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#&¤*:~^... ...^~:*¤&#
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##&¤*:~^.. # ..^~:*¤&##
#&¤*:~^... .LIZARDRY ...^~:*¤&#
##&¤*:~^.. ~ # ## ### ################## ..^~:*¤&##
###&¤*:~^. ## THE ART OF C^NNECTING .^~:*¤&###
##&¤*:~^.. . WITH THE OLD MIND ..^~:*¤&##
#&¤*:~^... ...^~:*¤&#
##&¤*:~^.. MY MIND IS BEING SKEWED. MI ..^~:*¤&##
###&¤*:~^. SKELETON IS STRINGY AND OLD AND ALIEN .^~:*¤&###
##&¤*:~^.. THE SITUATION IS LITERALLY ..^~:*¤&##
#&¤*:~^... PRESSED OUT THROUGH MY EYES, IT'S ...^~:*¤&#
##&¤*:~^.. ECHOING LIKE ..^~:*¤&##
###&¤*:~^. THE SUNSET OF THE ETERNAL .^~:*¤&###
##&¤*:~^.. OCEAN ..^~:*¤&##
#&¤*:~^... PERSISTENTLY AGAINST MY EMULSION ...^~:*¤&#
##&¤*:~^.. ..^~:*¤&##
###&¤*:~^. IT'S UNGRASPABLE TO ME, WHAT OTHER .^~:*¤&###
##&¤*:~^.. HUMANS ARE DOING AND ABSTRACTING, ..^~:*¤&##
#&¤*:~^... AND ABOVE ALL ELSE, WHAT TIME THEY USE? ...^~:*¤&#
##&¤*:~^.. HOW LONG A TIME HAS PASSED, FOR THEM? ..^~:*¤&##
###&¤*:~^. . .^~:*¤&###
##&¤*:~^.. . ... . ................ ####### ..^~:*¤&##
#&¤*:~^... CONTINUOUSLY I'M CROWDING THROUGH ...^~:*¤&#
##&¤*:~^.. . THE FOURTH WALL ^OUTWARDS IS WHAT . ..^~:*¤&##
###&¤*:~^. .. I'M THINKING BUT IT'S WRONG.. A NEW .^~:*¤&###
##&¤*:~^.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..^~:*¤&##
#&¤*:~^... ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . ...^~:*¤&#
##&¤*:~^.. ^ ^ DOWN IN THE DRAGONS THROAT. ..^~:*¤&##
###&¤*:~^. ^ .^~:*¤&###
##&¤*:~^.. ^ ..^~:*¤&##
#&¤*:~^... ...^~:*¤&#
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#&¤*:~^... ...^~:*¤&#
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