..:-**@¤@# #@¤@**-:..
...:-**@¤@ @¤@**-:...
....:-**@¤ ¤@**-:....
.....:-**@ @**-:.....
....:-**@¤ ¤@**-:....
...:-**@¤@ @ @¤@**-:...
..:-**@¤@# .LIZARDRY #@¤@**-:..
.:-**@¤@## - @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@¤@**-:.
..:-**@¤@# @@ THE ART OF C:NNECTING #@¤@**-:..
...:-**@¤@ . WITH THE OLD MIND @¤@**-:...
....:-**@¤ ¤@**-:....
.....:-**@ MY MIND IS BEING SKEWED. MI @**-:.....
....:-**@¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤@**-:....
...:-**@¤@ THE SITUATION IS LITERALLY @¤@**-:...
..:-**@¤@# PRESSED OUT THROUGH MY EYES, IT'S #@¤@**-:..
.:-**@¤@## ECHOING LIKE ##@¤@**-:.
..:-**@¤@# THE SUNSET OF THE ETERNAL #@¤@**-:..
...:-**@¤@ OCEAN @¤@**-:...
....:-**@¤ PERSISTENTLY AGAINST MY EMULSION ¤@**-:....
.....:-**@ @**-:.....
....:-**@¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤@**-:....
...:-**@¤@ HUMANS ARE DOING AND ABSTRACTING, @¤@**-:...
..:-**@¤@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@¤@**-:..
.:-**@¤@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@¤@**-:.
..:-**@¤@# . #@¤@**-:..
...:-**@¤@ . ... . ................ @@@@@@@ @¤@**-:...
....:-**@¤ CONTINUOUSLY I'M CROWDING THROUGH ¤@**-:....
.....:-**@ . THE FOURTH WALL :OUTWARDS IS WHAT . @**-:.....
....:-**@¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤@**-:....
...:-**@¤@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @¤@**-:...
..:-**@¤@# : : AWARE OF THE PREVIOUS ONE, DEEPER . #@¤@**-:..
.:-**@¤@## : : DOWN IN THE DRAGONS THROAT. ##@¤@**-:.
..:-**@¤@# : #@¤@**-:..
...:-**@¤@ : @¤@**-:...
....:-**@¤ ¤@**-:....
.....:-**@ @**-:.....
....:-**@¤ ¤@**-:....
...:-**@¤@ @¤@**-:...
..:-**@¤@# #@¤@**-:..
.:-**@¤@## ##@¤@**-:.