..«/§§¶@## ##@¶§§/«..
..«/§§@¶## ##¶@§§/«..
..«/§§@¶@# #@¶@§§/«..
......./§¶ ¶§/.......
..«/§§@¶@# #@¶@§§/«..
....///§§@ @ @§§///....
.....«//§@ .lizardry @§//«.....
..«/§§@¶@# « ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ #@¶@§§/«..
..«/§§@¶@# @@ the art of c.nnecting #@¶@§§/«..
..«/§§@@@@ . with the old mind @@@@§§/«..
.....««/§¶ ¶§/««.....
..«//§§§¶¶ my mind is being skewed. mi ¶¶§§§//«..
.....«§§§@ skeleton is stringy and old and alien @§§§«.....
..«/§§@¶@@ the situation is literally @@¶@§§/«..
.....«/§@¶ pressed out through my eyes, it's ¶@§/«.....
....««/§@@ echoing like @@§/««....
......«/§¶ the sunset of the eternal ¶§/«......
..«/§§@@## ocean ##@@§§/«..
..«/§§§§¶¶ persistently against my emulsion ¶¶§§§§/«..
....«//§@@ @@§//«....
.....«/§§@ it's ungraspable to me, what other @§§/«.....
..«/§§@@@¶ humans are doing and abstracting, ¶@@@§§/«..
..«/§§@¶## and above all else, what time they use? ##¶@§§/«..
..«/§§@¶¶¶ how long a time has passed, for them? ¶¶¶@§§/«..
..«/§§@¶@# . #@¶@§§/«..
..«/§§@¶@# . ... . ................ ¶¶¶¶¶¶¶ #@¶@§§/«..
..«/§§@¶@@ continuously i'm crowding through @@¶@§§/«..
..«///§§@¶ . the fourth wall .outwards is what . ¶@§§///«..
..««««§§§@ .. i'm thinking but it's wrong.. a new @§§§««««..
..«/§§@¶@@ . . narrator is introduced, occasionally @@¶@§§/«..
.....«/§@¶ . . aware of the previous one, deeper . ¶@§/«.....
..«/§§§§¶@ . . down in the dragons throat. @¶§§§§/«..
..«/§§@@@¶ . ¶@@@§§/«..
.....«/§§¶ . ¶§§/«.....
..«/§§@¶¶¶ ¶¶¶@§§/«..
..«/§§@¶@@ @@¶@§§/«..
..«/§§@¶## ##¶@§§/«..
....««/§§¶ ¶§§/««....
..«/§§@¶## ##¶@§§/«..
..«/§§@¶@# #@¶@§§/«..