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£.£..£..£.    @                                     .£.£..£.£.
£.£.££.££.              .lizardry                   .£.£.££.£.
£.£..£..£. ~           ¶ @¶ @@@  @@@@@@@@@@@@@@@@@@ .£.£..£.£.
£.£.££.££. @@      the art of c~nnecting            .£.£.££.£.
£.£..£..£.        .    with the old mind            .£.£..£.£.
£.£.££.££.                                          .£.£.££.£.
£.£..£..£.             my mind is being skewed. mi  .£.£..£.£.
£.£.££.££.  skeleton is stringy and old and alien   .£.£.££.£.
£.£..£..£.             the situation is literally   .£.£..£.£.
£.£.££.££. pressed out through my eyes, it's        .£.£.££.£.
£.£..£..£. echoing like                             .£.£..£.£.
£.£.££.££.             the sunset of the eternal    .£.£.££.£.
£.£..£..£. ocean                                    .£.£..£.£.
£.£.££.££.         persistently against my emulsion .£.£.££.£.
£.£..£..£.                                          .£.£..£.£.
£.£.££.££.    it's ungraspable to me, what other    .£.£.££.£.
£.£..£..£.   humans are doing and abstracting,      .£.£..£.£.
£.£.££.££.  and above all else, what time they use? .£.£.££.£.
£.£..£..£. how long a time has passed, for them?    .£.£..£.£.
£.£.££.££.                                     .    .£.£.££.£.
£.£..£..£.  . ... .  ................   ¶¶¶¶¶¶¶     .£.£..£.£.
£.£.££.££.   continuously i'm crowding through      .£.£.££.£.
£.£..£..£. . the fourth wall  ~outwards is what   . .£.£..£.£.
£.£.££.££. .. i'm thinking but it's wrong.. a new   .£.£.££.£.
£.£..£..£. . . narrator is introduced, occasionally .£.£..£.£.
£.£.££.££. ~  ~ aware of the previous one, deeper . .£.£.££.£.
£.£..£..£. ~   ~ down in the dragons throat.        .£.£..£.£.
£.£.££.££.      ~                                   .£.£.££.£.
£.£..£..£.       ~                                  .£.£..£.£.
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