###&¤†;=^. .^=;†¤&###
###&¤†;=^. .^=;†¤&###
##¤††;^... ...^;††¤##
#¤¤;;===^. .^===;;¤¤#
###&¤†;=^. .^=;†¤&###
&¤†====^^. # .^^====†¤&
#&¤¤¤†;=^. .lizardry .^=;†¤¤¤&#
#&†;^..... = # ## ### ################## .....^;†&#
#¤¤¤;=^^.. ## the art of c^nnecting ..^^=;¤¤¤#
####&†;=^. . with the old mind .^=;†&####
#¤;^...... ......^;¤#
#&†=^..... my mind is being skewed. mi .....^=†&#
&†=....... skeleton is stringy and old and alien .......=†&
###&¤†;=^. the situation is literally .^=;†¤&###
###&¤†;=^. pressed out through my eyes, it's .^=;†¤&###
&†;=^..... echoing like .....^=;†&
&†=....... the sunset of the eternal .......=†&
#¤†;^..... ocean .....^;†¤#
#¤††;;^... persistently against my emulsion ...^;;††¤#
##&&¤†;=^. .^=;†¤&&##
###&¤†;=^. it's ungraspable to me, what other .^=;†¤&###
####&†;=^. humans are doing and abstracting, .^=;†&####
&¤¤¤¤†;=^. and above all else, what time they use? .^=;†¤¤¤¤&
&&†=...... how long a time has passed, for them? ......=†&&
###&¤†;=^. . .^=;†¤&###
&†††††;=^. . ... . ................ ####### .^=;†††††&
###&¤†;=^. continuously i'm crowding through .^=;†¤&###
##¤¤¤†;=^. . the fourth wall ^outwards is what . .^=;†¤¤¤##
###&¤†;=^. .. i'm thinking but it's wrong.. a new .^=;†¤&###
#¤;==..... . . narrator is introduced, occasionally .....==;¤#
###&¤†;=^. ^ ^ aware of the previous one, deeper . .^=;†¤&###
###&¤†;=^. ^ ^ down in the dragons throat. .^=;†¤&###
&&¤¤†;^... ^ ...^;†¤¤&&
###&¤†;=^. ^ .^=;†¤&###
&&†;;^^^^. .^^^^;;†&&
###&¤†;=^. .^=;†¤&###
###&¤†;=^. .^=;†¤&###
##¤¤¤†;=^. .^=;†¤¤¤##
##&&¤†;=^. .^=;†¤&&##
&††==..... .....==††&