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...¤.¤.¤.¤              .LIZARDRY                   ¤¤.¤..¤¤¤¤
..¤¤¤¤¤¤¤¤ «           £ @£ @@@  @@@@@@@@@@@@@@@@@@ .¤¤¤.¤...¤
.¤.......¤ @@      THE ART OF C^NNECTING            ¤..¤¤¤..¤¤
¤¤......¤¤        .    WITH THE OLD MIND            ¤.¤..¤.¤.¤
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¤¤....¤¤¤¤             MY MIND IS BEING SKEWED. MI  ..¤¤....¤.
.¤...¤...¤  SKELETON IS STRINGY AND OLD AND ALIEN   .¤.¤...¤¤¤
¤¤..¤¤..¤.             THE SITUATION IS LITERALLY   ¤¤¤¤..¤..¤
.¤.¤.¤.¤¤¤ PRESSED OUT THROUGH MY EYES, IT'S        ...¤.¤¤.¤.
¤¤¤¤¤¤¤... ECHOING LIKE                             ..¤¤¤.¤¤¤.
......¤..¤             THE SUNSET OF THE ETERNAL    .¤..¤¤..¤¤
.....¤¤.¤. OCEAN                                    ¤¤.¤.¤.¤.¤
....¤.¤¤¤¤         PERSISTENTLY AGAINST MY EMULSION .¤¤¤¤¤¤¤¤¤
...¤¤¤...¤                                          ¤........¤
..¤..¤..¤¤    IT'S UNGRASPABLE TO ME, WHAT OTHER    ¤.......¤¤
.¤¤.¤¤.¤..   HUMANS ARE DOING AND ABSTRACTING,      ¤......¤.¤
¤.¤¤.¤¤¤..  AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤.....¤¤¤¤
¤¤.¤¤..¤.. HOW LONG A TIME HAS PASSED, FOR THEM?    ¤....¤....
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¤.¤¤¤¤.¤..  . ... .  ................   £££££££     ¤..¤.¤..¤¤
¤¤...¤¤¤.¤   CONTINUOUSLY I'M CROWDING THROUGH      ¤.¤¤¤¤.¤..
.¤..¤..¤¤. . THE FOURTH WALL  ^OUTWARDS IS WHAT   . ¤¤...¤¤¤.¤
¤¤.¤¤.¤.¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW   .¤..¤..¤¤¤
.¤¤.¤¤¤¤.¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤.¤¤.¤...
¤.¤¤...¤¤¤ ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . .¤¤.¤¤¤...
¤¤.¤..¤..¤ ^   ^ DOWN IN THE DRAGONS THROAT.        ¤.¤¤..¤..¤
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