^......... .........^
.......... ..........
.......... ..........
.......... ..........
.......... ..........
.......... # ..........
.......... .LIZARDRY ..........
.......... « # ## ### ################## ..........
.......... ## THE ART OF C^NNECTING ..........
.......... . WITH THE OLD MIND ..........
^......... .........^
«^........ MY MIND IS BEING SKEWED. MI ........^«
:«^....... SKELETON IS STRINGY AND OLD AND ALIEN .......^«:
*:«^...... THE SITUATION IS LITERALLY ......^«:*
$*:«^..... PRESSED OUT THROUGH MY EYES, IT'S .....^«:*$
#$*:«^.... ECHOING LIKE ....^«:*$#
##$*:«^... THE SUNSET OF THE ETERNAL ...^«:*$##
###$*:«^.. OCEAN ..^«:*$###
####$*:«^. PERSISTENTLY AGAINST MY EMULSION .^«:*$####
###$*:«^.. ..^«:*$###
##$*:«^... IT'S UNGRASPABLE TO ME, WHAT OTHER ...^«:*$##
#$*:«^.... HUMANS ARE DOING AND ABSTRACTING, ....^«:*$#
$*:«^..... AND ABOVE ALL ELSE, WHAT TIME THEY USE? .....^«:*$
*:«^...... HOW LONG A TIME HAS PASSED, FOR THEM? ......^«:*
:«^....... . .......^«:
«^........ . ... . ................ ####### ........^«
^......... CONTINUOUSLY I'M CROWDING THROUGH .........^
.......... . THE FOURTH WALL ^OUTWARDS IS WHAT . ..........
.......... .. I'M THINKING BUT IT'S WRONG.. A NEW ..........
.......... . . NARRATOR IS INTRODUCED, OCCASIONALLY ..........
.......... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ..........
.......... ^ ^ DOWN IN THE DRAGONS THROAT. ..........
.......... ^ ..........
.......... ^ ..........
.......... ..........
.......... ..........
^......... .........^
«^........ ........^«
:«^....... .......^«:
*:«^...... ......^«:*