,,-;**§#@# #@#§**;-,,
,,-;**§@## ##@§**;-,,
,,-;**§#@# #@#§**;-,,
,,-;**§#@# #@#§**;-,,
,,-;****## ##****;-,,
,,-;**§#@# @ #@#§**;-,,
,,-;*§#@## ,LIZARDRY ##@#§*;-,,
,,,,,,-**§ - # @# @@@ @@@@@@@@@@@@@@@@@@ §**-,,,,,,
,,-;;;***§ @@ THE ART OF C,NNECTING §***;;;-,,
,,,,,,;*## , WITH THE OLD MIND ##*;,,,,,,
,,-;***§§# #§§***;-,,
,,-;**§#@# MY MIND IS BEING SKEWED. MI #@#§**;-,,
,,,,-;**§# SKELETON IS STRINGY AND OLD AND ALIEN #§**;-,,,,
,,-;;;**§§ THE SITUATION IS LITERALLY §§**;;;-,,
,,-;;;*§§§ PRESSED OUT THROUGH MY EYES, IT'S §§§*;;;-,,
,,-;**§#@# ECHOING LIKE #@#§**;-,,
,,,,,,,-*§ THE SUNSET OF THE ETERNAL §*-,,,,,,,
,,-;**§#@# OCEAN #@#§**;-,,
,,-;**§#@@ PERSISTENTLY AGAINST MY EMULSION @@#§**;-,,
,,-;**§#@# #@#§**;-,,
,,-;**§#@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@#§**;-,,
,,--;***§# HUMANS ARE DOING AND ABSTRACTING, #§***;--,,
,,-;**§#@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@#§**;-,,
,,-;**§#@# HOW LONG A TIME HAS PASSED, FOR THEM? #@#§**;-,,
,,,,,,;*§# , #§*;,,,,,,
,,,,,;***§ , ,,, , ,,,,,,,,,,,,,,,, ####### §***;,,,,,
,,,,,,-*§§ CONTINUOUSLY I'M CROWDING THROUGH §§*-,,,,,,
,,,,-**§#@ , THE FOURTH WALL ,OUTWARDS IS WHAT , @#§**-,,,,
,,-;**§### ,, I'M THINKING BUT IT'S WRONG.. A NEW ###§**;-,,
,,,,,-**§@ , , NARRATOR IS INTRODUCED, OCCASIONALLY @§**-,,,,,
,,-;**§#@# , , AWARE OF THE PREVIOUS ONE, DEEPER , #@#§**;-,,
,,,,--;**§ , , DOWN IN THE DRAGONS THROAT. §**;--,,,,
,,,,-;**#@ , @#**;-,,,,
,,-;**§#@# , #@#§**;-,,
,,-;**§#@# #@#§**;-,,
,,-;**§#@# #@#§**;-,,
,,-;***§#@ @#§***;-,,
,,-;**§#@# #@#§**;-,,
,,-;**§#@# #@#§**;-,,
,,-;**§#@# #@#§**;-,,