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,,,,,~^%£¤ ¤£%^~,,,,,
,,,,~^%£¤# # #¤£%^~,,,,
,,,~^%£¤## ,LIZARDRY ##¤£%^~,,,
,,~^%£¤### ~ # ## ### ################## ###¤£%^~,,
,,,~^%£¤## ## THE ART OF C,NNECTING ##¤£%^~,,,
,,,,~^%£¤# , WITH THE OLD MIND #¤£%^~,,,,
,,,,,~^%£¤ ¤£%^~,,,,,
,,,,~^%£¤# MY MIND IS BEING SKEWED. MI #¤£%^~,,,,
,,,~^%£¤## SKELETON IS STRINGY AND OLD AND ALIEN ##¤£%^~,,,
,,~^%£¤### THE SITUATION IS LITERALLY ###¤£%^~,,
,,,~^%£¤## PRESSED OUT THROUGH MY EYES, IT'S ##¤£%^~,,,
,,,,~^%£¤# ECHOING LIKE #¤£%^~,,,,
,,,,,~^%£¤ THE SUNSET OF THE ETERNAL ¤£%^~,,,,,
,,,,~^%£¤# OCEAN #¤£%^~,,,,
,,,~^%£¤## PERSISTENTLY AGAINST MY EMULSION ##¤£%^~,,,
,,~^%£¤### ###¤£%^~,,
,,,~^%£¤## IT'S UNGRASPABLE TO ME, WHAT OTHER ##¤£%^~,,,
,,,,~^%£¤# HUMANS ARE DOING AND ABSTRACTING, #¤£%^~,,,,
,,,,,~^%£¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤£%^~,,,,,
,,,,~^%£¤# HOW LONG A TIME HAS PASSED, FOR THEM? #¤£%^~,,,,
,,,~^%£¤## , ##¤£%^~,,,
,,~^%£¤### , ,,, , ,,,,,,,,,,,,,,,, ####### ###¤£%^~,,
,,,~^%£¤## CONTINUOUSLY I'M CROWDING THROUGH ##¤£%^~,,,
,,,,~^%£¤# , THE FOURTH WALL ,OUTWARDS IS WHAT , #¤£%^~,,,,
,,,,,~^%£¤ ,, I'M THINKING BUT IT'S WRONG.. A NEW ¤£%^~,,,,,
,,,,~^%£¤# , , NARRATOR IS INTRODUCED, OCCASIONALLY #¤£%^~,,,,
,,,~^%£¤## , , AWARE OF THE PREVIOUS ONE, DEEPER , ##¤£%^~,,,
,,~^%£¤### , , DOWN IN THE DRAGONS THROAT. ###¤£%^~,,
,,,~^%£¤## , ##¤£%^~,,,
,,,,~^%£¤# , #¤£%^~,,,,
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