..,~/§§@## ##@§§/~,..
.,~/§§@### ###@§§/~,.
..,~/§§@## ##@§§/~,..
...,~/§§@# #@§§/~,...
..,~/§§@## ##@§§/~,..
.,~/§§@### # ###@§§/~,.
..,~/§§@## .lizardry ##@§§/~,..
...,~/§§@# ~ # ## ### ################## #@§§/~,...
..,~/§§@## ## the art of c,nnecting ##@§§/~,..
.,~/§§@### . with the old mind ###@§§/~,.
..,~/§§@## ##@§§/~,..
...,~/§§@# my mind is being skewed. mi #@§§/~,...
..,~/§§@## skeleton is stringy and old and alien ##@§§/~,..
.,~/§§@### the situation is literally ###@§§/~,.
..,~/§§@## pressed out through my eyes, it's ##@§§/~,..
...,~/§§@# echoing like #@§§/~,...
..,~/§§@## the sunset of the eternal ##@§§/~,..
.,~/§§@### ocean ###@§§/~,.
..,~/§§@## persistently against my emulsion ##@§§/~,..
...,~/§§@# #@§§/~,...
..,~/§§@## it's ungraspable to me, what other ##@§§/~,..
.,~/§§@### humans are doing and abstracting, ###@§§/~,.
..,~/§§@## and above all else, what time they use? ##@§§/~,..
...,~/§§@# how long a time has passed, for them? #@§§/~,...
..,~/§§@## . ##@§§/~,..
.,~/§§@### . ... . ................ ####### ###@§§/~,.
..,~/§§@## continuously i'm crowding through ##@§§/~,..
...,~/§§@# . the fourth wall ,outwards is what . #@§§/~,...
..,~/§§@## .. i'm thinking but it's wrong.. a new ##@§§/~,..
.,~/§§@### . . narrator is introduced, occasionally ###@§§/~,.
..,~/§§@## , , aware of the previous one, deeper . ##@§§/~,..
...,~/§§@# , , down in the dragons throat. #@§§/~,...
..,~/§§@## , ##@§§/~,..
.,~/§§@### , ###@§§/~,.
..,~/§§@## ##@§§/~,..
...,~/§§@# #@§§/~,...
..,~/§§@## ##@§§/~,..
.,~/§§@### ###@§§/~,.
..,~/§§@## ##@§§/~,..
...,~/§§@# #@§§/~,...