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..........    #                                     ..........
..........              .LIZARDRY                   ..........
.........^ -           @ #@ ###  ################## ^.........
........^- ##      THE ART OF C^NNECTING            -^........
.......^-=        .    WITH THE OLD MIND            =-^.......
......^-==                                          ==-^......
.....^-==$             MY MIND IS BEING SKEWED. MI  $==-^.....
....^-==$¤  SKELETON IS STRINGY AND OLD AND ALIEN   ¤$==-^....
...^-==$¤@             THE SITUATION IS LITERALLY   @¤$==-^...
..^-==$¤@# PRESSED OUT THROUGH MY EYES, IT'S        #@¤$==-^..
.^-==$¤@## ECHOING LIKE                             ##@¤$==-^.
..^-==$¤@#             THE SUNSET OF THE ETERNAL    #@¤$==-^..
...^-==$¤@ OCEAN                                    @¤$==-^...
....^-==$¤         PERSISTENTLY AGAINST MY EMULSION ¤$==-^....
.....^-==$                                          $==-^.....
......^-==    IT'S UNGRASPABLE TO ME, WHAT OTHER    ==-^......
.......^-=   HUMANS ARE DOING AND ABSTRACTING,      =-^.......
........^-  AND ABOVE ALL ELSE, WHAT TIME THEY USE? -^........
.........^ HOW LONG A TIME HAS PASSED, FOR THEM?    ^.........
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..........  . ... .  ................   @@@@@@@     ..........
..........   CONTINUOUSLY I'M CROWDING THROUGH      ..........
.......... . THE FOURTH WALL  ^OUTWARDS IS WHAT   . ..........
.......... .. I'M THINKING BUT IT'S WRONG.. A NEW   ..........
.......... . . NARRATOR IS INTRODUCED, OCCASIONALLY ..........
.......... ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ..........
.......... ^   ^ DOWN IN THE DRAGONS THROAT.        ..........
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.......^-=                                          =-^.......
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....^-==$¤                                          ¤$==-^....
...^-==$¤@                                          @¤$==-^...