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#.#.#.#.#.              .LIZARDRY                   .##.##.##.
#.#.#.#.#. =           @ #@ ###  ################## ..#..#..#.
#.#.#.#.#. ##      THE ART OF C^NNECTING            .##.##.##.
#.#.#.#.#.        .    WITH THE OLD MIND            ..#..#..#.
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#.#.#.#.#.             MY MIND IS BEING SKEWED. MI  ..#..#..#.
#.#.#.#.#.  SKELETON IS STRINGY AND OLD AND ALIEN   .##.##.##.
#.#.#.#.#.             THE SITUATION IS LITERALLY   ..#..#..#.
#.#.#.#.#. PRESSED OUT THROUGH MY EYES, IT'S        .##.##.##.
#.#.#.#.#. ECHOING LIKE                             ..#..#..#.
#.#.#.#.#.             THE SUNSET OF THE ETERNAL    .##.##.##.
#.#.#.#.#. OCEAN                                    ..#..#..#.
#.#.#.#.#.         PERSISTENTLY AGAINST MY EMULSION .##.##.##.
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#.#.#.#.#.    IT'S UNGRASPABLE TO ME, WHAT OTHER    .##.##.##.
#.#.#.#.#.   HUMANS ARE DOING AND ABSTRACTING,      ..#..#..#.
#.#.#.#.#.  AND ABOVE ALL ELSE, WHAT TIME THEY USE? .##.##.##.
#.#.#.#.#. HOW LONG A TIME HAS PASSED, FOR THEM?    ..#..#..#.
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#.#.#.#.#.  . ... .  ................   @@@@@@@     ..#..#..#.
#.#.#.#.#.   CONTINUOUSLY I'M CROWDING THROUGH      .##.##.##.
#.#.#.#.#. . THE FOURTH WALL  ^OUTWARDS IS WHAT   . ..#..#..#.
#.#.#.#.#. .. I'M THINKING BUT IT'S WRONG.. A NEW   .##.##.##.
#.#.#.#.#. . . NARRATOR IS INTRODUCED, OCCASIONALLY ..#..#..#.
#.#.#.#.#. ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . .##.##.##.
#.#.#.#.#. ^   ^ DOWN IN THE DRAGONS THROAT.        ..#..#..#.
#.#.#.#.#.      ^                                   .##.##.##.
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