££..£.££.. .£££..££.£
.££...£££. .£.££.££.£
.£££..£.££ ...££.££..
.£.££...££ ...££.£££.
...£££..£. ...££.£.££
£..£.££... # ...££...££
££...£££.. .LIZARDRY £..£££..£.
£££..£.££. ~ ¶ #¶ ### ################## .£.£.££...
£.££...£££ ## THE ART OF C,NNECTING .....£££..
..£££..£.£ . WITH THE OLD MIND £....£.££.
..£.££...£ .£.....£££
£...£££..£ MY MIND IS BEING SKEWED. MI ..£....£.£
££..£.££.. SKELETON IS STRINGY AND OLD AND ALIEN ...£.....£
.££...£££. THE SITUATION IS LITERALLY ....£....£
.£££..£.££ PRESSED OUT THROUGH MY EYES, IT'S .....£....
.£.££...££ ECHOING LIKE ......£...
...£££..£. THE SUNSET OF THE ETERNAL .......£..
...£.££... OCEAN £.......£.
.....£££.. PERSISTENTLY AGAINST MY EMULSION ££.......£
£....£.££. £££.......
.£.....£££ IT'S UNGRASPABLE TO ME, WHAT OTHER £.££......
..£....£.£ HUMANS ARE DOING AND ABSTRACTING, ..£££.....
...£.....£ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ..£.££....
....£....£ HOW LONG A TIME HAS PASSED, FOR THEM? £...£££...
.....£.... . ££..£.££..
......£... . ... . ................ ¶¶¶¶¶¶¶ .££...£££.
.......£.. CONTINUOUSLY I'M CROWDING THROUGH .£££..£.££
£.......£. . THE FOURTH WALL ,OUTWARDS IS WHAT . .£.££...££
££.......£ .. I'M THINKING BUT IT'S WRONG.. A NEW ...£££..£.
£££....... . . NARRATOR IS INTRODUCED, OCCASIONALLY ...£.££...
£.££...... , , AWARE OF THE PREVIOUS ONE, DEEPER . .....£££..
..£££..... , , DOWN IN THE DRAGONS THROAT. £....£.££.
..£.££.... , .£.....£££
£...£££... , ..£....£.£
££..£.££.. ...£.....£
.££...£££. ....£....£
.£££..£.££ £....£....
.£.££...££ .£....£...
...£££..£. ..£....£..
...£.££... ...£....£.