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¤.¤..¤¤..¤ .LIZARDRY ¤.¤..¤¤¤¤.
¤¤¤¤.¤.¤.¤ = # ## ### ################## ¤¤¤¤.¤...¤
....¤¤¤¤¤¤ ## THE ART OF C,NNECTING ....¤¤¤..¤
¤...¤..... . WITH THE OLD MIND ¤...¤..¤.¤
.¤..¤¤.... .¤..¤¤.¤¤¤
¤¤¤.¤.¤... MY MIND IS BEING SKEWED. MI ¤¤¤.¤.¤¤..
¤..¤¤¤¤¤.. SKELETON IS STRINGY AND OLD AND ALIEN ...¤¤¤¤.¤.
¤¤.¤....¤. THE SITUATION IS LITERALLY ¤..¤...¤¤¤
..¤¤¤...¤¤ PRESSED OUT THROUGH MY EYES, IT'S ¤¤.¤¤..¤..
..¤..¤..¤. ECHOING LIKE ..¤¤.¤.¤¤.
..¤¤.¤¤.¤¤ THE SUNSET OF THE ETERNAL ¤.¤.¤¤¤¤.¤
¤.¤.¤¤.¤¤. OCEAN ¤¤¤¤¤...¤¤
.¤¤¤¤.¤¤.¤ PERSISTENTLY AGAINST MY EMULSION ¤....¤..¤.
.¤...¤¤.¤¤ .¤...¤¤.¤¤
¤¤¤..¤.¤¤. IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤¤..¤.¤¤.
¤..¤.¤¤¤.¤ HUMANS ARE DOING AND ABSTRACTING, ¤..¤.¤¤¤.¤
.¤.¤¤¤..¤¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤.¤¤¤..¤¤
¤¤¤¤..¤.¤. HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤¤¤..¤.¤.
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.¤..¤¤¤... . ... . ................ ####### ¤...¤¤¤...
.¤¤.¤..¤.. CONTINUOUSLY I'M CROWDING THROUGH ¤¤..¤..¤..
.¤.¤¤¤.¤¤. . THE FOURTH WALL ,OUTWARDS IS WHAT . ¤.¤.¤¤.¤¤.
.¤¤¤..¤¤.¤ .. I'M THINKING BUT IT'S WRONG.. A NEW .¤¤¤¤.¤¤.¤
¤¤..¤.¤.¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤...¤¤.¤¤
..¤.¤¤¤¤¤. , , AWARE OF THE PREVIOUS ONE, DEEPER . ¤.¤..¤.¤¤.
..¤¤¤....¤ , , DOWN IN THE DRAGONS THROAT. .¤¤¤.¤¤¤.¤
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