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,^»;†§§§@# #@§§§†;»^,
,,,,,»†§## # ##§†»,,,,,
,^»;†§#### ,LIZARDRY ####§†;»^,
,^»;†§#@## » @ #@ ### ################## ##@#§†;»^,
,^»;†§#@## ## THE ART OF C^NNECTING ##@#§†;»^,
,,,,»††##@ , WITH THE OLD MIND @##††»,,,,
,^»;†§#### ####§†;»^,
,^»;†§#@@# MY MIND IS BEING SKEWED. MI #@@#§†;»^,
,,,,,,^;§@ SKELETON IS STRINGY AND OLD AND ALIEN @§;^,,,,,,
,,,,^»;§§@ THE SITUATION IS LITERALLY @§§;»^,,,,
,^»;†§#@## PRESSED OUT THROUGH MY EYES, IT'S ##@#§†;»^,
,^»;†§#@## ECHOING LIKE ##@#§†;»^,
,^»;†§#### THE SUNSET OF THE ETERNAL ####§†;»^,
,,,,,,^;§@ OCEAN @§;^,,,,,,
,^»;††§§§# PERSISTENTLY AGAINST MY EMULSION #§§§††;»^,
,,,,^^»»†# #†»»^^,,,,
,,^^»»†### IT'S UNGRASPABLE TO ME, WHAT OTHER ###†»»^^,,
,^»;†#@### HUMANS ARE DOING AND ABSTRACTING, ###@#†;»^,
,^»;†§#@## AND ABOVE ALL ELSE, WHAT TIME THEY USE? ##@#§†;»^,
,,,^»;†### HOW LONG A TIME HAS PASSED, FOR THEM? ###†;»^,,,
,^»;†§#### , ####§†;»^,
,^»;†§#### , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ####§†;»^,
,^»;†§#@@# CONTINUOUSLY I'M CROWDING THROUGH #@@#§†;»^,
,^»;†§#@## , THE FOURTH WALL ^OUTWARDS IS WHAT , ##@#§†;»^,
,^»;†§#@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@#§†;»^,
,^»;†§#@## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##@#§†;»^,
,^»;†§#@## ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ##@#§†;»^,
,^»;†§@### ^ ^ DOWN IN THE DRAGONS THROAT. ###@§†;»^,
,,,,»;§#@# ^ #@#§;»,,,,
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