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##@§@^=-,¨ ¨,-=^@§@##
##@§@^=-,¨ # ¨,-=^@§@##
##@§@^=-,¨ ¨LIZARDRY ¨,-=^@§@##
§§§§@^=-,¨ - @ #@ ### ################## ¨,-=^@§§§§
@§@@@^=-,¨ ## THE ART OF C,NNECTING ¨,-=^@@@§@
#@@§@^=-,¨ ¨ WITH THE OLD MIND ¨,-=^@§@@#
§@^-¨¨¨¨¨¨ ¨¨¨¨¨¨-^@§
###§@^=-,¨ MY MIND IS BEING SKEWED. MI ¨,-=^@§###
##@§@^=-,¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨,-=^@§@##
###§@^=-,¨ THE SITUATION IS LITERALLY ¨,-=^@§###
@@§§@^=-,¨ PRESSED OUT THROUGH MY EYES, IT'S ¨,-=^@§§@@
##@§@^=-,¨ ECHOING LIKE ¨,-=^@§@##
##@§@^=-,¨ THE SUNSET OF THE ETERNAL ¨,-=^@§@##
#§@^^-¨¨¨¨ OCEAN ¨¨¨¨-^^@§#
§§@=-¨¨¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨¨-=@§§
§@=-,¨¨¨¨¨ ¨¨¨¨¨,-=@§
##@§@^=-,¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨,-=^@§@##
##@§@^=-,¨ HUMANS ARE DOING AND ABSTRACTING, ¨,-=^@§@##
##@§@^=-,¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨,-=^@§@##
§^^-,¨¨¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨¨¨,-^^§
##@§@^=-,¨ ¨ ¨,-=^@§@##
##@§@^=-,¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨,-=^@§@##
##@§@^=-,¨ CONTINUOUSLY I'M CROWDING THROUGH ¨,-=^@§@##
##@§@^=-,¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨,-=^@§@##
##@§@^=-,¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨,-=^@§@##
@@=-¨¨¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨¨¨-=@@
##@§@^=-,¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨,-=^@§@##
##@§@^=-,¨ , , DOWN IN THE DRAGONS THROAT. ¨,-=^@§@##
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