#@£££*:=,¨ ¨,=:*£££@#
@@£££*:=,¨ ¨,=:*£££@@
@£*=¨¨¨¨¨¨ ¨¨¨¨¨¨=*£@
£££££*:=,¨ ¨,=:*£££££
£££*==¨¨¨¨ ¨¨¨¨==*£££
@££££*:=,¨ @ ¨,=:*££££@
##£££*:=,¨ ¨LIZARDRY ¨,=:*£££##
£££££*:=,¨ = £ @£ @@@ @@@@@@@@@@@@@@@@@@ ¨,=:*£££££
££££**:=,¨ @@ THE ART OF C,NNECTING ¨,=:**££££
££::=,,,¨¨ ¨ WITH THE OLD MIND ¨¨,,,=::££
##£££*:=,¨ ¨,=:*£££##
#@£££*:=,¨ MY MIND IS BEING SKEWED. MI ¨,=:*£££@#
££££*==¨¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨¨==*££££
#@£££*:=,¨ THE SITUATION IS LITERALLY ¨,=:*£££@#
£££**===,¨ PRESSED OUT THROUGH MY EYES, IT'S ¨,===**£££
£££*::,¨¨¨ ECHOING LIKE ¨¨¨,::*£££
##£££*:=,¨ THE SUNSET OF THE ETERNAL ¨,=:*£££##
@££££*:=,¨ OCEAN ¨,=:*££££@
#@£££*:=,¨ PERSISTENTLY AGAINST MY EMULSION ¨,=:*£££@#
#@£££*:=,¨ ¨,=:*£££@#
£££££*:=,¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨,=:*£££££
#@£££*:=,¨ HUMANS ARE DOING AND ABSTRACTING, ¨,=:*£££@#
@££::,,,¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨,,,::££@
@££££*:=,¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨,=:*££££@
@@£££*:=,¨ ¨ ¨,=:*£££@@
££**=,¨¨¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ £££££££ ¨¨¨¨,=**££
@££:::,¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨,:::££@
@£**=¨¨¨¨¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨¨¨¨¨=**£@
@@£££*:=,¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨,=:*£££@@
£££££*:=,¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨,=:*£££££
£££££*:=,¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨,=:*£££££
#@£££*:=,¨ , , DOWN IN THE DRAGONS THROAT. ¨,=:*£££@#
££:,¨¨¨¨¨¨ , ¨¨¨¨¨¨,:££
£££££*:=,¨ , ¨,=:*£££££
£*:==,,,¨¨ ¨¨,,,==:*£
££:,¨¨¨¨¨¨ ¨¨¨¨¨¨,:££
££*=,¨¨¨¨¨ ¨¨¨¨¨,=*££
#@£££*:=,¨ ¨,=:*£££@#
@££*=¨¨¨¨¨ ¨¨¨¨¨=*££@
##@££*:=,¨ ¨,=:*££@##