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@......... .@@..@.@.@
@@........ .@@@.....@
.@@....... .@.@@....@
.@@@...... # ...@@@....
.@.@@..... .LIZARDRY ...@.@@...
...@@@.... ยป @ #@ ### ################## @....@@@..
...@.@@... ## THE ART OF C^NNECTING @@...@.@@.
.....@@@.. . WITH THE OLD MIND .@@....@@@
@....@.@@. .@@@...@.@
@@.....@@@ MY MIND IS BEING SKEWED. MI .@.@@....@
.@@....@.@ SKELETON IS STRINGY AND OLD AND ALIEN ...@@@...@
.@@@.....@ THE SITUATION IS LITERALLY @..@.@@...
.@.@@....@ PRESSED OUT THROUGH MY EYES, IT'S @@...@@@..
...@@@.... ECHOING LIKE @@@..@.@@.
...@.@@... THE SUNSET OF THE ETERNAL @.@@...@@@
@....@@@.. OCEAN ..@@@..@.@
@@...@.@@. PERSISTENTLY AGAINST MY EMULSION ..@.@@...@
.@@....@@@ ....@@@..@
.@@@...@.@ IT'S UNGRASPABLE TO ME, WHAT OTHER @...@.@@..
.@.@@....@ HUMANS ARE DOING AND ABSTRACTING, @@....@@@.
...@@@...@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? .@@...@.@@
@..@.@@... HOW LONG A TIME HAS PASSED, FOR THEM? .@@@....@@
@@...@@@.. . .@.@@...@.
@@@..@.@@. . ... . ................ @@@@@@@ ...@@@....
@.@@...@@@ CONTINUOUSLY I'M CROWDING THROUGH ...@.@@...
..@@@..@.@ . THE FOURTH WALL ^OUTWARDS IS WHAT . .....@@@..
..@.@@...@ .. I'M THINKING BUT IT'S WRONG.. A NEW @....@.@@.
....@@@..@ . . NARRATOR IS INTRODUCED, OCCASIONALLY .@.....@@@
@...@.@@.. ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ..@....@.@
@@....@@@. ^ ^ DOWN IN THE DRAGONS THROAT. ...@.....@
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.@@@....@@ ^ @....@....
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