..¤¤.....¤ ¤¤¤..¤.¤¤.
..¤.¤....¤ ¤..¤.¤¤¤.¤
¤.¤¤¤¤...¤ .¤.¤¤¤..¤¤
.¤¤...¤..¤ .¤¤¤..¤.¤.
.¤.¤..¤¤.¤ ¤¤..¤.¤¤¤¤
¤¤¤¤¤.¤.¤¤ # ¤.¤.¤¤¤...
¤....¤¤¤¤. .LIZARDRY ¤¤¤¤¤..¤..
¤¤...¤...¤ » @ #@ ### ################## .....¤.¤¤.
¤.¤..¤¤..¤ ## THE ART OF C~NNECTING .....¤¤¤.¤
.¤¤¤.¤.¤.¤ . WITH THE OLD MIND ¤....¤..¤¤
¤¤..¤¤¤¤¤¤ ¤¤...¤¤.¤.
¤.¤.¤..... MY MIND IS BEING SKEWED. MI ..¤..¤.¤¤¤
.¤¤¤¤¤.... SKELETON IS STRINGY AND OLD AND ALIEN ..¤¤.¤¤¤..
.¤....¤... THE SITUATION IS LITERALLY ..¤.¤¤..¤.
.¤¤...¤¤.. PRESSED OUT THROUGH MY EYES, IT'S ¤.¤¤¤.¤.¤¤
¤¤.¤..¤.¤. ECHOING LIKE ¤¤¤..¤¤¤¤.
¤.¤¤¤.¤¤¤¤ THE SUNSET OF THE ETERNAL ...¤.¤...¤
.¤¤..¤¤... OCEAN ...¤¤¤¤..¤
¤¤.¤.¤.¤.. PERSISTENTLY AGAINST MY EMULSION ...¤...¤.¤
..¤¤¤¤¤¤¤. ¤..¤¤..¤¤¤
¤.¤......¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤.¤.¤.¤..
¤¤¤¤.....¤ HUMANS ARE DOING AND ABSTRACTING, ¤.¤¤¤¤¤¤¤.
¤...¤....¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤¤......¤
.¤..¤¤...¤ HOW LONG A TIME HAS PASSED, FOR THEM? ...¤.....¤
¤¤¤.¤.¤..¤ . ¤..¤¤....¤
...¤¤¤¤¤.¤ . ... . ................ @@@@@@@ .¤.¤.¤...¤
¤..¤....¤¤ CONTINUOUSLY I'M CROWDING THROUGH .¤¤¤¤¤¤..¤
.¤.¤¤...¤. . THE FOURTH WALL ~OUTWARDS IS WHAT . ¤¤.....¤.¤
¤¤¤¤.¤..¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤.¤....¤¤¤
....¤¤¤.¤. . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤¤¤...¤..
....¤..¤¤¤ ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER . ....¤..¤¤.
....¤¤.¤.. ~ ~ DOWN IN THE DRAGONS THROAT. ....¤¤.¤.¤
¤...¤.¤¤¤. ~ ¤...¤.¤¤¤¤
.¤..¤¤¤..¤ ~ ¤¤..¤¤¤...
.¤¤.¤..¤.¤ ¤.¤.¤..¤..
.¤.¤¤¤.¤¤¤ .¤¤¤¤¤.¤¤.
.¤¤¤..¤¤.. ¤¤....¤¤.¤
¤¤..¤.¤.¤. ..¤...¤.¤¤
..¤.¤¤¤¤¤¤ ¤.¤¤..¤¤¤.
..¤¤¤..... .¤¤.¤.¤..¤