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&¨¨&¨&¨&¨& ¨LIZARDRY &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ « # ## ### ################## &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& ## THE ART OF C.NNECTING &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ ¨ WITH THE OLD MIND &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ MY MIND IS BEING SKEWED. MI &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& SKELETON IS STRINGY AND OLD AND ALIEN &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ THE SITUATION IS LITERALLY &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& PRESSED OUT THROUGH MY EYES, IT'S &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ ECHOING LIKE &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& THE SUNSET OF THE ETERNAL &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ OCEAN &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& PERSISTENTLY AGAINST MY EMULSION &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& IT'S UNGRASPABLE TO ME, WHAT OTHER &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ HUMANS ARE DOING AND ABSTRACTING, &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& AND ABOVE ALL ELSE, WHAT TIME THEY USE? &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& ¨ &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& CONTINUOUSLY I'M CROWDING THROUGH &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ &¨&¨&¨&¨&¨
&¨&&¨&¨&¨¨ . . DOWN IN THE DRAGONS THROAT. &¨&¨&¨&¨&¨
&¨¨&¨&¨&¨& . &¨&¨&¨&¨&¨
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