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@,@@,@,,@, ,LIZARDRY ,@,@,@,,@,
@,,@,@,@@, = ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ ,@,@,@,@@,
@,@@,@,,@, @@ THE ART OF C,NNECTING ,@,@,@,,@,
@,,@,@,@@, , WITH THE OLD MIND ,@,@,@,@@,
@,@@,@,,@, ,@,@,@,,@,
@,,@,@,@@, MY MIND IS BEING SKEWED. MI ,@,@,@,@@,
@,@@,@,,@, SKELETON IS STRINGY AND OLD AND ALIEN ,@,@,@,,@,
@,,@,@,@@, THE SITUATION IS LITERALLY ,@,@,@,@@,
@,@@,@,,@, PRESSED OUT THROUGH MY EYES, IT'S ,@,@,@,,@,
@,,@,@,@@, ECHOING LIKE ,@,@,@,@@,
@,@@,@,,@, THE SUNSET OF THE ETERNAL ,@,@,@,,@,
@,,@,@,@@, OCEAN ,@,@,@,@@,
@,@@,@,,@, PERSISTENTLY AGAINST MY EMULSION ,@,@,@,,@,
@,,@,@,@@, ,@,@,@,@@,
@,@@,@,,@, IT'S UNGRASPABLE TO ME, WHAT OTHER ,@,@,@,,@,
@,,@,@,@@, HUMANS ARE DOING AND ABSTRACTING, ,@,@,@,@@,
@,@@,@,,@, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,@,@,@,,@,
@,,@,@,@@, HOW LONG A TIME HAS PASSED, FOR THEM? ,@,@,@,@@,
@,@@,@,,@, , ,@,@,@,,@,
@,,@,@,@@, , ,,, , ,,,,,,,,,,,,,,,, ¶¶¶¶¶¶¶ ,@,@,@,@@,
@,@@,@,,@, CONTINUOUSLY I'M CROWDING THROUGH ,@,@,@,,@,
@,,@,@,@@, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,@,@,@,@@,
@,@@,@,,@, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,@,@,@,,@,
@,,@,@,@@, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,@,@,@,@@,
@,@@,@,,@, , , AWARE OF THE PREVIOUS ONE, DEEPER , ,@,@,@,,@,
@,,@,@,@@, , , DOWN IN THE DRAGONS THROAT. ,@,@,@,@@,
@,@@,@,,@, , ,@,@,@,,@,
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