¨¨¨¨»///%@ @%///»¨¨¨¨
¨,»/%&@#@@ @@#@&%/»,¨
¨,»/%&@#@# #@#@&%/»,¨
¨,»/%&@#@# #@#@&%/»,¨
¨,»/&@#@## ##@#@&/»,¨
¨¨¨¨¨¨»/&# @ #&/»¨¨¨¨¨¨
¨,»/%&@@## ¨LIZARDRY ##@@&%/»,¨
¨,»/%&@#@@ » # @# @@@ @@@@@@@@@@@@@@@@@@ @@#@&%/»,¨
¨,»/%&@### @@ THE ART OF C,NNECTING ###@&%/»,¨
¨¨¨,,,/&&@ ¨ WITH THE OLD MIND @&&/,,,¨¨¨
¨,»/%@#@## ##@#@%/»,¨
¨,»/%%%@#@ MY MIND IS BEING SKEWED. MI @#@%%%/»,¨
¨,»/%&&&&# SKELETON IS STRINGY AND OLD AND ALIEN #&&&&%/»,¨
¨,»/%&@@## THE SITUATION IS LITERALLY ##@@&%/»,¨
¨,»/%&@#@# PRESSED OUT THROUGH MY EYES, IT'S #@#@&%/»,¨
¨¨¨,»//%@@ ECHOING LIKE @@%//»,¨¨¨
¨,»»»//&@@ THE SUNSET OF THE ETERNAL @@&//»»»,¨
¨¨¨¨¨,/&@@ OCEAN @@&/,¨¨¨¨¨
¨,»/%&@##@ PERSISTENTLY AGAINST MY EMULSION @##@&%/»,¨
¨,»/%&#@## ##@#&%/»,¨
¨,»/%&@@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@@&%/»,¨
¨,»/&@#@## HUMANS ARE DOING AND ABSTRACTING, ##@#@&/»,¨
¨¨¨¨¨¨,»%@ AND ABOVE ALL ELSE, WHAT TIME THEY USE? @%»,¨¨¨¨¨¨
¨¨¨»»%%%@@ HOW LONG A TIME HAS PASSED, FOR THEM? @@%%%»»¨¨¨
¨¨¨¨»%%%@@ ¨ @@%%%»¨¨¨¨
¨,»/%&@#@# ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### #@#@&%/»,¨
¨,»/%&@##@ CONTINUOUSLY I'M CROWDING THROUGH @##@&%/»,¨
¨,»/%&@#@# ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ #@#@&%/»,¨
¨,»/%&@#@# ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW #@#@&%/»,¨
¨,»/%&@#@# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #@#@&%/»,¨
¨,»/%&@#@# , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ #@#@&%/»,¨
¨,»/%&@#@# , , DOWN IN THE DRAGONS THROAT. #@#@&%/»,¨
¨,»/%&@#@@ , @@#@&%/»,¨
¨,»/%%%%&@ , @&%%%%/»,¨
¨,»//%&&@@ @@&&%//»,¨
¨,»/%&@#@# #@#@&%/»,¨
¨¨¨¨»/&@@# #@@&/»¨¨¨¨
¨,»/%&@#@# #@#@&%/»,¨
¨,»/%&@#@# #@#@&%/»,¨
¨,»/%&@#@@ @@#@&%/»,¨