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¨¨¨,††%%&¤ ¨LIZARDRY ¤&%%††,¨¨¨
¨¨¨¨¨¨««%¤ « @ @@ @@@ @@@@@@@@@@@@@@@@@@ ¤%««¨¨¨¨¨¨
¨,«†%&¤@## @@ THE ART OF C,NNECTING ##@¤&%†«,¨
¨¨¨¨,,«%¤¤ ¨ WITH THE OLD MIND ¤¤%«,,¨¨¨¨
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¨¨¨,†%%%&@ MY MIND IS BEING SKEWED. MI @&%%%†,¨¨¨
¨¨¨¨¨«††%¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤%††«¨¨¨¨¨
¨¨¨¨,,†%&@ THE SITUATION IS LITERALLY @&%†,,¨¨¨¨
¨¨¨¨¨¨,†&¤ PRESSED OUT THROUGH MY EYES, IT'S ¤&†,¨¨¨¨¨¨
¨,«†%&¤@@# ECHOING LIKE #@@¤&%†«,¨
¨¨¨¨¨,,†%¤ THE SUNSET OF THE ETERNAL ¤%†,,¨¨¨¨¨
¨¨¨¨«†&&¤@ OCEAN @¤&&†«¨¨¨¨
¨,«†%&¤@@# PERSISTENTLY AGAINST MY EMULSION #@@¤&%†«,¨
¨,«†%&¤@@# #@@¤&%†«,¨
¨,«†%&¤@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@¤&%†«,¨
¨,«†%&¤@@# HUMANS ARE DOING AND ABSTRACTING, #@@¤&%†«,¨
¨,«†%&¤@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@¤&%†«,¨
¨,«†%&¤@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@¤&%†«,¨
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¨,«†%&¤@@@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ @@@¤&%†«,¨
¨¨¨¨¨¨,†%¤ CONTINUOUSLY I'M CROWDING THROUGH ¤%†,¨¨¨¨¨¨
¨,«†%&¤@@@ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ @@@¤&%†«,¨
¨,«†%&¤@@@ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW @@@¤&%†«,¨
¨,«†%&¤@@# ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY #@@¤&%†«,¨
¨¨,,,††&¤@ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ @¤&††,,,¨¨
¨¨¨¨¨«%&¤@ , , DOWN IN THE DRAGONS THROAT. @¤&%«¨¨¨¨¨
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