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¨¨¨::††%## ##%††::¨¨¨
¨:~†§@#### # ####@§†~:¨
¨:~††††%%@ ¨LIZARDRY @%%††††~:¨
¨¨¨¨¨~§@@# ~ # ## ### ################## #@@§~¨¨¨¨¨
¨:†§%@#### ## THE ART OF C:NNECTING ####@%§†:¨
¨:~†§%@### ¨ WITH THE OLD MIND ###@%§†~:¨
¨:~†§%@### ###@%§†~:¨
¨:~†§%@### MY MIND IS BEING SKEWED. MI ###@%§†~:¨
¨:~†§%@### SKELETON IS STRINGY AND OLD AND ALIEN ###@%§†~:¨
¨¨¨:::~†%# THE SITUATION IS LITERALLY #%†~:::¨¨¨
¨:~†§§§@## PRESSED OUT THROUGH MY EYES, IT'S ##@§§§†~:¨
¨:~†§%@### ECHOING LIKE ###@%§†~:¨
¨:~†§%@@@# THE SUNSET OF THE ETERNAL #@@@%§†~:¨
¨:~†§%@### OCEAN ###@%§†~:¨
¨:~††§§@@# PERSISTENTLY AGAINST MY EMULSION #@@§§††~:¨
¨:~†§%@@## ##@@%§†~:¨
¨:~†§%@### IT'S UNGRASPABLE TO ME, WHAT OTHER ###@%§†~:¨
¨:~†§%@@@# HUMANS ARE DOING AND ABSTRACTING, #@@@%§†~:¨
¨:~†§%@### AND ABOVE ALL ELSE, WHAT TIME THEY USE? ###@%§†~:¨
¨¨¨¨¨¨:~§@ HOW LONG A TIME HAS PASSED, FOR THEM? @§~:¨¨¨¨¨¨
¨:~†§%@### ¨ ###@%§†~:¨
¨:~†§%@### ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ###@%§†~:¨
¨:~†§%@### CONTINUOUSLY I'M CROWDING THROUGH ###@%§†~:¨
¨:~~††%%@# ¨ THE FOURTH WALL :OUTWARDS IS WHAT ¨ #@%%††~~:¨
¨:~†§%@### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###@%§†~:¨
¨:~†§%%%%# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #%%%%§†~:¨
¨:~†§%%%@# : : AWARE OF THE PREVIOUS ONE, DEEPER ¨ #@%%%§†~:¨
¨:~†§%@### : : DOWN IN THE DRAGONS THROAT. ###@%§†~:¨
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¨:~†§%@### : ###@%§†~:¨
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