¨:»*$*@#@@ @@#@*$*»:¨
¨:»*$*@##@ @##@*$*»:¨
¨¨¨¨¨:»*$@ @$*»:¨¨¨¨¨
¨:»*$*@#@# #@#@*$*»:¨
¨¨¨¨:»$**@ @**$»:¨¨¨¨
¨¨:::***@# @ #@***:::¨¨
¨:»*$*@#@# ¨lizardry #@#@*$*»:¨
¨¨¨:****#@ » # @# @@@ @@@@@@@@@@@@@@@@@@ @#****:¨¨¨
¨¨¨¨¨:*$@@ @@ the art of c:nnecting @@$*:¨¨¨¨¨
¨:»*$*@#@# ¨ with the old mind #@#@*$*»:¨
¨¨¨¨¨»$*@# #@*$»¨¨¨¨¨
¨¨¨:***@@# my mind is being skewed. mi #@@***:¨¨¨
¨:»*$*@#@# skeleton is stringy and old and alien #@#@*$*»:¨
¨:»*$*@#@# the situation is literally #@#@*$*»:¨
¨:»*$*@##@ pressed out through my eyes, it's @##@*$*»:¨
¨:»*$***#@ echoing like @#***$*»:¨
¨:»*$*@### the sunset of the eternal ###@*$*»:¨
¨:»*$*@#@# ocean #@#@*$*»:¨
¨:»*$*@@#@ persistently against my emulsion @#@@*$*»:¨
¨¨¨¨¨¨:**# #**:¨¨¨¨¨¨
¨¨¨::****@ it's ungraspable to me, what other @****::¨¨¨
¨:»*$*@#@@ humans are doing and abstracting, @@#@*$*»:¨
¨:»*$*@#@# and above all else, what time they use? #@#@*$*»:¨
¨:»*$*@#@# how long a time has passed, for them? #@#@*$*»:¨
¨:*$*@#@## ¨ ##@#@*$*:¨
¨¨¨¨¨:»**@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### @**»:¨¨¨¨¨
¨:»**@#@## continuously i'm crowding through ##@#@**»:¨
¨¨¨¨:*$*@@ ¨ the fourth wall :outwards is what ¨ @@*$*:¨¨¨¨
¨¨¨:»»»$@# ¨¨ i'm thinking but it's wrong.. a new #@$»»»:¨¨¨
¨¨¨¨»*$$*# ¨ ¨ narrator is introduced, occasionally #*$$*»¨¨¨¨
¨¨¨:»**@@@ : : aware of the previous one, deeper ¨ @@@**»:¨¨¨
¨:»»»»**@@ : : down in the dragons throat. @@**»»»»:¨
¨¨¨¨¨¨»$@@ : @@$»¨¨¨¨¨¨
¨¨¨¨:»*$@@ : @@$*»:¨¨¨¨
¨:»***$$*@ @*$$***»:¨
¨¨¨¨:»$*## ##*$»:¨¨¨¨
:»*$*@#@## ##@#@*$*»:
¨:»*$*@#@# #@#@*$*»:¨
¨¨¨¨¨»*$$@ @$$*»¨¨¨¨¨
¨:»*$*@### ###@*$*»:¨