.....~^^§# #§^^~.....
.,~/^&§@## ##@§&^/~,.
.,~/^&&§§§ §§§&&^/~,.
.,~~/^^&&@ @&&^^/~~,.
.,~/^&§@## ##@§&^/~,.
...,,~/^§# # #§^/~,,...
.,~/^&§@## .LIZARDRY ##@§&^/~,.
.,~~~/^&§# ~ @ #@ ### ################## #§&^/~~~,.
,~/^&§@### ## THE ART OF C,NNECTING ###@§&^/~,
.,~/^&§@## . WITH THE OLD MIND ##@§&^/~,.
.,~~~^^&§# #§&^^~~~,.
...,,/&§§@ MY MIND IS BEING SKEWED. MI @§§&/,,...
.,~/^&§@## SKELETON IS STRINGY AND OLD AND ALIEN ##@§&^/~,.
.,~//^&§@# THE SITUATION IS LITERALLY #@§&^//~,.
.,~/^§@### PRESSED OUT THROUGH MY EYES, IT'S ###@§^/~,.
.,~/^&§@## ECHOING LIKE ##@§&^/~,.
.,~/^^^^^§ THE SUNSET OF THE ETERNAL §^^^^^/~,.
.,~/^&§@## OCEAN ##@§&^/~,.
.,~/^&@### PERSISTENTLY AGAINST MY EMULSION ###@&^/~,.
.,~/^&§@## ##@§&^/~,.
.,~/^&§@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@§&^/~,.
.,~/^&§@## HUMANS ARE DOING AND ABSTRACTING, ##@§&^/~,.
.,~/^&§@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@§&^/~,.
...,,,//&§ HOW LONG A TIME HAS PASSED, FOR THEM? §&//,,,...
.,~/^&§@## . ##@§&^/~,.
.,~/^&§### . ... . ................ @@@@@@@ ###§&^/~,.
.,,~//^^&§ CONTINUOUSLY I'M CROWDING THROUGH §&^^//~,,.
.,~/^&§@@# . THE FOURTH WALL ,OUTWARDS IS WHAT . #@@§&^/~,.
.,~/^&§@## .. I'M THINKING BUT IT'S WRONG.. A NEW ##@§&^/~,.
.,~/^&§@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@§&^/~,.
.,~/^&§@## , , AWARE OF THE PREVIOUS ONE, DEEPER . ##@§&^/~,.
.,,~/^^&@@ , , DOWN IN THE DRAGONS THROAT. @@&^^/~,,.
.,~/^&§@## , ##@§&^/~,.
.,,,~/&&@# , #@&&/~,,,.
.,~/^&§@## ##@§&^/~,.
..,~~~/^&@ @&^/~~~,..
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.,,~~^&§@@ @@§&^~~,,.
.,~/^&§@## ##@§&^/~,.