,,=/$%&### ###&%$/=,,
,,=/$%%%&& &&%%%$/=,,
,,,,,=$&#@ @#&$=,,,,,
,,=/$%&#@@ @@#&%$/=,,
,,,===$%&& &&%$===,,,
,,=/$%&&&# @ #&&&%$/=,,
,,=/$&#@## ,LIZARDRY ##@#&$/=,,
,,,,,=$&#@ = # @# @@@ @@@@@@@@@@@@@@@@@@ @#&$=,,,,,
,,,,=/$&## @@ THE ART OF C,NNECTING ##&$/=,,,,
,,=/$$$$$& , WITH THE OLD MIND &$$$$$/=,,
,,,,,,/$&@ @&$/,,,,,,
,,=/$%#@## MY MIND IS BEING SKEWED. MI ##@#%$/=,,
,,=///$%&@ SKELETON IS STRINGY AND OLD AND ALIEN @&%$///=,,
,,,,,,=$%& THE SITUATION IS LITERALLY &%$=,,,,,,
,,,,=$$$%# PRESSED OUT THROUGH MY EYES, IT'S #%$$$=,,,,
,,,,,/%%&@ ECHOING LIKE @&%%/,,,,,
,,=/$%&#@# THE SUNSET OF THE ETERNAL #@#&%$/=,,
,,=/$%&#@@ OCEAN @@#&%$/=,,
,,=/$%&#@# PERSISTENTLY AGAINST MY EMULSION #@#&%$/=,,
,,=/$%&#@# #@#&%$/=,,
,,,,==$$%& IT'S UNGRASPABLE TO ME, WHAT OTHER &%$$==,,,,
,,,=//$$&# HUMANS ARE DOING AND ABSTRACTING, #&$$//=,,,
,,=/$%%&&@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @&&%%$/=,,
,,=/$%&#@# HOW LONG A TIME HAS PASSED, FOR THEM? #@#&%$/=,,
,,=/$%&#@# , #@#&%$/=,,
,,=///$$%& , ,,, , ,,,,,,,,,,,,,,,, ####### &%$$///=,,
,,,,,,==$& CONTINUOUSLY I'M CROWDING THROUGH &$==,,,,,,
,,,,,,,=$& , THE FOURTH WALL ,OUTWARDS IS WHAT , &$=,,,,,,,
,,=/$%&#@@ ,, I'M THINKING BUT IT'S WRONG.. A NEW @@#&%$/=,,
,,=/$%&#@# , , NARRATOR IS INTRODUCED, OCCASIONALLY #@#&%$/=,,
,,,,,=$&## , , AWARE OF THE PREVIOUS ONE, DEEPER , ##&$=,,,,,
,,,===//$& , , DOWN IN THE DRAGONS THROAT. &$//===,,,
,,,,,,==$& , &$==,,,,,,
,,=$%&#@## , ##@#&%$=,,
,,=/$%&#@# #@#&%$/=,,
,,,,=$$&#@ @#&$$=,,,,
,,=/$%&&&@ @&&&%$/=,,
,,=/$$$%&& &&%$$$/=,,
,,=/$%&#@# #@#&%$/=,,
,,,,,==$%& &%$==,,,,,