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##@$§;=.¨¨ # ¨¨.=;§$@##
#@$§;=.¨¨¨ ¨LIZARDRY ¨¨¨.=;§$@#
##@$§;=.¨¨ = @ #@ ### ################## ¨¨.=;§$@##
###@$§;=.¨ ## THE ART OF C.NNECTING ¨.=;§$@###
##@$§;=.¨¨ ¨ WITH THE OLD MIND ¨¨.=;§$@##
#@$§;=.¨¨¨ ¨¨¨.=;§$@#
##@$§;=.¨¨ MY MIND IS BEING SKEWED. MI ¨¨.=;§$@##
###@$§;=.¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨.=;§$@###
##@$§;=.¨¨ THE SITUATION IS LITERALLY ¨¨.=;§$@##
#@$§;=.¨¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨¨.=;§$@#
##@$§;=.¨¨ ECHOING LIKE ¨¨.=;§$@##
###@$§;=.¨ THE SUNSET OF THE ETERNAL ¨.=;§$@###
##@$§;=.¨¨ OCEAN ¨¨.=;§$@##
#@$§;=.¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨.=;§$@#
##@$§;=.¨¨ ¨¨.=;§$@##
###@$§;=.¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨.=;§$@###
##@$§;=.¨¨ HUMANS ARE DOING AND ABSTRACTING, ¨¨.=;§$@##
#@$§;=.¨¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨¨.=;§$@#
##@$§;=.¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨.=;§$@##
###@$§;=.¨ ¨ ¨.=;§$@###
##@$§;=.¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨.=;§$@##
#@$§;=.¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨.=;§$@#
##@$§;=.¨¨ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¨¨.=;§$@##
###@$§;=.¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨.=;§$@###
##@$§;=.¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨.=;§$@##
#@$§;=.¨¨¨ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨¨.=;§$@#
##@$§;=.¨¨ . . DOWN IN THE DRAGONS THROAT. ¨¨.=;§$@##
###@$§;=.¨ . ¨.=;§$@###
##@$§;=.¨¨ . ¨¨.=;§$@##
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