@*\~~,,,,, ,,,,,~~\*@
&**~~,,,,, ,,,,,~~**&
@@@&**\~~, ,~~\**&@@@
#@@&**\~~, ,~~\**&@@#
&&*\~~~~,, ,,~~~~\*&&
##@&**\~~, @ ,~~\**&@##
##@@&*\~~, ,LIZARDRY ,~~\*&@@##
#@@&**\~~, ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ,~~\**&@@#
#@@&**\~~, @@ THE ART OF C~NNECTING ,~~\**&@@#
@&****\~~, , WITH THE OLD MIND ,~~\****&@
#@@&**\~~, ,~~\**&@@#
@@@&**\~~, MY MIND IS BEING SKEWED. MI ,~~\**&@@@
#@@&**\~~, SKELETON IS STRINGY AND OLD AND ALIEN ,~~\**&@@#
@@@&**\~~, THE SITUATION IS LITERALLY ,~~\**&@@@
#@@&**\~~, PRESSED OUT THROUGH MY EYES, IT'S ,~~\**&@@#
@@@&**\~~, ECHOING LIKE ,~~\**&@@@
@@&*\\\~~, THE SUNSET OF THE ETERNAL ,~~\\\*&@@
##@&**\~~, OCEAN ,~~\**&@##
#@@&**\~~, PERSISTENTLY AGAINST MY EMULSION ,~~\**&@@#
#@@&**\~~, ,~~\**&@@#
@****\\~~, IT'S UNGRASPABLE TO ME, WHAT OTHER ,~~\\****@
##@@&**\~, HUMANS ARE DOING AND ABSTRACTING, ,~\**&@@##
#@@&**\~~, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,~~\**&@@#
&****~~~,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,~~~****&
@***~,,,,, , ,,,,,~***@
##@@**\~~, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,~~\**@@##
@&*~~,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,~~*&@
@&*\\~,,,, , THE FOURTH WALL ~OUTWARDS IS WHAT , ,,,,~\\*&@
@&&&**\~~, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,~~\**&&&@
#@@&**\~~, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,~~\**&@@#
##@@&*\~~, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,~~\*&@@##
@&*\~~~,,, ~ ~ DOWN IN THE DRAGONS THROAT. ,,,~~~\*&@
#@@&**\~~, ~ ,~~\**&@@#
@&&&**\~~, ~ ,~~\**&&&@
#@@&**\~~, ,~~\**&@@#
@&&***\~~, ,~~\***&&@
@@&**\\~~, ,~~\\**&@@
@***\~,,,, ,,,,~\***@
##@&**\~~, ,~~\**&@##
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