......=*§¤ ¤§*=......
.~=**§¤@## ##@¤§**=~.
....~~=*§@ @§*=~~....
.~=**§¤¤¤¤ ¤¤¤¤§**=~.
.~=**§@### ###@§**=~.
.~=*§¤@### # ###@¤§*=~.
.~=**§¤@## .LIZARDRY ##@¤§**=~.
.~=**§¤@## = @ #@ ### ################## ##@¤§**=~.
.~=**§¤@@# ## THE ART OF C~NNECTING #@@¤§**=~.
.~=**§¤@## . WITH THE OLD MIND ##@¤§**=~.
.~=**§¤@## ##@¤§**=~.
.~=**§§§§@ MY MIND IS BEING SKEWED. MI @§§§§**=~.
....~==*§@ SKELETON IS STRINGY AND OLD AND ALIEN @§*==~....
.....~**§¤ THE SITUATION IS LITERALLY ¤§**~.....
.~=**§¤@## PRESSED OUT THROUGH MY EYES, IT'S ##@¤§**=~.
.~=**§¤@@@ ECHOING LIKE @@@¤§**=~.
.~=**§¤@## THE SUNSET OF THE ETERNAL ##@¤§**=~.
.~=**§¤@@@ OCEAN @@@¤§**=~.
.~=**§¤### PERSISTENTLY AGAINST MY EMULSION ###¤§**=~.
..~==**§¤@ @¤§**==~..
.~=**§¤@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@¤§**=~.
.~=**§¤@## HUMANS ARE DOING AND ABSTRACTING, ##@¤§**=~.
..~==**¤¤@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @¤¤**==~..
....~~=*¤¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤*=~~....
....~~**§¤ . ¤§**~~....
.~=**§¤@## . ... . ................ @@@@@@@ ##@¤§**=~.
...~~***§¤ CONTINUOUSLY I'M CROWDING THROUGH ¤§***~~...
.....~~**¤ . THE FOURTH WALL ~OUTWARDS IS WHAT . ¤**~~.....
.....~***¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤***~.....
.~=**§¤@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@¤§**=~.
.~=**§§¤¤# ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . #¤¤§§**=~.
.~=**§¤@## ~ ~ DOWN IN THE DRAGONS THROAT. ##@¤§**=~.
.~=**§¤@## ~ ##@¤§**=~.
.....~*§@# ~ #@§*~.....
.~=**§¤@## ##@¤§**=~.
......==*¤ ¤*==......
.~=**§¤@## ##@¤§**=~.
......=*§@ @§*=......
......=*§¤ ¤§*=......
.....~**§@ @§**~.....