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,,,,,,^»^^ ^^»^,,,,,,
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,,,,,,,^»^ ^»^,,,,,,,
,,,,,,^»^^ # ^^»^,,,,,,
,,,,,^»^^& ,LIZARDRY &^^»^,,,,,
,,,,^»^^&£ » £ #£ ### ################## £&^^»^,,,,
,,,^»^^&£# ## THE ART OF C^NNECTING #£&^^»^,,,
,,^»^^&£## , WITH THE OLD MIND ##£&^^»^,,
,^»^^&£### ###£&^^»^,
,,^»^^&£## MY MIND IS BEING SKEWED. MI ##£&^^»^,,
,,,^»^^&£# SKELETON IS STRINGY AND OLD AND ALIEN #£&^^»^,,,
,,,,^»^^&£ THE SITUATION IS LITERALLY £&^^»^,,,,
,,,,,^»^^& PRESSED OUT THROUGH MY EYES, IT'S &^^»^,,,,,
,,,,,,^»^^ ECHOING LIKE ^^»^,,,,,,
,,,,,,,^»^ THE SUNSET OF THE ETERNAL ^»^,,,,,,,
,,,,,,,,^» OCEAN »^,,,,,,,,
,,,,,,,^»^ PERSISTENTLY AGAINST MY EMULSION ^»^,,,,,,,
,,,,,,^»^^ ^^»^,,,,,,
,,,,,^»^^& IT'S UNGRASPABLE TO ME, WHAT OTHER &^^»^,,,,,
,,,,^»^^&£ HUMANS ARE DOING AND ABSTRACTING, £&^^»^,,,,
,,,^»^^&£# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #£&^^»^,,,
,,^»^^&£## HOW LONG A TIME HAS PASSED, FOR THEM? ##£&^^»^,,
,^»^^&£### , ###£&^^»^,
,,^»^^&£## , ,,, , ,,,,,,,,,,,,,,,, £££££££ ##£&^^»^,,
,,,^»^^&£# CONTINUOUSLY I'M CROWDING THROUGH #£&^^»^,,,
,,,,^»^^&£ , THE FOURTH WALL ^OUTWARDS IS WHAT , £&^^»^,,,,
,,,,,^»^^& ,, I'M THINKING BUT IT'S WRONG.. A NEW &^^»^,,,,,
,,,,,,^»^^ , , NARRATOR IS INTRODUCED, OCCASIONALLY ^^»^,,,,,,
,,,,,,,^»^ ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ^»^,,,,,,,
,,,,,,,,^» ^ ^ DOWN IN THE DRAGONS THROAT. »^,,,,,,,,
,,,,,,,^»^ ^ ^»^,,,,,,,
,,,,,,^»^^ ^ ^^»^,,,,,,
,,,,,^»^^& &^^»^,,,,,
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