&&....&.
....&&&.&&              .LIZARDRY                   &&&.&...&&
&...&..&&. =           £ #£ ###  ################## &..&&&..&.
&&..&&.&.& ##      THE ART OF C:NNECTING            .&.&..&.&&
..&.&.&&&&        .    WITH THE OLD MIND            .&&&&.&&&.
..&&&&&...                                          &&...&&..&
&.&....&..             MY MIND IS BEING SKEWED. MI  &.&..&.&.&
.&&&...&&.  SKELETON IS STRINGY AND OLD AND ALIEN   &&&&.&&&&&
&&..&..&.&             THE SITUATION IS LITERALLY   &...&&....
&.&.&&.&&& PRESSED OUT THROUGH MY EYES, IT'S        .&..&.&...
&&&&&.&&.. ECHOING LIKE                             .&&.&&&&..
&....&&.&.             THE SUNSET OF THE ETERNAL    &&.&&...&.
&&...&.&&& OCEAN                                    &.&&.&..&&
..&..&&&..         PERSISTENTLY AGAINST MY EMULSION &&&.&&&.&.
..&&.&..&.                                          ...&&..&&&
&.&.&&&.&&    IT'S UNGRASPABLE TO ME, WHAT OTHER    &..&.&.&..
&&&&&..&&.   HUMANS ARE DOING AND ABSTRACTING,      &&.&&&&&&.
&....&.&.&  AND ABOVE ALL ELSE, WHAT TIME THEY USE? &.&&.....&
.&...&&&&& HOW LONG A TIME HAS PASSED, FOR THEM?    .&&.&....&
&&&..&....                                     .    .&.&&&...&
...&.&&...  . ... .  ................   £££££££     &&&&..&..&
&..&&&.&..   CONTINUOUSLY I'M CROWDING THROUGH      ....&.&&.&
.&.&..&&&. . THE FOURTH WALL  :OUTWARDS IS WHAT   . ....&&&.&&
&&&&&.&..& .. I'M THINKING BUT IT'S WRONG.. A NEW   ....&..&&.
&....&&&.& . . NARRATOR IS INTRODUCED, OCCASIONALLY ....&&.&.&
.&...&..&& :  : AWARE OF THE PREVIOUS ONE, DEEPER . ....&.&&&&
&&&..&&.&. :   : DOWN IN THE DRAGONS THROAT.        ....&&&...
&..&.&.&&&      :                                   &...&..&..
&&.&&&&&..       :                                  &&..&&.&&.
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