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,@@@@@,,,,    #                                     ,,@@,,,@@,
,,@@@,,@@@              ,LIZARDRY                   ,,,,,@,,,,
@,,@,,,,@@ -           ¶ #¶ ###  ################## @@@@,,,@@@
,,,,,@@,,@ ##      THE ART OF C,NNECTING            @@@,,@,,@@
,@@@,,,,,,        ,    WITH THE OLD MIND            @@,,,,,,,,
,,@,,@@@@,                                          @,,@@@@@@@
,,,,,,@@,,             MY MIND IS BEING SKEWED. MI  ,,,,@@@@@,
@@@@@,,,,@  SKELETON IS STRINGY AND OLD AND ALIEN   @@@,,@@@,,
,@@@,,@@,,             THE SITUATION IS LITERALLY   @@,,,,@,,,
,,@,,,,,,@ PRESSED OUT THROUGH MY EYES, IT'S        @,,@@,,,@@
,,,,@@@@,, ECHOING LIKE                             ,,,,,,@,,,
@@@,,@@,,,             THE SUNSET OF THE ETERNAL    ,@@@@,,,@@
@@,,,,,,@@ OCEAN                                    ,,@@,,@,,@
@,,@@@@,,,         PERSISTENTLY AGAINST MY EMULSION ,,,,,,,,,,
,,,,@@,,@@                                          @@@@@@@@@,
@@@,,,,,,,    IT'S UNGRASPABLE TO ME, WHAT OTHER    ,@@@@@@@,,
,@,,@@@@@@   HUMANS ARE DOING AND ABSTRACTING,      ,,@@@@@,,,
,,,,,@@@@,  AND ABOVE ALL ELSE, WHAT TIME THEY USE? @,,@@@,,@@
,@@@,,@@,, HOW LONG A TIME HAS PASSED, FOR THEM?    ,,,,@,,,,,
,,@,,,,,,@                                     ,    @@@,,,@@@@
,,,,@@@@,,  , ,,, ,  ,,,,,,,,,,,,,,,,   ¶¶¶¶¶¶¶     @@,,@,,@@,
@@@,,@@,,@   CONTINUOUSLY I'M CROWDING THROUGH      ,,,,,,,,,,
,@,,,,,,,, , THE FOURTH WALL  ,OUTWARDS IS WHAT   , @@@@@@@@@,
,,,@@@@@@, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,@@@@@@@,,
@@,,@@@@,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,@@@@@,,@
@,,,,@@,,@ ,  , AWARE OF THE PREVIOUS ONE, DEEPER , @,,@@@,,,,
,,@@,,,,,, ,   , DOWN IN THE DRAGONS THROAT.        ,,,,@,,@@,
@,,,,@@@@@      ,                                   ,@@,,,,,,,
,,@@,,@@@@       ,                                  ,,,,@@@@@,
@,,,,,,@@@                                          ,@@,,@@@,,
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