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###@&§$*,. .LIZARDRY .,*$§&@###
##@&§$*«,. « @ #@ ### ################## .,«*$§&@##
#&§§**,... ## THE ART OF C,NNECTING ...,**§§&#
@&&&§$*«,. . WITH THE OLD MIND .,«*$§&&&@
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##@&§$*«,. MY MIND IS BEING SKEWED. MI .,«*$§&@##
#&&&§$*«,. SKELETON IS STRINGY AND OLD AND ALIEN .,«*$§&&&#
##@&§$*«,. THE SITUATION IS LITERALLY .,«*$§&@##
##@&§$*«,. PRESSED OUT THROUGH MY EYES, IT'S .,«*$§&@##
&&&$$$*«,. ECHOING LIKE .,«*$$$&&&
##@&§$*«,. THE SUNSET OF THE ETERNAL .,«*$§&@##
##@&§$*«,. OCEAN .,«*$§&@##
#@@&§$*«,. PERSISTENTLY AGAINST MY EMULSION .,«*$§&@@#
###@&§$«,. .,«$§&@###
@@&&§$*«,. IT'S UNGRASPABLE TO ME, WHAT OTHER .,«*$§&&@@
##@&§$*«,. HUMANS ARE DOING AND ABSTRACTING, .,«*$§&@##
###&§$*«,. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .,«*$§&###
##@&§$*«,. HOW LONG A TIME HAS PASSED, FOR THEM? .,«*$§&@##
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#@&&§$*«,. CONTINUOUSLY I'M CROWDING THROUGH .,«*$§&&@#
@&$**,,... . THE FOURTH WALL ,OUTWARDS IS WHAT . ...,,**$&@
#@&&§$*«,. .. I'M THINKING BUT IT'S WRONG.. A NEW .,«*$§&&@#
&&§§$$*«,. . . NARRATOR IS INTRODUCED, OCCASIONALLY .,«*$$§§&&
##@&§$*«,. , , AWARE OF THE PREVIOUS ONE, DEEPER . .,«*$§&@##
###&§$*«,. , , DOWN IN THE DRAGONS THROAT. .,«*$§&###
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