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@.........              .LIZARDRY                   @@@....@.@
@@........ -           # ## ###  ################## @.@@.....@
.@@....... ##      THE ART OF C^NNECTING            ..@@@....@
.@@@......        .    WITH THE OLD MIND            ..@.@@....
.@.@@.....                                          ....@@@...
...@@@....             MY MIND IS BEING SKEWED. MI  ....@.@@..
...@.@@...  SKELETON IS STRINGY AND OLD AND ALIEN   ......@@@.
.....@@@..             THE SITUATION IS LITERALLY   ......@.@@
@....@.@@. PRESSED OUT THROUGH MY EYES, IT'S        @.......@@
@@.....@@@ ECHOING LIKE                             .@......@.
@@@....@.@             THE SUNSET OF THE ETERNAL    ..@.......
@.@@.....@ OCEAN                                    ...@......
..@@@....@         PERSISTENTLY AGAINST MY EMULSION ....@.....
..@.@@....                                          @....@....
....@@@...    IT'S UNGRASPABLE TO ME, WHAT OTHER    @@....@...
....@.@@..   HUMANS ARE DOING AND ABSTRACTING,      .@@....@..
......@@@.  AND ABOVE ALL ELSE, WHAT TIME THEY USE? .@@@....@.
......@.@@ HOW LONG A TIME HAS PASSED, FOR THEM?    .@.@@....@
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.@......@.  . ... .  ................   #######     ...@.@@...
..@.......   CONTINUOUSLY I'M CROWDING THROUGH      @....@@@..
...@...... . THE FOURTH WALL  ^OUTWARDS IS WHAT   . .@...@.@@.
....@..... .. I'M THINKING BUT IT'S WRONG.. A NEW   ..@....@@@
@....@.... . . NARRATOR IS INTRODUCED, OCCASIONALLY ...@...@.@
@@....@... ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . ....@....@
.@@....@.. ^   ^ DOWN IN THE DRAGONS THROAT.        @....@...@
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