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...=;§$¤£# = £ @£ @@@ @@@@@@@@@@@@@@@@@@ #£¤$§;=...
..=;§$¤£## @@ the art of c.nnecting ##£¤$§;=..
...=;§$¤£# . with the old mind #£¤$§;=...
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...=;§$¤£# my mind is being skewed. mi #£¤$§;=...
..=;§$¤£## skeleton is stringy and old and alien ##£¤$§;=..
...=;§$¤£# the situation is literally #£¤$§;=...
....=;§$¤£ pressed out through my eyes, it's £¤$§;=....
...=;§$¤£# echoing like #£¤$§;=...
..=;§$¤£## the sunset of the eternal ##£¤$§;=..
...=;§$¤£# ocean #£¤$§;=...
....=;§$¤£ persistently against my emulsion £¤$§;=....
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..=;§$¤£## it's ungraspable to me, what other ##£¤$§;=..
...=;§$¤£# humans are doing and abstracting, #£¤$§;=...
....=;§$¤£ and above all else, what time they use? £¤$§;=....
...=;§$¤£# how long a time has passed, for them? #£¤$§;=...
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....=;§$¤£ continuously i'm crowding through £¤$§;=....
...=;§$¤£# . the fourth wall .outwards is what . #£¤$§;=...
..=;§$¤£## .. i'm thinking but it's wrong.. a new ##£¤$§;=..
...=;§$¤£# . . narrator is introduced, occasionally #£¤$§;=...
....=;§$¤£ . . aware of the previous one, deeper . £¤$§;=....
...=;§$¤£# . . down in the dragons throat. #£¤$§;=...
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