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&¨&&&¨&&¨& ¨LIZARDRY &¨&¨&¨&¨&¨
&¨¨&&¨¨&¨& = £ #£ ### ################## &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& ## THE ART OF C.NNECTING &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& ¨ WITH THE OLD MIND &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& MY MIND IS BEING SKEWED. MI &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& SKELETON IS STRINGY AND OLD AND ALIEN &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& THE SITUATION IS LITERALLY &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& PRESSED OUT THROUGH MY EYES, IT'S &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& ECHOING LIKE &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& THE SUNSET OF THE ETERNAL &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& OCEAN &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& PERSISTENTLY AGAINST MY EMULSION &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& IT'S UNGRASPABLE TO ME, WHAT OTHER &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& HUMANS ARE DOING AND ABSTRACTING, &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& AND ABOVE ALL ELSE, WHAT TIME THEY USE? &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& HOW LONG A TIME HAS PASSED, FOR THEM? &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& ¨ &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ £££££££ &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& CONTINUOUSLY I'M CROWDING THROUGH &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& . . DOWN IN THE DRAGONS THROAT. &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& . &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& . &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& &¨&¨&¨&¨&¨
&¨&¨&¨&&¨& &¨&¨&¨&¨&¨
&¨&¨&¨¨&¨& &¨&¨&¨&¨&¨