.:~\*&@### ###@&*\~:.
.:~\*&&&&@ @&&&&*\~:.
.:~\*&&@## ##@&&*\~:.
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.:~\*&&@## # ##@&&*\~:.
.:~\*&## .LIZARDRY ###&&*\~:.
.:~\*&&@## ~ @ #@ ### ################## ##@&&*\~:.
.:~\*&&@## ## THE ART OF C:NNECTING ##@&&*\~:.
....~\*&@# . WITH THE OLD MIND #@&*\~....
.:~\*&&@## ##@&&*\~:.
....~~\& MY MIND IS BEING SKEWED. MI #&&\~~....
.:~\*&&&@@ SKELETON IS STRINGY AND OLD AND ALIEN @@&&&*\~:.
...::~**&& THE SITUATION IS LITERALLY &&**~::...
.:~\*&@### PRESSED OUT THROUGH MY EYES, IT'S ###@&*\~:.
..::\*&&@# ECHOING LIKE #@&&*\::..
.....:~*&& THE SUNSET OF THE ETERNAL &&*~:.....
.:~\*&&@@# OCEAN #@@&&*\~:.
.:~\*&&@## PERSISTENTLY AGAINST MY EMULSION ##@&&*\~:.
.:~\***&&@ @&&***\~:.
......~\&@ IT'S UNGRASPABLE TO ME, WHAT OTHER @&\~......
......:~*& HUMANS ARE DOING AND ABSTRACTING, &*~:......
.....:\\&@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @&\\:.....
.:~\*&&@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@&&*\~:.
.:~\*&&@## . ##@&&*\~:.
.:~\*&&@## . ... . ................ @@@@@@@ ##@&&*\~:.
.:~~~~*&@@ CONTINUOUSLY I'M CROWDING THROUGH @@&*~~~~:.
...:\\*& . THE FOURTH WALL :OUTWARDS IS WHAT . #&&*\\:...
.:~\*&## .. I'M THINKING BUT IT'S WRONG.. A NEW ###&&*\~:.
.:~\*&&@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@&&*\~:.
.::~~~~* : : AWARE OF THE PREVIOUS ONE, DEEPER . #&*~~~~::.
..:~~\\& : : DOWN IN THE DRAGONS THROAT. #&&\\~~:..
.:~\*&&@## : ##@&&*\~:.
.:~*&&@### : ###@&&*~:.
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.:~\*&&@@# #@@&&*\~:.
.:~\*&&@## ##@&&*\~:.
.:~\*&&@## ##@&&*\~:.
.::~\\**&& &&**\\~::.
....~\&&@@ @@&&\~....